Adobe Premiere Pro doesn't recognise Sony camera

When I connect my Sony DCR-TRV245E Digital8 camcorder using the iLink (IEEE 1394) connection both Adobe Premiere Pro CS4 running under Windows XP Pro 32 bit and Adobe Premiere Pro CS5 running under Windows 7 Pro 64 bit recognise and control the camera well.
However, if I connect the same camera using the USB connection, neither version of Premiere Pro under either version of Windows will recognise it.
And, when I connect my newer Sony HDR-TD30VE camcorder, which only has a USB connection, neither version of Premiere Pro under either version of Windows will recognise it.
Can anyone advise?

Many thanks for your posting.
That was very helpful of you.
I take it you mean that when the Sony HDR-TD30VE camcorder is being used, the memory cards have to be copied onto the hard disc without using the Premiere Pro software; and then imported into Premiere Pro from there; and that Premiere Pro itself cannot control the camera directly.

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Which cameras are compatible with the capture feature in adobe premiere pro?

My son is making stop motion videos and wants to be able to use the capture feature on adobe premiere pro where you connect your camera via USB and can capture images on your computer through your camera. I'm looking into buying him a camera and am trying to find a list of digital cameras that are compatible with this feature, he has a small fuji camera now that will not let him do so.

What the other users have said is correct. Premiere captures through FireWire or through SDI/HDMI via a 3rd party solution.
For your situation I would say the best bet is to connect you camera to your computer via USB or use a card reader and copy the entire directory to your hard drive and ingest into Premiere via Media Browser.
If you Google 'how to make stop motion in premiere pro' there are tons of great tutorials.
Best,
Peter Garaway
Adobe
Premiere Pro

Sony HC9 Camera and Adobe Premiere Pro CS 3

I just bought a new (old stock) Sony HDR-HC9 video camera because I like tworking with tape much better than the HDD recorders on the market. I just tried to import (capture) video from the camera in Adobe Premiere Pro CS3 v3.2.0 and the app does not recognize the camera! Any thoughts on how I can get this to work. Upgrading to a newer CS version is NOT an option.
Thanks

Just to verify... you are connecting using a Firewire cable?
IF you are on Win7...
Legacy Driver and Capture http://forums.adobe.com/thread/869277
- And a Picture http://forums.adobe.com/thread/727755
IF Firewire is still not working, try a different program
SD capture http://windv.mourek.cz/ or http://www.scenalyzer.com/main.html or http://www.exsate.com/products/dvcapture/
Do note that the demo version of ScenalyzerLive puts a watermark in the files it creates
Try this for HDV capture http://strony.aster.pl/paviko/hdvsplit.htm

Does adobe premiere pro support a Sony HD AVCHD HDR-XR500 camera?

Either I am not setting the right preset at the beginning or it doesn't support this type of file, but every time I try to import video from my computer from that camera, the bar at the top is red and it lags when playing back. I render it but it takes an hour for it to go green for a small 5 minute clip. Then when I want to edit like add a color correction or even cut and ripple delete it goes red again and it takes forever to render. This is really frustrating. There must be an easier way to do this.

Many thanks for your posting.
That was very helpful of you.
I take it you mean that when the Sony HDR-TD30VE camcorder is being used, the memory cards have to be copied onto the hard disc without using the Premiere Pro software; and then imported into Premiere Pro from there; and that Premiere Pro itself cannot control the camera directly.

New tapeless camera support in Adobe Premiere Pro CS4

Take advantage of the efficiency of tapeless cameras. Edit files from the latest tapeless formats natively, including AVCHD, P2, and XDCAM EX, without transcoding or rewrapping. With the integrated Media Browser, you can browse your hard disks from inside Adobe Premiere Pro, find footage, and then import the content directly into your Adobe Premiere Pro project.
For more information about using the tapeless workflow in Adobe Premiere Pro CS4, see the following online Help topics:
File-based workflows: http://help.adobe.com/en_US/PremierePro/4.0/WS8DFED0F6-F46C-4420-B893-F58484B8DAC6.html
Set up a file-based system: http://help.adobe.com/en_US/PremierePro/4.0/WSCD697D8A-C3B2-4c6f-96CA-6CB6C897A819.html
Stephen Muratore
Sr. Technical Writer
Adobe Systems, Inc.

Stephen can you tell us if Premiere CS4 is backward compatible with:
Premiere 1.5 Projects
Cineform Aspect 3.1
Current versions of REG GIANT MAGIC BULLET
Current versions of GEN ART SAPPHIRE

FCP 10.1 DV capturing from camera breaking the scenes into unwanted clips by flashing a black screen on import window. But its fine and accurate with adobe premiere pro cc ? Any solution * Advance Thanks

FCP 10.1 DV capturing from camera breaking the scenes into unwanted clips by flashing a black screen on import window. But its fine and accurate with adobe premiere pro cc ?
Any solution * Advance Thanks

FCP X will import into separate clips every time it detects a scene change (as when you stopped and started recording in the camera). There is no option to avoid this, as far as I known.
You may try importing from camera using Quicktime Player X and then bringing the imported file into FCP X.

How to import 4K files from new camera JVC GY-HMQ10E in Adobe Premiere Pro CS5 ?

Importing in RED format or other ?

I have used a MacMini to download the 4K content (only short clips were willing to download sofar), and then transferred to a PC I was able to get it to play in RED schemes in Adobe Premiere Pro CS5.
I am just not sure if this is the right way of doing it.
My current concern for anyone with experience with this camcorder:
How can we download/combine from the 4 SD cards the longer clips too on Windows?
I saw a utility but had some extra requirements that I couldn't figure out yet.
On my MacMini only the short clips were willing to download.

Adobe Premiere Pro CS3 - JVC 20GB Hard Drive Video Camera Difficulties

I am currently using Adobe Premiere Pro CS3. I have a JVC 20 gb hard drive video camcorder that I have currently recorded footage on. I need to either find a way to capture that footage somehow or convert the videos from .MOD files to a supported format for Adobe without the blurry pixelated quality of the video and the lack of sound on certain formats. If anyone can steer me in the right direction, your help would be appreciated! Thanks!

Read Hunt on Using MOD/TOD files http://forums.adobe.com/thread/699990

'This project was saved in a newer version of Adobe Premiere Pro' but the project came from the exact same version??

Hey there,
I have two computers running the exact same version of Premiere (CC 2014) and both are currently updated.
I saved the project onto the server using one computer, then when I try to open it on the other comp I get this message:
'This project was saved in a newer version of Adobe Premiere Pro and cannot be opened in this version.'
Both comps are logged into the same creative cloud account and both work fine individually...
Does anyone out there have a fix for this??
Help would be much appreciated!!
Thanks!
Ben

Are you sure the updates are the exactly the same, look at the 'about' details under the help menu, are the build numbers the same:

Why doesn't my mic audio get transferred into adobe premiere pro?

So when i open my video clip in windows media player i can here everything perfectly fine but when i import it, i can't hear my own mic audio in adobe premiere pro. Does anyone know how i can resolve this? Thanks in advance.

>it's is a .avi file
AVI is a wrapper... what is inside your wrapper?
Codec & Format information, read both links in reply #1 http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30 for screen shot instructions
Find file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download

Help me before I turn to Adobe Premiere Pro and PC!

I am desperately trying to import HVD footage from a Sony HVR-A1 in OfflineRT mode. I have a pretty slow Mac which does not allow me to work with native HDV or Apple intermediate codec and I WILL HAVE TO turn to PC if I do not find a quick solution… Argh…
I have tried the following :
1. OfflineRT HD esay setup specifying HDV as Capture setup and Sony HDV 1081i50 Firewire.
- It has worked once and not more after that
- The sequence is in JPG compressed mode but clips are all captured in full HDV, which makes it impossible to edit in RT… I have no idea of what is going on…
2. Offline RT (DV)
- Using i-link downconvert mode to capture in OfflineRT mode
- Everything seems OK until I finally try to batch capture in HDV. I then systematically get error messages and only a small part of the clips are captured.
3. HDV capture and transfer to OfflineRT HD via Media Manager (recompress)
- Everything works fine (capture, recompress and batch capture).
- BUT: it seems that recompress with OfflineRT HD suppose that the original is letterbox so that when the original (as mine) is 16:9, the compressed output is strongly distorted.
- I tried to use custom recompress procedures but they all seem to produce outputs which cannot be edited in RT…
It has been two weeks now and I did not start editing yet… What should I do? Turn to PC and Adobe Premiere Pro 2.0?

Welcome to the forum Jean-Claude.
If you will provide your system specs, I'll bet that
someone here will get you running smoothly and
happily.
Sorry for that...
My spec are:
FCP5
Mac OSX
2 HD (one external via firewire)
G4 on PowerBook with 512M RAM
I am capturing directly via Firewire from a Sony HVR-A1 PAL
My main concern however is that my problem does not seem to come from hardware spec since I have no real problem in capturing in native HDV (although my computer is too slow to edit in native HDV or in Apple intermediate Codec). It seemed to me that OfflineRT HD was just the way it should work for me (I can find a proper computer to fine-tune the final work) but I have found nowhere successful reports of using this option...
EDIT, just came across your other post... "Offline
editing with FCP5 OfflineRT HD"...should try to keep
only one thread active... keeps everyone from getting
confused...
Sorry for that too... I am going to close the other one right now...
G4 Mac OS X (10.2.x) PowerBook RAM:512M

Can I import I-life files into Adobe Premiere Pro CS4?

Okay, so not exactly an Apple question, but there are so many smart, helpful people on here, and the Adobe forum doesn' t seem very active.
I recently got Adobe Premiere Pro CS4 (the movie editing software). I tried to import files from I-photo, but those folders wouldn't even open. Tried to import files from the movie folder, which were in .mpg format, but got a message that it is an incompatible format.
Those were just simple movie files taken with a small digital camera. Does anyone know how I could use this footage in Adobe Pro? I have access to other Adobe software as well, perhaps there is a way to convert the files? If I try to import something to Adobe from I-movie, should that work? Or from I-DVD? Also, is it possible, with Adobe or regular Mac software, to import regular DVD footage (that is not in form of a computer file, but just something that plays in your DVD player) or perhaps convert it into a computer file? I have some old VHS footage that was copied onto a DVD and would like to edit it, or at least have it on my computer as a file.
Also, if I can't use those files, are there any places on the internet where one can download some simple footage to try out in Adobe? I'm new to it, so I'm just trying to get some files together so I can try out how it works.
Lastly, if anyone knows of a good online tutorual for CS4. It's an older version, and on the Adobe site they only have tutorials for the newer one.
Thanks!

This is a forum. None of the users here -at least not to my knowledge - are Adobe professional
Ninety-nine point nine percent correct. We are blessed with a few Adobe employees here, unlike some fora, but those folk are probably at NAB right now. Also, they are in other departments, so would have to walk "down the hall," or make a call, just as we would.
When it gets to issues on licensing, installation, etc., we're pretty much at a loss. Most of us have never encountered such issues, and only know what we have read in others' threads, when they have bothered to report back. Even then, that is third-hand info.
Last time that I had an Adobe installation issue was AI 3, IIRC. My upgrade version did not have the old database of S/N's. Mine was 00-000-003, and things had changed drastically. One call to Adobe, and a total time of about 5 mins. (including hold time), and I was given a number to plug in, and then everything installed perfectly. That was in about 1989, so is not quite contemporary. Still, that is the last and only first-person account that I can offer. Most here have zero personal experiences, as they came to the party later, and have just not had any such issues.
We'd love to help, but just do not have the experience.
Good luck,
Hunt

XDCAM HD workflow with Adobe Premiere Pro CC and Macbook Pro

Hi folks,
I have an assignment for a TV production to secure and convert the data (mxf files XDCAM HD 422 1080i 50 / 50 Mbit/sec with 8 audio channels) from Sony XDCAM camcorders (PDW-700) for postproduction.
The producer wants me to convert the mxf files during production to Apple ProRes 422 (HQ) for faster and smooth editing during postproduction.
I'm not sure about the final output yet, but I guess it will be either 720p50 or 1080i 25, since the production will be broadcast and as far as I know this is the standard for HD on German television. It is also not clear which NLE will be used for editing (usually one of the producers edits their projects with FCP, but this time they've got their hands full and are still looking for someone to outsource postproduction.
Unfortunately, my Macbook is getting fixed as we speak, so I can't try things out.
Since this is the first time I'm doing this workflow, could someone please check if I got everything right?
1. Can someone please confirm that I can actually convert the mxf files using AME CC to Apple ProRes 422?
Or do I need to install any other tools/converters for this task? Does MPEG streamclip do the job? Any other freeware?
2. When converting to Apple ProRes422, the producer suggested to deinterlace the footage (1080i 50) to 25p, if 720p or 1080p I have to find out tomorrow since our conversation got interrupted this afternoon.
In my opinion this doesn't make sense, though. First, if output to 1080i 25 it has to stay interlaced anyway. Second, in case the output will be 720p 50 I would edit the footage either natively or in Apple ProRes 422, but leave deinterlacing until the very end when outputting to the final format. This way I could use an advanced deinterlacer, e.g. the one from Magic Bullet Suite, rather than just checking some deinterlace box in the export settings for Apple ProRes 422.
The reason the producer suggested to deinterlace right away when using an intermediate like ProRes was that she and the client got irritated by the jagged lines from the interlaced footage when editing the last project with the same requirements on a progressive display.
3. What would be the best solution to tackle this issue (jagged lines) during editing?
As I said my Mac is getting fixed, so I have no way of trying things out,and I usually edit DSLR footage which is progressive anyway.
But if I remember correctly I can switch my monitor between 1080p and 1080i. This should do the trick, shouldn't it?
4. Can I keep all of the 8 audio tracks when converting to ProRes using AME CC ?
5. Is ProRes422 (HQ) really necessary, or is the regular quality sufficient for this kind of job?
6. Let's assume the whole project would be edited within Adobe Premiere Pro CC and system specs as stated below:
Since Adobe Premiere Pro CC has native support for XDCAM HD is there any advantage of using an intermediate like ProRes at all?
How smooth is native editing with XDCAM HD in Premiere Pro CC? I don't think there will be more than 3-4 video tracks in use...
Thanks for your help!
working with
Adobe Premiere Pro CC and Adobe Media Encoder CC
Apple MacBook Pro
Intel Core i7 Quad Core Prozessor
2.3 GHz and 6MB L3 Cache
16 GB RAM 1600MHz DDR3,
256 GB SSD
Intel HD Graphics 4000 512MB + nVidia GeForce GT 650M with 1 GB GDDR5 RAM

Thanks Jim! I knew there must be a reason xdcam is widely uses for eng aquistion :) I think they used FCP 6 or 7 on their last project... So what about monitoring interlaced footage on a progressive screen? Any advice on that? Is there a converter built in to APP CC that deinterlaces in realtime when monitoring interlaced sources on a progressive screen? And would you agree that deinterlacing source material is best left right before outputting?

Adobe Premiere Pro CC 2014.2 (8.2) freezes up constantly on Mac OS X Yosemite

After the latest update (no idea which one but the latest update) Premiere Pro cc just keeps freezing up constantly. There's no indication what brings it up but after different periods of time I just get the apple wheel and the entire program freezes up. I force quit and get the "sorry, a serious problem has occured", blabla. Sometimes it's in the middle of cutting a clip, sometimes it's while trimming. There isn't a single indication what causes it. At first I thought it was only because of using a multicam clip, but that's not the case anymore. I tried reducing memory to other apps, deleting preview files, deleting autosaves, turning off autosave altogether, deleting Adobe Premiere 8.0 preference file, changing permissions, basically everything in this post: Re: Adobe Premiere Pro CC keeps crashing... (Which now also seems totally neglected by Adobe).
Believe me, there's hardly a thing I haven't tried.
It's getting REALLY frustrating now and it's time something is done about this. Yes I know, "don't just say it's frustrating, explain the problem", but that fase has passed now. I'm paying for this product and it needs to work like it should.
Also I know I'm not the only one who's having these problems.
My specs are:
OS X Yosemite 10.10.1
MacBook Pro (Retina, Mid 2012)
2,3 GHz Intel Core i7
16 GB 1600 MHz DDR3
NVIDIA GeForce GT 650M 1024 MB

Hi JJ,
JJ Millen wrote:
It is not about the past times you may or may not have participated, but about the latest message from rob654 and my last messages in that thread (which are clearly not about Windows).
One great reason to get a Mac only version of the post. It is never a good idea to post on a Windows post with Mac problems. And when threads get so long and unruly, the team can't focus on the actual issue so it doesn't get the attention it needs.
Now that we have that sorted out...
JJ Millen wrote:
I checked that and it says 8.2.0. (65) build.
Thanks for the verification. You are running Premiere Pro CC 2014.2 (8.2). It helps to have that absolutely clear.
JJ Millen wrote:
Here are all the checkpoints mentioned in that thread, applicable to my project:
- Version 8.2.0;
- My Creative Cloud says Premiere Pro is up-to-date;
- Operating system is OS X Yosemite version 10.10.1 (14B25);
Very well, did things operate any differently on Mac OS X 10.9.x? Or did you have the same problem?
JJ Millen wrote:
Type: MPEG Movie
File Size: 4,0 GB
Image Size: 1920 x 1080
Frame Rate: 25,00
Source Audio Format: 48000 Hz - 16 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:12:35:16
Pixel Aspect Ratio: 1,0;
So is this H.264? What is the camera that you are working with? DSLR?
JJ Millen wrote:
- I do not get any error messages, except for the "Sorry, a serious problem has occurred"-message after I have to force quit my Premiere because of the freeze;
What kind of drives are the media files stored on?
Are the permissions set correctly (as Read/Write) for the Mac HD and your media drives?
Are the permissions set correctly for all the Adobe folders as I outlined in my blog?
JJ Millen wrote:
- The problem mostly occurs when cutting a clip with the razor tool, regardless of the kind of clip;
When you import clips, are you using File > Import, or are you importing via the Media Browser?
JJ Millen wrote:
- Yes this has worked before, the problems started either after creating a submix (which I've deleted, without result) and/or after updating to a newer version of Premiere CC;
Definitely do not update Premiere Pro or OS X when in the middle of a project. Wait until it's complete. If you did either or both of these things, you can cause your project to become corrupt. After your current project is wrapped, test with a brand new project.
JJ Millen wrote:
- The only software I run actively besides Premiere is Apple's Mail program, Safari and/or Chrome, sometimes Wire, sometimes Spotify;
- I currently have no third-part effects or codecs installed in Premiere;
- I installed the latest CUDA Mac Driver, version 6.5.37 (release date 01/14/2015);
- The problem just happens while working in my sequence, not in any final output. I don't know what is meant by "previews", but I have the yellow bar indicator in my sequence, if that's info you need.
I have heard of others having issues with OS X 10.10 and NVIDIA GPUs. My advice is to consider downgrading your OS if you continue to have issues. I believe I have avoided a lot of trouble by sticking to OS X 10.8.5.
Previews AKA the Media Cache are your "render files." They can become corrupt, so it's a good idea to trash them when troubleshooting. You can locate them via your Preferences > Media. Click the Browse button.
JJ Millen wrote:
Okay I went through that menu (which I'm not eager to do, I prefer direct contact) and came across the CUDA setting inside the project settings. I've now enabled the "Mercury Playback Engine GPU Acceleration (CUDA)", which might help.
So were you set to "Mercury Playback Engine Software Only" or "Mercury Playback Engine GPU Acceleration (OpenCL)" prior to changing it to "Mercury Playback Engine GPU Acceleration (CUDA)?
JJ Millen wrote:
Testing with a brand new project is not an option. I have a deadline for my current project and it's impossible to start from scratch. What I did try is start a new project and importing the existing one, which didn't help so far.
I was just wondering if you experienced the same issues in a new project. Any project you update to a new version is suspect, in my opinion. In the future, try to avoid doing that. If your current project is corrupt, I could see why you are having certain issues.
For what it's worth, we had another user that exhibited similar issues until they started with a brand new Premiere Pro CC 2014.2 (8.2) file.
Since importing your 8.1 file to a new 8.2 project isn't working, make sure to triple check permissions on all the Adobe folders I laid out in my blog post: Premiere Pro CC, CC 2014, or 2014.1 freezing on startup or crashing while working (Mac OS X 10.9, and later)
It's the #1 reason Mac users experience freezing and crashing. The other one I'd look at is that NVIDIA drivers are not working well with Yosemite. Finally, if you update a project across versions, it can become corrupt. Not much you can do about that except start a new project ASAP.
Thanks,
Kevin

Adobe Premiere Pro CS3 3.2.0 update

Thought I'd share a bit of information on the 3.2.0 update that will be coming out via AUM this morning. The update will come out first via AUM, then will be available on the updates page shortly after at http://www.adobe.com/downloads/updates/?ogn=EN_US-gntray_dl_updates.
The readme will also be hosted at http://www.adobe.com/support/documentation/en/premierepro/releasenotes.html.
Dave Helmly has posted about the update on his blog, as well: http://blogs.adobe.com/davtechtable/2008/04/xdcam_and_premiere_32.html#more
New in this release:
- This update adds compatibility with the Sony XDCAM range of cameras. This includes disc-based XDCAM and XDCAM HD cameras., and the newer SxS-based XDCAM EX cameras. Content from XDCAM cameras can be imported and edited natively without transcoding or conversion. This makes possible similar workflows to Panasonic P2, including the ability to edit content directly from XDCAM EX cameras.
- Note: Adobe Premiere Pro CS3 3.2.0 does not support IMX editing or XDCAM HD50 editing at this time. Export to XDCAM is also not possible.
- Adobe Premiere Pro now has presets for HDV 24p. Note: Adobe Premiere Pro does NOT support print to tape in 24p mode.
- Improved handling of MPEG streams (e.g.: HDV video), along with error detection. MPEG stream errors can occur during recording due to tape dropouts, record start/stop glitches, timecode breaks, etc. Bad frames caused by these MPEG stream errors are identified during import/indexing or playback. These frames will play back as full red frames to alert the user that there is a problem in the encoded video at that location. Adobe Premiere Pro will also log error messages to the Events panel, indicating where the error(s) were encountered in the stream. Users can open the Events panel, determine the location of the MPEG stream error, navigate to that location in the clip and take corrective action, such as trimming out the video glitch or covering up the red frames with duplicated good frames copied from before or after the glitch. Note: MPEG files will need to be re-indexed to take advantage of the improvements in Adobe
Premiere Pro CS3 3.2.0. For more information, please see Working with MPEG Files.
Notable fixes:
- Titles/Footage no longer show up as offline when reloading saved projects.
- Rendered preview files no longer missing when reloading saved projects.
- Certain filters and/or transitions are now applied correctly when reloading saved projects, until the timeline is forcibly refreshed.
- When exporting via the Adobe Media Encoder, there is no longer a long delay before the progress dialog shows and rendering resums (Mac OS 10.5.x only).
- 24p HDV clips shot on a Canon XH A1 no longer come in incorrectly as 30 fps clips.
- Creating an offline clip in the project window then attempting to link it to media on disk no longer results in the application crashing.
- QT PAL movies rendered out of Adobe After Effects® software are no longer incorrectly identified as requiring rendering in a Adobe Premiere Pro PAL project.
- DV Clips of certain specific durations are no longer incorrectly identified on the timeline as requiring rendering.
- For P2 DVCPro clips, the right-most pixel column no longer contains video garbage.
- Fixed a memory fragmentation problem that would occur with projects with many custom bin columns.
- Fixed a bug where exporting to a QuickTime movie (with QT 7.4) would crash the application.
- Selecting "display only exact name matches" when relinking clip no longer crashes on Leopard.
- Fixed an issue where 30p and 30f HDV clips would incorrectly be identified as requiring rendering in a 29.97 progressive project.

Harm,
I don't use HDV, so I'm not sure if this is the case or not, but in the top post, there is mention of having to re-index the MPEG files "to take advantage of the improvements in Adobe Premiere Pro CS3 3.2.0." While it seems this should be an automatic process, maybe wiping out the previously-created index files (I seem to remember them being in the Media Cache folder when importing MPG files from DVD rips and such) would let the project open. Or, maybe the old trick of importing an existing project into a new one? Just a couple thoughts...
To the other poster: surely, I don't jest. At least, not when it comes to anything in the video production industry and my operation in it. Long ago, I gave up expecting perfection from any particular piece of hardware or software, and just focused on being creative. That's why I got into this. I refuse to let any piece of equipment dictate what I can or can't do--I just find another way around. Funny how we managed to make it as a species and a civilization as long as we have, and now that computers are here to make our lives easier (*snort*), we're quick to raise our ire about everything that's wrong with them. That's why I will always marvel at things built long ago prior to the advent of all the technology we take for granted today.
Anyway, we're all entitled to our opinions, and I've taken this thread completely off-topic. My apologies, so...

Adobe Premiere Pro doesn't recognise Sony camera

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