Aobe After Effects and Premier Pro

Hi,
We currently have a suite of 23 iMacs running Mountain Lion and Adobe CS6 DS - we have now been asked if we can install Adobe After Effects and Adobe Premier Pro - I know we could probably buy a bundle that includes the two but we already have the CS6 DS suite so there is no point doing this, how do I go about getting a download of this that I can then lisence and distribute to the iMacs in the suite?
Thanks
CTR53

This is a user to user forum (with some Adobe staff who stop by from time to time) so I think you need Adobe
Adobe contact information - http://helpx.adobe.com/contact.html

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CS 5.5 After Effects and Premier Pro not listed in install

I recently purchased an overstock item of the CS 5.5 Master Collection student edition and attempted to install all of the applications. I successfully installed everything with the exception of After Effects and Premier Pro. AE and PPr are clearly part of the package, but are not included in the list of applications during the install (screen shot below).
I have a Mac Mini with 2GB RAM using system 10.6.8 (Snow Leopard). Is there something I'm missing?

Do you know which requirements I need to fulfill?
Below is what I could find and it seems that I have what is stated:
Minimum System Requirements: Multicore Intel processor with 64-bit support, Mac OS X v10.5.7 or v10.6, 2GB of RAM, 4GB of available hard-disk space plus 2GB of space for optional content; additional free space required during installation (cannot install on a volume that uses a case-sensitive file system or on removable flash-based storage devices), 1280×900 display with OpenGL 2.0–compatible graphics card, DVD-ROM drive, QuickTime 7.6.2 software required for QuickTime features, Broadband Internet connection required for online services

After Effects and Premier Pro cs4 installation

I have a computer that runs on a 32 bit system. As such, I cannot use the cs6 versions of After Effects and Premier Pro cc. I have succesfully downloaded the cs4 versions and have the files on my computer. I unzipped the files, and tried to run the application. I am asked to extract the files (again) in order to run them. I do so, but after extraction is completed, the diolouge box closes, and nothing happens.
I have tried this several times, I have completly shut down my computer, but this loop keeps occuring.

After the extraction is through, the setup may need to be initiated manually with the setup.exe/ installer files in the folder that was extracted....
Mylenium

Trial after effects and premier pro?

Hi, I'm trying to download a trial of premier pro and after effects. The pop up for applications manager pops up but there is no option to download either program for trial? Can someone point me in the right direction? Thank you

You can download the trial version of the software from the page linked below and then use your current serial number to activate it.
Be sure to follow the steps outlined in the Note: Very Important Instructions section on the download pages at this site or else the download will not work properly.
http://prodesigntools.com/tag/ddl

After effects and Premier pro corrupted after dynamiclinkserver crash CS6

Hi guys,
The title says it all really.
I was trying to render an after effects file in CS6
I opened Premier Pro and created a dynamic link. this crashed after a while and both programs now fail to start up.
I have tried most of the suggested fixes to no avail.
For information: I also have CC installed and it runs fine. If i log in as another user with a clean profile then they run fine. So im guessing its a common user based issue.
premier pro just stops working on launch
After effects freezes on the mediacore loading. It then gives a message saying Quicktime is not installed on this computer (It is). If i click okay it then proceeds to crash with a dialogue box which refers to the dynamiclinkserve.exe
Becasue it seems to be profile based im thinking a reinstall wont make any difference here.
All help greatly appreciated
all the best
chris

FIXED!
if you have this issue the best way to see if the dynamiclink server is in a crash loop. It will intermittently freeze your machine. On the task manager you will see it starting and quitting.
see http://forums.adobe.com/message/3196845#3196845
post 15. Solved it for me (the prefs in dynamiclinkmanager)
cheers
chris

After Effects, Photoshop, Premier Pro CS6

I'm new to CS and have been learning quite a few different programs over the past few months regarding post-production. I've primarily been using Photoshop, After Effects, and Premier Pro. I have noticed there are tons of different ways to work within and across these programs through the CS package. Because there are so many ways to accomplish an end result, I was unsure what is the right way to edit or manipulate video footage. For instance, if I plan on using after effects to do color correction using color finesse, or matte painting and rotoscoping, what order should I open the files and change them? Should I start in premier and then use AE, or should I change in AE, export as a rendered file format, and then import into premiere? I noticed not all AE changes are accepted in Premiere, which would require me to render in AE first correct? Same question goes with any changes to footage in photoshop as well. Renders always downgrade the quality somewhat and by the time I'm done applying the effects and final edit, I don't want my project to be rendered two or three times before the final render. Any advice would be great or at least a direction to look to get resources to help with my workflow issue. Thank you

Let's define some terms first:
Shot: A continuous block of unedited footage from a single point of view. Also called a Take.
Sequence: Two or more shots that that have been trimmed or cut together to tell a story.
Scene: A continuous block of storytelling either set in a single location or following a particular character. The end of a scene is typically marked by a change in location, style, or time. A scene can be a single shot, a simple sequence, or a combination of many sequences.
Movie: A completed project that tells a story. A movie can be 10 seconds long, or 10 hours (re: Andy Warhol)
The best use of After Effects is to work on a Shot, Scene or sometimes a Sequence, to composite elements, add graphics, or adjust the look (color grading) of a Shot or a Sequence. After Effects is probably the most difficult tool you could ever choose to edit a long form movie. Dynamic link is very useful in the early stages of developing sequences. Once the sequences are approved, I will usually render the sequence to a production codec for use in the NLE. I'll talk more about codecs later.
The best use of Premiere Pro (or any NLE) is to organize shots into a sequence or scene, and then to organize the scenes into a movie. Most amateurs try and cut a long form (over 10 minutes) movie in a single timeline. Professional editors organize each sequence in their own timeline (notice that Premiere Pro calles timelines Sequence 01, Sequence 02 etc.) and then combine those sequences into Scenes or a movie by combining the sequences into the final movie in a single timeline. In the end, this is a more efficient way of working on any project involving more than just a few shots.
Photoshop may be used to work on shots, but it is entirely unsuited as an editing tool. Photoshop and Illustrator are primarilly used to create elements like graphics or backgrounds that are used in After Effects or Premiere as part of the story.
The best workflow is the one that carries you to project completion with the fewest number of steps in the least amount of time. In nearly every case this means that you trim your shots into sequences in your NLE. The next step is to modify shots or sequences in a compositing program like After Effects. If you are working on individual shots in After Effects, it is almost always a good idea to give them handles. I handle is a few extra frames at the beginning and end to allow for fine tuning the edit in your NLE. Good rule of thumb is to add 30 to 60 frames.
Let's talk now, just for a second, about rendering. You are a little misinformed about rendering.
There are two types of codecs used to in production. The first is a production codec. This would be something like ProRez, or Animation, or even JPEG 2000, at the highest quality settings. To be classified as a production codec the rendered files must be lossless, or nearly lossless. Production codecs take up a lot of DriveSpace. Some of them will not even play back in real-time on any system. Many production houses use image sequences as their standard production format. You can render, remember, and then render again from into production codecs with no loss in quality. All you need is enough storage space to hold the files. Every production codec that I use is at least 10 bit color depth.
The second type of codek is called a delivery codec. These are highly compressed, playback in real time on inexpensive systems, and should never, I repeat never be used in the production pipeline. Anything in the MPEG class of codecs is a delivery codec and should not be used in the production pipeline.
Come to think of it, there is a third type of video codec. These are acquisition codecs. They are the codecs used by the various camera manufactures to record video. AVCHD, is a very low data rate codec used by consumer cameras. Other cameras from the consumer level to the pro level may use various forms of MPEG encoding. These "acquisition codecs" are not suitable for use downstream in the production pipeline at all. What I mean by that is, you should never render some original footage back to the original acquisition codec. The only exception to this rule are professional cameras and recording systems that record in lossless or raw formats right from the start.
One last thing. Don't forget sound. Professional polished productions always use specific sound editing programs to complete the audio track. While you can do a fair job in most NLE's, you can do a much better job in something like Adobe Audition. Cutting, editing, or adjusting sound and AE should be limited to reference audio or scratch tracks only. After eEffects will do a good job of rendering a lossless audio track from a clean original, but it's one of the most cumbersome and ineffective audio editing tools ever designed. Oh wait, AE is not an audio editing tool, so it's okay with me.
I hope this helps you along your path.

No After Effects and Premier

Hi!
Already purchased Adobe Creative Cloud. I opened it on Adobe application manager, there were 14 Applications that were shown, none of them are for video. Adobe After Effects and Premier aren't there.Please Help
Thanks,
Adrian

Both Premiere Pro and After Effects require a 64 bit processor running a 64 bit operating system.
http://www.adobe.com/au/products/premiere/tech-specs.html
http://www.adobe.com/au/products/aftereffects/tech-specs.html
If you're running a 32 bit operating system such as Windows 7 32 bit, neither AE nor PP will appear for download since they won't run on your system.

Rendered clips play in After Effects and Premier, but not in Speedgrade

Hi,
I am very new to the world of Speedgrade, and have started running some tests, but hit a brick wall right at the get go. I have an After Effects project, that has a few layers, some are filmed footage, some are photoshop images etc. there are also a few plugins used (Lens Flare, Particulare etc). I render this comp out to two outputs, 1 - Quicktime JPEG2000 Intermediate (Highest quality settings) and 2 - Quicktime DNxHD Proxy (Lowest quality settings). I can import and play bot these exports in After effects and Premier, but when I take them to Speedgrade, I dont get playback.
Here are screenshots:
After Effects footage settings:
Visual of the smoke in After Effects of the imported render:
The same file imported into sSpeedGrade:
Is this something that can easily be explained?
Any advice would be appreciated.
Pierre Devereux

Hi Joost,
Thjank you for your feedback. I have submitted a bug-report as you suggested. I will find another workaround for now, probably doing most needed colour work in After Effects directly for now.
Thank you
PIerre Devereux

Getting a U43M1D204 error when trying to update After Effects and Premiere Pro

Getting a U43M1D204 error when trying to update After Effects and Premiere Pro. I have tried reinstalling the cloud installer and all of my programs with no luck. HELP!! I need the update because I have no direct link from Speedgrade back to Premiere Pro

See if the following posting helps: http://forums.adobe.com/message/4629442#4629442

Use After Effects and Premiere Pro CS4 with Creative Cloud license

I have a one-year license for Creative Cloud, but because I have a 32-bit version of Windows 7, I can't use After Effects and Premiere Pro. On the website I read that for users with a 32bit OS it is possible to use AE and PP CS4 with the CC license. But I can't find a way to download CS4 with my Creative Cloud account. Can anybody help me with this? Is it possible to download CS4 with a CC license?

I have marked the remark in red. It says: "If you want to use the Windows XP supported After Effects or Adobe Premiere Pro, you have to download the CS-4-versions of the software with your Creative Cloud Membership. U can also use these versions with a 32-bit Windows Operating System."

Why i can't use dynamic link between After effects and Premiere Pro?

I have installed the Creative Cloud version of After effects and Premiere Pro (only them, no other software of the suite) but i still can´t link them with dynamic link. the option is in grey, and i can't even click on it.
Some help? please!

Ok, here goes some information about my hardware and software:
Allienware M14XR2
Intel Core i7-3610 QM CPU @ 2.30 GHz
RAM 8 GB
Windows 7 Home premium
NVIDIA GE force 650 M
I'm working in a Premiere Pro project using 1920x1080 .mov archives, and the project is in the same resolution.
In Premiere pro, when i go to Archive > Dynamic Link i only have the option of send it to Encore.
Is this information enough?
thanks

CS5 After Effects and Premiere Pro

I am using CS5 After Effects and Premiere Pro with footage from a Canon 5D Mark III. Shooting/editing 1080p 24 (or at least their version of it). What are the best render settings/codecs to use to export from AE for import into Premiere Pro other than the animation codec or Pro Res? I dont have Pro Res and the animation codec is great but the file size slows down the app. Thx in advance.
Or a few resources to explain the whole codec/export/bitrate/etc issue once and for all for different situations wether it be brodcast or internet or simply burning a dvd to play on a HD TV. It is almost like this is some kind of secret no one will tell...LOL...i cant find a difinitive answer anywhere.

As is stated above there are Production codecs which can be lossless, nearly lossless, and at higher bit depth. Production Codecs include Uncompressed (huge files but fast do decode and will not playback in real time) Editing Codecs like Black Magic, Avid, ProRez, and others that are smaller, can still be lossless, may support alpha channels and higher bit depths, and Archival Codecs like Microcosm, JPEG2000, PNG, which support alpha channels, are lossless, and on some systems, will playback in real time.
Editing codecs are specifically designed to be played back in a NLE. These are good choices for a Premiere Pro / AE workflow. So are Archival Codecs. If your project involves a lot of sharing of files between users and apps, then pick a format common to everyone that is at the highest bit depth your storage system can accommodate.
There are also image sequence formats. These include PSD sequences, TGA, TIFF, PNG and others. Some support higher bit depth (32bit Float). Image Sequences work great, have advantages when it comes to correcting just a few frames here and there, and are used to a great extent in professional production pipelines. They are much more flexible than video but they have a distinct disadvantage when it comes to keeping track of the files and keeping things organized.
Then there are delivery codecs. These are designed for playback. They are not suitable for production because delivery codecs use GOP compression, are limited to low bit depth, and are not lossless. IOW, if you render to a delivery codec, then you process and render again to the same codec the artifacts start to build up. H.264 for example, after just 2 or 3 passes, even at very high quality settings, falls completely apart.
Consumer and ProSumer cameras use delivery codecs for image capture. Your Cannon 5D does. This is OK, and it's the only option you've got with some cameras, but the best workflow for these types of capture systems is to transcode the footage to a production codec before you do anything. Production codecs will render faster because it takes less time to decode the footage for processing. You should never render AVCHD or MPEG footage back to the same codec. Always use a production codec until you're project is ready to archive and deliver.
One note on ProRez on Windows. This is not a good idea for production. You cannot maintain proRez native 10bit color space. You should not render to ProRez using 3rd party workarounds because you're just building a proRez container for a windows compressed video. Sure, it will playback on a Mac, but the actual image will have lost important detail and color depth.
Let me give my humble opinion on Dynamic Link. This works great for a shot or two in a Premiere Sequence. This works great for working with Audio in Premiere and Audition. This works great for rendering for delivery or even production using the Adobe Media Encoder. Did you note my second sentence? Dynamic link between AE and Premiere Pro for a few shots in a sequence is a good idea and a time saver, but if you're cutting a film that's over a few minutes, each scene should be it's own sequence. If the scene has more than just a few shots that need to be processed in After Effects then using Dynamic Link can easily become a monster you don't want to deal with. The key to efficient post production of an effects laden production is planning. You've got to cut for story first, then produce your effects shots with sufficient handles (extra frames) to allow some fine tuning, then recut the final. Any other workflow on a long project is just wasting time.

Why where aren't after effect and premiere pro in creative cloud?

Why where aren't after effect and premiere pro in creative cloud?

If they don't show up then your system doesn't support them. Refer to the system requirements on the product pages.
Mylenium

Using Maya, After Effect and Premier on intel mac

Hi, am planning into buying an intel iMac and I just wanted to know if anybody has attempted to use After effects and Premier and Maya on the intel mac.
I basically wanna know how the modeling, editing and rendering speeds would be using those 3 programs under Rosetta.
Any ideas? Benchmarks? Suggestions?
Thanx guys.

After Effects=terribly slow + problems
Maya=even more slow + terrible problems
Premiere= does not save on Tiger not even on a G5 (last working OS version for Premiere 6.5 is Panther (10.3.9), and that's without QuickTime 7. Does not work on MacIntel.

Getting Error while transfering projects from After effects to premier pro?

Video Filter missing: AE.ADBE FreePin3
This is the error i get when i try to export and open After Effects projects in to Premier? Im working with the puppet tool and i want to export my project to premier pro cs3 so i can further edit it there. Im using After Effects Cs3 and Premier Pro CS3? please help

Well, does Premiere have a "Puppet Tool"? Absolutely not. Therefore how do you expect this feature to come over to PPro? Sorry, but that's simply impossible. You will have to render the project or use Dynamic Link from withing Premiere ("Import After Effects Composition), not the other way around.
Mylenium

Aobe After Effects and Premier Pro

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