Aperture - Edit with External Editor - Photoshop

Hi,
I recently made my first attempt via Aperture to "Edit with External Editor" and in my case I have the preferences set to export to Photoshop CS4 Extended. The External Editor File Format (in preferences) selected is TIFF and as advised by Apple's Help menu this is set at 16-bit. The External Editor Color Spaces is set to Adobe-RGB (1998).
I selected an image with some barrel distortion, hit the export button, and Aperture sent the new master to Photoshop. I did my fixing and saved. This automatically sends the updated file to Aperture. This is very handy and practical but I was shocked to see the size of the new and fixed file. The original file was a JPEG at 4MB and the new fixed file was a colossal 200+ MB file. I ended up throwing away the new file - too large.
I am just wondering if this is normal? This is my first time using the Edit with External Editor in Aperture and I am also quite clueless about using Photoshop efficiently and properly. Could I have done something differently and received the new and fixed file at a smaller size?
Thanks for your advice and help.
Chau

Chau wrote:
I am just wondering if this is normal? This is my first time using the Edit with External Editor in Aperture and I am also quite clueless about using Photoshop efficiently and properly. Could I have done something differently and received the new and fixed file at a smaller size?
This is normal.
TIFF files get rather large and the 200 MB sounds about right. If I send a 1.63 MB JPEG at the same settings in PS CS5, I get a 134 MB TIFF after applying the Lens Correction filter and saving.
If I send the same file as a TIFF 8-bit in Adobe-RGB (1998), I get back a 54.73 MB file.
You could therefore send as an 8-bit TIFF to reduce the size. Additionally, the PSD format tends to return a slightly smaller file size (51.xx MB in the case here).
A JPEG file is actually only an 8-bit file, so it isn't really necessary to go to 16-bit, but many users like to protect against further degradation of the JPEG when editing externally (especially from posterization where smooth gradients - such as a sky - start to break down into visible steps in the color transition).
I personally send as TIFF 8-bit in the sRGB color space and if the image shows degradation, then I might change to the TIFF 16-bit (or simply not use that image).

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