Aperture identifying  Pro 1 RAW Adobe 1998 when it's sRGB

I'm having trouble with my Canon Pro 1. I'm shooting in RAW in the "standard" sRGB workspace (there's an option for Adobe 1998). However, Aperture labels the photos as Adobe 1998. The Preview application also reads the file to be Adobe 1998 (get info while in Preview). One curious thing I noticed, is that when the menus are setup for Finder to show a preview of a photo, it appears that OS X is using the correct color space (or a different one at least). I am importing directly into Aperture from a card reader.
Because I was curious, I checked to see if there was a problem when shooting in JPEG mode. Aperture identifies the color space correctly. Has anyone else had this problem or know how to fix it? I'm using Aperture 1.0

Okay, I understand that Aperture is using its own
special color space that is wider than Adobe 1998 or
sRGB. But, I guess my question is, will Aperture's
color space display two identical pictres (albeit
different color spaces) as the same even if one is
Adobe 1998 and the other sRGB? Because if not, I
think there'd be a problem since the color would not
remain constant when I finally export it as sRGB.
No, although since the AdobeRGB space holds a greater range of colors it may look a little richer.
Also, if you are talking about RAW files it will not matter since any colorspace you include in a RAW file is just a "hint" to an application that is reading that RAW files what color space is preferred after conversion.
Also I noticed this: When Finder shows a preivew of
the file, it seems that it's using a different color
space than that of Aperture or Preview.app because
the tonality is slightly cooler. The image that the
OS shows is, I think, the same as that when Preview
converts the "adobe 1998" file to its true sRGB. So
I'm guessing that the OS's interpretation is right.
Why is there an inconsistencey between the
applications and the Finder/OS?
The image Finder shows is generally from the thumbnail created by the camera itself. So it's slightly different just because the OS X conversion is a little different than the in-camera conversion. It has nothing to do with the colorspace.

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