Adjustment Layer For Audio Effects

We've the latest Adjustment Layer For Video Fx In Premiere now days.....but my question is
Did premiere have anything like Adjustment Layer....So Basically if you want to add 20 Sound Effects in 40 Clips
You gonna spend the whole day for doing that...
If You suddenly want to change some amount in the Audio Effects Panel,that more worst
Any Advice For That???

You could add the effect in the track mixer.

Similar Messages

Adjustment layer for audio?

Hello everyone,
is there a way to make constant audio transition (I want it to slowly go completely silent) within a few audio clips? In one clip you can just apply a transition or make two keyframes, is there a way to do it through multiply audio clips?
thanks for any suggestions:-)
Michal

Use track mixer automation

Adjustment Layer for Shapes

Hey Guys,
So I was having to change a bunch of properties of multiple shape layers and I was thinking, Wouldn't it be cool to have shape adjustment layers?
Example:
You have 10 different shape layers - 5 Squares and 5 triangles
Create a new shape adjustment layer and apply "round corners"
You can now very easily control the round corners for all layers without having to go into each layer
Then maybe you could have inclusions and exclusions - You could include all shape layers with "square_01" in the name, Then the shape adjustment layer would only effect the shape layers with "square_01" in the name.
I know you can kind of so this by creating multiple polygons under one shape layer but some times you need multiple shape layers.
Anyone else think this would be handy? Can you already do this and I am just ignorant ?
Cheers

I would use property links to accomplish what you describe.
Property links were added in After Effects 12.1:
After Effects CC (12.1): what’s new and changed

How do I make a 'favorite' folder for audio effects ?

In the effects browser, the list of effects is very long, and the classification is not at all user-friendly. How could I group the effects I use often in a folder ?

If you stay with JUST the Logic effects, MOST (if not all) have a Preset drop down menu (I haven't used them all, so I can't say for 100% sure). At the very bottom of the drop down menu is an option to Save Preset. This is a feature I wish was on ALL effects in FCPX... it's been suggested to Apple a couple of times by me... apparently it's not a reasonable enough request... but that's how it is.
Anyway...
When you go into Audio effects, for each type of effect (distortion, echo, eq, etc...) when you highlight the type, in the right column the effects for that category appear. There are THREE sections (usually... unless you have other 3rd party Logic effects or AU plugins and you'll have others like Native Instruments or Blue Cat Audio, etc., and that will also depend on the categories the 3rd party effects fall in): the top section is usually "Final Cut". If you scan down the list there is a gray line and a label for the next section of effects, usually "Logic". And scanning further down the list you get to "Mac OS X". The Final Cut and Mac OS X effects are the typical kind of cr*p you find in Garageband: hard to understand and harder to use if you wander far from the presets - that and no graphical interfaces. The Logic effects on the other hand chew bubble gum and kick *** -- and they're fresh out of bubble gum. All of them sport a graphical interface (if you click on the little "eq icon"). Once you set your parameters to your liking, you can save your preset. It will show up in the Preset drop down menu any time you add that effect to any clip in the future.
We seriously NEED this feature for ALL effects Apple!!!!!!! All you readers, please send in a request/feedback.

Colour management or adjustment layer for broadcast output

Hi all,
I'm a bit confused about outputting broadcast safe colours and black and white levels. I am used to passing on my final render to a facilities house or an editor so am a bit green at this kind of thing.
In the help files it says its better to use color management so I've set my project settings/color settings to "SDTV PAL 16-235"
when I rendered out a few test stills and opened them in Photoshop to sample the colours, there are black levels of 0 rather than 16.
I've resorted to adding an adjustment layer to the top of the master comp and adding Broadcast Colors filter and adding Levels effect and setting Output Black to 16 and Output White to 235.
Is this an acceptable quick fix way of working?
I suppose I should have a look at color finesse when I get a moment
thanks in advance
s

Hi blabber,
Can you give me more info about step 2? I would like to repro exactly what you are seeing here at Adobe. How are you exporting your final animation? What format, codec, etc... Also small sample projects with single frames etc would be very useful.
Thanks
David McGavran
Engineering Manager

Do we have presets for audio effects?

Hello to all! I would like to know whether we have the option of saving effects which we add to voiceovers as 'presets' so that when we do fresh voiceovers we need to only 'paste' these presets.
At present I am doing this to manage the situation: I have created a tiny 'template project' in which I have included a voiceover that has the necessary audio effects. There is a slight 'inconvenience' associated with this method and would like to know whether one can have a better way to get our job done with a single click!
Wish all of you a great day!
Dr. Somanna

Hello Fox, Greetings!
I had previously indeed made a compound clip of the 'edited voiceover clip', but I was not aware that this compound clip in the event browser would not be having the 'copy/paste attributes. In my earlier post I had mentioned this:
I found that the source clip in the event browser does not add the audio effects which are introduced in the timeline audio clip...
Your mentioning of double clicking the compound clip to have it on the timeline and then copy/pasting the audio effects has been a 'revelation' to me. It is working. Moreover, I have placed this compound clip in an 'template event' that I already have and hence I would find it an easy thing to add effects to future voiceovers. Fortunately my need for adding audio effects are very simple and I guess that it will remain so in future too! I would not be needing multiple and complex 'audio-effects presets!
Thanks.
Regards and have a great day.
Dr. Somanna

Curves adjustment layer for greyscale images

If you are editing a greyscale image, the curves adjustment layer is shown in "reverse" style (as you would expect to work with a CMYK image) that that is awkward to work with. If you use Image->Adjustment->Curves, you have the option to invoke the curve display in Light (0-255) or Pigment/Ink % in which the LIGHT does what is appropriate.. It would be nice to have the ability to toggle the Light/Pigment in the Curves Adjustment layer.
I think I remember that, in the good old days of CS/CS2, you could alt-click on the gradient to alter the tonal direction of the curve.

Woops... I just found that the Curves Adjustment layer flyout has a Curves Display Options that allows the setting - and it is sticky. Sorry for the waste bandwidth.

Exposure adjustment layer for 32 bit HDR images

I know I can adjust exposure in Camera Raw. I can use the adjustment brush to make local exposure adjustments in ACR too. Is it possible to make exposure adjustments to 32 bit images in Photoshop? My attempts at using the exposure adjustment layer weren't successful. Although I'm told "exposure" was designed for 32bit, the adjustment layer doesn't seem to be to access and manipulate any of the exposure data thats I know is in the file, but is not visible. It would be should be so useful, but from what I gather the exposure adjustment is totally useless for 32 bit images. Are I doing something wrong?

Thanks for the reply. I'm struggling to explain so i'll try and illustrate instead. Basically the Exposure adjustment layer does not work on the 32 bit file in the same way that ACR does. ACR changes exposure in the predictable way it should (like a raw file). The Exposure adjustment layer in photoshop doesn't work the same way. Or at all?

Multiple adjustment layers vs. multiple effects on a single adj. layer

I posted this earlier on the Creative Cow forums, and came back with inconclusive answers...
If I have the exact same clip in 2 separate comps...In Comp 1 I have 5 color correction effects on a single adjustment layer, and in Comp 2 I have 5 adjustment layers with the same effects, 1 effect each spread over the 5 adjustment layers (in the same order). Should I theoretically expect to get the exact same image in both comps?
Here's the reason I'm asking. I'm doing some color correction that occasionally involves a lot of keying, which I'm doing in Colorista II. It's not green/blue screen keying, it's keying the shot footage for adjustment, e.g. skin tones, backgrounds, blown-out highlights, etc. I'm finding that in order for the Colorista II keyer to work based on previous instances of effects calculations (i.e. Levels, Hue/Sat, or other Colorista instances, all of which occur *before* the key) I'm having to put it on another Adjustment Layer for the keyer to take the earlier effects into account. Otherwise, if it's on the same adjustment layer, the Colorista keyer disregards the previous effects & uses the un-effected clip as the source for the key.
I don't know if this is just the way the Colorista II keyer works, or if this is a global After Effects-wide order-of-operations thing that I don't fully have a handle on. I understand order of operations, and that Adjustment Layers affect all layers below it, and all that stuff. My question is, what (if anything) is the difference in behavior between multiple effects on a single adjustment layer vs the same effects spread out over multiple adjustment layers? Is it predictable & consistent? Or is it just common knowledge (to everyone else but me) that sometimes you have to use multiple adjustment layers based on the specific effect combinations that you're using?

I don't know if this is just the way the Colorista II keyer works, or if this is a global After Effects-wide order-of-operations thing that I don't fully have a handle on.
As far as I understand the SDK, it is not considered practical, since it would require a plug-in to establish its own comp buffer outside the main rendering pipeline, which could lead to issues with color consistency and things like premultiplied vs. straight Alpha. I also seem to remember that as of CS5 it is actually no longer technically possible. Hence effects that use specific source footage API calls will bypass any previous effects and directly operate on the source.
My question is, what (if anything) is the difference in behavior between multiple effects on a single adjustment layer vs the same effects spread out over multiple adjustment layers? Is it predictable & consistent?
The result should be the same under all circumstances, assuming all adjustment layers have the same opacity and no masks and their stacking order is equal. Only when you apply masks or adjust the opacity to fade specific adjustments you will see differences. It is also to note that having all effects might be a bit faster and more efficient, since less data is passed from buffer to buffer...
Mylenium

PPro CS6: Effects used on Adjustment Layer not the same as direct on clip

Hi,
I'm using the PPro CS6 Demo on a Core i7 with 12GB Ram, GTX 580 1,5GB on Windows 7 Ultimate.
Today i applied the gaussian blur filter to some clips to remove the moiré pattern in the downscaled videoclips - as I do it quite often with PPro CS5. It removed the pattern as it's always doing - fine.
Then I remembered the new Adjustment Layer function within CS6 and tried this in the same sequence, with the same clips and the same configured gaussian blur filter. The moiré pattern slightly improved, but the effect wasn't the same as before. It seems that applying this filter on a clip or on an Adjustment Layer isn't the same?
I didn't tested this with other filters, so I can't say if the gaussian blur is the only filter affected.
Anyone has a similiar experience or can explain this?
Thanks!

There is a very common misstatement and misunderstanding of how adjustment layers work, which I'll repeat here: "Applying an effect to an adjustment layer applies the effect to all layers under the adjustment layer."
That's wrong in a subtle but important way.
What actually happens is that applying an effect to an adjustment layer applies the effect to the composited result from all of the layers under the adjustment layer.
This is an important distinction, because it puts the adjustment at a different place in the order of operations in the rendering pipeline.
Anyway, that's a long and perhaps overly theoretical way of saying that, yes, you may see some difference between applying an effect directly to a bunch of clips compared with applying the effect to an adjustment layer over that same bunch of clips.

PPro cs6 adjustment layer color tint

I've been working on a project that uses an adjustment layer to apply some secondary color corrections using PPro's Three Way Color Corrector effect. I used just two -- one for a particular shade of red-orange (it's a plastic mixing bowl), and one for a narrow range of blues used in some product packaging (they were fluorescing under the fluorescent lights in a class room). Both of these corrections are narrow (small range of hues and saturations, and a somewhat larger range of luninance values), and the action is simply to lower the saturation to get these specific colors down to broadcast safe levels (as seen on PPro's vectorscope). Since these colors show up quite often in the video footage, and are quite isolated from all the other colors in the scene, I applied them to the whole video using an adjustment layer. Which is one of the intended uses of adjustment layers, yes? And it works beautifully, as expected.
So far so good. I look at this on my monitor, and it looks fine. I take my laptop to a plasma HDTV and look at it there, and it's spot on.
Then I used dynamic link to send the project to Encore for DVD output. I worked on menus for a while, and didn't pay much attention to the footage since I had (more or less) edit lock. When I sat down to actually watch one of the more or less complete DVDs, I noticed that the color wasn't right. It was darker and greener than I remembered (this on that same plasma screen HDTV). So I dragged the laptop back, and sure enough, it's darker and greener now.
To shorten the story, turns out the adjustment layer was the cause. I could turn it on and off using the little eyeball thingie on the timeline, and the adjustment layer is now effecting the entire image and not just the narrow range of reds and blues that are in the secondary color corrections. So I saved the two secondary color corrections as a preset and deleted the adjustment layer. Then I created a new adjustment layer and applied that preset. Boom, problem gone. No more green tint. The same secondary colors as before are under control. What's up with that?
Now, I can't reproduce it (or I'd attach some images for y'all to look at). But I saw it go by. And I've seen a couple of references to something similar to this in searching the 'net for more information. But only a couple.
So... Anyone seen anything like that? Or am I just halucinating again? If you've seen it or heard about it, what was the cause? And did it have anything to do with Encore?
Win7 fully patched
Production Premium cs6 fully patched
Project using PPro, AE, Audition, Photoshop, and Encore, mostly by dynamic linking.
Bruce Watson

There is a very common misstatement and misunderstanding of how adjustment layers work, which I'll repeat here: "Applying an effect to an adjustment layer applies the effect to all layers under the adjustment layer."
That's wrong in a subtle but important way.
What actually happens is that applying an effect to an adjustment layer applies the effect to the composited result from all of the layers under the adjustment layer.
This is an important distinction, because it puts the adjustment at a different place in the order of operations in the rendering pipeline.
Anyway, that's a long and perhaps overly theoretical way of saying that, yes, you may see some difference between applying an effect directly to a bunch of clips compared with applying the effect to an adjustment layer over that same bunch of clips.

How to set levels values in adjustment layer via script?

I try to make a script which generates a non destructive adjustment layer for levels which already sets values for shadow levels and highlight levels. I tried the scripting listener in order to record it. Unfortunately the scripting listener only records the creation of adjustment layers but not their settings like shadow or highlight levels.
The first question here: Why can't the scripting listener do this?
So I tried to do it on my own and came up with the following script which won't work. My second question therefore is, can you help me to make a script which achieves my goal? Thanks a lot. I use Photoshop CC 2014.
var desc780 = new ActionDescriptor();
desc780.putInteger( charIDToTypeID( "ShdL" ), 60 );
desc780.putInteger( charIDToTypeID( "HghL" ), 190 );
var list126 = new ActionList();
list126.putObject( charIDToTypeID( "LvlA" ), desc780 );
var desc779 = new ActionDescriptor();
desc779.putList( charIDToTypeID( "Adjs" ), list126 );
executeAction( charIDToTypeID( "Lvls" ), desc779, DialogModes.NO );
Here is the script which has been recorded by the scripting listener. As you can see there is no setting of the adjustment layer.
var idMk = charIDToTypeID( "Mk " );
var desc188 = new ActionDescriptor();
var idnull = charIDToTypeID( "null" );
var ref135 = new ActionReference();
var idAdjL = charIDToTypeID( "AdjL" );
ref135.putClass( idAdjL );
desc188.putReference( idnull, ref135 );
var idUsng = charIDToTypeID( "Usng" );
var desc189 = new ActionDescriptor();
var idType = charIDToTypeID( "Type" );
var desc190 = new ActionDescriptor();
var idpresetKind = stringIDToTypeID( "presetKind" );
var idpresetKindType = stringIDToTypeID( "presetKindType" );
var idpresetKindDefault = stringIDToTypeID( "presetKindDefault" );
desc190.putEnumerated( idpresetKind, idpresetKindType, idpresetKindDefault );
var idLvls = charIDToTypeID( "Lvls" );
desc189.putObject( idType, idLvls, desc190 );
var idAdjL = charIDToTypeID( "AdjL" );
desc188.putObject( idUsng, idAdjL, desc189 );
executeAction( idMk, desc188, DialogModes.NO );

Photoshop Scripting

Photoshop crashes when I use adjustment layer HUE

Every time I use adjustment layer for HUE/Saturation. I put the eye dropper on a specific color and move it right or left and it crashes. Wants me to reopen and try again

I have a cloud account with Adobe 214.2.1
Mac ver 10.10 Yosemite
Adjustment layer Hue/Saturation open Holding down command key to use Hue slider. When I release it crashes
Thank you for taking the time
Izzy

Adding to the selection of a current hue/saturation adjustment layer?

I made a selection on a car, used a Hue/Saturation adjustment layer to change that selected color, though I went and used the Magic Wand to add more to my selection and that new part of the selection is not affected by the previous Hue/Saturation adjustment layer. How is this done? Do I have to make a new Hue/Saturation adjustment layer for the added selection Using Cs5.
Thanks.

There's selection of the color range the Hue/Saturation layer will work on. That's controlled by the little sliders that appear when you choose, for example, "Reds". You can do things like widen or narrow the range of colors included, as well as widen or narrow the ramps defining how much that colors near the edges of the ranges will be affected.
There's also the possibility that you defined a layer mask when making the Hue/Saturation layer, which will define which pixels in the image will be affected. If so, you need to click on the layer mask in the Layers panel and paint on it (white to choose which parts the Hue/Saturation layer will work on, black to choose which parts not to work on). You can, of course, paint grayscale on the layer mask to have certain pixels partially affected.
Hope this helps.
-Noel

Adjustment layer in Premiere?

Hi all,
I remember seeing a video where a Transparent/ black video/etc..was added to the above layer of all clips.
It would act as an adjustment layer.
I know I could Nest them, but that would mean I would loose the ability to move clips around unless I double click them.
I remember there was a way to add an adjustment layer in premiere.
Anyone know?
Thanks,
lou

> Then how would explain Adjustment Layers in AE and PS? Those are both
transparent layers to which you can apply effects and change the values
of pixels in layers below.
FWIW, the way that an adjustment layer works in After Effects is that it takes the composited/rendered result of the layers beneath it as input and then operates on that single input just as if it were any other layer. A lot of people misunderstand, thinking that the adjustment layer is somehow reaching down into those underlying layers and affecting each of them individually. In fact, the way that most people explain adjustment layers is to say that "applying an effect to an adjustment layer applies the effect to all of the layers beneath the adjustment layer". As you can tell from my explanation of how they actually work, this isn't quite right. Also, you can see how applying an effect to a nested sequence is doing almost exactly the same thing as applying an effect to an adjustment layer.

Adjustment Layer For Audio Effects

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