Anyone study Apple Pro Training Series SP 2 without Final Cut Pro app?

Hi Guys,
I have Soundtrack Pro 2. It came with the Logic Pro Studio bundle. I want to get the certification for SP 2. I just opened the SP 2 Apple Pro Training Series book and the first directions are to open +Final Cut Pro+ to convert the .fcp file in the lesson folder to a .stmp file to use in SP 2.
I don't have Final Cut Pro. Am I dead in the water? How does someone who got SP 2 via purchasing Logic Pro Studio follow this book, since Final Cut Pro doesn't come with the Logic bundle?
Thanks to anyone who can shed some light!

I'm checking back in here and bumping this thread up hoping someone from Apple might throw in a reply here. I've spent the last few days on the net seeking out anyone else who ran into this problem and I've discovered there are quite a few others running into this issue. How is someone who purchased STP with Logic Studio supposed to get certified? Why doesn't Apple let people know about this before they purchase the product? If they weren't aware of it before (I've been told Apple has now been notified of the issue), why isn't Apple addressing this and providing a workaround?
Anyone from Apple out there?

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Can anyone recommend a beauty filter or glow effect for final cut pro x

I'm looking for a plug in filter that's like the old plug ins for final cut pro 7 for final cut pro x
Any suggestions. FYI final cut pro x effects does not have it.
I'm not looking to fix skin tone but looking for a beauty filter for final cut pro x
Thanks

I put together some filters using old Photoshop tricks:
Colorist Toy Box:
http://www.youtube.com/watch?v=Mlm6QF-FSGI (has a nice "aura" effect feature)
SC Sharpen Tools:
http://www.youtube.com/watch?v=sVD0kZIpq9s
(explanations: http://www.youtube.com/watch?v=P8CEb0K_IZo)
The two effects can be combined on clips.
YMMV

I updated to yosemite os and was in the middle of a project with final cut pro 10. Now it says final cut pro is incompatible. How can I access my project and/or update final cut?

I updated to yosemite os and was in the middle of a project with final cut pro 10. Now it says final cut pro is incompatible. How can I access my project and/or update final cut?

There is this offer of a trial version FC Pro X with 30 day runtime:
http://www.apple.com/final-cut-pro/trial/
Too bad you didn't have a complete backup that could run the previous OS X
and then you could resume using an earlier Final Cut Pro (10) or (7) since a
clone would have been a means toward that position.
http://www.apple.com/support/finalcutpro/
http://www.apple.com/support/pro-apps/
This appears to be another good reason to check out all the reasons why one
would want or need to upgrade a working OS X version, since these kinds of
events are known to happen as a direct result.
Sorry to not have an answer to this, other than try & use the Trial version...
Or see if someone at Apple sales/support can field your issue w/ an answer.
Good luck & happy computing!

I have a newer MacBook Pro and I am trying to download my Final Cut Pro 7 Studio 2 on it. Is that possible or does the new MacBook Pro not support anything other than Final Cut Pro X?

I have a newer MacBook Pro and I am trying to download my Final Cut Pro 7 Studio 2 on it. Is that possible or does the new MacBook Pro not support anything other than Final Cut Pro X?

As Tom said the FCS forum is the better place to post the question.
Here is Apple's best practices doc for installing both on the same system.
BTW, FCP7 is part of the FCS 3 suite of apps.
Russ

Can I use Motion 5 without Final Cut Pro but maybe for iMovie?

Hi guys, if I buy Motion 5 can I use it to create a project without Final Cut Pro or X or what ever?! And can I create transitions for iMovie?
Thanks

Stelo08, yes, Motion will export in a handful of formats.
h264 is the most popular, but did not support transparency, which you would likely want if you wanted to do lower thirds (titles).
Motion will export in prores 444 which which supports transparency, but I do not know if it works in imovie.
(I tried it in Camtasia 2.3 and it did not there, but it seemed to work in ScreenFlow 4.03)
Additionally, you can import video footage into Motion, so worst case scenario, you could pull a shorter scene into motion, do your overlays, export that scene and then add it back into imovie.

I want to purchase a powerbook that will run a music program like MOTU or Pro Tools as well as run Final Cut Pro without being sluggish...any help?

I want to purchase a powerbook that will run a music program like MOTU or Pro Tools as well as run Final Cut Pro without being sluggish...any help?

The only way that would work out is if you ran exactly the versions that were made for old PowerBooks. Anything newer may require Intel and not run, or will strain the poor old G4 CPU.
Your needs have to be modest, too, because the problem with older music and video software is that they are not current as far as formats and codecs for the Web. If you want to output H.264, the current standard for YouTube/Flash video, older software may not support it, and in addition, H.264 is processor-intensive and is tailor-made for today's multi-core, 2+ GHz processors. It will overwhelm a G4. A PowerBook G4 can barely play YouTube videos.
More perspective: The PowerBooks worked great for miniDV format editing. In other words, 480i SD/standard definition video in use from the late 1990s to the late 2000s. If that is all you want to do, edit tape from an old miniDV camera to SD output, then OK.
But if you want to edit today's HD video, whether 720p from a snapshot camera/iPhone 4 or 1080p from a DSLR, the PowerBook and the software for it will either not recognize AVCHD/H.264, or it will slow the PowerBook to a dead crawl.
I'm in agreement with the above: Intel Macs have been out for so many years that getting a used one is a much better deal than a dead-end PowerBook. And I loved (still love) my PowerBooks.

Are the Apple ProRes Codec's already installed in Final Cut Pro X or do I have to download them separately

I am new to Final Cut Pro. I recently bought Final Cut Pro X. Enjoying it. I cannot seem to find anywhere if the Apple ProRes family of codec come included in Final Cut Pro X or do I have to buy and download them separately?
I have 10.08.5 operating system

That it works in iMovie is irrelevant to FCP. Has nothing to do with ProRes codecs. Absolute crap web site. Zero information about the media these things shoot. Absolute incompetence.
From their web site:
Depending on what computer system you are operating on - Mac or PC, we can suggest a few video editing software packages:
If you're taking your first steps in video editing, iMovie (iOS) or Sony MoviEZ (windows), will be good options. Both are fairly simple to use, don't require you to convert your files, and are either free or very affordable.
Windows Movie Maker is another free option, but requires you to convert your files to a different format, such as .wmv.
Quicktime pro is the next step, and although it isn't free, it's very affordable.
Sony Vegas Pro (windows), and Adobe Final Cut Pro/Premiere (iOS/windows) are great options at the more professional end of the spectrum. These are fairly expensive, and are most suitable for users with a reasonable level of editing experience.
Say what? Adobe Final Cut Pro?
Maybe if you can open one of these files in the QT player you could get some real information about this media.

Is Apple Pro Res viewable on computers WITHOUT Final Cut installed?

I have used Apple Pro Res to compress 3d animation and it looks great, far better than any codec so far. Now I find that it is only viewable on computers with Final Cut Pro 6 installed.
I am planning to exhibit the work as quicktimes, but need to use computers without Final Cut installed. Is there any way to import the codec into a Quicktime pro library so movies with Apple Pro Res are viewable on computers WITHOUT Final Cut on them???
Thanks!

ProRes is only licensed with FCP, and can only be installed along with FCP. You could transcode your clips into the Animation codec and try playing them on the other systems.

How would I contact the apple Webmaster for company submission to the Final Cut Pro X Plugins Page?

I would like to have Pixel FIlm Studios Store Link added to the Final Cut Pro X Plugins and Effects page.
How would I go about contacting the correct person at Apple?

Make your suggestions at Apple Feedback.

A Case Study Question in the Use of Stills with Final Cut Pro

Believe it or not, for the last week I have been reading endlessly about pixels, resolution, aspect ratio, Photoshop resizing, the bloody battle over the usefulness of the term "dpi" in video discussions, and generally about what one should do in order to use still images in a film edited in Final Cut Pro. And yet, though I have a PhD from an Ivy League university, and can understand a lot of things, I am sorry to say I am still at a loss.
Much of the discussions of photos on forums like this one are either quite technical or broadly philosophical. But my questions are completely practical and specific. I am not a photographer or a printer, nor am I an experienced editor. I am just a fairly smart person trying to use photos in his film. So I am going to ask some specific questions and hope for specific answers, without any philosophical waffling or technical mumbo jumbo.
I have one of those HP all in one printer/fax/scanner machines. I am told this device, while not fancy, is perfectly adequate to the task. Some of my photos I scan with this device from prints. Some of them I get from other people. (I have stopped downloading photos from the web, as the quality is nearly always poor.) I have Photoshop Essentials (not Photoshop). I am making a 90-minute HDV documentary, 16x9. The doc is mostly HDV footage with a still here and there. I want to be able to move on the photos (zoom, pan, etc.). I want, obviously, for them to look good. My sense is that the work flow is: (a) scan the photo (or obtain from some source as a digital file); alter the photo in some way in Photoshop; and (b) import the photo into your FCP project.
Question #1: If I have a 6x8 print, what settings should I scan it in with -- is it possible there really is no difference between scanning in it at 72dpi and 300dpi? Is it really all about the dimensions of the image? Isn't a photo whose dimensions are enlarged in Photoshop to make it available for panning and zooming in my sequence going to look fuzzier and more pixelated if it was originally scanned at 72dpi than at 300dpi? Also: Does it matter if I save it as a jpeg or tiff? Bottom line: What settings do I use in my scanning software when I scan a photo for this purpose?
Question #2: Once I have the image file on my hard drive, I suppose I now have to load it into Photoshop Elements and do something to it. What is it exactly I am using this program for? I'm going to take a wild guess. I use PS Elements to (1) crop the photo so that it has a 16x9 aspect ratio, and (2) resize it so that I can do pans and other Ken Burnsy moves on it in FCP. Bottom line: What exactly do I do in PSE to the photo and what settings do I use to both (a) make it available for moves and (b) not injure the quality of the photo by increasing its dimensions?
(In passing, I will say that I have done experiments that show that if I increase a photo's dimensions to, say, 4000 pixels by 2000 pixels, the photo's quality definitely and obviously suffers. I don't understand how a picture can be increased in size without losing sharpness. So, what am I doing wrong? Is this a function of it having been scanned in improperly to begin with?)
Question #3: If I am obtaining a photo from an outside source -- say, a professional photographer -- what are the specifications I ask for in both a hard print and a photo file? If the former, what dimensions do I ask for? If the latter, do I specify resolution and dimensions and file type?
These are my questions. At this point, I really don't want to know WHY any of this is the way it is. I just want someone to say: "Do this; do this; and then do this."
Thank you very much.

Studio X is absolutely correct; while DPI has no meaning in the video world, it often has significant meaning in scanning (and, of course, printing). If your scanning program only allows image size adjustments in DPI, then you'll have to adapt to that ... keeping in mind that the scanner's DPI setting directly relates to pixel resolution. And it is pixel resolution (not DPI) that will make all the difference in the world for images used in video. You can test this yourself by scanning an image at 1000 x 1200 @ 72 DPI and again at 1000 x 1200 at 300 DPI. They will look identical on TV or projection as long as the pixel resolution remains the same.
As an example, my Epson scanning software allows me to adjust image size by DPI or pixel resolution. Wanting to maintain the correct aspect ratio for the image area that I'm scanning, I adjust the DPI setting which in turn adjusts the pixel resolution automatically. But it doesn't work the other way around; if I adjust the pixel resolution settings manually, the DPI setting does not change. Your software may vary.
As Jim Cookman suggested, a scan setting of 300 DPI works well for most images ranging from 3 x 5 to 4 x 6 (typical snapshot size) in a DV Sequence. I may scan smaller images at 400 or 600 DPI and larger images (8 x 10 and up) at 150 DPI. Other size images fall in between those numbers. But I'm constantly watching the pixel resolution numbers to make sure I'm getting what I'll need to support the animation I intend to apply to the images once in FCP. Also bear in mind that I don't always scan the entire image. I only scan the area of an image that I intend to use in my program.
So the answer is that it all depends on your scanner's software and how far you plan to push into an image once in FCP. Do a few experiments ... you're a bright fellow so it shouldn't take long for you to find the formula that suits your purposes.
I haven't edited an HD Sequence using images yet, so I cannot offer definitive pixel resolutions for you there.
On to your specific questions:
1. See above. There is no one correct answer It all depends on what you intend to do with the image once it's in FCP. If you only plan to push in about 10%, you won't need much higher resolution than the equivalent of your FCP Sequence resolution. If you plan to push in further, you'll need a higher resolution to support that move.
2. I've been doing these for many years (SD Sequences only) and I've never loaded them into Photoshop first. I import the entire folder into FCP and drop it on the Timeline so I can see what the images look like on TV; unless your program is for CD-ROM or web delivery, that's where it counts. When you place them on the Timeline, FCP will automatically scale to your Sequence settings and pixel aspect ratio. If I see that some of them need adjustment using an external editor such as Photoshop, then and only then do I use that program. And by the way, if you have a vertical image and a 16 x 9 aspect ratio in FCP, how do you propose to crop it to fit? Perhaps you meant another term instead of "crop."
3. If it's a print, it won't matter what size they supply because you'll control the image size when scanning. If it's a file ... once again, the size (pixel resolution) depends on what you intend to do with the image once in FCP.
I really don't want to know WHY any of this is the way it is. I just want someone to say: "Do this; do this; and then do this."<<</div>
With that attitude, how did you ever earn a PhD from an Ivy League university? But if that is truly all you want, you might consider hiring an experienced editor to do it for you.
-DH

Anyone uploaded video from a Canon Mark III to Final Cut Pro X?

Can't figure out how to upload video files to Final Cut Pro X. What steps do I need to take. This is all new to me. Thanks!

Put the card in a reader, connect it, and press the import button.

My files from final cut pro trial aren't transferring to final cut pro x - how do I fix this?

I had been making a video in the final cut pro trial and didn't realize my trial was going to run out as soon as it did that day. I downloaded final cut pro x and was planning on finishing up editing tonight, but none of my files from final cut pro trial transferred over to final cut pro x. Everywhere I have read online said they should transfer automatically, but that's not happening. Is there a fix?

you're tried using the 'Open Library' command?
http://help.apple.com/finalcutpro/mac/10.1/?lang=en#ver217d6e77d
Where are your Projects & Events located?

Self Contained Final Cut Pro Export Files unreadable in New Final Cut Pro 7

Has anyone come across this? I was using Final Cut Pro 5, created a self contained file of a current project 1.9GB in size. Uploaded the new version of Final Cut Pro 7 and upgraded to Snow Leopard, and now it tells me that this is unrecognizable as a movie file. Quicktime or Final Cut Will not open this file. I'm puzzled.

VideoJunkie88 wrote:
Has anyone come across this? I was using Final Cut Pro 5, created a self contained file of a current project 1.9GB in size. Uploaded the new version of Final Cut Pro 7 and upgraded to Snow Leopard, and now it tells me that this is unrecognizable as a movie file. Quicktime or Final Cut Will not open this file. I'm puzzled.
Hi VideoJunkie
I have not come across this. However, my previous FCP 6 Self-Contained Exported ProRes 422 standard (not HQ) files which are actually 1440 x 1080 will only playback in the new QT version 10 using that aspect ratio (whatever the actual screen ratio is at 1440 x 1080, I'm not sure, but the video width is squashed together... I suppose it has something to do with showing it in square pixels versus rectangle... or do I have that turned around. I'm not sure, I have always been confused about the ProRes 1440 x 1080 format, all I know is it plays back properly in 1920 x 1080 when I transcode it for DVD or ATV, iPhone etc..). In any case, you need QT player 7 (standard or pro version) to display these files at the intended aspect ratio of 1920 x 1080. The old QT Pro player version 7 will let you change this in the properties window, but the QT 7 standard player will not let you (those options are grayed out) and the new QT X player doesn't even show these options (i.e totally unavailable).
Also, these previous files will play just fine (for me anyway) in FCP version 7. If you having a different issue where they will not play at all, then I'm not sure how to help you, but I just wanted you to be aware that my old self-contained files from FCP 6 do work (for me anyway) in the new FCP7 under Snow Leopard.
(ADDED) I must ask, what codec were your previous exported self-contained QT movies? Do you have this codec on the commuter your trying to play your old master self-contained exports on?
Ron
Message was edited by: videocrafter

How do I export Premier Pro CS6 files for use with Final Cut Pro?

In my cloud version of CS-6, I am trying to export or convert my finished work and take to my
co-editor that uses Final Cut Pro. In "export" on my PrP file, I have the option to export as FCP "with notes."
When I do that, and look at the notes, they basically say "Clip one did not export - Clip two did not..."
I saw a tutorial on the web where they had the option to convert the file in Encoder from PrP file to FCP, but
it is not an option on my Encoder in the cloud. When I try to encode the files as .mov, they are tiny, and don't
look good.
Any ideas?
Thanks!

You can take the project file and the source files to FCP by exporting it as an FCP XML. Other than that you may have to export the whole project as a quicktime mov or any other editable your co-editors use.

New MacBook Pro 7.1 doesn't install final cut pro studio

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FCP 5.0.4 is not compatible with Intel Macs.
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Expect to pay about $250.00 for the upgrade if you shop.

Anyone study Apple Pro Training Series SP 2 without Final Cut Pro app?

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