Archivos MTS y M2TS en Premiere CS5

Buenos días, me he descargado la versión de prueba de Premiere PRO CS5 y no me reconoce los fichero MTS o M2TS de mi cámara Sony grabados en alta definción. ¿Puede ser debido a que es una versión de prueba? ¿Como trabajo con estos ficheros?
Mi gracias!

Requsitos hardware para Premiere 5.5:
http://www.adobe.com/products/premiere/tech-specs.html
Respecto al hardware, la CPU utilizada (AMD X3 ?) cumple el mínimo requerido aunque un Intel i5 actual ofrece benchmarks 2 veces más rápidos.
La memoria mínima es de 2GB, Adobe recomienda 4Gb o más, respecto al disco indicas su capacidad pero no el modelo para conocer la velocidad de rotación y el tamaño de cache.
La tarjeta gráfica es adecuadad para juegos y trabajos gráficos, (Photoshop, etc.) pero Adobe recomienda otra clase de tarjetas para edición de video.
Te recomendaría que abras el Administrador de tareas y desde la pestaña de Prestaciones la del Manager de Recursos y veas lo que consume de memoria, etc.
En el lado del software te aconsejaría que contactases al soporte de Adobe. (Gratuito para productos originales)

Similar Messages

Does Adobe Premiere CS5 for Mac support .m2ts (AVCHD) video?

I am trying to import video files encoded into the .m2ts (AVCHD) format into Adobe Premiere CS5 on my Mac. Does the Mac version of Premiere CS5 support .m2ts (AVCHD) video formats? I am currently testing this with the trial before I get this new version for the Mac. Could using trial be the problem that even CS5 Premiere doesn't open it on my Mac? Do I need the full version? Thanks.

The trial does not support AVCHD for either platform.
Now, the full-paid version has no limitation, AND Adobe offers a 30-day, money-back guarantee, so if you do not like it, you can return it for a full refund, within 30 days.
Good luck,
Hunt

Premiere CS5 import.MTS file with no sound.

when I import .MTS file into Premiere CS5, the sound can not be import~
how can I put the video sound into premiere

So ..is yours the 'Trial Version'?
Read Trial Limitations
https://www.adobe.com/cfusion/tdrc/index.cfm?product=premiere_pro

Help....... archivos MTS

Los archivos MTS no me entran con audio en Premiere.
He intentado convertirlos con Media Encoder y tampoco me lee el audio.
¿¿¿¿¿ Que puedo hacer para solucionar este problemilla.
Muuuuuuchas gracias.
SalU2.

try this free mts/m2ts converter from pav, after that , you can load them into your Adobe premiere. And if you can post your question in English , it will be better.

A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip nmed 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved th

A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip named 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved the project, the actual video content of 0002.MTS to 0005.MTS was missing(source clips are still there but they were playing and working as part of that 0001.MTS timeline clip before). Those parts of the 0001.MTS clip in the timeline were Danger Striped and can be relinked but now have no edits anymore. The edits are apparently only linked with the original 0001.MTS source clip but extend beyond the actual range of the actual source clip. At the time I thought it was weird that premiere displayed the whole string of clips as one (with one name and no breaks) but it all works in the original project file but cannot be transferred to another location without multiple clips showing Danger Stripes.I need to move it and preserve the dozens of motion and opacity edits linked to the apparently oversized timeline clip. HELP!! any ideas?
I did not nest any clips or sequences, premiere just seemed to combine the clips under one name when I moved them to timeline.
I am using CS5.

A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip named 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved the project, the actual video content of 0002.MTS to 0005.MTS was missing(source clips are still there but they were playing and working as part of that 0001.MTS timeline clip before). Those parts of the 0001.MTS clip in the timeline were Danger Striped and can be relinked but now have no edits anymore. The edits are apparently only linked with the original 0001.MTS source clip but extend beyond the actual range of the actual source clip. At the time I thought it was weird that premiere displayed the whole string of clips as one (with one name and no breaks) but it all works in the original project file but cannot be transferred to another location without multiple clips showing Danger Stripes.I need to move it and preserve the dozens of motion and opacity edits linked to the apparently oversized timeline clip. HELP!! any ideas?
I did not nest any clips or sequences, premiere just seemed to combine the clips under one name when I moved them to timeline.
I am using CS5.

Editing AVCHD files in Premiere CS5 – juddery movement

Hi all,
Just got a Panasonic HDC-TM900 camcorder – it shoots 1080p @ 50fps (PAL). The format is “.mts”, with AVCHD compression.
Anyway, the issue I have is that when I import the files into Premiere CS5 to edit (Premiere says it supports the native files) – whenever the camera moving, the movement is very jerky, and also blurry during a pan. But when I play back the clip on the camcorder itself, or directly out of it via HDMI, it’s crystal clear with perfect movement.
Firstly – I am making a composition that matches the clip settings.
Secondly - my machine is very fast & can handle the files, so it’s not a processing issue.
And thirdly, they still judder when rendered (as H.264) – so it’s not just an “un-rendered media” issue.
Any Googling I’ve done seems to bring up similar issues with editing AVCHD files, but no solid solution yet. People are saying that I should transcode the files before importing into CS5 (but with no consensus on the format or software to use), and there is also a general consensus that AVCHD is a great playback format, but not the best for editing.
And what’s also odd is that the Panasonic website seems to offer the EXACT software that would seem to fix my issue, but when I click the link it’s not there!
See here: http://www.panasonic.com/business/provideo/avchd-home.asp
Scroll down to “Software” and it says “AVCHD to P2 DVCPRO HD Transcoder” – editing P2 files would be ideal, as I’ve done this before off a P2 camera - but when I click the link, it brings me to a page with all sorts of software & utilities, but I can’t even find the words “AVCHD” or “DVCPRO” it mentioned on that download page!
Any suggestions?
Thanks,
KP.

Hi John - it doesn't have a 1080i setting.
Here is a link to a file I shot on this camera - I imported it into CS5, made a new sequence to match eth footage (i.e. dragged it onto the "New Item" icon) and re-encoded the AVCHD file to a H.264 "Vimeo HD" preset in CS5.
It's blurry, juddery, horrible footage during any sort of movement!
http://www.maxtronmedia.com/grove/panasonic.mp4
Yet, on the camera's own LCD (and on a TV through the camera's HDMI output), this footage looks immaculate. And yes, I tried capturing footage through the HDMI cable into my Matrox Mini and it's interlaced all over the place & pretty-much un-usable.
Suggestions?
I just printed an Amazon returns label, so I'm probably going to send the camera back... now I just need to hope the box is still in my green bin! :/

What is the documetary interview workflow for Story/Premiere CS5.5?

I've looked in vain for the answer to this question, which I'm sure is thoroughly documented SOMEWHERE - I just can't find it. The few things I HAVE found online including at Lynda.com or other paid services involve CS5, which has a different workflow that involves OnLocation; this changed in CS5.5 but I don't see any on-point articles that incorporate the changes.
We've been using Premiere CS5.5 since its release but have never worked with dialogue metadata. At the moment we're working on a documentary with a number of lengthy interviews. In each case the interview subject is talking to an off-camera producer. Accurate transcriptions of the raw interviews have been prepared. Only the interview subject's ANSWERS are transcribed; the producer's questions are not (and are also barely audible on the soundtrack). So, typically, the producer will ask a question and then the subject will give an answer that could be ten seconds or a minute. Then another question, then another answer, all in the one clip.
So what I am looking for is a step-by-step workflow (for someone who has never so much as TOUCHED Adobe Story before) for importing the transcripts into the raw footage and then ultimately having Premiere match the transcript up with the spoken audio, and then maximizing the usefulness of this with the newly annotated clips as source footage. Realizing that the interview answers are separated by barely-audible producer's questions, I assume that one challenge will be to let the software know that it should only be paying attention to the answers, and lining the text up appropriately, and not getting confused by the questions. Perhaps the answers need to be subclipped?
If there's a tutorial on this subject I would very much appreciate being pointed to it. If not, if someone could do a step-by-step (beginning with an empty Premiere CS5.5 project and nothing in Story) I'm sure there must be a number of other folks in my position who would benefit from it.
As a product suggestion: for documentary applications it seems to me that it would be much better to be able to cut and paste text directly from a text editor into Premiere and then let it fit it to the audio instead of going through Story. While I understand it was even more cumbersome prior to CS5.5, I don't think interviews in a documentary need most of what Story offers (unless I'm missing something), so it seems like an unnecessary complication that could be eliminated.
Thanks in advance for any help.
Peter

Well, I tried following your steps, and I'm going wrong somewhere.
I created the film script and four scenes (one for each of four clips), giving the speaker's name as a character name (it's actually the same character in a continuous interview broken into several five-to-ten minute clips). I let Story number the scenes (1 through 4, as expected). I then exported an .astx file.
Within Premiere, I located the four clips and in the Scene column numbered them 1, 2, 3, and 4 respectively.
When I right-click on one of the clips, select "attach script file," and point to the exported .astx file, I get the following error message: "Failed to attach script file to the following clip: \MyProjectName.prproj\FolderNameWIthinProject\00019.mts [Matching scene number not found]" (of course I have replaced the path and folder names in this example with generic names since the actual names reveal my client company's name).
Opening and inspecting the .astx file in a text editor I confirm that it does in fact contain scene numbers 1, 2, 3, and 4, respectively, for the numbered scenes. Likewise I confirm the numbers 1, 2, 3, and 4, respectively, in the Scene number column for the four relevant clips.
Any idea what the problem is?
Peter

AVCHD/MTS Editing Issues in Premiere 2014

Greetings, folks. I am a newbie to this forum and to Premiere in general.
Background
I have a ton of .MTS files I have pulled off my Sony HDR-CX700 over the years and are now stored on hard drives, without any of the other associated files. In searching through this forum, as well as others, it seems that these files are supposed to stay together, as Premiere and other programs look for additional files as part of the AVCHD "wrapper." These files do play in VLC with sound and I do seem to be able to import them into Premiere. However, they don't seem to be able to be played or edited in any fashion.
I have attempted to convert them via Media Encoder (using various presets for YouTube, H.264, DNxHD), but that has merely yielded files that show the same behavior in Premiere. Specifically, I can see the file and it looks valid, but doesn't appear editable. I have heard some folks mention ClipWrap as a fix-all for this type of situation, but it seems crazy that there's not some solution already included as part of the CC suite. I am using CC 2014 version of both products.
Question
How can I get my .MTS files into a format that I can edit or what I am doing wrong in Premiere that is limiting my ability to edit them? Again, I don't have the option of copying the file folders over again, since, for the vast majority of them are gone forever. I just have .MTS files that play perfectly in VLC.
Any help or insight would be appreciated. Thank you!

Hi,
Please try this small step for one of the files. Change the extension of the file from '.MTS' to '.M2TS' and then import in Premiere.
I hope that works for you. Let me know the outcome.
Regards
Sarthak

Panasonic HDC-SD707 1080/50p & Premiere CS5?

Hey there i really need some help!
I got me a new Panasonic HDC-SD707 and till yesterday i always shot at 1080i/25...
but finally i wanted to shot in 1080/50p since this is the future and the reason you need this cam^^ (says panasonic) and progressiv got these nice details!
OK!
so i went out and filmed some stuff at 1080/50p... put the files on my mac (via clipwrap)... and then i saw the problem!
quicktime play the files but not really smooth. sometimes the picture moves way to fast, then it slows down, then it plays at normal speed, fast,normal,slow.... and so on.
so i started premiere cs5...
and here are my questions!
1. first of all there is no such preset for 1080/50p... am i blind? or isn't it there? and if it's not there... why?
2. i tried a lot but premiere also doesn't play the files right... i also tried to use the ".mts" files straight from my cam but it's the same problem... is there anything special i have to do?
3. is it possible that it is impossible to use the files recorded at 1080/50p and i need to stick with 1080i/25?
I hope someone can help and my english is good enough to get the problem...
I would really love some help because i'm just getting into video and don't know how to fix this problem on my own!
Thanks in advance :-)

1. It is not standard. Use the New Item icon in the project panel to get the correct sequence settings.
2. See #1.
3. No, you can edit them OK, but you can't export them, since the only allowable export format is 1080i/25.

Long load times normal for Adobe Media Encoder from Premiere CS5?

When I export a sequence from Adobe Premiere CS5 using Adobe Media Encoder, the system freezes for several minutes before giving me the exporter screen. Then, when I've loaded my settings and clicked "export," the system again freezes for several minutes before beginning to encode. I'm using a system with an Intel I7 CPU 930 @ 2.80Ghz 2.80 Ghz., 24 GB of ram, Windows 7 Ultimate 64 bit operating system and an Nvidia quadro FX4800 graphics card.. Everything else is fast, but AME is slow. Is this normal? Should I reinstall AME?

Not sure what you mean about the process. From Premiere CS5, I click on "export" which brings up a menu. I select "media" from the menu which brings up the Adobe Media Encoder. I adjust my settings and click "export" from the bottom of the screen to immediately render the Premiere file. Clicking "Queue" would put the program into the AME Queue. Am I missing something? On the slowness issue, looks like I need to reinstall AME. I've been reluctant to do that, partially because I'm using some Matrox hardware and I'll have to reinstall the Matrox softare to populate the matrox settings into the media encoder. Looks like it may be worth it.
Thanks.

Screen goes black for 3 seconds in premiere CS5 every time I click

This is the first time I run Premiere CS5... On a fresh system install.
I suspect it's not playing well with my video card, a Radeon HD 4870 with 1GB Ram... Very standard stuff. I am running window 7 64 bit with 12 gb RAM, a week old build. I have all the updates and latest drivers, sigh. After Effects CS5 runs fine, Maya 2010 runs fine, Quicktime runs fine... What gives.
Here's what happens: I only need to launch Premiere, right away I get the problem. The screen goes black 3 seconds before the prompt to create a new project. Once I create the project, the application workspace comes in, but if I click any menu, drag a tool window (whatever they are called), the screen goes black 3 seconds then comes back. Its basically impossible to work...Huge drag.
Update:
The problem stopped after I went into the 'device settings' in preferences and set the device to 'none'....When I clicked on the device settings panel, my monitor went black, and there was a 'no signal' warning that came up, as if the DVI-D signal was dead. I was able to restore the signal by hitting ctrl-alt-del which switched me out of Premiere onto the desktop. Clearly, there is some issue with video. I switched back into Premiere and was able then to set to no devices.
I'm not doing any capture at the moment, but I can only pray that it's some sort of bug related to not having a device connected? I plan on bringing footage from a RED in the next month. I upgraded to CS5 specifically so that I could use more than 4 gigs of RAM and for the new features.

THank you for sending this.
I followed the benchmark directions, and I get an error at the final step
when I run the script:
line 99
Error: path not found
I tried for an hour different things, namely to re run the whole test
procedure, deleting the output files, etc... he script is looking for
something in the preview files that it is not finding. I think the procedure
was written for a previous version, because the metadata settings are
different in my version of AME, and I don't know how much that affects it.
Also, AME increments the file names when it renders them so that I did not
get the right output file names at the first render. I had to turn off
incrementing and manually name each clip before rendering. The vb scricpt
looks for these names, so I understand it is important. I can't figure out,
however, what the script is looking for in the preview folder and not
finding.
After spending almost two hours trying to troubleshoot the script, I gave
up. I can tell you tho that it takes about 6-7 minutes on my box to encode
all the videos.

Tiffen Dfx for Premiere CS5 or above?

does anyone know if Tiffen have plug in for Premiere?
i found something but not sure if it will work with Premierea CS5?
any advice pls

Hey dude,
i did exactly what you wrote to me but yet nothing, and most probably i am doing something wrong!?
So, i have Premiere Pro CS5 and during the installation i installed it, in the PPRO plugins en_us folderand when i open premierre and go to the effects i don't see tiffen dfx options (effects)?
i do not know if i am missing something but would you tell me step by step how you do that on your PC?
thanks a lot

CS5 - When Capable for nanoFlash Sound with Premiere CS5

Well Folks, here we go again. I made the mistake of ordering and paying
for and going through the grief of installing CS5 - I should have my head
examined (as my Dad used to say to me frequently!), after 13 years of
purchasing the latest Adobe updates. But excuse me, to the subject:
I have an EX1 with nanoFlash producing stunning pictures at 1920x1080 30p
100 Mbps Long GOP MXF Files, and Premiere CS5 handles the video beautifully,
but the audio right out of the box for me and all the other nano people is
gutter garbage, with stereo, one audio channel lagging the other (which can
only be laboriously fixed with each individual clip - argggghhh)!
And Adobe, in its infinite marketing hype and wisdom has decided that users
such as I are not important enough to fix this issue, even with the update!
Does anyone at Adobe or out there anyplace have any notion as to when this
will be FIXED?
In the meantime, after a total rewrite of my hard drive OS and all the other
apps for a clean install, I am back to CS4, using Premiere CS4 with the Main
Concept plug in enabling the appropriate handling of my nano files. But good
greif! The time it takes to get out of the timeline, and particularly so compared
to the otherwise superb performance of Premeire CS5.
Convergent Designs - the company which developed and makes the nanoFlash
and related products announces that Adobe has two nanos in hand!
I know, I know, I should have my head examined. But if anyone out there has
any comments avoiding that, I's appreciate the latest info or even gossip!!!!

AndyUrtu:
In response to your query above re output on my nano, with which I am having difficulty in PPCS5:
Video: 1920x1080, pixel depth 32, frame rate 29.97, pixel aspect ratio 1.0,
MPEG 2 - 4:2:2 - progressive - CBR 100,000 Mbit/sec - Long GOP N 15 M 3
Audio: PCM AES-3 - 48,000 Hz 24 Bit - 2 Channel
Soooo, I think that pretty well covers it! Now for some commentary, and to me, the
interesting query about trying other settings! Frankly, I hadn't even thought of that.
First, according to all the users I admire and respect, and according to the principals
of CG (Convergent Designs), the 100 Mbits/sec settings seem best and ideal in
terms of securing the best picture quality at the "lowest" data rate (if you can call
that a "low" data rate!). So I'm really not willing to change the video set up. But
I find the idea of doing something different with the audio interesting, and may
try some different settings, since my (and others') issue is with the audio.
From the outset, the principals at CG reported that there were problems with the
audio in nano files with PPCS5, and they implied that Adobe would likely provide
a fix. So I went ahead and purchased the nano and the Production Pemium Suite CS5
with the expectation that a solution would shortly be forthcoming.
You and I are not alone in experiencing this problem, notwithstanding comments to the
contrary!
And I took Harm's (another one of my Heros!) to heart, and just posted my issue
Adobe's Bug site.
I may be mistaken, but I believe that CG has just produced the thousandth nano,
and while this is miniscule compared to other devices providing files for Adobe,
for those of us who own a nano, the issue is monumental - personally and professionally,
the combo of the Ex1 and the nano produces such stunning fidelity for anything
under 20 or 30 thousand, that I am not willing to settle for anything less.
I hope that the Adobe person will supply some hard data here about the nano
settings which provide error free handling of nano files! It would be MUCH
appreciated.
Respectfully submitted,
William Urschel
Bee Cave Digital Video, Inc.
Austin, Texas

PC Recognizes HV20 but no frames are captured in Premiere CS5? (Or HDVSplit)

Hi there.
Recently upgraded my laptop to a nice Sager NP8130 as a mobile editing workstation, and when I went to begin capturing HDV footage the other day, I wasn't able to!
My PC detects the camera (Canon HV20) fine, it shows up in device manager as functioning. In Adobe Premiere CS5, and HDVSplit I can use the playback controls to shuttle the tape around, and I even get timecode feedback correctly on the PC.
But no matter what, I can't get any dang video to capture!
Camera and cable are definitely working fine; I dug out my old laptop and captured the footage I needed with no problem.
If anyone has any ideas, or any experience with this error, I would dearly appreciate any input,
Thanks!

Unfortunately, with no success, I also tried that method of switching to the Legacy firewire driver, as it used to be a common suggestion back in the vista days.

Premiere CS5 - Project Monitor playback is jerky after resintall of operating system and CS5

PROBLEM: Premiere CS5 - Project Monitor playback is jerky
This had NOT been an issue prior to reinstalling the operating system and all software. I have read numerous articles on the forums and have tried everything I can find...with no results.
STEPS TAKEN TO RESOLVE THE PROBLEM:
I have scoured the articles here http://www.adobe.com/cfusion/search/index.cfm?loc=en_us&term=choppy%20video&cat=support&pr oduct=premierepro and others at Cretive Cow
I have installed all updates for CS5 Master Collection, immediately following a fresh install of the operating system and SC5 Master Collection.
I have ensured that sequence settings match resolution and frame rates of footage - the problem persists.
I have tested by importing both standard def AVI files created from tape and high def SONY MP4 files - the problem persists.
I have ensured the latest Video drivers are installed (clean installation selected, so that the Windows default would be removed) - the problem persists.
I have tried the 3D settings in NVIDIA control panel | Program Settings tab... selected Adobe Premiere Pro from the drop down menu | and chaged 'Multi-display/mixed-GPU acceleration from the value of 'Multiple Display performance' to the value of 'single display performance'; although, I ran two monitors before using this latest NVIDIA video driver and I didn't experience this jerky footage issue - the problem persisted after affecting that change; so, I switched it back.
Since I have 96 GB of RAM, I don't use a pagefile. A zero MB page file is the same setting I had prior to rebuilding the C: Regardless of whether I have a pagefile or not, the problem persists.
I have tried creating a fresh user profile, where the user profile is created on the C: drive by default; and, where I left it there on C: to test for the jerky playback in a new PrPR project - the problem persists.
Regarding the C: (system drive) and why I reinstalled everything, it had become unstable and was locking up. I ran DISK ERROR CHECKING with the FIX parameter and the system was still locking up on me. Keep in mind that the System drive is a solid state drive. Anyhow, I had no choice but to dive in and reinstall everything. I wiped the system partition of the SSD using quick format and started installing the operating system. Now, I've read the CLAIM that this cuases performance issues; but, the only place I see issues is in the video monitor playback in PrPr. Everything else - Office applications...printing...browsing the Internet...works just fine, everything is responsive, whereas, I couldn't do ANYTHING with it before.
SYSTEM CONFIGURATION:
The Operating system and all software is installed on C:
All data files and most profile related folders are stored on D:
C:\ (one Intel Solid State Drive - SYSTEM DRIVE) Used Space: 57.5 GB Free Space: 388 GB
D:\ (four Western Digital 2TB drives in an on-board INTEL hardware RAID5 array & hotswapable backplane) used space: 1.28 TB Free space: 4.16TB
Adobe Premiere Pro CS5 VERSION: 5.0.3 (005 (MC: 218798))
Operating System    Microsoft Windows 7 Ultimate Version    6.1.7601 Service Pack 1 Build 7601
System Manufacturer    Intel Corporation
System Model    S5520SC
System Type    x64-based PC
Video    NVIDIA Quadro FX 4800 driver v.320.78
Display        Dell 27" LCD (DisplayPort)
Display        Dell 27" LCD (DisplayPort)
Processor    Intel(R) Xeon(R) CPU           X5680 @ 3.33GHz, 3326 Mhz, 6 Core(s), 12 Logical Processor(s)
Processor    Intel(R) Xeon(R) CPU           X5680 @ 3.33GHz, 3326 Mhz, 6 Core(s), 12 Logical Processor(s)
Installed Physical Memory (RAM)    96.0 GB
Page File Space    0 bytes
PREMIERE PRO CS5 SETTINGS:
Monitor PLAYBACK RESOLUTION: Full
Monitor PAUSE RESOLUTION: Full
(regardless of this setting, the problem persists)
PREFERENCES:
MEMORY:
Installed RAM: 95.9 GB
RAM reserved for other applications: 10 GB
Optimize rendering for: Performance
(Changing this setting to 'memory' does not resolve the problem)
MEDIA:
Media Cache Files
X - Save Media Cached files next to originals when possible
LOCATION: D:\Users...\AppData\Roaming\Adobe\Common
(User Profile folders were relocated to D:\ from within the properties of each folder's 'LOCATION' tab. This is the same configureation I had prior to rebuilding the C:\drive. Testing under a new profile where it's allowed to stay on teh system drive does NOT resolve the problem.)
Media Cache Database
LOCATION: D:\Users...\AppData\Roaming\Adobe\Common
PROJECT SETTINGS:
Scratch Disks
Path: D:\Users...\My Documents\
General
Video Rendering and Playback: Mercury Playback Engine GPU Acceleration
(Setting Viideo Rendering and Playback to 'Sofware' does not resolve the problem)
If any of y'all have any other suggestions, I'm all ears.
Thank you.

I'VE RESOLVED THE PROBLEM!
PREFACE:
OK, I am hoping that through this week-long Operating-System-and-Software-reinatalltion excerise of mine, I have revealed something that everyone -- whom have been cursing Adobe over -- can apply to their systems to resolve this jerky video problem within PremierePro CS5 (and quite possibly other versions, too).
If you've read my post above, you've seen all the steps I've taken to resolve the problem. I've read many posts, some of which have mentioned hardware upgrade / opitmization steps that one may take to enhance performance, and hopefully resolve the problem. I've read where people have taken these steps and have still experienced the problem...and then they curse Adobe. Fer-shame, fer-shame, fer-shame! (nod to Gomer Pyle).
In my case, I knew it wasn't an Adobe issue, as it had worked flawlessly before; and, it wouldn't require a hardware upgrade or reconfigureation, as my system is completely maxed out with two processors, a system drive and a hardware RAID5 array, a CUDA-suported nVIDIA 4800 FX card, and 96 GB of RAM. bla bla bla, puke...whatever. Bottom line is this:
It's not a software issue. It's not and Adobe issue; and Gawd no! It's NOT a PC vs. Mac issue! HA HA. The software had worked swimmingly well prior to the reinstallation / 'lobotomy' I perfomed on the system drive.
SOLUTION FOR ME:
Download and install the updated drivers for the motherboard. Mine is an Intel Workstation Board S5520SC. Intel has an INTEL DRIVER UPDATE UTILITY which automatically scaned my Intel system and identified drivers which needed updating. A very handy, time-saving tool!!! Here's the URL: http://www.intel.com/p/en_US/support/detect?iid=dc_iduu
The scan revealed two Intel drivers needing an update:
Intel Chipset
Wired Networking
and one non-intel driver:
Creative Labs Sound Blaster X-fi
I downloaded and installed these three drivers, rebooted, and tested PremierePro, and was extatic to find this resolved the problem.
If you have a motherboard from another manufacturer, then you may want to navigate over to their wibsite to locate chipset and other updated drivers for your motherboard.
ROOT CAUSE:
While Microsoft Windows 7 Ultimate was able to install certain default drivers during the Operating System installation (keeping in mind that this was done on an Intel Solid State Drive that I formatted using Quick Format) these default chipset drivers apparently weren't current and were ultimately the root cuase of the jerky video playback within PremierePro CS5.
Peace

Archivos MTS y M2TS en Premiere CS5

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