Applying filters to multiclips

Hello,
I am trying to apply a filter to a lot of footage, including multi-cam footage. It seems that whenever I apply a filter to a multiclip, it dissapears if I switch angles and back again... What is the best way to apply a global filter to a clip, so that the filter is applied not only in the master clip, but also every time it appears in a sequence, and everytime it appears as a multi-clip?

I'm not sure what you mean by button list... could
you clarify?
Tools > Button List > multiclip. Or option + j
also, is there a way to color correct a master clip
and have that correction applied to whenever that
clip appears in a sequence? If it appears in 15 or 20
sequnces this would be a lot easier than copying and
pasting the filter whenever the clip appears.
I've found the easiest way to do this is the do a Find in the timeline. If you have named your clip properly you can Find All of a particular clip. The find command will select all and you can drag a saved effect to them all at once.

Similar Messages

  • Ways to apply filters to multiclips?

    Hullo, I'm hoping someone here will take mercy on me. I'm just an audio engineer (in other words, handicapped!) wandering in video-land, a bit lost in FCP5.1. What I'm seeking is to be able to apply some filters to some master clips, disable them, create a multiclip from the master clips, do all the cutting, fades, etc, then turn the filtering back on with a single command. Is this bonkers, or am I? Uh, I mean, is this bonkers?
    I'm working on a 3 angle DV project, where 1 camera needs color correction and another is way too dark. I've found settings in the RGB filter for #1 and with the HSL filter for #2. So far, so good.
    I found that I can apply a filter to a clip globally (in the browser), great! But now, when working on the files, everything slows down quite a bit. Drat. So, I've been doing all the editing, fades, etc and then dragging the filter icon onto each piece of each clip in the timeline. It's a pain in the tukus!
    I'd be grateful if anyone here would offer some thoughts on this!
    Kind Regards, Scott

    add the filter to the master clip. adjust as needed. drag the filter into your favorites folder and rename it "angle A color correction" or something you will remember later.
    do this with your other clips/filters.
    remove the filters from your master clips and do your edit without the filters on the individual clips.
    with your edit complete, do a Find for the name of the first clip and find all. drag your filters to the clips all at once.
    now do a find all for the next clip and drag the filters to that one.
    and so on.

  • Prority applying filters in Develope module

    LR is one of the best tools for those who wnat quick ranking, metadata editing for copyright, sorting and processing LARGE quantities of files...
    Among those photographers wedding, event and sport shooters are those who really need to fastly sort thigns outm they are most interested in using LR.
    also, the same photographers work in the most critical lightning environments, very often we shoot in very bad lightning at very high ISO settings.
    for us noise is a real pain.
    as we all know, advanced processing of a very noisy raw material exponentially increase noise levels in the final product.
    for this reason, inside PS, our workflow include NR filters among the first operations we do...
    this way, working on a cleaner background, the noise is kept under a relative control.
    often, at the end of our workflow we again trim the nise as a final touch...
    back to lightroom, few questons and requests are born from this imediate reality we confront each day:
    1. LR offers NO control regarding order develope adjustments are applied... this is sometimes good, other times a real pain...
    2. there is no information regarding WHICH is the order those filtes are applied when developing RAW files... NONE.
    we could guess the order they appear in XML files and inside develope module is the order they are considered when RAW information is processed?
    that mean noise is indeed among the last filters applied, correct me if i am wrong.
    3. how we could maximize our results? just make minimum adjustments in LR, go to PS, where we can control the order of applying filters, process and export from there???
    not exactly compatible with our need for speed and easy processing large quantities of files that make us choose LR, isn't it?
    not to mention RAW data offers much more "hidden" info we can bring to life thru processing compared to exported PS files, even 16 bit tiffs are not as "good" on this regard...this is the reason we shoot raw, to benefit from this better latitude of information raw's offers ....
    4. now the requests themselves:
    a} please allow us to choosethe order of applying these filters...maybe not all, not all are that critical, but things like NR we should be able to put among the first filters applied.
    if Adobe already thought about this and NR is among the first on that list, please let us know. we NEED to know , we need that info, we need control.
    b} please allow us to double the filter alteration.
    as i said, we often apply a NR fiter at the beggining of the workflow and then again, another NR with softer settings at the end of the workflow, sometimes just before the final sharpening.
    such flexibility and customization availability would really help us, especially those who really need lightroom and do not have the time to bring every picture in PS and tweak it...
    imagine shooting 1000 pictures in one session with a delivery deadline of 24 hours...LR is great help, have a lot of great features and we really apreciate the wayit works, even this elastic way of applying filters inside develope module...
    BUT it would be a much better tool with more flexibility available.
    Thanks Adobe, i also compelted an official request form regarding this subject.
    maybe someone who really knows how things work inside developing engine could bring some light in this regard, how things really work right now,even this info could be very helpfull.
    regards ,Liviu

    first i need to KNOW officially how thigns work, if ucan offer me a proof i'd gladly accept that.
    second, as i said, adobe might have think about that, is a request area and i have theright to request what I think is usefull to me.
    i ask for more CONTROL, what is wrong about that?
    i also request for 2 alteration using the same filter, NR in this case, once at the beggining and one at the eng of the developing process, i am also entitled to ask for such a thing, right?
    qith all due respect, if u do not have similar needs please allow me to ask , understand and not suppose adobe thought of everything and there is no better way, ok?
    here is a quote from a XMP file, i PRESUME the order if operation inside that file is the one processes are piped, am i wrong again?
    5.3
       As Shot
       4900
       -2
       -0.57
       15
       +79
       -7
       +33
       25
       39
       18
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       17
       -21
       29
       +10
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       +60
       0
       -24
       0
       +19
       0
       -24
       0
       0
       0
       0
       0
       0
       0
       0
       0
       0
       25
       50
       75
    +1.0
       25
    0
       0
       False
       Medium Contrast
         0, 0
         32, 22
         64, 56
         128, 128
         192, 196
         255, 255
       ACR 3.3
       8E1722706FEF96E97D62F657E50DF272
       True
       False
    so ,as u see i spaced the noise reduction fucntions in order to make them more visible, i can;t use colors to underline what i consider important, ok?
    SO, as u can see here, WB, exposure, contrast, SHARPNESS, brightness, SHADDOWS are ALL listed BEFORE noise reduction...
    later on the end of the list there is ANOTHER sharpening listed, so double fiter IS ALREADY applied, thus possible, right???
    again, ALL fiters applied BEFORE NR influences noise levels, all increse noise, more or less....
    WB influences exposure, try to go 50000 and see where hystogram goes to the right...
    exposure also increase noise in shaddow areas.
    contrast increse noise.
    brightness also influence noise.
    Shaddows are working exactly on most noisiest levels, the shades...
    sharpness before NR??? indeed, is "well thought"...
    so, Lee jay, seems i am not that wrong after all, isn't it???
    i really hope that order inside XMP to mean nothing but i really doubt is meaningless ...
    and again, even if a were wrong, i am entitled to ask explanations as i pay for this product. I also am entitled to ask for what i consider improvements, if Adobe decide to implement or not is another discussion...
    a little "friendlier" tone in your replies would also be apreciated, thank you in advance. i hope u do not work for Adobe ;)
    so, i am waiting for documented proofs related to my questions, thank you Adobe.

  • ConcurrentModificationException while applying filters in BPM workspace

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    I would appreciate your help!
    Thanks,
    Ram

    Hi
    I am getting the same problem, did you find any solution for it?
    Version 11.1.1.7, this issue not occurs in the previous version... 11.1.1.6
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  • Enchancement Request: IR arrow button in Search Filter uses applied Filters

    Hello,
    I'd like to request an Enhancement.
    I'd like the IR arrow button in IR Search Filter, when performs the DISTINCT to provide choices in list for the user to select, that would take into consideration any other Filters that have already been applied to the IR Report in.
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  • Best practice - applying Filters

    What's the best practice in terms of performance versus code reuse, when applying filters?
    Right now, I see 3 ways to specify a filter:
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    Fredrik,
    Though similar to your workflow, here is how I would do it.
    Import those "raw" Clips into a Project, and do my Trimming in that Project, relying on the Source Monitor to establish the In & Out Points for each, and also using different Instances of any longer "master Clip.". I would also do my CC (Color Correction), and all density (Levels, etc.) Effects here. Do not Trim too closely, as you will want to make sure that you have adequate Handles to work with later on.
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    Import my music into a new Project and listen over and over, making notes on what visuals (those Exported/Shared Clips from above) I have at my disposal. At this point, I would also be making notes as to some of the Effects that I felt went with the music, based on my knowledge of the available visuals.
    Import my Exported/Shared, color graded Clips.
    Assemble those Clips, and Trim even more.
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    Watch and listen carefully.
    Tighten any edits, adjust any applied Effects, and perhaps add (or remove existing) more Effects.
    Watch and listen carefully.
    Output an "approval" AV for the band/client.
    Tweak, as is necessary.
    Output "final approval" AV.
    Tweak, as is necessary.
    Export/Share, to desired delivery formats.
    Invoice the client.
    Cash check.
    Declare "wine-thirty."
    This is very similar to your proposed workflow.
    Good luck,
    Hunt
    * I have used Lagarith Lossless CODEC with my PrE 4.0, but have not tried UT. Both work fine in PrPro, so I assume that UT Lossless will work in PrE too. These CODEC's are fairly quick in processing/Exporting, and offer the benefit of smaller files, than Uncompressed AVI. They are visually lossless. The resultant files will NOT be tiny, so one would still need a good amount of HDD space. Neither CODEC introduces any artifacts, or color degredation.

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