Aperture and Epson 3880....need help!

I just purchased a new Epson 3880 and have an image I want to print onto 13x19 paper.....I set it all up as a custom print setting and I can only get a 8x10 image on the 13x19 photo paper.....anyone have experience getting these two to sync????

You must choose the size of paper and the size of the print wanted -- these are in two different settings.
Btw, 13 x 19 is a standard size choice -- should not require custom setting.
Ernie

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Another problem printing with Aperture and Epson 2400.

Hi -
I posted this on photo.net a while ago and nobody could seem to figure this out. I've searched through here with no help either. Here is the original photo.net post presenting my problem:
I've been having a problem with my print workflow that started about 6 months ago but has only now gotten to the point that I really need to fix it.
My equipment: Epson R2400 with stock inks, Aperture (latest version), iMac 2.33Ghz fully loaded and updated. I typically print on Epson Premium Luster or Enhanced Matte (I change K cartridge accordingly).
Once upon a time, I had this workflow working perfectly. Prints were coming out exactly as I wanted them to, really better than expected. Then something changed, but it wasn't hardware. Somewhere along the line, I'm guessing in a software update, all my profiles changed. I typically do all my adjustments in Aperture, then in the print dialogs do the following:
+In the 2400 settings, I turn color management off, and in the Print Settings, I select my paper, switch to Advanced, and typically choose Best Photo or whatever quality I'm needing.+
+Then in the Aperture print settings I choose the ColorSync profile that matches the paper and quality I selected in the above Print Settings window, keep Black Point Compression checked, and I'm off. As I said - this has worked flawlessly up until recently.+
The one thing I noticed that has changed is the available profiles in Aperture's ColorSync Profile pulldown menu. It used to only show paper profiles specific to each paper and quality, ie. "SPR2400 PremLuster BstPhoto.icc". Now, it shows not only those specific profiles, but also more generic paper profiles, such as "SPR2400 PremiumLuster", with no quality specification.
The problem is this: When I now select the paper/quality-specific profile, as I used to do, the prints come out all washed-out and flat. It even shows this in the preview window. It's slightly better when I select these new generic paper profiles, but still not like what I had. This is true with both types of paper I use.
I've attempted all the usual fixes, such as trashing all my profiles and re-loading new ones from Epson, re-installing Aperture and Epson software, and trashing prefs. Heck, I've reloaded all software that even remotely related to photography so many times, I can't even count any more. Nothing - just washed-out, dead-looking prints every time. And it all changed when I noticed those new generic profiles mentioned above.
I did make one hardware change after I first started experiencing these problems. I went from a PPC Dual 2.8Ghz G5 to the iMac, but as I said, these problems first occurred on the G5 and continued with the new iMac.
Any thoughts?

Well, you could dump Aperture only to find that a 2.0 came along with OS 10.5 and fixed your problem, who knows.
And I wouldn't call 6 months of not being able to print anything at all from Aperture jumping to conclusions. When I press Apple P in any other application I get prints that even unprofiled will come out better than Aperture. It's serious. Not just sorta bad. The ocean looks like sewage water- not just mildly unappealing- sewage.
The solution for us, I suppose, is to buy calibrator hardware. I guess anyone who is professional should have one of these (and I do not) but I didn't buy Aperture to export for printing.
As far as how to get Apple to acnowledge this... I don't know. It seems as though they are tired of hearing me talk about this. This is the first post of recent about this that hasn't been deleted by an admin. Who knows? I'm just tired of having to buy all the hardware and all the software that is all supposed to work together and then once you pay, you find that you're up the creek for prints.
Don't get me started, or I'll start talking about how they don't support my camera make yet (or ever).... (Sigma). As you can imagine, I'm already IMPORTING 16 bit tiffs from my raw converter. I guess I need 3 copies of the same shot to do business in Aperture for now. I need some mylanta.
Otherwise, love ya Apple!
P.S. If you are looking for someone with the same hardware and problem as I, it's easy. Check out the print proofing podcast page on O'reilly "Inside Aperture". There's one there in the comments part (that I replied to). Others can be found on this forum.

I have printers at home and work. i need help programing my macbook print utility so computer knows which printer to use depending on where i am. thanks

i have printers at home and work. i need help programing my macbook print utility so computer knows which printer to use depending on where i am. thanks

Look for cloud solutions such as DropBox, OneDrive, SugarSync or others. They are all cloud based services that sync documents between computers via the cloud. Of course another solution is simply a flash drive formatted in exFat so that Macs and Windows computers can read it.

Color management, PS5 and Epson 3880

Hi
I need help with printing on my new 3880 through Photoshop CS5 on an iMac 10.6.8. Using Photoshop CS5 as 'color handling'-- the color mode is greyed out (can't change it) in the print settings. How can I change the color modes? Mostly turn off color management so I can use ICC printer profiles?
Thanks
L

I've got the Epson Stylus Pro 3880 and Color Handling > Color Mode is grayed-out in CS2 and CS3 using the Mac driver 6.6 on OSX10.5.8. I'm not sure why that part of the driver's print dialog is disabled, but no matter. Take a look at my screens below ( note: these are from Tiger OSX10.4.11 via CS2, but should apply to your arrangement:
Above just use the RGB from your PS Color Settings, here I set it for Adobe RGB and whatever paper you are using...
And above I set Color Management using "Color Controls" and again, the reference to Adobe RGB in the "Mode".
So, I believe I would use the Color Management > Printer Manages Color ( see next screen shot below from OSX 10.5.8 and CS3 )...
In all dialogs, Adobe RGB is used mainly because it was established in the document's Color Mode Settings from Photoshop.
Try these settings above, they work for me.
Message was edited by: John Danek

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I need help... what registry keys should I be removing? ANyone suggest for me to remove Quick Time too? What about the ipod updater software? Any connection?
HELP??????????????????
THanks
W.

hi wmchisholm!
Trouble is now, when I launch the iTunes application it doesn't "open" ... although the iTunes process begins to run in the background process (ctraltdelete).
hmmm. is itunes.exe persisting in Task Manager? if so, first check up on these two possibilities:
iTunes 6 won't open on a Windows computer if firewall software is not up-to-date
iTunes for Windows doesn't open after upgrading
but if itunes.exe is disappearing after a few seconds, try the following technique:
Using MSCONFIG to troubleshoot conflicts in Windows
... and let us know the names (exact spelling please) of the start-up items that you had to disable in order to get itunes to launch. (there's a nasty piece of malware out there that has been causing "error-less" itunes launch failures since late October.)
love, b

I recently sold my iphone 4s back to at&t and bought a galaxy s5 but my brother still has an iphone and when he sends me a text it dosnt always go through and i really need help on what to do next please

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See if this helps:
iMesssage to old phone
If you move to another phone and forget to turn off iMessage then read “if you no longer have the device inhttp://support.apple.com/kb/HT5661 If you still cannot resolve it call Apple http://support.apple.com/kb/HE57
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Printer Setup for Aperture and Epson R1800

After installing the upgrade to 1.5, something went wrong with my printer setup for both my R1800 and my PictureMate Deluxe.
I've done the following:
Reset the printer system.
Reinstalled the Drivers
Attempted to Print from Aperture using about 30 + combinations of settings.
I'm still getting colors that are off and overall dark photos.
Best Setting appears to be
Printer Settings
Print Settings
Media Type: Premium Glossy Photo Paper
Color: Color
Mode: Advanced (Photo, High Speed, Finest Detail, Off)
Color Management
Off (No Color Adjustment)
ColorSync Profile: SPR1800 PrmGlsy Photo.icc
Black Point Compensation = Checked
Gamma 1.10
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Thanks,
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william:
you don't state in your original posting whether or not you've calibrated your monitors, especially to a 2.2 Gamma. in order to get the most accurate screen->print matching you have to hardware calibrate your monitors. this is by far the single most significant improvement i've made in my workflow. prior to calibration my monitors were set to a gamma of 1.8 which is much brighter than 2.2 and this causes you to NOT correct your images with the additional exposure required for proper printing. my prints were always too dark prior to calibration.
the spyder 2 from color vision is an excellent choice.
scott
PowerMac G5 2.5GHz Mac OS X (10.4.8) MacBook Pro 2.0GHz

Soft proofing issue in CS4 using iMac and Epson 3880?

I have had great success printing to an Epson r1900 never using soft proofing. Purchased a new 3880 and having colour problems. A suggestion was made to use soft proofing. Monitor is calibrated using iOne-looks very good to the eye. Working space from camera to PS is Adobe RGB. I am setting my custom output device to ICC profile for paper (ilford and hanhmule) Is this correct/ 9or should I be setting to Epson Apple RGB? On screen, the proof color looks WAY off the monitor non-proof version, which is spot on, but when I print the image it doesn't look at all like the "soft proof" it looks more like the monitor version. I have read everything I can find-printing on the 3880 is a crap-shoot. Sometimes it matches the screen, sometimes it doesn't and when it doesn't it also isn't matching the soft proof.
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Victoria....
Seems I was to much an optimist...heh
As I mentioned I did get LR4b on the Imac to find the icc profiles of my epson 2880 but while I was trying to figure out why it would not read my epson 3880 icc profiles and others LR4b suddely corrupted the pref filels once again and I was at ground zero... Just like I was when I first posted on the forum.
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So why can't it find my epson 3880 icc profiles or others and only the 2880's... and why do the pref files corrupt. I was actually soft proofing when the corruption took place and the icc profiles disappeared.
I'm running the exact same OS on my Macbook Pro and none of these issues have surfaced.
Oh... I did notice that the fact I require authenication to trash LR4b on the Imac did excist on the Macbook Pro as well ... so I'm guessing this normal or I have two wierd computers.
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Thanks
George

No ACL deny logs for Traffic not matched by Static Object NATs and ACL. Need Help.

I start noticing that I do not see any denied traffic coming in on my ACL. To better explain, lets say I have this config.
### Sample Config ###
object network webserver
host 192.168.1.50
nat (dmz, outside) static X.X.X.X service tcp www www
access-list inbound extended permit ip any4 object webserver eq www
If I generate a traffic from the outside let's say a traffic that is trying to access X.X.X.X via TCP Port 8080 which obviously does not have any NAT entry to it going to my DMZ, I don't see the ACL denies it anymore but instead comes back with a Drop Reason: (nat-no-xlate-to-pat-pool) . On the packet trace I got this. (Below) it seems that does not even hit the ACL as there is no xlate found for it, at least to what the drop reason says.
Phase: 1
Type: CAPTURE
Subtype:
Result: ALLOW
Config:
Additional Information:
MAC Access list
Phase: 2
Type: ACCESS-LIST
Subtype:
Result: ALLOW
Config:
Implicit Rule
Additional Information:
MAC Access list
Phase: 3
Type: ROUTE-LOOKUP
Subtype: input
Result: ALLOW
Config:
Additional Information:
in 0.0.0.0 0.0.0.0 Outside
Result:
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input-line-status: up
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output-line-status: up
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Before, using a regular Static PAT on ASA Versions 8.2(5) below, I could get the deny logs (ASA-4-106023). Generally, I use these logs, and are quite important for us specially during auditing.
My question is how can I generate logs for these type of dropped traffic on the ASA 9.1 Version?
Any comments/suggestions are gladly appreciated :)
Regards,
John

I believe, but am not 100% sure, that the reason you are not seeing the ACL drop but a no NAT matched is because of the changes from 8.2 to 8.3 in the order of how things are done. In 8.3 and later you need to secify the real IP address when allowing packets in, and this is because NAT happens before the ACL is matched. So since there is no match on the NAT the packet is dropped then and there, never reaching the stage where ACLs are checked.
As to seeing drops in the ACL log...You might want to try adding an ACL that matches the NATed IP...but I don't think you will have much success with that either. My guess is that there is no way around this...at least no way I know of.
Please remember to select a correct answer and rate helpful posts

Few errror/doubts in Primary and Standby server - Need Help

Hi All,
I am having below doubts/errors. I need help to solve all the below questions.
I configured Dataguard successfully. Now the sync is upto date using the below parameters (using 11g):
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ORA-1652: unable to extend temp segment by 640 in tablespace NEWTEMP
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Primary:
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standby:
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standby:
check that the CONTROL_FILE_RECORD_KEEP_TIME initialization parameter is defined to a value that is sufficiently large enough to maintain afequate log switch information to resolve archivelog gaps. (also get this message in between the alertlog file in standby)
Standby:
FAL[client]: Error fetching gap sequence, no FAL server specified (this is very often message. How to remove this, what needs to be added. Do i need to add the below parameters)
FAL_CLIENT
FAL_SERVER
Thanks in advance.
Pas Moh
[email protected]

Pas Moh wrote:
Hi All,
I am having below doubts/errors. I need help to solve all the below questions.
I configured Dataguard successfully. Now the sync is upto date using the below parameters (using 11g):
at primary:
log_archive_dest_1=
log_archive_dest_2='SERVICE=standby.123 arch'
standby_file_management=auto
at sandby:
log_archive_dest_1=
standby_file_management=auto
Still i face below messages in the alertliog. Can anybody clearly explain me all the points.
Primary:
ORA-1652: unable to extend temp segment by 640 in tablespace NEWTEMP
I get this error when my archvie destination got filled up, later we released the enough space, the archived are generating. Still i see this message once in between. Need to solve this.This error has absolutely nothing to do with the handling of archive logs, the status of archivelog destination, or primary/standby. Any relation you thought you saw was pure coincidence.
>
>
Primary:
Checkpoint not complete ( i see this message very often, want to get rid of this)
Here is the very first hit I got when I googled "oracle checkpoint not complete". Tom says it better than I would have.
http://asktom.oracle.com/pls/asktom/f?p=100:11:0::::P11_QUESTION_ID:69012348056
standby:
kcrrvslf: active RFS archival for log thread 1 sequence (sometimes i see this KCRRVSLF)
A quick google of that one, and it looks like it is not even an error, but rather simply an informative
>
standby:
check that the CONTROL_FILE_RECORD_KEEP_TIME initialization parameter is defined to a value that is sufficiently large enough to maintain afequate log switch information to resolve archivelog gaps. (also get this message in between the alertlog file in standby)
In that case I would check that the CONTROL_FILE_RECORD_KEEP_TIME initialization parameter is defined to a value that is sufficiently large enough to maintain adequate log switch information to resolve archivelog gaps.
How big is that? Well, at least bigger than it is now. Beyond that, it would have to be "large enough to maintain adequate log switch information to resolve archivelog gaps" Just play with it until you get the result you want.
>
Standby:
FAL[client]: Error fetching gap sequence, no FAL server specified (this is very often message. How to remove this, what needs to be added. Do i need to add the below parameters)
FAL_CLIENT
FAL_SERVER
Thanks in advance.
Pas Moh
[email protected]

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I am brand new to this and need a very basic push in the right direction.
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My website has a page with descriptions of videos and links to those videos.
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Gentlemen,
Thank you for the answers, I will definitely look into what you both suggested.
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BobLevine wrote:
[....] If you find something out, please do come back and update us.
Thanks for your willingness to help, but I got some great news!!!
I finally managed to find the cause for that deactivation problem. It's called the "Update Root Certificates" component, which somehow was unchecked on my machine. Although I had previously installed the Adobe HTTPS (SSL) certificate for secure connections between my computer and Adobe servers, used while signing in on my account, each time I had to click YES to confirm manually that this certificate was valid and safe.
Now, while deactivating from an application, such confirmation is not displayed and therefore the application considers a certificate (and thus connection as well) as invalid or unsafe. The result is: "Internet Not Found... Unable to Connect..." message.
Here's what I did to fix it:
1. clicked Start, and then pointed to Settings and then clicked Control Panel
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You need to ask Apple to reset your security questions; this can be done by phoning AppleCare and asking for the Account Security team, or clicking here and picking a method, or if your country isn't listed in either article, filling out and submitting this form.
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(106703)

Aperture and Epson 3880....need help!

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