After effects CS5 recognizes. avi formats only as an audio track?

Question

Hi
If I for CS5 a video hinfüge I recorded with Fraps detect the audio only as, what should I do so the video is also there?
ty

Answer 1

I then looked at Pluraleyes however it seems that Pluraleyes for Adobe Premier (PC) cannon work with .MXF files which is what the panasonic cameras natively record to the P2 cards.
It will; give the demo a shot. PluralEyes will render temporary WAV files from the MXFs for syncing, through AME. With the PluralEyes workflow, you don't need timecode at all, as it works by analyzing the waveforms themselves.
You can pseudo-sync the HPX170s with free-run TC by getting the cameras both setup to the TC reset screen, setting them in close proximity to one another, and then using the supplied remote to trigger the reset. It's line of sight with the remote, so you need to be in front of the cameras to do it. I've synced two, three, and even four HVX/HPX camcorders this way, and had perfect sync (at least between them) in post. So long as the cameras are juiced, you should be good; powering off/swapping batteries may cause a little drift, but the reset process is pretty simple if needed.
For the external recorder, if you want to match it to the cameras, you'd have to employ a Calibrated Finger and use it at the same time as the TC reset on the cams. I'm assuming the recorder you're using allows for free-run TC and a manual reset like this. Personally, I wouldn't bother with trying to get TOD set between all the devices; I guess you could use the same procedure above for fake jam syncing to set the clocks on the cameras, but I've never tried that.
Also, as of the 5.0.2 update, Premiere accepts BWF files and reads the timecode from the files. Syncing the MXFs and BWFs will be a semi-manually process in Premiere, but isn't too bad. This is where PluralEyes would take off most of the load; anything slightly off could be brought into sync pretty quickly in Premiere.