Are we close to native DivX support in Adobe Media Encoder?

Well Premiere has leaned on Mainconcept codecs for most of encoding/decoding and now when Mainconcept is owned by DivX in probably won't be long to see DivX supported in Mainconcept codecs.
That would be very good I think, as no other compression currently available is as efficient, as optimized (quality, CPU) as DivX.
What do you think?

>>and totally unsuitable for editing. So heaven forbid....
Well how suitable is wmv or h.264 ... for further editing? I'm talking export. I think anyone doing nle, probably saves sources if he thinks he will do more editing afterwards.
Maybe I didn't put right words to it. I meant will DivX be included in AME as it mp2, h.264,wmv, quicktime..

Similar Messages

60fps .mts support in Adobe Media Encoder?

I'm new to AME, but would like to take the 1080p 60fps .mts files imported through LightRoom from my Sony NEX 5N, and output them to an mp4 that I can import into FCPX later. Right now, I only see presets for 24, 25, 30 fps (etc), but none for 59.xxx or 60 fps. Is there a way to specify a faster framerate for my export?
I order to use these files in FCPX, I have to import them directly from the card, with the camera's file structure in tact, or FCP can't recognize them. I'm hoping to find a work around b/c I prefer LightRoom's import and file management. Thanks.

What video format is your goal? Mpeg2 or avc?

Playback Failed This media file format is invalid or not supported by Adobe Media Player.

What is this? i've installed air and media player and most of the content ends with this alert:
Playback Failed
This media file format is invalid or not supported by Adobe Media Player.
what is wrong? do i need some codecs or something?
please, HELP!
kynades
PS day after i've tried play regular flv and got this mesage:
Playback Failed
There was an error while playing this video.
Some video errors can be fixed by clicking the back button and playing the video again.
i assume this Adobe media player is just another piece of ****. sad.

"DITTO".
JUST ABOUT EVERYONE IS HAVING THE SAME PROBLEMS WITH ADOBE MEDIA PLAYER (AMP) AND OTHER RELATED PRODUCTS!
INSTALLATION ERRORS!
UNINSTALL ERRORS!
SOMETHING IS SERIOUSLY GONE AMUCK AND GOOFY WITH THIS OUTFIT.
IT IS JUST THE LOUSIEST AND SHABBIEST WAY THE ADOBE MAKES ITS SHAMEFULLY LOW QUALITY (SOFTWARE???) PRODUCTS.
MOST EVERYTHING, ALMOST NEVER WORK RIGHT.
JUST A TERRIBLE WASTE OF EVERYONE'S TIME AND EFFORTS.
ADOBE SEEMS TO HAVE BECOME JUST ANOTHER VENUE PUSHER FOR INTERNET SPAM AD-PUSHERS.
SAD.
VERY SAD.
I AM GOING TO DE-INSTALL EVERY DAMNED ADOBE SHABBY SOFTWARE PRODUCT.
TOO MUCH HASSEL.
TOO MUCH WASTE OF EVERYONE'S TIME AND EFFORTS.
** NOTE **
FIND OTHER RELIABLE SOFTWARE FIRMS THAT HAVE DEVELOPED *.FLV FILE PLAYERS -- FOR THE TIME BEING -- UNTIL ALL *.FLV FILES HAVE BEEN CONVERTED TO *.MWV OR SOMETHING THAT WORKS FLAWLESSLY.
THE *.FLV FILES SHOULD BE BANNED FROM ALL OF THE INTERNET WEBSITES AS UNSTABLE AND SHABBY.
AND SAY GOODBYE TO ALL SHABBY, LOUSY, ROTTEN ADOBE PRODUCTS.
IT IS QUITE EVIDENT THAT LAZY, DEAF, DUMB, BLIND FOLKS (WITH PANTS AROUND THE ANKLES) AT THIS SHABBY OUTFIT ARE NOT GOING TO WORK HARD ENOUGH TO EVER PRODUCE QUALITY PRODUCTS.
SO, SAY GOODBYE TO IT AND ITS SHABBY PRODUCTS AND FIND ALTERNATE RELIABLE, QUALITY SOURCES THAT MEET OUR, THE CUSTOMERS, NEEDS.
IF YOU READ THIS OUTFIT'S GOOFY LICENSING TEXT, IT CLEARLY STATES THAT: ". . . IT DOES NOT WARRANTY THE OPERABILITY, OR MERCHANTABILITY, FOR ANY INTENDED PURPOSES . . .".
MEANING, EVEN THIS OUTFIT ITSELF DOESN'T BELIEVE IN THE QUALITY OR PERFORMANCE OF ITS OWN SHABBY PRODUCTS.
IMAGINE THAT, FOLKS.
WHAT OTHER PROOF ANYONE NEEDS THAT THIS OUTFIT MAKES THINGS THAT YOU THINK WOULD WORK.
WHAT A JOKE.
ACTIONS:
WEB SEARCH FOR:
*.FLV PLAYERS, OTHER THAN ADOBE.
*.FLV FILE CONVERTERS.
WHAT A GOOFUS.
+++++++++++++++++++++
+++++++++++++++++++++
7-ZipeMuleAzureusAres Galaxy
http://www.UberDownloads.com
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Both After Effects & Adobe Media Encode CC giving are not letting me export.

Dear All,
Both After Effects & Adobe Media Encode CC giving are not letting me export movies.
Some times they will, but after one file both programs give me the following error messages.
After effects:
“[file path and name].mov. An output module failed. The file may be damaged or corrupted. (-1610153464)"
AME:
"Can't read from source."
I've went through the forum and found threads & pages discussing the problem.
E.g.
http://blogs.adobe.com/aftereffects/2013/08/solutions-for-problems-with-quicktime-files-in -after-effects-cc-12-0-because-of-conflict-with-dvcprohdvideoout-quicktime-component.html
http://forums.adobe.com/thread/1252092
After following all the tips and suggestions (from deinstalling quicktime components & audio components to completely reinstalling CC) I'm still experiencing the problems.
Which leaves me in a bit of a squeeze. I need to export over 144 movies in the coming 2 days and the only way to do this is to quit and open media encoder (or AE) after each single export.
Not really an option.
Both problems have the process Adobe QT sever in common, I took this from the console:
9/26/13 1:02:44.517 PM com.apple.launchd.peruser.501[171]: ([0x0-0x42042].com.adobe.Adobe QT32 Server.application[331]) Job appears to have crashed: Segmentation fault: 11
9/26/13 1:02:44.672 PM ReportCrash[354]: Saved crash report for Adobe QT32 Server[331] version 7.0.1 (7.0.1.0) to /Users/martijn/Library/Logs/DiagnosticReports/Adobe QT32 Server_2013-09-26-130244_martijns-MacBook-Pro-2.crash
System information:
Retina MacBook Pro (Mid 2012) (16gb ram)
Mac OS X 10.8.5 (12F37)
Running Adobe CC (for teams), all apps are up-to-date.
I don't no why Adobe puts out such a buggy piece of software (I know it has to with Apple's poor 32bit quicktime implimentation, but hey, this was known information no?).
Upgrading to CC has given our office nothing but problems.
Hope someone can help to find a work around until Adobe realeases a proper update and solves this problem once and for all.
All help is much appreciated.
Kind regards,
Martijn

Hello Tim,
Thanks for the really quick response!
Regarding the crash log: it doesn't reference com.apple.audio.CoreAudio (though it did before, so I followed all the steps in your blog post before I posted to this forum).
I've uploaded the crashlog to:
http://martijnlambada.com/TMP/AdobeQT32servercrash.zip
If you want to inspect it. It mentions the DXV codec (which I also uninstalled), but the crash keeps occuring. Also I need to export to DXV since it's the only codec the d3 media
server accepts (http://d3technologies.com).
I followed all the steps in the troubleshooting steps.
Codecs used: I've tried everything from animation to Apple ProRes (including: h264/motion jpeg/uncompressed). With all codecs the Adobe QT32 server keeps crashing (though I can't always reproduce).
Export destination: Internal SSD (same as where the OS is installed on) + External raid (via firewire & thunderbolt) + external HD via usb 3.0 (tried everything).
When does the problem start: Really hard to specify, sometimes a day without crashes, sometimes every export for days on end. Sometime after restarting (tried logging out, restarting, switching off and on the computer). With other programs running and with out. Now checking every process active when exporting, and comparing log files.
Can you export to other formats: See question 1, sometimes I can, sometimes not.
When you launch AE and/or AME, is QT32 Server running? At what point does it stop running? Still runing when I open the program. It crashes when exporting (ofter after finishing the first export).
What component files are in your Library/QuickTime folder?: Currently the folowing:
AppleAVCIntraCodec
AppleHDVCodec.component
AppleIntermediateCodec.component
AppleMPEG2Codec.component
AppleProResCodec.component
DesktopVideoOut.component
DVCPROHDCodec.component
DVCPROHDMuxer.component
DVCPROHDVideoDigitizer.component
DVCPROHDVideoOutput.component
DVCPROHDVideoOutputClock.component
FCP Uncompressed 422.component
iChatTheaterPreview.component
IMXCodec.component
LiveType.component
Hope this helps.
Cheers,
Martijn

Adobe Media Encoder CS6 6.0.3-Update Beim Herunterladen dieses Updates ist ein Fehler aufgetreten. Schließen Sie die Installation und wiederholen Sie die Installation zu einem späteren Adobe refuses support. I've paided for the product but they don't care

Adobe Media Encoder CS6 6.0.3-Update
Beim Herunterladen dieses Updates ist ein Fehler aufgetreten. Schließen Sie die Installation und wiederholen Sie die Installation zu einem späteren Zeitpunkt. Fehlercode: U43M1D204

Ja wie gesagt es hat davor auch ohne Probleme Funktioniert nur war ich gezwungen das System neu zu Installieren und ab dann konnte ich die da oben genannten Updates nicht mehr Installieren. Ein Mac ist zwar eine schöne Sache kommt aber für mich nie in Frage da ich mein PC als Arbeitsrechner und Gamer Rechner nutze und das meiste läuft halt nicht auf einen Mac und man müsste manche Programme neu Kaufen, das sehe ich überhaupt nicht ein, und meine Anwendungen werden aus Prinzipien nicht für Apple Produkte entwickelt da verdient man kaum etwas... aber das muss jeder für sich entscheiden. An eine neue Version habe ich eventuell nächstes Jahr gedacht aber auch nur die CS6 ob man das brauch ist die Frage da CS 5 genau macht was es soll. Das Modell mit der Adobe Cloud hat zwar denn Vorteil das die Programme Aktuell sind aber man muss Monatlich dafür Zahlen und CS5/CS6 oder älter brauch man nur einmal Kaufen. Darüber hinaus finde ich eh das Adobe so eine richtige S*** ist wenn es um Support ältere Programme geht so zeigt Adobe meiner Meinung nach das Ihre Produkte nichts wert sind zumindest macht es den Anschein. Aber wie gesagt, bin ich hier um Hilfe zu bekommen um das Problem zu lösen ohne ein neue Version zu kaufen, das ist ja bekanntlich die einfachste Lösung, aber wenn Informatiker auch so denken würden dann würde es sehr schlecht aussehen... und als Anmerkung am Rande, es wäre ja nett wenn man mir denn Link dieser Updates zukommen lassen könnte um die Updates Manuell zu Installieren.
"Aber wie sollen wir denn Programme testen auf Hardware und OS, die es erst in ein paar Jahren geben wird."
Dies kann man in voraus natürlich nicht aber in nachhinein geht das und Software Entwickler denn etwas an Ihre Produkte liegt, machen das nachhinein auch und passen gegebenenfalls Ihr Produkt an.
PS: CS 2 läuft ebenfalls auf einem Windows 8.1 rechner ;-)

When will Adobe media encoder 8.0 with wraptor DCP support be availabile

when will Adobe media encoder 8.0 with wraptor DCP support be availabile

Was that a video showing the 2014 updates?
Do you have the CC 2014 updates installed?
Have you checked with other user in that forum to see if there is more information there? Adobe Media Encoder (AME)

How many users can be supported by Adobe Media Server 5.0, 5.1?

If we are providing 1mbps streaming to a single user, than how many viewers can see the live streaming at once via Adobe Media Server 5 or 5.1 and at what mega pixels?

Perhaps this will help:
http://www.macromedia.com/software/flashmediaserver/productinfo/pricing/
Lon Hosford
www.lonhosford.com
May many happy bits flow your way!
"hieuu82vn" <[email protected]> wrote in
message
news:e2k9g8$hu5$[email protected]..
Hi all,
I have researched the Server.xml file in FMS2. This file
have property


<MaxConnectionQueueSize>-1</MaxConnectionQueueSize>
Have SO known that how many connections can be supported by
FMS2 ? ( or
maximum is 1000 ? )
Thanks

How to create alpha videos now FLV / F4V support dropped from Media encoder

Now that Media encoder has dropped support for FLV / F4V has anyone got any ideas how you would create a video with an alpha channel for use in flash professional. With flash professional only really supporting the H.264 CODEC, I can't see any way possible to use transparent videos now. I'm currently having to resort to installing an old version of media encoder to get back access to FLV. Does anyone have any other thoughts on how I could achieve this using the latest software.

Hi Preran,
Can you clarify why the Alpha channel video option has been removed?
There's all sorts of reasons why people still need FLV, in our case its the video format we use with Aurasma to be able to have animated text on a transparent background in an AR environment....
Why oh why would you just remove the option when h264 clearly doesn't replace all of FLVs features?

Adobe Media Encoder The source and output audio channels are not compatible or a conversion does not exist. Export Error

I'm trying to make a dvd, can anyone tell me why this is happening??

Sounds like you unsuccessfully trying to output a 5.1 Master to a stereo or mono file. Or something along those lines.

Adobe Media Encoder crashes when borders are applied to the "barn doors" effect.

Pproheadless.exe stops working. End of story. Doesn't matter what kind of clip I try to apply this to. Barn Doors works; Barn Doors with a border doesn't.

Ah, sorry about that. It's what happens when I post in frustration at 5:00 in the morning. But thanks for the response.
Windows 7 64-bit
Premiere Pro 5.5.1
Combined Community Codec Pack
K-Lite Codec Pack
Not sure if Mercury Playback is enabled. The crash only happens when creating a file in Media Encoder. I've isolated the problem to rendering as a DVD-Mpeg with "Render at Maximum Depth" checked. When it is unchecked, the files render without a crash.

Media Encoder CC doesn't close on Mac

This doesn't always happen, but it's frequent enough to be a problem. When I close Media Encoder CC, the window closes, but the process is still open when I Cmd+Tab through processes, and the icon on the dock still has the dot below it, that indicates that the program is open. Force Quit doesn't work. I have to restart the computer to fix it. If I try to shut down the computer, it says that it cannot shut down because the application is still running. I have to do a hard shutdown in order to turn it off in that case, or restart first and then shut down.
Anyone else aware of this issue, or know how to to fix it?

Please try the followings to see if any of them helps.
- Make sure you have the latest graphics card driver installed.
- If you are on Mac and have a CUDA graphic card, please make sure you have the latest CUDA driver. Here is the link where you can download it: CUDA Drivers for MAC Archive | NVIDIA
- If CUDA or OpenCL acceleration is enabled in AME, please try Software rendering mode to see if this helps.
- Please look under a user Document folder > Adobe > Adobe Media Encoder > 8.0. If you see "Presets" there is not a folder, but a strange shortcut file, please delete this and re-launch AME.
- Hold Shift key when you are launching AME to reset the preferences of the app.

New Media Encoder Error: video and/or audio filters are missing...

My colleague reported this error popup window while using Adobe Media Encoder CC (up-to-date):
"video and/or audio filters are missing and the rendered output may not match the original"
I've been seeing similar errors the past few days. I can't remember if the wording was the same in the errors I saw, but the circumstances were the same.
I've never seen this popup error before the most recent CC update.
Some background info:
I queued up multiple Premiere Pro pproj files as usual from within Premiere
without rebooting or deleting any cache or temp files or anything, I start the queue
I have no special plugins installed in Premiere. Vanilla CC install.
Windows 7, 64-bit
This error doesn't tell me what audio/video filter(s) are missing. The output files, once I dismiss this warning, are perfect.
The major problem: It stops the queue dead in it's tracks. Sure, it might seem handy to stop and give you a warning, but when it's a false report and there's nothing wrong, it's killing us, because we queue up multiple files for encoding overnight, and we're not here to get the popups.
What is likely causing this? Is it a bug that this is appearing so frequently? Has anyone else experienced this besides my colleague and I?
Thanks!

Update for anyone experiencing this issue:
We are still investigating the cause of the issue and would really like your help tracking it down. If you run in to it I would be happy to jump on the phone with you and preferably do a screenshare as well. If you want to run some tests for me, this is what may help us track it down:
0. Please make sure you are updated to the latest version of Premiere Pro and AME, which at this time are Premiere Pro 7.2.1 and AME 7.2.
1. Simplify the project. Create a copy of the project and eliminate anything in the project that isn't related to the sequence(s) you are exporting. Then run the encode again. If it still occurs, move to the next step. If it doesn't occur any more, repeat step one and only remove half of the unused items (sorry, this is giong to be a manual process). Rinse, repeat.
2. Open your sequence in Premiere and press Cmd/Ctrl + A to select all clips in your sequence. Right click and select Remove All Effects. Export again. No repro? Go to step 4. If it still repros, go to step 4.
3. Make all the media offline. Export again. No repro? Go to step 4. Repro? Go to step 5.
4. Send me a message with as much detail as possible. Even better would be if you could provide me a copy of your project file.
Your help in tracking this issue down is greatly appreciated. Thank you.

Where are the AE render settings in Media Encoder?

I'd like to use Adobe Media Encoder for background rendering, but how do you set the render settings (like bit depth, motion blur, solo switches, guide layers, ect)?
Also, how do you select the output color profile from AME?

Hi Clint,
Sorry for the long delay on replying, I've been busy. Doesn't look like you've cross-posted this to the AME forum, so I'll take a crack at the answers:
1) AE renders compositions at a bit depth of 8, 16, and 32 (float). AME can encode frames at 24, 32, 48, and 64 (for ProRes 4444, for example). How do these things relate to each other, and how/why should you use a particular AME bit depth setting for an AE comp?
These numbers all represent bit depth. AE states bit depth in terms of bits per channel (bpc). AME usually states bit depth in total bits per pixel (bpp = bpc multiplied by the number of channels). It's one of those little inconsistencies that comes from the two apps growing up under different development teams.
RGB has three channels. RGB + Alpha has four channels. Doing the math:
RGB 8 bpc = 24 bpp
RGBA 8 bpc = 32 bpp
RGB 16 bpc = 48 bpp
RGBA 16 bpc = 64 bpp
So if you want 8-bit output with an alpha channel, you'd set the bit depth in AME to 32. If you don't need an alpha channel, set it to 24. Note that AME doesn't have equivalent options for 32 bpc formats. (If it did, the bpp equivalents would be 96 and 128 bpp!) There are very few such codecs anyway.
2) What effects does "Use Maximum Render Quality" have on a comp? Does it only come into play if your are encoding to a different resolution to the source comp? Will it change the color processing?
IIRC, the "Use Maximum Render Quality" switch doesn't affect AE comps. It only has an effect when the source is a Premiere Pro sequence. This article has some detail about how the switch affects Premiere Pro sequences:
http://blogs.adobe.com/premiereprotraining/2010/10/scaling-in-premiere-pro-cs5.html
3) Does AME always render at "Full" resolution or does it look at the resolution setting in the AE comp window? What if it's set to "auto"?
4) Does AME pay attention to the comp window Region of Interest?
5) Does AME care about the composition motion blur button or does it just look at the layer motion blur settings?
7) How does AME handle color management? Does it always output in the working space?
These questions all have the same basic answer. When the AE comp is loaded via Dynamic Link, it will be processed using the state of the comp at the time the AE project was saved. Any switches available in the Timeline panel like Motion Blur will be used in their current state, and there is no control over them from the AME side.
Keep in mind that comp viewer switches like Region Of Interest and preview resolution aren't a function of the comp itself, and thus aren't seen by AME. They are a function of the Comp viewer panel. (The difference being the same as between a piece of artwork and the glass of the frame. If the glass is warped then the art looks warped. AME only looks at the artwork without the glass.) Color Management, similarly, while controlled at the project level is interpreted via the Comp viewer panel or by AE's Render Queue; AE's color management is not in the chain of processing used by AME. But you can acheive the same color management transforms via AME by using the Color Profile Converter effect and setting the input and output profiles specifically.
So, what AME sees in an AE comp will be identical to what you see in the Comp panel in AE at full resolution when ROI and any other viewer switches (like the Transparency Grid or guides or color channel selection) are turned off, and without a project working color space being set. From this point the pixels could be affected by AME via scaling or if there is a color space transform inherent to the chosen output format (ex., RGB to YUV).
6) How does AME decide whether to interlace the render?
This is defined by the Field Order setting in the AME Output Settings. That seems pretty straightforward to me, so if I'm missing something about your question please clarify.
-=TimK

PPCS3 won't export only the work area to media encoder

I can't figure out why Premiere Pro CS3 is no longer exporting the work area to the media encoder. I CAN successfully export the work area to Encore but even when I select WORK AREA under the RANGE option in EXPORT SETTINGS the media encoder still shows only the entire sequence.
Same results on any sequence or project I've tried.
Any suggestions?

Are you sure you're not confusing the sequence In and Out Points with the Work Area Bar? I've seen people make that mistake before. The Work Area Bar is what controls the "Work Area" export.
If it's not that then you have a real mystery on your hands. :o
Cheers
Eddie
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Re: Native Language Support in Forte

[email protected] wrote:
I've been posed a question in the abstract about Forte's native language
support. Does Forte support any languages other than C/C++? And if so,
what are the limitations or caveats?
Native Language Support could also mean the NLS standard which Forte supports. This
provides for Internationalization (I18N) of a Forte application. This means a client
application deployed in french, german, and english (for example), could all be making
requests of the same Forte shared service and getting responses in the native language.
We provide for changing the language/character set displayed both statically before the
application starts, and dynamically change it while the application is running.
If support native language support means ability for Forte to call existing application
logic written in C/C++, then today you can "wrapper" C functions in a Forte Class,
instantiate the class and "call-out" to the member functions (your c functions) directly
from the 4GL object.
C++ functions are a challenge due to cross platform C++ compiler issues which at a
minimum include "name mangling" being non-standard for all the C++ compilers.
However, you can "export" C++ class member functions as external "C" functions so that C
code can call the function as if it was regular K&R or ANSI C.
If other language support is required, I have customers on the East Coast which have
successfully wrappered MicroFocus Cobol on HP-UX, and the ADA language. This is due to
the concept of all 3GL languages today support the concept of allowing for their
language to be called from 'C' (other possibilities are Pascal, Fortran, etc).
Here the only caveat is you need to be aware of the other language's "boot-code" may be
registering for operating system "signals" and not handling them appropriately. This
rarely is an issue these days.
If other language support means do we code generate our 4GL language to any language
other than 'C++', the answer is currently "no".
However, we do support exporting Service object definitions to environments like DCE,
CORBA, Encinca (a TP monitor), and the WWW. In our next release we will complete our
support for exporting services objects to Java. This will allow for Java applications to
call upon the power of Forte's Shared Services architecture. Using this exporting
concept, applications written in various other languages would be able to "call-in" to
the Forte shared service from the ourside world.
Didn't know what you were looking for. Hope the above hit the mark. If not, write me, or
give me a call.
Regards,
jim

Not exactly sure what you are asking. Can you rephrase your question?
If your other server's locale is same as the one you configured then it should be ok.

Are we close to native DivX support in Adobe Media Encoder?

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