Adobe Camera Raw Software and Adobe DNG Converter

Are they two separate pieces of software - I have downloaded Adobe DNG Converter but cannot appear to be able to download Adobe Camera Raw for Mac

DNG converter is a stand alone application. You use it to convert a whole folder of raw images into DNG by selecting a source folder and destination folder. You then use the DNG files from the destination folder.
ACR is the update available for CS6, Photoshop CC, Bridge and other applications.

Similar Messages

Output sharpening in Adobe Camera Raw (ACR) and Photoshop CS5

Output sharpening in Adobe Camera Raw (ACR) and Photoshop CS5
I want to do two-pass sharpening - capture and output - with output capture done just before I print. I do the initial (capture) sharpening in the ACR Detail/Sharpening panel, with Amount slider set to, for example, 100. Then, I open the image to PS CS5 as a Smart Object, and use layers and masks for further editting.
My question is, can I go back to ACR for the final (output) sharpening pass? When I re-open the file in ACR, the Sharpening Amount slider is back to zero, but the other three sliders are still at the settings I used at the start of the process, i.e., the capture sharpening. If I again set the Amount slider to a positive value, then again open the image in PS for printing, will my second pass through the ACR Sharpening panel take effect - will it accumulate on top of the initial sharpening?
By the way, the reason I want do output sharpening in ACR rather than, say, PS Unsharp Mask, is so I can use the Masking slider in ACR, which is much easier than the comparable techniques available in PS. I am aware that some say you should not do any masking for the output sharpening. I'd like to though.
Thanks for ideas.

This is pretty much the way I do it, and I also always found ACR sharpening superior to anything in Photoshop. There is the "sharpen for output" in ACR, but you have little control over it.
The tricky part is feeding the file through ACR a second time. I don't think re-opening the Smart Object will do anything more than you could have done the first time. I do it with a rendered TIFF, and have an intricate set of actions that I run in the Image Processor Pro. It's a mess, and you don't want to know.
The frustrating part is how to action ACR. I just can't figure it out. It'll work, and then I have to change some setting and the action stops working. I suspect you need a script, but so far I haven't found any.
So I've come to a compromise: I first process to TIFF in a temp folder, then I bulk open them in ACR to sharpen, then a second process to finish up.
For less critical files I have a sharpening action that comes close, involving edge masks and blend ifs, using smart sharpen which tends to preserve edges better than unsharp mask, and with less accumulation of noise.
Bottom line: I'm also very interested in further comments to this. BTW, I recently bought Lightroom 4, so maybe there is a posibility using that in a mixed workflow.

I have Photoshop Lightroom 5 and have downloaded Camera Raw 8.7.1 &DNG converter successfully. I have a new Sony Alpha 7 11 model ILCE-A7M2 that is supported by LR5. I am still not able to see the RAW pictures. The message says preview unavailable for thi

I have Photoshop Lightroom 5 and have downloaded Camera Raw 8.7.1 &DNG converter successfully. I have a new Sony Alpha 7 11 model ILCE-A7M2 that is supported by LR5. I am still not able to see the RAW pictures. The message says preview unavailable for this file DSC-ARW. Whatelse I should be doing to see my pictures? Can someone help?
Anita

The support for that camera was added in the very latest release of Lightroom, version 5.7.1. Having downloaded Camera Raw 8.7.1 will have no effect on Lightroom because Lightroom doesn't use the Camera Raw plug-in. You need to make sure you have updated Lightroom to the very latest release in order to have support for that camera.

Adobe Camera Raw: calibration and color accuracy

"In this article I report the accuracy reached with the above scripts in my calibration effort, some validations in different lightning condition and the impact on new color balance caused by the adjust sliders and the tonal curve movement."
If someone has an interest.
Link to Article
Ciao
Marco

Chris,
>>>
The ICC uses LAB D50, as does Photoshop.
Marco,
>>>
(prof. Boscarol) on his forum:
>>>
1.Lab is not absolute and there are infinite Lab.
>>>
2.The illuminant E is a theoretic reference illuminant
I must disagree with the implied conclusions in both statements, but with a friendly, not confrontational tone. And, Adobe and other software may be assuming Lab is D50. I cannot and would not dispute that.
What I said is that if you follow CIE math, the color values in Lab mode will be at Illuminant E. I stand by that conclusion. But there is little in the way of enforcement when it comes to standards.
Lets start with the CIE color values from measurement to numbers. This is the illuminant times the subject (measured) times the standard observer. It requires matrix arithmetic because the operations have to span the visible spectrum. So it is a little more involved that simple multiplication, but that is not conceptually important at this point.
The light source may be defined by a standard such as D50 or D65 or it can be provided in a custom set of tables (from measurements). The subject (raw image) values are adjusted for the measurement instrument to represent illuminant E (equal energy). This would be the spectral response of the color filters and such in an image sensor. The standard observer values are provided by the CIE, again at illuminant E. The resulting XYZ values are at the white point of the illuminant used for the source light.
Before moving on, the image sensor spectral response tables are too often not available. Thus assumptions are made that make calibration so bloody difficult. Enough said.
These XYZ values are then transformed to Lab values. The math in this step effectively removes the original light source from the XYZ values, resulting in illuminant E. This is how it is described in the literature, Berns, Hunt, and Wyszecki. If one adheres to the rules, Lab will always be illuminant E. XYZ values without a white point definition are as meaningless as RGB values without a profile definition.
But there is no enforcement body. I have seen lots of code that does not adjust for the XYZ white point at all. In that case, there would be an infinite set of possible Lab white points.
If you assume Lab is always D50, D65, or whatever floats your boat the transforms from RGB to Lab to RGB again would not be compromised. The ICC does define a white point in each ICC RGB profile. So if the input colors are correct, the output colors will be correct. It isnt too important what white point is used for the intermediate step.
But if you take a file in Lab mode from some other source, the white point would be very important. If I give a Lab file to Fred in E and Fred assumes it is D65, color conversions will be wrong. If Fred creates one at D65 and hands it to Adobe, chaos reigns. The ICC does not have a profile for Lab mode that I am aware of. So I dont know that the ICC attempts to trump the CIE as suggested. If someone knows of a verifiable reference for this, I would love to hear of it. The TIFF metadata does have a tag for white point. But I have never seen it used in a Lab mode file, including Adobes.
Illuminant E is no more or less theoretical than any other Standard Light Source. But it is at the core of all color matching algorithms and the basis of the standard observer target values. It is most often simply referred to as the equal energy light source so it might not ring a bell like D50 or D65.
The conversions between Lab and LCh and the algorithms for Delta E 2000 color differences are all implicitly dependent on Lab values at illuminant E.
I rest my case.
Cheers, Rags :-)

Is there a compatibility issue between Adobe Camera Raw, CS5, and Windows 8.1?

I have a new computer with Windows 8.1. I installed Photoshop CS5 (which runs fine under Windows 7) but now after editing images in camera raw and clicking on the Open Images button, it takes several attempts to pass the images on to open in Photoshop CS5. Is there a fix for this compatibility problem?

Many thanks Catherina for your reply.
Actually I have now discovered the cause of the problem. My speakers are Boston Acoustics BA735 digital speakers. I discovered that there was an Analog out put from the sound card and by changing the speaker connections they are now working albeit in Analog whereas previously they were connected Digitally.
The new drivers supplied by Microsoft have obviously switched the output to analog.
Are there any Drivers available which would allow me to revert to normal digital working.
Thanks again
Waffler (I hate that name but I choose it)

Aperture and Adobe Camera Raw

I would love to set up Aperture to allow me to edit images in Adobe Camera Raw. I can open images from Aperture in Adobe Camera Raw by setting Adobe Bridge as my external editor, but none of the adjustments are saved in Aperture. From Bridge, I can also save the file as a dng file that Aperture should be able to read and save it in the numbered folder where Aperture placed the original raw image, but the saved dng file doesn't show up in Aperture. Apparently Aperture can't see any images in its own folders if it didn't place them there.
I also tried making my adjustments in Adobe Raw, saving it as a dng file and then importing it into Aperture. This is not ideal, as it would be convenient to do the Adobe Raw adjustments from within Aperture, but it does allow me to import the edits into Aperture. Aperture does something odd in this case. When I open the imported dng image in Aperture, at first it displays it with the edits I made in Adobe Raw but after a few seconds reverts to the originla raw image. I can't figure out how to recover the adjustments.
Can anyone fill me in on the nuances of Aperture in this workflow? Is there some way I can at least make the raw edits in Adobe Raw and make them available in Aperture.
Some of this may be my ignorance. For some reason, I have never been able to fully grok the whole version/master process in Aperture, never quite sure how to move between versions and masters. I suspect that some of my issues with the imported dng files is a version/master thing that I am not understanding.
I'm beginning to wish that I had set Aperture up to use external folders rather than place my files in the Aperture database. I think if I had done this it might have eased my current issues.
Is there any way to export an Aperture database so it exports the images into folders that correspond to projects and folders in Aperture? I suspect not, but . . . one can wish.
Any help with any of this would be greatly appreciated.
Thanks,
--Kenoli

Kenoli Oleari1 wrote
If this is what is happening, it means Aperture can interpret the ADR data, but chooses not to. If I could get it to use that data, it could solve most of my issues.
In the Adobe Camera Raw preferences, there is a section called: 'DNG File Handling'. You can (and may already have) select the option 'Update embedded JPG previews' and use the drop down to select either Medium or Full Size. The result should be (in Bridge at least) that adjustments you make in ACR and then either click 'Done' to save to the .XMP file inside the DNG file or click 'Open' to launch and render the image in PS for further work.
The result should be an updated embedded JPEG inside the DNG file that can be used by any program that can read DNG and is set to use an embedded JPEG.
In testing on my machine a couple of years ago on Snow Leopard, the OS X included program Preview did not show the updated previews though. It only displayed the original RAW data. I assumed it either was not set to show any embedded JPEG preview, or was simply not designed to be compatible in that way. Preview uses the same digital camera RAW compatibility function of OS X that Aperture uses. So it did not surprise me to see that it was not working in Aperture at that time. This was either a later version of AP 2 or early version of AP3, but I can't remember for sure.
It was my understanding that the purpose and function of dng files is so that raw edits made by any software could be accessed cross platform through the open source dng file. If Aperture simply chooses to ignore that data, it defeats the purpose of dng.
My understanding of DNG is that it is an archive type file made of (1) a RAW conversion which holds the decoded RAW data, (2) any .XMP file that has been created by the decoding software as well as; (3) ITPC and EXIF metadata and some other info such as ICC profiles and the JPEG preview. You can also opt to include the original RAW file.
I don't know the extent to which Aperture is designed to support the DNG file though. Does it handle it like a PSD file where it retains the full file content, but only supports displaying it in a limited fashion (e.g., no transparency)? Or should it actually read the .XMP data file and render it based on that info? I don't think this is the case as the .XMP data that pertains to adjustments made by another RAW decoder doesn't seem to be compatilble with the way Aperture is handling adjustments.
You could certainly test the embedded JPEG in a DNG file by making and saving some changes to the copy of a file in Finder and then comparing the original DNG to the adjusted one using the Preview program. If the changes are not shown, then the issue (or lack of one depending on Apple's point of view) is with the OS X digital camera RAW compatibility function (which they update for new digital cameras periodically).
If Preview does show the changes, you could then import both the original and adjusted DNG into an Aperture library (even a new test library) and see if it displays the differences. If it does, then this would point to an issue with sending a file from inside Aperture to an external program and then saving back (assuming this still fails to work as you expect).
Sorry I don't have more. I decided not to go with DNG and just archive with RAW and JPEG depending on what I end up wanting to do with the images.

Adobe Camera Raw and Photoshop Actions

Hi guys,
I'm having troubles with Adobe Camera Raw settings and Photoshop actions. Basically, here is what I want to do :
apply settings for the general colours, exposure, tint, etc., but keep an automatic undistortion of the images thanks to the metadata of the CR2 file.
The preset I've done is working fine, and when I'm in ACR, I can apply the same preset to different photos with different lenses. Then when I'm opening them in photoshop, they look allright.
The problem seems to appear when I'm creating the action in photoshop. No matter if the lens profile is set to 'auto' in the preset, it looks like it's applying the one from the original preset. Then let's say the preset was created with a 50mm, then when I launch the action on a 85mm, the undistortion is wrong ...
If anybody has an idea how to fix the problem, that would be really helpful !
Thanks a lot,
Julien

This particular forum (sharing and storage) was created to help those transitioning from Photoshop.com to Adobe Revel. I am moving your post to the correct forum so that it can get proper attention. I understand that it is difficult to determine which forum to post in since there are so many.
I'll put I this posting in the photoshop community so the experts there can help you.
We also have many other forums relating to other Adobe products
http://forums.adobe.com/community/
http://forums.adobe.com
Out of curiosity, can you tell me how you found our forum page?

HELLO, i wand do make an update " camera Raw" with the adobe installer - it was not possible - this was the massage -Photoshop Camera Raw 6.7-Update Installation fehlgeschlagen Fehlercode: U44M1P7

HELLO, i wand do make an update " camera Raw" with the adobe installer - it was not possible - this was the massage -Photoshop Camera Raw 6.7-Update Installation fehlgeschlagen Fehlercode: U44M1P7

You need to buy PSE13. But you can continue with PSE9 if you download and install the free DNG converter to convert your CR2 files to the Adobe universal Raw format and the DNG files will work with yoir existing software(keep your originals as backups and for use in the camera manufactures software)
Windows download (.exe file) click here DNG Converter 8.8
Mac download (.dmg file) click here DNG Converter 8.8
You can convert a whole folder of raw images in one click. See this quick video tutorial:
You Tube click here for DNG Converter tutorial

+++ Adobe Camera Raw - Frequently Asked Questions +++

Q: Is my camera supported by Adobe Camera Raw (ACR)?
A: Here is the list of cameras officially supported by the current version of Adobe Camera Raw and Digital Negative (DNG) converter. The page also provides links to the current version of ACR and DNG converter for both Mac and Windows.
Q: what version of Camera Raw should I install?
A: Photoshop CS6: see first question.
Photoshop CS5: Camera Raw 6.7 Win | Mac
Photoshop CS 4: Camera Raw 5.7 Win | Mac
Photoshop CS 3: Camera Raw 4.6 Win | Mac
Photoshop CS 2: Camera Raw 3.7 Win | Mac
Photoshop CS: Camera Raw 2.4 Win | Mac
For Photoshop Elements, Windows:
Photoshop Elements 10: (See first question)
Photoshop Elements 9: Camera Raw 6.5
Photoshop Elements 8: Camera Raw 6.2
Photoshop Elements 7 and 6: Camera Raw 5.6
Photoshop Elements 5: Camera Raw 4.6
Photoshop Elements 4: Camera Raw 3.7
Photoshop Elements 3: Camera Raw 3.6
For Photoshop Elements, Macintosh:
Photoshop Elements 10: (See first question)
Photoshop Elements 9: Camera Raw 6.5
Photoshop Elements 8: Camera Raw 6.2
Photoshop Elements 6: Camera Raw 5.6
Photoshop Elements 4.0.1: Camera Raw 4.6 ( 4.1 under Mac OS 10.3)
Photoshop Elements 3: Camera Raw 3.6
Q: What version of Camera Raw started to support my camera?
A: This page: http://www.adobe.com/go/kb407111 lists when support for the raw files of your camera was added in Camera Raw. If the version listed is higher than the one supported by your version of Camera Raw, you first need to convert the files to DNG using the latest version of the DNG converter in order to open them in Camera Raw.
Q: I do not have the latest version of Photoshop, how can I open the Raw files from my new camera?
A: Only the current version of Photoshop will receive ACR updates that add support for the latest cameras. However, you can download the latest version of the DNG converter, and use it to transform your raw files to the universal DNG format. Camera Raw 2.4 in Photoshop CS and all newer versions of Camera Raw compatible with your version of Photoshop will be able to open the DNG files. Photoshop 7 and ACR 1.0 do not support DNG, therefore you will need to upgrade to the latest version of Photoshop.
Q: When will the new update of Adobe Camera Raw be released?
A: Adobe cannot comment on unannounced products, however, it is expected that ACR and DNG converter will be simultaneously updated 3 or 4 times per year (i.e. every 3 or 4 months).
Q: What does "Unofficial Support" for a camera mean?
A: Unofficial support means that Adobe's Quality Engineering department has not tested the support to the degree that they want, and thus cannot guarantee the results. So we don't include the camera in our official lists, and don't provide any technical support. Unofficial support means "use at your own risk".
Q: How do I know that Adobe Camera Raw is installed correctly?
A: For Photoshop CS customers, the most efficient way to ensure that you have the latest Camera Raw update installed correctly is to choose the Updates option from the help menu. For Photoshop Elements customers the best way to verify that the Camera Raw plug-in is installed correctly is to make sure it appears (only once) in the "About Plug-in" menu (see: Photoshop menu on a Mac or Help menu on a PC). The correct version is displayed when you pick its name and see its about box. If "Camera Raw" is not in this list, you have not installed it correctly.
Q: Why is the profile listed in the Calibration tab showing a version of Adobe Camera Raw that's older than I am using ?
A: What you are seeing is normal, and is due to the fact that the built-in profile for your particular camera model hasn't changed between that version of Adobe Camera Raw and the version you're using now. If you see the profile listed as "beta" then your camera has only unofficial support.
Q: Why is there more than one profile listed in the Calibration tab of Adobe Camera Raw?
A: The built-in profile for your particular camera model has changed since it was first supported. The profile shown by default identifies the latest version of Adobe Camera Raw in which the profile was updated. Other profiles in the drop-down list identify those included with earlier versions of Adobe Camera Raw, and are available in case you want to maintain compatibility with earlier versions.
Q: My camera is listed, but Photoshop cannot read its raw files.
A: Download and install the most recent update to Adobe Camera Raw.
Q: Where can I download the latest version of Adobe Camera Raw?
A: Adobe Camera Raw for: Macintosh and Windows
Q: I am trying to replace my existing ACR plug-in with a more recent version, but cannot find ACR in my Photoshop/Plug-in/File Formats folder. Where is it located now?
A: As explained in the "Readme", which can be found on the ACR download page, the correct location is:
Photoshop CS2
Mac: /Library/Application Support/Adobe/Plug-ins/CS2/File Formats/
Win: \Program Files\Common Files\Adobe\Plug-ins\CS2\File Formats\
Photoshop CS3
Mac: /Library/Application Support/Adobe/Plug-ins/CS3/File Formats/
Win: \Program Files\Common Files\Adobe\Plug-ins\CS3\File Formats\
Note that "Common Files" is localized in non-english versions of Windows.
Q: Why do I only see a small generic icon in Adobe Bridge instead of a thumbnail when I browse the folder containing my RAW files?
A: Bridge occasionally has difficulty with RAW files, but this is usually because the user has installed ACR into the wrong location or browsed the folder prior to installing the ACR plug-in that provides support for their particular camera model. The fix for this issue is usually to make absolutely sure that ACR is installed correctly, then purge the Bridge cache. If you're in the habit of using the Distributed cache (Bridge 1.x) it would be prudent to manually delete the cache files from the folder containing your RAW files.
Q: Whenever I open an image in Adobe Camera Raw a small explanation mark within a yellow triangle appears in the upper right hand corner of the image.
A: This symbol indicates that a high quality preview is being generated by Adobe Camera Raw. It should disappear after a couple of seconds.
Q: How do I turn off Auto Adjustments in Adobe Camera Raw 3.x?
A: Open Adobe Camera Raw. On the Mac press Cmd+U or on the PC Ctrl+U. This keystroke combination toggles Auto Adjustments On and Off. Alternatively, disable the Auto Adjustments setting from the fly-out menu adjacent to the Setting drop-down menu. If you want the default to be Off for Auto Adjustments simply choose "Save New Camera Raw Default" from the fly-out menu adjacent to the "Settings" drop-down menu then choose Done.
Q: What about Adobe Camera Raw 3.7 and newer versions?
A: Camera Raw 3.7 no longer supports per slider auto adjustments. One Auto control at the top of the panel now sets the Exposure, Shadows, Brightness, and Contrast sliders to their auto values. The Default control at the top of the panel sets these same four sliders to their default values. The keyboard shortcut for the Auto control is CMD/CTRL-U.
The keyboard shortcut for the Default control is CMD/CTRL-R.
Double clicking on a slider to set that single slider to its default value.
Shift double clicking on a slider to set that single slider to its auto value.
Q: Why do I get the the following message: "Unable to create an .xmp sidecar file. The image settings will instead be stored in the Adobe Camera Raw database."
A: This message means that Adobe Camera Raw is unable to write to the XMP sidecar file. Either the media is read-only (e.g. a CD), or you don't have write access to the folder containing the image, or the existing XMP sidecar file is locked.
Q: I cannot see all the tools and buttons of Adobe Camera Raw.
A: Set your monitor resolution to the minimum required for Photoshop CS and higher, i.e. 1024x768.
Q: Where can I obtain a listing of Adobe Camera Raw keyboard shortcuts and modifiers?
A: On the Photoshop online help file.
Q: When I open my Nikon NEF files, all I see is the simple version of the raw dialog.
A: You are running Nikon's plug-in, not Adobe's. Delete from Photoshop's plug-in folder and all subfolders all copies of the "Nikon NEF plugin". Nikon automatically installs this plug-in in up to two places inside Photoshop's plug-in folder, and both must be deleted. Otherwise it overrides the Adobe plug-in. An alternative to the deletion is adding ~ in front of the Nikon plug-ins names.
Q: I installed the update. I can now open my raw files, but I still cannot see thumbnails in the file browser.
A: Purge the file browser cache for the problem folder. Tools > Cache > Purge cache for this folder.
Q: Is it better to resize my images in Camera Raw, or in Photoshop?
A: The resampling code is fairly similar to (but not exactly the same as) the "Bicubic Sharper" resampling in Photoshop CS and CS2. It does not make very much difference which stage you do the resampling in. The exception is non-square pixel cameras (Nikon D1x and Fuji S2 Pro), for which it is best to upsample one size step in Camera Raw if you need a larger image.
Q: What are raw images, and how do they differ from JPEG ones?
A: Read this whitepaper (1MB PDF) written by Bruce Fraser for a concise answer.

You can check compatibility yourself:
1. Go to this page to see the different releases: http://forums.adobe.com/thread/311515?tstart=0
2. Navigate into the download link for the appropriate version of Camera Raw.
3. Follow the link to the ReadMe (e.g., http://www.adobe.com/special/photoshop/camera_raw/Camera_Raw_4.6_ReadMe.pdf).
4. Look to see whether your camera is supported.
5. If your camera is NOT supported, you can use the free Adobe DNG converter to create .dng files that your Camera Raw will be able to open.
Photoshop CS6 is anticipated to be out in a few months, and Camera Raw is supposed to have a whole new approach, so a lot of us are excited about anticipating that.
-Noel

How do i burn camera raw files from Adobe Bridge to a cd

Can someone give me step by step instructions on how to burn Adobe Camera Raw files from Adobe Brige/Photoshop onto a blank cd.

Hi..
http://docs.info.apple.com/article.html?path=Mac/10.7/en/mchlp1363.html
and
http://support.apple.com/kb/index?page=search&src=support_site.home.search&local e=en_US&q=burn%20cd
/Dennis

Tif won't open in Adobe Camera Raw editor

Photo tif file won't open in Adobe Camera Raw editor from Adobe Bridge - but it will open into Photoshop. Seems tifs WILL open into raw editor IF they have not been edited in Adobe Photoshop. Its like working on the tif in Photoshop makes the file un-openable in raw editor. This seems to be a new problem since I upgraded from cs4 on a PC to cs5 on a Mac.

Thanks for that tip, Jeff, I appreciate it!
Green Gene

I need to get the Adobe Camera Raw to convert my Raw shots to jpeg. Do I buy Photoshop CS6 or Photoshop CC? I am not a professional photographer and am only using photoshop sparingly.

I need to get the Adobe Camera Raw to convert my Raw shots to jpeg. Do I buy Photoshop CS6, Photoshop CC or can I just get simply the ACR? I am not a professional photographer and am only using photoshop sparingly. I currently have an old version of Photoshop, the Photoshop CS4. Thanks.

The program would stop, but the files would remain on your computer. Before stopping, you could do a batch convert to tiff or png, with a strong recommendation for tiff. Png only support transparency whereas tiff supports layers, live type, transparency, etc.
Keep in mind the app you open the tiff file in may not support all of those features, but it could if they tried.
The psd files I would backup to a cd or dvd before removing for space, but if you have the room, keep them as some apps do support psd files.
Best part is when you are ready, you can start your subscription again and use all of those files once again.

After reinstalling CS6 the bridge photo downloader isn't able to read raw files and fails to convert the raw files to DNG. Previously downloaded raw files, now DNG, open up successfully in Camera Raw 7. How do I get the photo downloader to read and conver

After reinstalling CS6 the bridge photo downloader isn't able to read raw files and fails to convert the raw files to DNG. Previously downloaded raw files, now DNG, open up successfully in Camera Raw 7. How do I get the photo downloader to read and convert raw files. MacBook Pro with Snow Leopard. No such problem before this reinstallation.

You should install Camera Raw 4.6.
Visit this page and follow the instructions carefully:
PC: http://www.adobe.com/support/downloads/detail.jsp?ftpID=4040
Mac: http://www.adobe.com/support/downloads/detail.jsp?ftpID=4039
-Noel

Photoshop Elements 9 and Adobe Camera RAW 6.6

My Significant Other just purchased a Nikon 1 V1 camera. I have an extra copy of Elements 9 that I can install on her computer. According to the Release Notes, support for the Nikon 1 V1 started with ACR 6.6. According to the same Release Notes, ACR 6.6 runs under Photoshop Elements 9.
"This new version of the Camera Raw plug-in replaces the original Camera Raw plug-in that was installed with Photoshop CS5, Photoshop Elements 9 and Premiere Elements 9. "
and
"The Camera Raw 6.6 plug-in is not compatible with versions of Photoshop earlier than Photoshop CS5 or versions of Photoshop Elements earlier than Photoshop Elements 8 for Windows and Photoshop Elements 8 for Mac. "
The Photoshop Elements update page, however, suggest that ACR 6.5 was the last version of ACR that ran under Photoshop Elements 9. http://www.adobe.com/support/downloads/product.jsp?product=40&platform=Windows
Which is correct, the Release Notes or the Update Page?

After you install photoshop elements 9 on the vista machine follow the steps below to install the camera raw 6.6 plugin:
1. Download the 6.6 DNG Converter and install the profiles:
   http://www.adobe.com/support/downloads/detail.jsp?ftpID=5310
2. Download the 6.6 camera raw plugin zip file:
   http://www.adobe.com/support/downloads/detail.jsp?ftpID=5316
3. Unzip the folder by right clicking on folder and choosing Extract All
4. Inside the extracted folder doulble click on the Payloads folder
5. Then double click on the CameraRawForElements6.4All-011211045300 folder
   (should be the second folder with a size of 16.0 mb)
6. Right click on the Assets2_1.zip and choose Extract All
7. Rename the file from 1002 to Camera Raw.8bi
8. Right click on the Camera Raw.8bi and choose Copy
9 Go to:
C:\Program Files (x86)\Common Files\Adobe\Plug-Ins\Elements 9\File Formats (64 bit vista)
or
C:\Program Files\Common Files\Adobe\Plug-Ins\Elements 9\File Formats (32 bit vista)
10. Drag the old camera raw plugin to the Recycle Bin and right click in the empty space in the folder and choose Paste
Start the pse 9 editor and under Help>About Plug-In>Camera Raw should hopefully say version 6.6.

I want to download and install Adobe Camera Raw 7.1.

I have Photoshop CS5. I want to download and install Adobe Camera Raw 7.1. I get a message saying I need Application Manager. when i down load Application Manager I get a message I need Support Advisor. When I go to Support Advisor I get a message Support Advisor has been Discontinued. All I really want to do is read RAW files from my Oly OMD EM1 with out converting them.
Mac OS 10.7.5

All I really want to do is read RAW files from my Oly OMD EM1 with out converting them.
Not going to happen with CS5.
Camera Raw plug-in | Supported cameras
The E-M1 was first supported in Camera Raw 8.3 which is only supported in CS6 and Cloud versions. Not CS5.
Your options are to upgrade Photoshop or convert to DNG.

Adobe Camera Raw Software and Adobe DNG Converter

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