Apple ProRes and Lightroom

Are Apple pProRes files compatible with Lightroom 4 or above? I know that Apple ProRes works with Abobe Premiere. I would like to use LR to catalogue video footage and edit in Premiere. Thanks

Hi,
Premiere Pro will play the ProRes clips on PC or Mac, you don't need to do anything special as long as QuickTime is already installed. For DNxHD, you may need to install the codec on your machine, available free from Avid website. http://avid.force.com/pkb/articles/en_US/download/en423319
Safe Harbor does offer a free 500GB drive with Ninja 2 for DSLR - http://www.sharbor.com/products/MOSN5010014.html
Thank you
Jeff Pulera
www.sharbor.com

Similar Messages

  • Jumpy playback from image sequences rendered in Apple Prores and then exported to h264

    I will start by saying I have been using FCP since 1.0 and am in no way new to this software, but this issue has me going crazy.
    First the Specs:
    MacPro 2 x 2.66 Quad cor Intel Xeon
    16 gig Ram
    OS 10.9.2
    FCP 7.0.3 (sorry but I am not a fan of FCP10 at all)
    In other words, a beast of a system that has played back everything I have ever built on it for years until now. So now for the issue: I work with an amazing 3D Max builder and we have created a building animation exported from that program into and image sequence ( we have tried JPG, TGA and PNG still all with the same effect). I open Quicktime 7 Pro, build the image sequence, save as .mov, import into FCP and drop it into my 1080p30 Apple Prores (HQ ... we also tried SQ) timelines. The timeline renders perfectly and I can play the video perfectly through my system out of Firewire 800 to my Motu V4HD device which then converts the signal to HDMI to my 55" LED TV. The video and playback is perfect.... until:
    If I try to play back the same exact time line into an exported video file, the file will play back with random jumpyness in it. I say random since you can play it back 10 times and it will hiccup during playback at different spots in the video. If you review every frame in the file though using Quicktime 10, 7 or VLC viewer, every frame is perfect. So, it must be the data rate right? Wrong. I have exported now to H264 MP4, M4V, MOV , ect, etc at different data rates from 4mb to 40 mb per second. They all have the same randow jumpyness to it. So it must be my computer right? Nope. I have a Macbook pro that is more powerful than this machine and I rebuild the file using the same method (something I have done a thousand times before) and the exported file does the same thing on that machine. I had my friend do it on his machine... same thing. ERRRR....
    We have even tried using After Effects and Premier to the same result. Rendered it straight from Quicktime Pro, same. Rendered it to 720p30, same. Render it to 24fps, same. I had another editor render it using whatever methods he wanted to use... same. Tried Compressor, SAME.  Tried Adobe Media Encoder, SAME......We even, god forbid, used a PC running Premier and built the image sequence and rendered to h264 at 30fps, 5mbs.... @#$@#$ SAME!
    We just remade the 3D Studio Max export into a 60fps animation since I thought that the individual frames we appearing too far apart and thus causing the jumpyness. That was causing the playback of the upclose objects flying across the screen fast to appear jittery, but not the random playback jumps. The 60fps did smooth out the animation greatly during fast flybys, but the playback jumps are still there in all players, QT, VLC, the web, etc.
    I was starting to think this issue is realted to Mavericks, but since the PC did the same thing that is not it either. I have linked a sample of the clip below exported to 720p30, 25mbs... something that is much smaller than the original and should playback smooth very easily on any of my systems.
    FYI: I have now opened numerous projects I have edited over the last few years and noticed that all of them are now jumpy, so this isn't just an image sequence issue. While the other projects don't use image sequences and instead are shot footage edited together, there is still the random jump (far less than the image sequence as you will see) but they are now there... ***? I have cleared preferences in FCP which helps for a short period of time, but once exported I get the same glitch.
    As I said... I am stumped... ANYONE have ideas for me to try?
    Here is a sample file for you all to see and please tell me if anyone does not see the issue after playing it several times in a row.
    www.media3lv.com/switch/NORTH-sample-720p30_25mb-sec.zip
    One last thing to note... my main goal for these videos is YouTube or Vimeo playback via our company website. I have a few other animations online right now using YouTube and the problem is also showing there. At first I thought it was just my videos, but I have looked at numerous YouTube videos now showing 3D animation and alot of them are jumpy.
    www.supernap.com/supernap-building-design.html
    www.supernap.com/supernap-tscif-exchange.html
    These don't show the issue as bad since the camera fly is much slower, but why is this occuring and is it coming from my source, or is this a known youtube issue? I can program this using out own modules, but YouTube and Vimeo allow for multiple resolutions and a checker script which makes it easier to share over all devices at all quality up to 1080p.
    Advice is welcome and appreciated?

    I have tried at actual, full screen, using 1080p30 size from the original compressed to 4mbs (something my system can handle without blinking), 720p30, etc. etc. etc.  Nothing stops the jumps. Even the activity monitor shows only 5%-15% processing being used by QT and/or FCP.
    I plan to pull my old G5 out of the closet, it runs 10.6.8 and is still rock solid for video editing in FCP7.  If it plays smooth on that 8 year old system then I know it's Mavericks. I'll try that tonight. It floors me though why the original 1080p30 will playback perfect via FCP and Motu, but once I turn of external monitoring and just try to play it via the preview monitor it is jumpy as **** and then the exported file does the same thing.  So strange.  I even deleted prefences of FCP and that does help with screen playback initially, but it always gets jumps in it after playing for a while.
    I knew I should not have started using Mavericks and I HATE FCP10.

  • Apple ProRes and Avid DNxHD formats

    Hi,
    I have Adobe Premiere Pro CS6 and I am considering getting a Ninja (http://www.adorama.com/ATN2CMRC.html) which records video in Apple ProRes or Avid DNxHD.  Is it possible to import these formats into Premiere Pro CS6??  How woudl i do this?

    Hi,
    Premiere Pro will play the ProRes clips on PC or Mac, you don't need to do anything special as long as QuickTime is already installed. For DNxHD, you may need to install the codec on your machine, available free from Avid website. http://avid.force.com/pkb/articles/en_US/download/en423319
    Safe Harbor does offer a free 500GB drive with Ninja 2 for DSLR - http://www.sharbor.com/products/MOSN5010014.html
    Thank you
    Jeff Pulera
    www.sharbor.com

  • IPhoto 9.6, Apple TV and Lightroom problem

    I am unable to see some of my pictures on my Apple TV (3rd generation).   I am using iPhoto 9.6.   The photos that are not viewable were all edited in Lightroom 5.  
    I can see the images in iPhoto. Albums with these images show an accurate count.
    In iTunes / Home Sharing / Choose Photos to Share with Apple TV, the same albums with the Lightroom edited images have an image count of zero.
    Help please ...

    Larry,
    Thank you for response.  I use Lightroom to edit my photos.  They are saved as JPEGs and then imported into iPhoto.
    I use my iPhoto library as my ATV screensaver.
    As I said in my post, the lightroom edited photos are viewable in iPhoto.  Just not on the ATV.
    You point on posting in an ATV forum is on target.  I'm assuming that I would reach more photo savvy responders in this forum, but may repost in an ATV forum..
    Thanks again.
    David

  • By subscribing to Creative Cloud(Photoshop and Lightroom), does it come with more than one license, and is it possible to install it on both Windows and Apple(if it comes with two licenses)? Thank you.

    By subscribing to Creative Cloud(Photoshop and Lightroom), does it come with more than one license, and if it does, is it possible to install on both Windows and Apple's OX? Thanks.

    A Cloud subscription provides for installing working installations on two machines.  You can have mixed operating systems (both Windows and Apple's OX).

  • Choppy video playback with FCP 6 and 5D footage already converted to Apple ProRes 422

    I am trying to edit a film I shot on the Canon 5D using FCP 6. I converted my raw files from the Canon 5D to Apple ProRes (HQ) .
    But as I try to work on the timeline everything is super choppy and drops frames constantly. I am trying to sync audio as well and it's been impossible since the video in not playing properly.
    I have read many post and did everything you say to do, but no luck.
    I have chosen the unlimited RT and still dosent wanna play right.
    I'm editing off a 1TB G-RAID drive. It currently has 200GB left of free space, so that shouldn't slow things down. My computer has a 500GB Internal Hard Drive and I currently have 250GB of internal free space. Here are the specification of my computer:
    Hardware Overview:
      Model Name:          Mac Pro
      Model Identifier:          MacPro3,1
      Processor Name:          Quad-Core Intel Xeon
      Processor Speed:          3.2 GHz
      Number Of Processors:          2
      Total Number Of Cores:          8
      L2 Cache (per processor):          12 MB
      Memory:          18 GB
      Bus Speed:          1.6 GHz
    THis should be a powerful computer, at least thats what I tough when i got it. There has to be a solution to my frustration..please help!!!

    Try transcoding to garden variety Pro Res for great quality, much smaller files, and less strain on your system.
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  • Does CC 2014 eliminate the need to have Final Cut Pro and/or Compressor installed to access Apple ProRes 422?

    Hello:
    Just today, I was working on a Mac system that does not have any of the applications that I would have expected to need to have installed in order to do more than just decompress movie files compressed with Apple ProRes 422.
    I was expecting to have to install Final Cut Studio 3, Final Cut Pro X, Compressor 4, and/or QuickTime 7 with the QuickTime Pro key; however, none of those applications are installed and I am able to create custom QuickTime Apple Pro Res422 Sequences in Premiere Pro as well as export using Apple ProRes 422.  After Effects and Adobe Media Encoder also show all the Apple ProRes variations.
    Does CC 2014 eliminate the need to have Final Cut Pro and/or Compressor installed to access Apple ProRes 422?  Is it something happening on the OS or QuickTime level that would affect CC or CS6 in the same way?
    I've done a web search, but haven't really come up with anything other than older articles about needing to have FCP installed (and I typically work on systems with Final Cut Studio 3 installed as well as CS6, CC, or CC 2014).  If more detailed information is available, it would be great to be able to read up on it.
    The system is a 21.5-inch iMac running Mac OS X 10.8.5, QuickTime Player 10.2, and Adobe Premiere Pro CC 2014 (8.0.0 - I know an update is available for PrPro, but it's not my system to make that change).
    Thanks in advance,
    Warren Heaton

    Hi Emil:
    I use ProRes all the time as well, but I have Final Cut Studio on my workstations.
    I had not come across MindPower009's YouTube video.  That explains how ProRes could be showing up without FCP or Compressor.
    So, the answer to my question would be, "No, CC 2014 does not eliminate the need to have Final Cut Pro and/or Compressor installed to access Apple ProRes 422; however, if you are willing to be in violation Apple's terms of use, you can install the ProRes codecs anyway."
    Even though MindPower009's YouTube video comments claim "FREE and LEGAL", it's clear from both the Apple download page and the ProRes codecs installer that Apple expects you to own at least one of their applications.
    Thanks again for the link!
    -Warren

  • Need advice about H.264 and Apple ProRes 422.

    When exporting a "master file" I can encode the video as H.264 or Apple ProRes 422 (etc). The H.264 is more compressed but still in 1080p? Does this mean that I do not have to compress the file with "Compressor"? What is the advantage of using ProRes and what is the advantage of using H.264? I want of course the files to be as small as possible but still at the best quality. Any advice?
    Thanks.

    ProRes is an editing format. If you are archiving a finished project, you can create an extremely high quality "print" with H.264. ProRes 422 will use approximately three times as much memory. ProRes 422(HQ) roughly four times and ProRes 4444 up to 10 times (compared to the size of the file FCPX will export as H.264). 
    FCPX exports (shares) H.264 in highest quality (over 45Mbits/sec [if needed] for 1080p), you have no options to adjust for smaller files (or lesser quality from FCPX.)
    To get "as small as possible," you'll need to learn more about compressing video. As a comparison (to FCPX), YouTube limits a maximum bandwidth of 8Mbps (used to be 5Mbps -- I *still* compress to 5Mbps before uploading.) Even compressed this highly, H.264 provides excellent results. [Compressing in ProRes is going from 4444 down to 422 Proxy (not to be confused with proxy media used in FCPX which is 1/4 resolution, i.e. 960x540 for 1080, ProRes 422.) You cannot compress each of the different ProRes flavors individually.]
    You'll need other software to compress further than FCPX.  I use Quicktime 7 Pro. Compressor is another way to go (Compressor will let you set "compression markers" so you can vary the bitrates through various sections of your work).  The way to figure out your compression level is to find a section (less than a minute) with the highest motion high contrast (and/or changing gradients) and export at different bitrates. Watch for "jpeg artifacts" (blocking) and once you've gotten past that, that's the bitrate you should compress to. (I've had some clips that required at least 20Mbps.) It just takes a little practice to get a feel for it.

  • Problems with Apple ProRes 4444 and alpha channels in Motion 4 after upgrade to Snow Leopard.  Has anyone seen this?

    We've just now upgraded from Leopard to Snow Leopard and are having a problem with Apple ProRes 4444 and alpha channels in Motion 4.  A clip with an alpha which keyed perfectly before the upgrade, now will not key.  If I convert the clip to the Animation codec, it keys perfectly.  If I export the Motion project as a ProRes 4444 self contained movie, it will key when brought into FCP 7 but if I import the project into FCP 7, it will show the key in the viewer but not the canvas.  Has anyone seen this or have any suggestions on how to correct this?  Is it a bug? 
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    Motion 4.0.3
    It just doesn't seem to recognize the alpha at all. 

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    Hi, i'm paying every mont for photoshop and lightroom, I had to bring my Mac to apple to change the hard drive, and now i want reinstall my programs, anyone can help me?

    Download and install the trial version(s) from https://www.adobe.com/creativecloud/catalog/desktop.html and activate them with your Adobe ID.

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    I have purchased Lightroom 5 for my window computer. I have just purchased an Apple Mac and want to install it there also but Adobe won't accept my existing Lightroom key

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  • Side by Side: Apple Aperture and Adobe Lightroom in S.F.

    Below is info on a first ever (?) head to head comparison of Aperture vs Lightroom presented by Schorr & Hogarty. Should be a great meeting. If you are in Nor-Cal, check it out;
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