Aperture usage/feature request/ minor gripe (sorry!)/ question...

Hi all
Quick post to say I've been using aperture for all my photography for a good while probably the MOST annoying thing that I find as a heavy user (I do photojournalism stuff my last job for example yielded 1500 images) is the lack of a progress bar... I never thought I;d hear myself say this but PLEASE PLEASE PLEASE make it so that I can tell how much more before an import/thumb/previews is due! so that's my request
Not sure if anyone else is using vault however for backing up here's my homebrew solution. I used the vault feature only to discover I can't do all the jolly things (like printing etc) of course having not backed up my images when I deleted the vault they were gone too.... (just a test shoot but nonetheless....)! Perhaps others have more joyous stories to tell about vault however if you're not happy maybe this'll help. I have an external drive which I use solely for backup the minute I bring a job in the images go in a folder called (project name)RAWbackup and then into aperture (effectively saving twice although you can reverse the order -aperture first and export next- I wouldn't reccomend it as you can mistakenly reduce the quality -by choosing to export > versions instead of masters). I found that as the months progressed my MackBook drive became clogged up which forced me to edit out a few images to start with and then more more... which means I now have a very good historical set which I can show and be assured the originals are backed up.
minor gripe predictive form text... defaults alphabetically in ascending order need to be in descending order to assist workflow. I presume other users use numbers/dates in IPTC i.e. I usually copyright in the following format --© (date) George Bitsanis-- which means all my image inputs default to 2004 (earliest image date I've imported) tedious really if it were descending it would default to 2009 and save the hassle.... also a way to control of be able to filter predictive texting i'e coming up with most used term first
and I'll finish off with a question ... is there a way to organize my projects other than alphabetically?
any comments would be great!
cheers
George
www.bitsanis.co.uk

If you go to the "Window -> Show Activity" menu item, it will open up a floating, well, activity window. Is this not what you are looking for, in terms of a progress bar? (FYI, you can also open up the window by just clicking just to the right of the "red-eye" tool; there is an "invisible" button there that opens and closes the Activity window.
As for backups and vaulting, I just have two external 1 TB drives, that I alternate. Haven't run into any problems doing that.

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    1. If any post helps you please click the below the post(s) that helped you.
    2. Please resolve your thread by marking the post "Solution?" which solved it for you!
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    Hi there....
    Is it possible to set up replying to emails to send text (with no html)
    If not, can i get a feature request to send emails in text, or is there an app that has this feature?
    It is sad I get maybe between 40 and 100 emails a day, that I cannot reply to on my Touchpad, or Pre 2, as they only allow text email return.
    as of 2007, there were over 109 million yahoo group members across 8.8 million groups. Mostly support forums, sending and recieving emails to and from 109 million people.
    These support forums and other ghelp yahoo groups, require emails to be received in text, and in our email apps had to set for text only, to avoid viruses and other attempts at marketting.
    I get my yahoo support emails, on webos, but cannot reply from webos, and have to wait until i get to my laptop with thunderbird.
    please can you add text send/reply option for those 109 million plus yahoo group users who cannot reply to yahoo groups emails.
    thanks....
    this is a major pain and must be for others.
    ta
    Ralph :-)
    Sorry for typos
    Post relates to: Pre 2 p102ueu (Unlocked EU)

    Managing layered PSD files in Aperture
    For those who absolutely must manage layered PSD files in Aperture, here is the way to do it...
    1- In your original PSD file, HIDE ALL LAYERS above the background layer
    2- IMPORT this PSD file into Aperture
    3- CREATE A VERSION in Aperture by choosing to edit externally in Photoshop.
    4- Back in Photoshop OPEN THE ORIGINAL PSD file along with the new version
    5- LINK all the LAYERS in the original PSD file and DRAG them TO the new VERSION (holding the shift key down so they pin register)
    6- SAVE the new version in Photoshop
    7- Back in Aperture your version is now an exact layered copy of your original which will not flatten when reopened from Aperture into Photoshop.
    Obviously this process will be rather tedious if you need to deal with hundreds of layered PSD files, but if you are in that situation that implies you already have a workflow and a storage strategy that works well for you. So why change, especially to Aperture?
    Adobe Bridge or Media Pro or Portfolio are the obvious programs for you !
    Dual 2ghz G5   Mac OS X (10.4.3)  

  • Feature Request - MultiFunction Printer Separation of Super Admin to Multiple Roles

    It is difficult to maintain a level of security and adopt best practices when the devices are dependent on a single Super Admin account to conduct all degrees of maintenance that typically doesn't require all the enabled features for the user logged in at that time.
    An example would be secretaries needing to print Department ID usage reports don't need the ability to change the management account ID or password, nor do they need access to enable/disable other features.
    I request Canon honor their claim below by accepting and implementing this feature request:
    "Canon recognizes
    that security
    is as important as
    print quality"
    sourced from:  http://www.usa.canon.com/app/isgrun/brochures/copier_security_whitepaper.pdf

    Thank you for your interest in security on Canon technology, Sn3akyP373. Canon does offer a feature which supports 3 different levels of administration called SSO-H. This feature is standard on many past and current models. SSO-H offers 3 different levels of administrators which can be set:  System Admin, Network Admin, and Device Admin. Each of these 3 levels of administrators has a specific set of admin privileges that grant appropriate access to each group. I've attached several pages from a product manual which describes the levels of security when using SSO-H. Please work with your Canon Authorized Dealer to configure your MFP from Default Authentication to SSO-H to meet your needs.
    There will be a second post with an additional attachment.
    Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.
    Attachments:
    AdministratorRoles1.pdf ‏13 KB

  • Videos of Illustrator features request

    I'd like to recommend these series of videos:
    http://artofgarth.com/category/illustrator/
    Is highly recommendable: I don't agree with all the suggestions, but there are many features ideas for efficiency, as the author demonstrate with examples.
    Like the author says " is not an Illustrator bashing session. I really want to learn the best way to do things, and I want Illustrator to step up..."
    I totally subscribe. I have more than 13 years of experience using vector drawing software and i'd really want illustrator to become a more efficient and productive tool.
    Too many common techniques -used by professional artists with other vector applications- cannot be easily achieved using the current version of illustrator. If AI aspires to be the standard professional application in the market, such lacks are unacceptable.
    I strongly encourage Adobe engineers to study these and other contributions and to develop a better application. Is not a question of personal preferences and gripes, but to opening a dialogue to improve our tool.

    > If AI aspires to be the standard professional application in the market, such lacks are unacceptable.
    Best I can figure, too many users consider it just that; and that's why such lacks are acceptable.
    I don't mean to be "forum sheriff" here, but I really wish users would stop and think a minute before posting their favorite LISTS of features as a topic here!
    Personally, I just can't tolerate tedious videos for something that can be simply stated. I mean, why sit through 45 seconds of video (feels like 5 minutes) just to hear someone finally say "I want to be able to import more than one image at a time"? (As if that hasn't been requested a kazillion times here.) That's as far as I got in the YouTube clip.
    This forum exists so people can discuss the merits of a suggested feature. This forum is supposed to be navigable
    as a list. The whole thing is wrecked when people post their "favorite lists" of desired features, and title it as the functional equivalent of "My Favorite List".
    I mean, do you think anyone wants to come here and read through every individual's "favorite list" to see if there happens to be something of interest (or actually something new) buried in there?
    If you want to discuss the merits of a feature request, state it. Describe it fully (okay, even with a video if you must). But please create
    one topic per request!
    If you really think a feature idea has merit, then do it justice my making it
    findable! The very best, most original idea that fixes all of Illustrator's shortcomings in one fell swoop is probably buried in this forum somewhere under "Joe's Feature List."
    JET

  • Lost & Found iPhone with Find My iPhone - Feature Request

    Yes I found the lost phone and I'm very very grateful for the existing feature which works flawlessly once you get a hold of it but from a real life use case, there are things that can be improved that will make it more efficient and effective. This is a summary of feature requests that I figure from the real-life use case of Find My iPhone.
    Earlier this week my friend dropped his iPhone on a cab and realize at the end of the day (he initially thought he left it at home) that it must have fell off his pocket in the cab where he can hardly remember the color of the cab let alone the license plate. Having said that I asked him if he had iCloud turned on (basically Find My iPhone in recent iOS) and so we checked. So here is where all the difficulties begin and please keep in mind that in a situation like this we're always in a hurry if not panicking.....
    1. You typically have more than 1 mobile phones:
    a.) Where its most likely different brand, model, or OS (you don't buy two identical phones) so in this case he has a Samsung Android where iCloud page can not be rendered - it throws an error. So this didn't work
    b.) You need to borrow your friend's "iPhone" to find it and not many people find it obvious that you need to download the Find my iPhone app in addition to just activating iCloud to track a phone. Thats another long step considering in some countries u have a really crappy 3G or sometimes on Edge
    c.) If you are lucky your friend have an iPhone or an iPad, you go to www.icloud.com it doesn't do anything except tell you "how to turn on icloud", download Find my Friends, and Find my iPhone.....you need a laptop browser to be able to use the tracking feature....why????? I understand that it won't work with other brands of mobile phones but these are both Apple's!!!
    2. When you realize that you have lost your phone, you don't always have your laptop or an iPad - but you always have mobile phones let it be your secondary one or your friend's. Moreover, your laptop rarely have cellular connection so even if you have it, aside from the fact that it takes you 15 minutes to boot up your laptop, you also have to find yet ANOTHER phone to tether or find a 3G card to plug in to it so it can use cellular as oppose to just wifi, and then walk around with a laptop looking for the lost phone. And laptop don't have GPS, you don't know where you are relative to your lost phone.
    3. You are trying to look for your iPhone from another iPhone (the most convenient way) but you only see ONE dot that shows your lost iPhone but not "you" who are walking around looking for it so you have to:
    1.) Open the Find My Iphone app and then see where your phone is located
    2.) Open up Google Map (sad but true, Google map is currently the preferable map) to find where you are. Why Google map? In a less developed country, google maps works a lot better in detail.
    3.) Try to find where you are relative to where the lost phone is across 2 maps and 2 different apps. But even if it was Apple map, its still 2 different apps switching back and forth.
    Yes, the idealistic case which would disregard all this is that you have 2 Apple devices logged on to the same iCloud account then you can see 2 dots but not everyone have enough of that to make it useful :-)
    4. You use to have a send message button, lock the phone, make noise, and erase the phone. Now you need to first lock the phone before you can send a message. Understand that you should always lock the phone first but when you're panicking, making the feature obvious would help
    5. Would be nice to know the "percentage" of the battery and being able to shut down all the apps, dim the screen, and etc. to maximize the battery time before the phone goes dead might be helpful.
    It was almost a miracle to get the phone back in a place like this where people tend to immediately shut down your phone and throw away the sim card once they get a hold of it. My friend was very lucky that the phone was in silent and fell into the crack of the backseat and the cab was parked outside the garage so the GPS location was absolutely precise.
    Having mentioned that, iOS7 new security feature that requires your Apple login credentials to erase or turn off Find my iPhone. My question here being it says, find my iphone can continue to display message even after erased - if that is the case will I still be able to track it as well? What if I'm the person who erased it remotely, will I still be able to display message as well as track it?

    This is a user to user community, Apple are unlikely to read your comments, if you have any suggestions that you think might enhance iCloud you can send Apple your feedback here.
    We also can't speculate on what exactly iOS 7's new security features will actually do, all that's available is what has been said so far by Apple, anyone using a developer version is forbidden to discuss it anywhere but in the developers community.

  • Feature Request: Raw-Lite for the F5/F55

    Hi Sony Staff, Here's a feature request that I've been pondering for a long time now. Raw Lite on the F5(5). Is it a possibility? I'm a huge fan of the conventional 3:1 compressed 4K 16-bit Linear Raw from the AXS-R5. It provides a supremely high quality digital negative, with as much detail and tonality as you could ever really need. However the file sizes are very large. 1TB yeilds roughly an hour of recording time. And the storage costs associated with that are enough to scare away MANY producers from shooting Sony Raw (even with all of the benefits that doing so offers).  You guys have addressed this issue nicely with the F65 by offering Raw Lite with it's 6:1 compression (which coincidentally, is a compression rate that many, many producers are content to shoot with on the most prolific raw cameras out their - the Red Epic/Dragon/Scarlet cameras). Being able to offer producers the option to shoot Sony Raw Lite, with it's massively more managable file sizes would greatly increase the uptake of Sony Raw for production - and that benefits everyone. It benefits the camera department with a superior digital negative, it benefits post-production with greater latitude for grading and VFX, it benefits producers with a superior end product, and it benefits audiences with better looking images. Given that the F65 was able to be upgraded to offer this additional raw recording option, I assume (and hope) that it's not an impossiblity for the F5(5). So I'd urge you to strongly consider this feature request, and the added appeal it would bring to the cameras as a capture choice. Cheers, Mark

    I disagree that there is little difference between 12bit and 16 bit linear raw. The difference is huge. Shadows and dark areas from the FS7/FS700 are pretty grim, lot's of noise caused by the data rounding. Besides, in terms of bit rate it's not a question of simply reducing the bit depth, you need to increase the compression. For linear raw you need 16 bits unless you do an extreme amount of data rounding. For Linear raw, if the first stop is represented by just 2 bits of data (which results in very blocky noise as noise will be one of 4 luma levels and cannot be smoothly reproduced):  stop 1: 2 bitsstop 2: 4stop 3: 8stop 4: 16stop 5: 32stop 6: 64stop 7 128 (8 bit linear limit, 128 + 128 = 256 bits)stop 8: 256stop 9: 512 (10 bit linear limit)stop 10: 1024stop 11: 2048 (12 bit linear limit)stop 12: 4096stop 13: 8192 stop 14: 16384 bitsstop 15: 32768 bits (16 bit linear limit) If you move this scale up so that the first stop is represented by using 4 bits of data you will still have pretty coarse shadows and noise (one whole f stop will only have 16 posible luma values). So rather than just use binary math most linear raw systems use floating point math to make more bits available for the shadows. But with 12bit there just isn't anywhere near the same amount of "spare" bits that you get with 16 bit, so the shadows and low key areas really suffer. Just go and look at the FS7/FS700 boards and all the compliants about unusable, grainy and blocky shadow areas in the raw. Sure raw lite would be a welcome option, but it wouldn't be one for me. The whole point of raw for me is a robust, bomb proof format that you can expose and grade as you wish without worrying about artefacts etc.  

  • FEATURE REQUEST: Sticky editing of feed info

    I love iTunes 6 on Windows as pod-catching software. It's great. But a minor feature request.... (since I don't see anywhere else on Apple.Com for iTunes feature requests, I'm posting it here).
    Most podcast authors seem to do a lousy job of creating intuitive feed metadata information (Artist, Description). And since podcasts seem to be sorted by default on my iPod by Music > Podcasts > [ARTIST FIELD], I always edit the Artist Field in iTunes before I sync with my iPod. I do this by selecting all items in a feed group, right clicking, choosing Get Info, and editing the Artist field to something short which makes sense to me.
    However, this edit isn't sticky. When new items in a feed are downloaded to iTunes, they have the original Artist field. So I have to edit this a lot.
    What I'd like is to be able to edit the Info of the feed once in iTunes. Then, every time a new item is downloaded to that feed in iTunes, I'd like iTunes to go ahead and edit that item's info to match my sticky feed setting. This way, I only need to edit the info once when I add a new feed, and each item subsequently downloaded will inherit those settings.
    Make sense? A "power user" feauture, I'm sure. But it'd be nice....
    Dell Dimension Windows XP iTunes 6, 20GB iPod
    Dell Dimension   Windows XP  

    Can't be done currently. Interesting idea, though.
    However, I've found that podcast creators tend to be pretty responsive to criticisms along these lines. I've had this same problem with some podcasts, and after I mentioned it to them, they started tagging their podcasts appropriately. Some of them even started adding "album art" after I explained how it would show up on newer iPod's when playing the track, if the iPod user uses iTunes.
    I'd email the podcast author and let them know what's up. This is generally a better long term solution anyway, as it helps everybody.

  • Feature Request:  Modify Audio Channels from the Timeline in Premiere CC.1

    Why have we never been able to modify audio channels once a clip is added to a sequence?  I'm guessing there's a good reason Adobe has never had this feature.  The lack of this feature is explicitly mentioned a few times in the audio section of the Premiere Pro CC manual, as if it's a benefit NOT to have it.  But the benefit is entirely lost on me. 
    In my workflow, I synchronize my double-system video and audio before anything else.  I do this in PluralEyes (and unfortunately I'll have to keep doing it this way, until PPr's sync on sound feature gets fixed—for me it's never worked).
    Once PluralEyes has synched hours of footage and audio and placed it on a PLURALEYES GENERATED sequence, I import that sequence into Premiere.  Note:  Since I haven't gone through the step of creating a blank New Sequence, I don't get the opportunity to setup my audio channels the way I'd like in my sequence (i.e. Stereo recordings should occupy ONE track, not two.  Typically these tracks come from a camcorder and are used for reference sound, or ambient noise at best, so I don't need them taking up precious real estate in my sequence). 
    Since PluralEyes doesn't merge my clips for me (or rather I don't want it to since I'm usually doing multi-cam sequences where I want to keep all 14, or so, tracks of audio), I have to go through the clips one by one and do a Merge Clip action once I've adjusted any minor sync issues, or determined which tracks I actually want to keep.  But, and here's the key, at this stage I'm not yet 100% certain whether I'll use the nat sound or the wireless mic sound (separate audio recorder, etc).  Furthermore, I don't really want to think about that at this point.  After I've spent a few mind-numbing hours just ingesting files, sync and merges, I want to jump into the edit as soon as possible, before I lose all will to finish this edit.  If I modify my audio channels right now, I'll lose the ability to make some creative decisions later on.
    I'd like to start whacking out an assembly edit.  And then after I have a rough program, I can start looking at which audio tracks (nat or double-system) I like better in each circumstance.  This is where I become stumped that at this stage, I'm locked into whatever audio channels I've setup (or not) in the earliest stage of the edit, back before any media was actually on the timeline!  It's at this stage, and usually only at this stage that I want to start Modifying Channels—FROM THE TIMELINE!
    Does anyone else feel the same?  If not, what is your workflow?
    Feature Summary:  Right-click on any clip, (master clip, sub-clip, merged, nested or otherwise) in the timeline and choose Modify > Audio Channels.
    I've submitted a feature request, with a link back to this discussion, so please pipe in—especially if you want this feature. 

    Maybe its your specific workflow, asset mangement  and use of a 3rd party application that  runs you into an issue.
    Take Pluraleyes out of the equation, I would imagine my workflow is the same as most everyone else.  Find footage in the Media Browser.  Import it.  Create a Sequence and start editing.  Use the Source Monitor to set Ins and Outs and then Insert the clip on the timeline. 
    At this point, if the audio needs to be modified, it cannot be done on the Timeline.  The workaround, of course, is to Find Clip in Project; Modify Audio in the Project panel; then do a Matchframe to replace the audio clip.  This works, but requires many steps per clip.  Also, Matchframe in Premiere Pro CC is not reliable. 
    Introducing a new Modify Audio (from Timeline) feature as seen in the fantasy screenshot above would solve it.
    I dont use Pluraleyse ...which I understand to be a synching aid...so I dont know the workflow it imposes on one .
    Returning to Pluraleyes workflow, this issue is compounded by the need to Modify almost ALL audio.  Every stereo track is separated and placed on two MONO tracks taking up precious real estate.  This is not something Pluraleyes imposes.  It is due to the way Premiere imports XML timelines.  This would apply to sequences imported from Final Cut as well.
    In this case it would be ideal to select both the LEFT and RIGHT mono tracks and choose "Modify > Audio Channels > Merge L/R Mono to a Single Stereo track."  Ideal?  No.  I guess Ideal would be if Premiere would interpret XML files properly in the first place.
    What actually is the issue with Premieres synch and merge workflow in your case?
    Audio Sync in Premiere Pro doesn't work.  Period.

  • Feature Request: Photo Borders and Copying in Books

    These are a few related feature requests. If anyone knows of a better way to do this with the current software, then I would love to hear it.
    When making books I like to have borders around the pictures of various colors (usually black or white) and various widths. In Apeture this is a pain to do. I fiqured out that I could fake it by making a picture box and inserting a solid black picture into it and then creating a smaller picture box in front of it for my real photo. This might be tolerable if I could at least then select both picture boxes and their contents to copy and then onto other pages as a template that I can resize as needed.
    Ideally I would love to be able to copy and paste multiple elements on a book page and I would like to be able to define photo borders. Any chance of seeing this in the near future?
    Thanks,
    Sean

    Thanks for the reply. You are right, the cut and paste works fine, it just didn't work the way I expected it to. Maybe that is a GUI design thing to consider. I was actually trying to click and drag a selection box like you might do in iPhoto to select multiple images that are right beside each other. This doesn't work at all in Aperture, but your method does work just fine.
    I agree with the other poster that some additional features like:
    Photo Borders
    Export to PSD (with layers)
    Custom page sizes and Custom themes
    would be very nice and start to make that tool truley useful.
    Thanks for a really nice product. Keep up the good work and stay ahead of the pack.
    Sean

  • Feature Request: Add multiple photos to catalog at once

    The API currently allows you to use catalog:addPhoto() to add a single photo to the catalog.
    This works fine, but a poor user experience when adding a number of photos (esp. dozens or hundreds) - there's a separate child progress bar for each, masking the overall progress, and if the user has a sound enabled on import, it plays the sound on each photo import. If there were a way to import multiple photos at once (or API options/params to disable both of the feedbacks), this would make for a better UX when importing a lot of pictures.

    Sorry. I'm having a hard time finding my way around these forums, and the search is less than helpful.
    Please point me in the right direction.
    Edit: I found the correct forum now, and have recreated my feature requests there and deleted them from this forum (with the exception of this thread, which I can't delete at this point). My apologies.

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