Adobe Prelude CC Feature Requests

I've submitted these feature requests to Adobe—BIG timesaving workflow enhancements.  If you agree, please submit your own request for any of these features:
http://www.youtube.com/watch?v=IljmmB0yDXY

Thanks, Steven.  Yes, I meant to share that link so others could also submit their feature requests. 
Also, I agree, many may never need Prelude.  It's gotta be a tough battle for Adobe when introducing a new tool, such as Prelude.  I almost ignored it as well, until a project came up that required me to organize a lot of "prosumer" AVCHD footage—footage from multiple days and cameras.  AVCHD, like P2, has an extensive folder structure which doesn't lend itself to quickly copying and pasting one 3 clips here and 7 clips there into different locations.  I found Prelude to be pretty basic, but almost perfect for the task at hand (minus the few complaints I showed in the video).

Similar Messages

  • "Powered by Adobe" - Removal option feature request

    I would love to remove this. I understand that this is currently not possible.
    I'm willing to pay extra if required to remove these links. When embedding the forms on my website, the last thing I want to do is advertise for Adobe or have my competition figure out how I'm providing the service.
    It seems wrong to me to have unwanted advert links for a service I'm paying for, but then again, perhaps I'm not paying enough. Please update features!!!!

    Thank you for your feedback and we completely agree. We plan on removing the "Powered by/Terms of Use/Report Abuse" footer when a paid user (either Basic or Plus plan) embeds a form within a website. We'll probably be doing this in either our Jan or Feb release.
    Randy

  • Where is the Premiere 'Feature Requests' forum?

    I would like to suggest that Adobe add the ability to do a name and/or parameter search from the Media Browser in Premiere.  I've found feature request forums for many other apps, but not premiere.   Where should I post this request?
    David

    Here is an ARTICLE with a bit more info, that might be useful, when using Stan's link. The more info that you can provide to Adobe (either for Feature Request, or Bug Report), the easier it will be for them to act on the report/request.
    Good luck,
    Hunt

  • Feature Request where?

    Does adobe have a Feature Request area for PP? Where?

    "Curtis Henson:
    Back to "feature" requests?!?"
    I would like to see many of the CS4 defaults set to something that is relevant and consistent. For instance, when exporting an avi from the Premiere timeline, Media Encoder defaults to NOT using preview files. You have to remember to change the little drop-down setting every freaking time or else Media Encoder defaults to not using preview files, and the export process can take a ridiculous amount of time. So Premiere currently DOESN'T remember your last export setting related to using or not using preview files when exporting.
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    For clients, being able to easily scrub back and forward through Flash Internet review videos is a huge deal. Currently the only movie control available for Flash exported from Encore is missing this ability/feature.
    We have currently been working in SD widescreen NTSC. I have been exporting the DVD mp2's from the Premiere CS4 timeline because for whatever reason, Encore has been lately coming up with an Encode Error when I try to use avi files. For some reason the mp2 DVD export in Media Encoder defaults to the preset Widescreen 23.4 frames per second or something like that, where it changes the frame rate of the video! Please tell me why anyone would want to take a 29FPS video and export it with a reduced frame rate. I did this once a few years ago by accident and the DVD played back like a strobe effect was applied to the entire video! Encoder should default to presets that most closely match the specifications of the loaded avi file.
    When you're in a hurry, it's easy to forget to change some of these inappropriate defaults.

  • Where is the correct place to suggest a LR feature request?

    My latest attempt brought me to http://feedback.photoshop.com and trying to sign in brought me into an endless loop.

    Some of us theorize that Adobe has enough feature requests and bug reports to last them a lifetime and has therefore made it impossible to register a new ID and sign in... (sorry ).
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  • Feature Request (again); Adobe Bridge Cache Manager

    In Adobe Bridge, the Cache is still a problem and a huge memory hog. I asked for a good Cache Manager over 3 years ago when it was needed CS4.
    Now in CS6, I am disappointed that the cache system in Bridge has not changed. Why do you have a section in the Adobe Forums that asks for 'Feature Request' and then ignore them?
    http://forums.adobe.com/message/2652688#2652688
    "I would personally like a tool within Bridge that allows me to manage and control the Cache in a more personal and effective way. I would like a toggle that would keep '100% previews' in one folder for a selected period of time (1 day to 1 month) before the folder's cache is automatically purged. And another toggle that would give me the option to keep a selected folder's cache permanently intact (such as an Important Portfolio Folder or an Edited Images Folder).
    As a photographer, I take and edit a lot of photos. When I import a photoshoot with 1,500 photos (not uncommom at all) I enjoy having the Bridge Previews at 100%, but for only a limited time. Unfortunately, I forget to purge the individual cache of that folder and the cache builds to a point that makes Adobe Bridge CS4 very slow. I then have to Purge the whole Bridge Cache in order to make Bridge run smooth again.

    gumbogood wrote:
    A Cache Manager tool that lets me either schedule a cache cleaning on a folder, or keep it permanent, would be a huge help. And I don't think that it is unreasonable for me to ask this of Adobe.
    If you submit a feedback poll where Yammer pointed you, and it gets a couple of hundred (thousand?) users agree you might get Adobe's attention.
    I agree with Yammer that Bridge is a low priority project with Adobe.  Think their target audience is the casual user with a few hundred photos added each year.   Your use pattern is more specialized and you either have to adapt with scripts or move to another product IMO.
    The size of cache takes a lot of people by surprise.  It can grow humongous if you use HQ thumbs and save 100% previews.  One can dump the cache in preferences, but many are reluctant to to this as they think it will delete all their keywords and edits.  In addition, to do a search you have to re-index all your files, which can take a long time.
    If you have "export cache to folders" checked, dumping the cache in preferences only dumps the central cache.  To dump the folder cache you have to visit each folder and click on Tools/cache/purge cache for xxx folder.  Again, most people do not recognize this.  This technique purges both the central and folder cache for this folder only.
    It the 100% previews are the problem for you it would seem like a simple task for the script people to write one that would delete it after xx days as the 100% previews are held in a specific folder.
    Bridge is not a good digital asset manager.  You are probably in that arena dealing with several hundred thousand images.  Omke uses a DAM as it does some functions better than Bridge, but Bridge is still his main program.  Can't remember the name, but if you read these posts you might have seen it.

  • Feature Request for Adobe Camera Raw CC

    Cinema DNG Videographers / Cinema Photographers using ACR to debayer footage...
    Feature request to export / save video files directly from ACR - - > Option to create video files with fps.
    Note: The option to export video does exist within the main menu of Photoshop. However, this does not apply to image sequences when imported into ACR.
    Uses:
    Current workflow for using ACR requires applying color correction and/or image presets to footage in order to process DNG image sequences.
    When shooting Cinema DNG files the image sequence is likely to be hundreds or even thousands of photos in length. These files could be processed with ACR and no other application.
    Adobe Media Encoder does not accept 16-bit Tiff sequences (CS 5.5).
    AE and Premiere CC accept 16-bit image sequences.
    Why import into AE and CC just to set FPS?
    Why import into AE and CC just to export proxy files & additional video files?
    May be a very applicable option for 64-bit & 256-bit background processing?
    Why make this feature applicable?
    ACR is remarkable at debayering DNG images.
    ACR processes DNG files faster than AE.
    ACR enables user color-correction presets as well as secondary Look Up Tables (LUTs) to be applied to image sequences (potential investment for Kodak, Fuji and other color-correction houses).
    ACR has the potential to offer users the ability to acquire a single application for processing DNG image sequences without having to purchase an entire post-production software suite.

    Hi! Moved to the correct forum.
    There is also the http://feedback.photoshop.com site.

  • Form to submit a bug or feature request to Adobe is currently unavailable

    The form found at http://adobe.com/go/wish to submit a bug or feature request to Adobe is currently unavailable.
    I will update this thread when it is online again.

    The bug or feature request form is now available again.
    http://adobe.com/go/wish

  • Feature Request for Adobe Media Encoder??

    Hi,
    Why isn't there an option to make a feature request for 'Adobe Media Encoder' on the Adobe Feature Request page??? (Adobe Media Encoder isn't on the list of software)

    Adobe Media Encoder now has its own entry in the feature-request and bug-report form:
    http://www.adobe.com/go/wish

  • Feature Request: Adobe, please make After effects CC keyboard shortcuts customizable as in Premiere

    I'm making this feature requests because I've tried the only two known methods for customizing keyboard shortcuts in After Affects and neither of these work in CC:
    • 2008 video tutorial on Creative Cow Forum for modifying the After Effects Keyboard shortcuts text file - unfortunately this doesn't work in AE CC
    • a youtube tutorial about how to install KeyedUp for After Effects - tried this but also not able to change any shortcuts in AE CC
    One of the things I love most about Premiere Pro CC is how many keyboard shortcuts you can customize. You can even do this in Adobe Audition.
    So why not in After Effects?
    Adobe please bring this feature to the next update of After Effects CC.

    Hi Todd,
    Sorry I replied to you in the Creative Cow forum. Just in case you didn't see my reply there, I'm reposting it here:
    Essentially after following the tutorial video very carefully, modifying the shortcuts, making sure there are no traces of other instances of the old shortcut, I save the file then when I reopen AE, I get this window:
    Then when I check the folder housing the shortcuts text file I see that my modified shortcut text file simply got renamed "old" at the end of the line:
    See second line in window "Shortcuts.txt.old" -> that's the file I modified. It looks like AE simply spawned a new default shortcuts file titled "...Shortcuts.txt"

  • Where can I send feature requests for Adobe AIR?

    If you have a feature request, please submit your ideas to our Adobe AIR Ideas website.

    Hi Jan!
    Possibly other users of a MacBooks, would have some ideas for you.
    I have requested that a Host, relocate this Topic to the Using Your MacBook Forum.
    ali b

  • Adobe Prelude - Red Rocket Support

    Hi everyone,
    My company and I are trying to implement Prelude into our workflow. Primarily, we shoot w/ a Red Epic and currently are experimenting w/ batch transcoding camera rolls through Prelude using the Adobe Media Encoder dynamic link.
    The question I have is this: can Media Encoder take advantage of our current G5 tower's Red Rocket card to speed up the transcoding process, and if so, how do I select it (i.e., if available, where in Prelude/Media Encoder's interface can I find this feature?)
    I know this type of question has been asked before--specifically,
    here: http://www.reduser.net/forum/showthread.php?66229-Should-Adobe-Media-Encoder-be-using-Red- Rocket and
    here: Re: How to turn over RedRocket Control to AME from Premier?
    ..but no true answer has been given regarding this specific workflow.
    I know Red Rocket acceleration is possible in Premiere (and that the Red Rocket card can work w/ only one program at a time)--but what about batch transcoding R3D's in Prelude through Media Encoder. I'd prefer to not use RED-CINE X as we're interested in using all of the XMP metadata features in Prelude.
    For reference, the machine I'm running is the following:
    MAC OS X Version 10.9.4
    Processor: 2X2.26 Ghz Quad--Core Xeon
    Memory: 32 GB 1066 Mhz DDR3
    Mac Pro Era Early 2009
    Red Rocket Card (firmware 1.1.17.3) 
    Adobe Creative Suite CC 2014
    If anyone could advice, it'd be greatly appreciated.
    Cheers,
    John

    Yes, you can use the Red Rocket to speed up encoding in AME, but it probably won't do you much good in your specific case I'm afraid. Here's how the workflow would go:
    1. Select RED files for ingest in Prelude
    2. Specify destination location and preset
    3. Start the batch
    4. Once AME is open, stop the queue that has started automatically
    5. Right-click on a job and choose "Source Settings"
    6. Enable the Red Rocket
    7. Go to step 5 and repeat for each job in the queue
    As you can see that would be a lot of work for what may be minimal gain depending on how long it takes to encode the media with the Red Rocket turned off. Where this workflow really excels is when the source in AME is a longer form sequence such as a Prelude rough cut or a Premiere Pro sequence. I could certainly see adding a global option to always enable the Red Rocket for RED sources, but that would be a feature request, which you can submit here: Adobe - Feature Request/Bug Report Form
    I hope this helps even if it isn't exactly what you were probably hoping to here.

  • Feature Request: Point-Markers to Overlay Range-Markers (& compound markers-track)

    Problem:
    In Premiere CS6, both Prelude and Premiere, range markers (those with duration greater than zero) obscure any point markers (those with duration=0, the default).   This is demonstrated at http://tv.adobe.com/watch/learn-premiere-pro-cs6/improved-markers-and-importing-from-prelu de/ , at around 04:42.  This obscuration discourages use of range-markers.
    Solution (feature-request):
    Please could you reverse that situation, so that point markers instead overlay range markers.  In fact, more generally, shorter-duration markers should overlay longer-duration markers.  The idea is that the longer-duration markers would serve as useful background to the shorter-duration ones, and also of course this would reduce loss of information display.
    How it would be useful in practice:
    For example, when editing a presentation, it is useful to initially mark ranges covering periods such as Establishing, Main Talk, Question&Answer Session, Finale & Applause.  Then on top of that to add shorter-duration markers for particular elements to be used or avoided.  Then on top of that, add markers for point-events such as "camera jolt".
    Better still (feature-request):
    Ideally, markers should be considered as a special compound kind of track, a metadata track (after all, markers do get stored as metadata).  This (compound) track could then be viewed either in collapsed mode (where it would look like a single track, hopefully with the overlay priorities as described bove) or in expanded mode (revealing some number of separate lanes, defined by user, of markers).  Such lanes could be given meaning by the user e.g. Info, Vital-use, Nice-use-if-possible, Avoid, Ancillary (Clapperboard, Grey-Card, Color Charts etc.).  Colors could be defined for each lane, to make them intuitive to people, at a glance.
    Many thanks,
      David

    Until things change, you might give subclips a go.  They're returned to proper functioning in CC7 where you see only the subclip range in the Source Monitor, but are free to extend or add transitions in the sequence.

  • Rename subclips - feature request

    By the looks of thing, I can't rename the subclips I've created in Prelude. The workflow for creating subclips is great (while ingested video is playing, type 1, name the subclip, ENTER, type O for outpoint, type 1 for new subclip) but if you get the name wrong, you are stuck with it.
    Yes, you can rename once you send it to Premiere, but I think renaming the subclips would be a great update.

    Hi-
    Thanks  for your post !
    After you add a subclip and give it a wrong name, you could rename the subclip's name in 'Marker Inspector' panel. See the screen shot below. Then the subclip's name in Timeline and Project panel will change accordingly.
    If this is not your expectation, please send a feature request via http://adobe.com/go/wish.
    Thanks,
    Jenny

  • Bug Report: Feature Request/Bug Report Form

    Re: Feature Request/Bug Report Form
    https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
    The Feature Request/Bug Report Form does not include a drop-down option for Creative Cloud.

    Hi Stephen,
    We are collecting feature requests as idea threads here on the forums versus using that form. If you believe you have discovered a bug with Creative Cloud please post about it here on the forums.
    Thanks,
    -Dave

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