Adjusting time for still images

Is there an easy way to import a series of still images into the timeline and make them all display for the same duration? OR does the time need to be adjusted on each individually?
Thanks.

Changing the default still duration only changes the duration of the master clips that imported to the project. You would have to re-import all the still after changing the default duration for this to work.
However, if you drop a bazillion stills into a timeline, you can select them all and choose a new duration, it will be applied to all of them, provided they all start out at the same duration.
Hope this helps -
Max Average

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Quick Time Pro Still images duration

I am using Quick Time Pro version 7.7.5 to edit video clips. I am adding a still image to the beginning of each clip for illustrative purposes but need to lengthen the amound of time the still image is displayed after it is attached to the video, preferably for about 5 seconds. How would I go about doing that?

This is where "add scaled" comes into play. A still image doesn't have any "time" but if you add it scaled to an audio track you can give it a duration.
Open any audio track in QuickTime Player Pro and make a five second selection. Paste that selection in a new player window and close the source file.
Make sure all of your image files match the dimensions used in your video before starting.
Open the first of your image files, select all (control-a) and copy (control-c).
Switch to the 5 second audio track, select all and "Add to Selection & Scale" from the Edit menu.
Open the Movie Properties window (Window menu) and "Extract" the video track. This is now your 5 second image file. Name and save the file and close the image audio mix file without saving.
Repeat for your other images.

Adjust date/time for multiple images

Wonder if anyone else is having this problem (some posts seem similar but not exactly the same)
1. Clean library (mix of DNG, JPEG and TIFF files)
2. Need to change dates to match other images in the project
3. Selected multiple images and used Metadata -> Adjust Date/Time
4. "Lead" image (bright white box) date and time adjusted accordingly but other images in the selection date have their capture date and time generated apparently randomly (I'm trying to set 08/01/2008 but I'm getting anything from 27/03/1982 to 24/12/2010!)
5. The dates do appear random - repeating the process will lead to different dates in the IPTC field
6. I've clean installed everything - drive format, OSX10.6.2, Aperture 3 - and rebuilt the library. The problem remains unchanged!
Any ideas?
Cheers,
Adrian

I'd actually looked at this before attempting the metadata adjustment but checked it again just now to ensure I wasn't missing anything.
I guess if it's a shift based on the relative differences in the date of the imaes selected then that could explain the apparent random variations I'm getting. Although this would certainly be useful for the time stamp, when I'm trying to ensure all images in a project have the same date, relative changes certainly aren't!
I'd have to run it again tonight to confirm by comparing before/after adjustment dates. If that's what going on I think I'll have to get Adobe Bridge to do the heavy lifting for me..... just a shame I have to drag in another app rather than doing everything inside Aperture.

How do I convert time lapse still images into a video in Premire Elements 13?

I have 250 images taken at 15 second intervals that I want to convert to a video. I am not having any luck finding how to get elements to put the single pictures together. After I import the images I can play them but have not been able to shorten the time each still plays. So It is like a slide shot and not time lapse.

Bobclarkfiber
Please read my blog post very details how to for Time Lapse video and Premiere Elements.
http://www.atr935.blogspot.com/2013/07/pe-time-lapse-video-basics.html
and my less preferred way
http://www.atr935.blogspot.com/2013/08/pe-numbered-stills-in-time-lapse-and.html
Please review and consider. If you have questions or need clarification on any of the above, please do not
hesitate to ask.
Thank you.
ATR

Pixel dimensions for still images

Hello all,
I have just ran into a problem that seems to be a sizing problem with Final Cut Express HD. I used to crop my still pics to 1366 px - 768 px (for landscape) and then import them to FCE and export as a quicktime movie. When I brought the quicktime movie into iDVD and created the DVD it seemed to play great on my 46" Samsung tv -- full screen.
I just recently bought a Samsung 60" and when I create the same type of movies, I am getting a huge black border around the whole image (not just top and bottom but sides too). I tried creating a new movie and made all my still images 1920px x 1080 px, and it still comes out the same way.
I can stretch my tv so that they go full screen, but I think there should be a way to create the movie without having to stretch it....just have the tv set for 16:9, and I feel that it should work.
Any help would be greatly appreciated...thanks.
Norm

When you create a DVD, no matter what the pixel dimensions of your original material, it become 720x480 Standard Definition. This is what a DVD is. If you are creating a DVD that has material that is 16x9, then it creates a DVD that is 720x480 but plays back anamorphic, stretching to create the 16x9 screen.
If you play one of your older DVDs that played correctly on your previous TV, does it play correctly or does it also exhibit the black bars?
If it plays correctly then something has changed in the way you are creating your project in FCE.and encoding and burning the DVD.
If the older DVDs also exhibit the same playback problem, then I believe there is a menu setting on your new TV that will tell it how to display Standard Definition material from your DVD player, and you need to adjust that. (There are also settings in the set-top DVD player that tells it what kind of signal to send based on the what kind of display it is hooked up to.)
MtD

What PS file settings are used for still images for FCE?

I have images to use/create for the titles and transitions in my first FCE4 project. Using Photoshop CS6, the preset for File > New > Film & Video has the prest size and pixel aspect ratio selections. I thought to use this with HDV 1080p/29.97 and HDV1080/DVCPRO HD 720 (1.33) for any images I need for the project.
Most discussions I see only refer to the pixel size reference for HD image sizes, but nothing addressing the pixel aspect ratio setting for the image. Are these settings ignored in PS and handled in FCE only? Or does it make better quality images to get this "right" in PS when creating the still image?
Thanks in advance.

I'm not quite sure I understand your question. In an ideal world, the graphic material you build in PS should match the sequence settings you intend to edit them into - so, if for no other reason, it reduces the amount of reformatting FCE has to do when rendering them.
But frequently you want to build graphics larger than the frame size of the sequence so that you can re-size and reposition the graphic within FCE without losing quality.
The apparent pixel aspect ratio of your graphic can be controlled with FCE by editing the graphic to the timeline, double clicking on the clip in the timeline, and when that timeline clip opens in the viewer, click on the motion tab and adjust the Aspect Ratio Paddle (this is the correction for a 1920 x1080 square pixel clip being placed into an HDV 1440 x 1080 timeline):
In Photoshop, you can change the way your work is displayed by going to the menu View > Pixel Aspect Ratio:
Does any of this help?
MtD

Can't select "Variable Speed" for Still Image Motion

I am using FCP 5.1 to add motion to still images. I've placed my still images on the timeline and added the appropriate keyframes in the Motion tab of the Viewer to Scale, Rotate, and move the stills on screen to my liking. But the speed is locked to "Constant," and I want to change that.
Specifically, am rolling a still image on-screen, freezing it in the middle of the screen a few seconds, and then rolling it off-screen. Doing this is easy: I just add a keyframe and type in the off-screen coordinates, then add another keyframe and type in coordinates somewhere on screen. But I want to vary the speed that the image rolls on-screen, so it moves on-screen quickly but then gradually slows down until it finally stops (freezes) in the middle of the screen.
Unfortunately, the "Setting" popup menu under "Time Remap" in the Motion tab of the viewer is grayed out and locked to "Constant Speed" (and yes, my still image clip is indeed selected and being displayed in the view). I cannot figure out how to unlock that popup so I can select variable speed.
I can choose Variable or Constant speed just fine for any imported "video" clips -- only still images are locked to Constant for some reason. Is this just a feature limitation of FCP 5? Any ideas would be appreciated.
Many thanks.

Why so much sarcasm in this FCP forum, Studio X?
Yes, it was in the manual, which by the way is quite large. And I didn't say how long it took me to spot that in the manual either -- a long time. I didn't spot it the first time I had read through that section (yes, I had read it before). And the fact is, you didn't know it either, otherwise you may have cared to point it out (for not only myself, but for others reading this forum too).
I participate in numerous other forums on other sites. Many times, people ask questions that are very simplistic to me -- I know the answers and I know those people putting forth the questions could easily have looked up the answer. Nevertheless, I take time to be helpful to others. For truly, some day I may be in their shoes, lacking time to read every part of every manual out there.
I am therefore thankful to those who likewise respond in a tactful manner to my queries, with the productive aim of helping others rather than condemning them. Thank you, David Harbsmeier, for being consistently positive and very helpful in this forum!

Changing rate of zoom motion for still image?

Hey everyone,
I'm working on a short documentary and have a large still image I am zooming out of with the motion tab, setting 2 key frames for zoom and center point at beginning and end.
The rate of the zoom goes slow at first and then speeds up more and more as it goes along, and it's going so fast by the end that you can't see the whole image. So I'm wondering how I can give it an even rate of zoom out, or at least slowing it down at the end.
I tried adding another zoom key frame, but couldn't find where the center point key frame was supposed to be, so it wound up changing it's directory a bit at that point.
There's got to be a way to do this. Thanks again!

Yeah, FC doesn't handle this real well. Using the Ease in sometimes works, but I've found that instead of easing in, it sort of adjusts (subtly) the position of the photo.
What I've done in the past is adjust the speed of the photo "clip" to run longer, so the zoom is slower.
I've also thought the original file size of the photo made a difference, a larger file seems to not have this problem as bad, though I have NOT tested this. For me, this seemed to happen when using smaller files. My PS files are around 30MB each! Yes, lots of rendering when doing anything to them, but that does work.
Jonathan

Time-lapse Still Images

After two hours of reading on the web, I was unable to find any help for my problem. Perhaps someone out there has some knowledge to share.
I have several years worth of still images. The images were taken in 15 minute intervals. I need to display the images as a time-lapse movie with controls to step through each frame (still) or animate to time-lapse forward or in reverse. I would like to dynamically select the images corresponding to any date from a calendar component. A cover flow would be nice if it could somehow display the respective date with the image.
However the best method is for doing this, the result needs to function within a Flex application. I am just a beginner Flex developer so I need at least to know if this is feasible. All opinions are welcome.
Thanks!

Bobclarkfiber
Please read my blog post very details how to for Time Lapse video and Premiere Elements.
http://www.atr935.blogspot.com/2013/07/pe-time-lapse-video-basics.html
and my less preferred way
http://www.atr935.blogspot.com/2013/08/pe-numbered-stills-in-time-lapse-and.html
Please review and consider. If you have questions or need clarification on any of the above, please do not
hesitate to ask.
Thank you.
ATR

Poor rendering quality for still images

I have opened a new project with PAL DSLR settings (1080p, 25fps).
I have added a full res (about 4000px x 3000px) still image to the timeline and added a pan effect to it. When I view the preview in PE it looks fine. However, when I render the clip the quality is very poor in the preview.
I have tried exporting the clip to a file and this plays fine, but the preview does not look good.
Any ideas why the rendering should have this effect?

pickera2
I have a few things for you to consider and tryout if interested.
First, you are taking a 4000 x 3000 4:3 still into a 1920 x 1080 16:9 project (you say project preset = PAL/DSLR/1080p/DSLR 1080p25).
Your problem is confined to the preview of the pan and zoom result using the Pan and Zoom Tool (I am assuming the you are using Premiere Elements 10 or 11 or 12...I do not recall that you said which one).
Edit Menu/Preferences/General includes the preference "Default Scale to Frame Size" and it does just that. It is typically found ON. So, when your 4000 x 3000 pixels still is imported, the program tries to fit it as best possible into the 1920 x 1080 16:9 space set up in the Edit Mode monitor (Magnification = Fit) by the project preset. In your case, you would expect to see the following with black borders:
Is that what you are taking into the Pan and Zoom workspace? Or are you scaling what is seen there so that the image just fills the 1920 x 1080 space? Does it look like the following after scaling, if you do scale to fit?
And important point to remember is that whatever the case, the Pan and Zoom workspace is not referencing what is seen on the Timeline, but is instead referencing back to the original at the hard drive save location.
An alternative to all of this includes
Bringing you image into the project with the Default Scale to Frame Size disabled in preference. Then the 4000 x 3000 will overflow the space in the 1920 x 1080 monitor. You would then ignore what you see in the Premiere Elements workspace, select the Pan and Zoom Tool to open the Pan and Zoom workspace, and do your pans and zooms on the image that you see there. Click Done when finished. Back in the Premiere Elements workspace render the Timeline and scale what you see in the Edit Mode monitor as needed.
You also might want to look at beforehand cropping your 4000 x 3000 4:3 to 2200 x 1238 pixels 16:9 and using that as your source media with or without the Default Scale to Frame Size enabled.
Please view to see if the previews look any better and/or there are improvements in the export.
Thanks.
ATR

Format for still images

I recently made a slideshow in FCE, some of the images appeared stretched on my widescreen TV. What format should I use in the easy set up. A couple months ago I made a slide show and the still images looked fine on widescreen, but forgot how I did this. Thanks

Your widescreen TV should have an aspect control which you can set for 4:3 presentations.

Adjusting time of still photos

I have a video that runs almost 45 minutes and is comprised of about 100 still photos. The narration of the video has been changed and I need to adjust the time of each individual photo. I know how to accomplish this by adjusting each photo using the info box.
However, a friend of mine used Studio Plus on the PC. He showed me how they just snap the photo to the point on the audio and it is done for you. Is anything like this available in iMovie?
What would be a quick way to change all these photos - they will all be a different length.
Mac OS X (10.3.7)

Thank you Karl,
You put me on the right track to obtain the answer. I'm posting it here so someone else may gain some knowledge.
The most important part of the solution is to de-select show clip volume levels (found under the view menu.
Once you have done this, you can move to the right edge of any photo and adjust the length. It also adjust the photos around it. This will no doubt save me MUCH time.
Mac OS X (10.4.8)

Image size for still images

I've got a bunch of 300DPI 8x10 inch images I want to put into iMovie.
Do I need to reduce file size or will iMovie reduce the size automaticlly?
What is the smallest DPI I can use and still have a good image on a 9foot by 12 foot screen.
Thanks.

Hi Dennis:
Look here for a full discussion on the issue:
http://discussions.apple.com/message.jspa?messageID=961029&ft=y&#961029

Looking for still image content

I'm currently in the process of making a spec or pre-vis for a music video. It's highly conceptual, so getting the right visuals to match the lyric content is very important.
I'm off to a decent start finding things through google images, but if anyone has every used google images, it's AWFUL! A simple search like "americana" or even "american indians" constantly get horrible results. Maybe one good image out of 12 pages and there are so many non-related images it's ridiculous.
Does anyone know of other image searching sites or stock photos? Since this is the pre-vis, we dont have a budget yet, so professional stock photos are out. But in order to sell it, we need good, dramatic, related photos. Any ideas?
Thanks everyone

Hi there,
You might find iStockphoto.com a better/less expensive way to find quality images.
http://istockphoto.com/index.php?refnum=JonasEriksson
You can download free comping images, albeit slightly small and watermarked - but still quite good, especially for SD productions. Just remember to buy the images if you release commercially - they are still very cheap compared to Getty & Co.
Good luck and maybe we will see you final result somewhere - keep us posted!
Jonas

Snow Leopard does not auto adjust time for digital camera

For some reason when I connected my digital camera this morning to auto adjust its time to reflect DST I ended up having to do it manually. Is this not a feature of SL? I did this a hundred times in Tiger without hassles. Maybe I am missing something. I am not using iPhoto for my imports.

I'm curious what software you are referring to. I doubt this is the fault of SL but rather a change in the Canon software. I know Canon's "Camera Window" has changed over the last while if that is what you are referring to but I don't remember seeing a time setting in it ever. Can you look back at the name and version of the software you are referring to?

Adjusting time for still images

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