Aspect Ratio Issues in Timeline

This may be a simple fix, may not be. I've searched the discussions, and have come close to an answer, but each topis is just slightly different than my specific issue.
Details:
Shot in 16:9 on Canon XL2.
Imported media just fine, clips looked fine in FCP, etc.
Imported archival historical photos and film footage just fine, put them in timeline and resized each individually. They also looked fine in the 16:9 sequence.
Created a new sequence where I tried a different cut on a later section of the timline. (I just copy and pasted the material from the original timeline into the new sequence. This may be where I went wrong.)
I liked what I had and so replaced the end of the timeline in the original sequence witht the newly edited section from the second sequence. (Same copy and paste method.)
Problem:
All of the aspect ratios for the original footage (16:9) and the b-roll (4:3) material was off (stretched, etc.)
I figured out how to change the origianl shot footage to its correct 16:9 aspect ratio, but all of the b-roll still is'nt correct--it's streched virtically, covering the bars at the top and the bottom of the canvas window. (The bars are black by the way, if this is an indication of settings.)
How can I get all of my b-roll back to fit the 16:9 aspect ratio of the project?

I was able to fix my issue...sort of.
I created a new 16:9 sequence and then pasted a copy of the original timeline into it. Because it was a true 16:9 sequence, all of the b-roll (still photos) were "squished" back into a 16:9 frame, hence making them look correct (because they had been stretched vertically over the 16:9). I knew the original 16:9 clip would also be "squished", but I knew I could manipulate the size of these clips much easier (they were all the same size, unlike the b-roll, there was no motion, etc.).
So, I took one of these clips and manually resized it's aspect ratio to fit the 16:9 exactly. Then I copied the clip, selected all of the rest of the clips that needed to be resized and pasted the size attributes. Viola!
Now my only concern is making sure when I export a QuickTime, and when I show it on a 4:3 TV, it will look correct, meaning it will not be stretched vertically to fit the screen, but instead will remain 16:9, with black bars on the top and bottom of the screen.

Similar Messages

Can you help me solve my aspect ratio issue?

Hey guys,
I'm posting this in hopes that someone can help me solve an aspect ratio issue with a project that I have to finish by tomorrow.
I'm trying to avoid having to re-edit the entire thing.
I shot the project with my Nikon D7000 DSLR. in 720p 30p (29.97)
I am running Adobe Premiere Pro CS5 (the trial version). I have the full version of Adobe Premiere Pro CS3.
The reason I was working with the trial is that CS3 can't handle the H.264 MOVs that the D7000 records.
You can work with a timeline, but if you try to export anything, it never works. I always have to convert my footage to ProRes MOVs with MPEG Streamclip before I can work with them is CS3. That takes a lot of time and a lot of hard drive space. After much research, I found out that CS5 is the way to go for DSLR footage. I just need to save up my pennies for the upgrade.
So I thought I'd edit this short (1 minute) project with the trial to see how CS5 works with the D7000 footage.
Upon installing the trial program, I found that the project presets were limited. I knew this ahead of time because it's clearly stated on the Adobe's website.
But I wasn't aware how limited they are.
Since "DSLR 1280x720p 30p" is not an option with the trial, I was going to use HDV 720p 30p. But that was not an option either!
So basically, my only option for 16x9 30p was "DV NTSC Widescreen". It's my understanding that this is 864x480 (in square pixel aspect ratio) or 720x480 (in widescreen pixel aspect ratio) I needed the output file to be 864x486. I downsized the footage to 69% in the "Video Effects: Motion" setting so it looked correct in the project. I didn't think about those extra 6 pixels until I outputed the file and saw thin black lines on the top and bottom. My guess is that Premiere is adding black pixels because my project is technically 720x480 (1.2121)
Any thoughts on how I can get a clean 864x486 export? I'd rather not re-edit the whole thing...which I would have to do in CS3 after I spent a few hours converting the original files in MPEG Streamclip. I don't know if there is a way to export something out of CS5 and then open a new project in CS3 to make this work.
Thanks in adavance!
- Jordan

On export, just crop a few pixels off of each side; that'll let the image scale correctly to the output frame size without black bars.
I'm not running the trial, but you should still be able to create a custom sequence preset using the Desktop editing mode. Just switch over to the General tab when you create a new sequence, and choose "Desktop" from the editing modes. Set the rest of the parameters as you need them.
Even easier: once you've imported your footage, just drag a clip to the New Item icon at the bottom of the project panel; a sequence will be created matching your footage parameters. You can edit at full-resolution, and then export to your desired frame size when complete--you'll probably still need to crop a few pixels (in the Export Settings window) to eliminate the black bars.

Pixel Aspect Ratio Issues-FCP HELPP!!!

Okay folks, so currently I am putting together my reel in FCP, however I am encountering a few issues. So my source formats are different in pixel aspect ratio, some was shot on the 7D, some on the Alexa, and some on super 16mm, and a few after effects animations. However all of it is HD, and in ProresHQ 422. My problem here is when I import all of my media into FCP if the timeline is set to square pixels, the HD(1440x1080) footage looks squished, and if I set the timeline to HD(1440x1080) the square pixel footage looks blocky, pixelated and super square.
That said, some of the footage from the 7D is labelled as square and some is labelled as HD(1440x1080), and all the after effects stuff is square.
Right now i am dealing with it and just leaving my timeline as green-preview render, so everything looks mostly normal. However whichever format is not that of the timeline, the footage is degraded a tiny bit, so that when I pause the footage it looks great, but in preview it is slightly blurry.
My question is, is there a way to format everything as either square or HD(1440x1080), so it looks normal, or is there a way to use mixed media formats and not have the preview blur. I'm going crazy over here, as I just graduated and am in dire need of a reel so I can begin to apply for jobs, etc....Or is there a way to formate my prores setting to transform everything to square pixels?
Thanks guys!

You can use compressor to convert everything to square pixels, however there's no need to worry about how it looks in fcp when it's playing but not fully rendered. Try exporting a short section (mark an in and out around the section - and going file: export: quicktime Not quicktime conversion) with current settings. If you render the material, it should look fine when you play it within fcp. Unfortunately, the render settings in the sequence menu are not particularly intuitive, but do a little playing around with them if you've got the time.
I prefer to convert all my sources to my intended pixel dimensions, frame rate and codec before I edit in fcp, but it may not be necessary in your case.

Aspect Ratio issues getting 16:9 to look right, what is the best workflow?

Hi all,
I am having trouble getting my 16:9 footage to look right when I export, especially when playing on DVD. I shot the footage with a Sony HDR-HC1 which apparently shoots in 16:9 anamorphic. Originally when I imported the footage it appeared it the FCP viewer and canvas in 4:3 letterboxed form, the image did not look squeezed or stretched but appeared with black stripes on top and bottom.
I have tried several experiments with exporting this footage to dvd with the following results:
Using Compressor with 4:3 setting in export:
DVD Studio Pro track settings to 16:9 looks extra squashed vertically
DVDSP track settings to 4:3 image looks in proper aspect ratio but displays with black stripes on all 4 sides.
Using Compressor with 16:9 settings in export gives the same results.
In conclusion, if it appears in 4:3 letterbox in FCP viewer and canvas there is no way to get it to export and display in DVD with proper 16:9 aspect ratio.
I have also done some experimenting with re-capturing some of the footage from the tape.
For one sequence I recaptured the footage and it displayed in 4:3 without the letterboxed effect (filling the whole screen) but appeared squeezed, I am guessing that this is because of the anamorphic nature in which my camera captures the footage. No pixels were missing. In the FCP viewer and canvas it looked squeezed and did not display in the correct aspect ratio, however when it was exported via Compressor in 4:3 and then in DVDSP Track Settings put to 16:9 Letterboxed, it is displayed perfectly (letterboxed vertically, the image filling the width of the screen without the extra stripes on the sides).
So I thought that I had my solution here, although that did involve re-digitizing and batch capturing all 18 tapes used in the project, so its not exactly a quick fix.
This is where it gets a bit confusing. In order to understand where I had originally gone wrong in my workflow I did some more experiments, this time with the settings on the camera (which I use for a deck in batch capturing). I found the function on the camera where you can set the "TV Type" to either 16:9 or 4:3. I switched the TV Type to 4:3 and when batching it went back to the original letterboxed look (in the batch preview screen that you see while capturing), however when put into the viewer and canvas it was too letterboxed and looked squashed vertically. So then I switched back to TV Type 16:9, now it looks 4:3 squeezed in the batch preview screen (no letterboxing, no missing pixels), however when it goes into the viewer and canvas it becomes letterboxed like the original footage that I had described earlier.
So now even though I have switched the camera back to its original settings it will not display in that 4:3 squeezed look in FCP viewer and canvas.
So after all that my main questions are, in 16:9 can I view it in the FCP viewer and canvas in its correct (anamorphically converted) aspect ratio and still export it without the black bars on all sides?
(The FCP canvas seems to only display in 4:3)
If not, what setting do I need to capture in FCP in the 4:3 squeezed look I have described earlier?
(This is the only setting that I have found that displays properly when anamorphically stretched via DVDSP)
I know that this is a long essay so thanks for making it this far. I have spent weeks experimenting trying to find the best solution so please help me if you know how! I will be very appreciative.
Thanks
Liam

Hi there,
I am not sure if it is necessarily a bug, but its a matter of understanding all of the settings needed. I had the same problems for a while but after a fair bit of trial and error have found some workable settings.
It probably has more to do with the export settings rather than what viewer options have selected (I don't think that viewer settings affect your export).
What program are you using to export?
I am using compressor to export with aspect ration set to automatic 16:9. Then use DVDSP with the track set to 16:9 letterbox, it seems to export to DVD with the correct aspect ratio that way.
I am having trouble with the image strobing, looks like some kind of interlacing problem, but at least I have got it in the right aspect ratio.
Its typical video, solve one problem and it just creates another.
I am yet to find the absolute best workflow.
In response to Andy above, the original letterboxed footage probably did have something to do with the downconverting settings on the camera, as when I import without downconverting it does not letterbox. In the HDR-HC1 there is an option in the menu called "TV Type" with options of 4:3 or 16:9. I was reviewing my footage on a 4:3 television so I most likely had it set to 4:3 which created the letterboxing in the viewer when I then imported the footage.
Importing the footage in HDV solves the issue of aspect ratio, but creates a new problem with the image strobing.
I hope this was some kind of help to you.
Liam

Aspect ratio issue when watching 16'9 idvd created DVDs on regular players

I am having problems with the aspect ratio of any DVDs that I burn in iDVD as 16'9 - The original video is 16'9 and edited as such in FCP, then exported with current settings selected and then in iDVD I select a widescreen project - preview of the project is fine and when the DVD is done it plays with the correct aspect ratio if I watch on the computer's internal DVD player - but my issue is when I watch on any regular DVD player (on a widescreen tv of course) all the video looks tall and skinny, including the menu. The only way I found to get the video to look like it's natural proportion is to switch the settings to 4'3 on the DVD player, then it creates almost a "super-widescreen" look where there are bars at the top and bottom of the screen. On the otherhand, when i used to shoot in 4'3 and create DVDs as 4'3 projects, I NEVER had this problem when watching on a regular DVD player on widescreen TV! It would take up the whole screen and look normal (I know it must stretch it to fit, but it wasn't noticable). I thought creating a 16'9 video I should be able to watch on a widescreen TV and it should take up the whole screen and look normal. Please help!

No, that is not the way it should work. This may help:
iDVD: DV widescreen 16:9 workflow from Final Cut Pro
http://support.apple.com/kb/TS2179?viewlocale=en_US
Final Cut Express: DV widescreen 16:9 workflow for iDVD at http://support.apple.com/kb/TS1611
and
Preparing your Final Cut Express or Final Cut Pro movie to work with iDVD at http://docs.info.apple.com/article.html?path=iDVD/7.0/en/6652.html

Aspect Ratio issue when replacing a clip in Premiere CS6 with an After Effects CS6 Composition

Please assist! When I attempt to right click on a clip in my Premiere timeline and replace it with an After Effects composition, I can do so, but problems ensue.
After Effects will start up, but the composition will be in 4:3, even though the Premiere project and clip that I'm altering were both 16:9.
I was able to change the aspect ratio to 16:9 in After Effects and then edit what I wanted, but an hour later when I had finsihed, saved, and gone back to Premiere, it had smushed the replaced clip into 4:3 within Premiere.
So to reitterate:
When I replace a clip in Premiere with an AE comp, AE opens in 4:3.
I can change the AE comp to 16:9, but when I save and go back to Premiere, it has smushed the AE comp down to 4:3.
What can I do to stop this?

If you right click on the clip in the Project panel, then select Modify / Interpret Footage you will see a Pixel Aspect Ratio.
What does it say?
If it says 0.9091 then change it to 1.2121
If it says something else, come back and let me know. I will then have a different answer for you.
Also, what is the frame size of the video.

Aspect ratio issue

Hi, I have had this issue for several months and cannot get an answer...It started out when I downloaded Flash player 11.2. All the videos that we have posted on our client's websites are "squished" horizontally. Adobe said that it was a known issue when viewing Dreamweaver generated flash player code (from DW CS3) in IE8, and Chrome. Firefox is ok. Adobe asked us to remove the "no script" portion of the code, as it was outdated and to try Flash player 11.3....which we did. It still does not work. We downloaded DW CS6 and tried to use the code generated from this latest version of DW....and we are still experiencing the same issue. DOES ANYONE KNOW ABOUT THIS ISSUE AND WHAT TO DO? Thank you, Steve K.

Aspect ratio problems are usually caused when the output file size doesn't match proportions of the native file (i.e. a letterbox video saved as 320X240).
Honestly, I stopped using Flash media when Steve Jobs announced Apple iOS devices would not support it. If you're struggling with this, now might be an opportune time to convert your FLVs to MP4s and use an HTML5 video player that IS supported by PCs, Macs, iOS and Androids.
http://www.pickleplayer.com/
Nancy O.
Alt-Web Design & Publishing
Web | Graphics | Print | Media Specialists
http://alt-web.com/

Detail preserving upscale aspect ratio issue

My goal is to take a 720x480 60i DV file (non square pixel) and upscale to 960x720 60p square pixel for YouTube upload.
My workflow seems to work, except I'm not quite getting the correct aspect ratio at the end. I'm getting an extra 5 pixels on the bottom and top of my image so it's being squished by a total of 10 pixels. I have uploaded a screen capture to demonstrate this. In case the image preview doesn't work here's a Flickr URL:
https://farm9.staticflickr.com/8623/16158021066_e52966ff22_o.jpg
On the left is a simple AE scale, I dragged the DV file into a timeline, and used the scale command to change the pixel resolution to 960x720 so the DV file stretches to fill the 4:3 frame as it should. Remember, I'm trying to get the DV file to square pixel aspect ratio for online viewing. On the right is the result of my workflow below using AE CC and detail preserving upscale. The 5 pixel gray bars are part of the movie file.
Import the DV master into After Effects CC
Right click the file in the project bin, go to Interpret footage, then MainSet Conform frame rate to 59.94, hit okay
Drag this movie to the new composition button
Select the composition in the project bin, hit Command+K to open the comp properties
Set the frame size to 960x720
Set the duraction to double the original
Set pixel aspect ratio to square, hit okay
Select the video layer in the new comp, then go to the Layer menu, select Time, then Time Stretch and enter 200, then hit okay, the number should match the frame duration you just got from doubling the original
Now, add the Detail preserving upscale effect
Click fit width
Export

Thanks for the reply Mylenium. Typically I do separate operations like this using pre-composing but I found it made no difference so I removed that step in my original workflow so save work.
I'm not sure what "crooked HDV/ IMX values" means, can you elaborate?
If you mean my frame size of 960x720 this is the minimum that YouTube will need for a 4:3 video to generate a 60p video. They don't want 4:3 videos encoded in 16:9 wrappers and they have good reasons for this.
I'll say for the sake of simplicity to forget all about the 60p conversion here and focus on the 4:3 non square PAR conversion using the DPU (detail preserving upscale). I was able to accomplish this but it requires me re-scaling the video in After Effects first... to either 640x480 or 720x540 square pixel... but I'm just trying to avoid this additional scaling operation.

Aspect ratio issues with SD box and no help from Verizon

I just renewed my 2 year contract which included a free box but a billing screwup resulted in repeated charges for the box. A CS rep credited the account and said I had the wrong box and she would send out a new one.
i had a 7100 Motorola HD box. I have an older television set (that cannot control aspect ratio) and I have never had HD service but this was the box I was sent by Verizon as part of my contract. Why they felt it had to be changed I don't know, but ..... the box they sent was a 2500 SD box which does not give me an acceptable picture.
It's totally random. Some channels are 16:9. Some are overzoomed 4:3. The FIOS channel bar at the bottom is partially off the screen and the content is clipped around the edges. Commercials are totally random in size and appearance.
The # key on the remote does not work. There is no option in Settings to change the aspect ratio.
CS was ZERO help. They concluded that I had to either deal with the scattershot image sizes and clipped image content or go buy another television. SERIOUSLY VERIZON?
I couldn't get an answer as to why the box I was sent by Verizon as part of my original contract that provided a perfectly acceptable image had to be replaced with a box that doesn't provide squat. I have had Verizon service for approximately 7 years with this same television and this is the first time I've been given a box that can't produce an acceptable image and a remote that can't resize. So why now?
This smells like a bait and switch, or an attempt to get customers to pay for an upgraded box for a service they don't want just to get an acceptable picture. I live in an urban area and there is plenty of older equipment in these homes. So are customers like myself just being told even though you pay a significant amount of money for a Triple Play you are only getting 2 parts of the service?
I find it hard to believe there isn't some way to make the box or the remote change the image size. Can anyone help?

why do so many topics go to private section? we need to see how it's responded to in case we have the same problem..
but yes, our 2500 sd box, basically the 4:3 standard non HD box broadcasts to fit a 4:3 TV.. now some channels will have the black bars on top and bottom to accommodate the 16:9 aspect ratio.. you'll notice this if you run the 2500 box on a flat screen.. if you have it in 16:9 ratio on a flat screen it looks stretched.. the only way to watch regularly is in 4:3 mode.. which basically has the image with bars on all sides.. or you can zoom it and lose a portion of the image.. but it's because the box thinks you're using a 4:3 sd tv so the boxes appear on top and bottom so it can still fit the wider image it's filmed in.. so with flat screens you need the HD box i guess.. unless there is something i'm missing but there isn't a setting that i can find to change how the box exports the image for a flat screen or 4:3. I know the HD boxes have an 'SD Override' option.. which i guess tells the box you're not using a 4:3 tv anymore.. but that option is not on the 2500 SD box.. believe me i looked.. but this is all in reverse for your issue anyhow as you're having trouble with the SD box on an SD TV... which yeah, if you run SD the quality of picture is not as good as the HD programming.. so please let us know what they say to do for you.

Aspect ratio issue not letterbox related

i am running all video thru my receiver. my appletv outputs to my plasma TV w/black bars on either side of the picture. it appears it is output at 4:3 and not 16:9. i don't have this issue w/any of the other video inputs (dvd, cable tv). i don't see this as a tv or receiver issue/ can anyone offer any suggestions on fixing this? is there an output ratio adjust in apple tv?

The content you are watching sounds like it is not widescreen but 4:3 format.
When this is sent to the TV from the Apple TV via the HDMI cable it is shown on the TV in the aspect ratio that it was made. What you maybe able to do is make the TV stretch the signal to fill the full screen as it is doing when you use the VGA connections The issue here is that some TV's do not allow the TV signal to be stretched when fed via the HDMI port. It is not an issue with the Apple TV, it is outputting the signal correctly. See if you can adjust the TV to stretch the content to full screen.

Aspect Ratio Issues in Premier Pro CS 5.5

I'm trying to produce a DVD for my daughter's school and my wife bought me a copy of CS 5.5 to help (thanks lovely wife!).
I made a number of rookie mistakes when originally trying to produce the final video, but I think I have managed to correct most of them. Sadly, the final product still does not play correctly on a DVD player.
Here are the attributes of the original source footage (from Windows):
And here are the settings from PP for a similar file (same settings, just a file from a little later in the filming process)
And finally, here are the settings for the sequence that I created by right-clicking on the footage in PP and creating a new sequence from the file:
The problem is this... The footage plays correctly in PP when previewed. It plays fine when exported as media and played on my PC, but when played through a media player (as a digital file) the aspect ratio is off and the file seems constrained horizontally, which pushes the top and bottom of the footage off screen (not sure I'm describing this well).
Also, when I use Encore to produce a DVD as a test, the same issue occurs. So I can only assume that the problem is the render from PP.
Can anyone help? Do you need more info to help? I'm getting frustrated... time for a beer while I wait for replies.
Thanks in advance

Once I realised that I'd made some mistakes with the processing, I started doing some tests with a sample piece of footage. This has allowed me a much shorter render time when testing the settings.
Here's what I did:
I took the piece of footage and imported it into a blank Premier Pro project (with no sequences). Then I created a new squence from the file (by right-clicking and selecting "create new sequence from file). Then I dickered with the footage, inserted some picture in picture and changed the speed of some of the footage (all things I intend to do with the final production). Then I sent that to a brand new Encore project created by sending the sequence via dynamic link.
Once I was in Encore, I made sure the project made sense (set the end action etc...) then I set it to build a .ISO file. I then burned that to disc (a standard 4.7Gb DVD-R) and I also sent the ISO to my DViCO TViX media player. Whether I play the disc on my Sony Blu-Ray player or the ISO on my media player, the aspect ratio is wrong. But if I play the same ISO or disc on my PC - it works fine!
I've yet to try it on another player, but I think there's something fundamentally wrong with my process, or the way I'm doing this.
Here's a piece of footage from a camera that had EXACTLY the same setting as the original footage (I used this piece of footage because it's straight from the camera - most of the files from the main camera are too big to share):
https://www.dropbox.com/s/mocizf4d3vdx0y4/00037.MTS
(If that didn't work, I can try again...)

Aspect ratio issues in iDVD with mov files exported from FCE

Please help. I believe this is an iDVD bug. I have found some relevant discussion of it on online forums - but have not found a solution that works for me. I am looking for a workaround.
http://discussions.apple.com/thread.jspa?threadID=1356500&tstart=31
PROBLEM STATEMENT:
My 4:3 movies, exported from FCE in QT-with-conversion formats (any 4:3 format) - appear in iDVD with gray side-pillars (as expected for 4:3) AND with a black line (letter-boxing) at top and bottom - as would be for 16:9. It appears the aspect ratio is also distorted i.e. 16:9. (The iDVD project is set to 4:3.)
1- A 4:3 mov file exported from FCE using Quicktime Movie format (no conversion) does not have the problem, but I cannot de-interlace the video using this export mode.
2) A 4:3 mov file exported using QT-with-conversion mode (any 4:3 format) DOES have the problem. I need to use this mode in order to get de-interlace.
(Exception: 640x480 VGA mode does not have the black lines, and it displays correctly in dvd player on my computer screen - but on the TV screen, it crops content from the top and bottom of the movie, so this is not an option.)
3) In Finder, if you click on mov file exported QT-only (no conversion), it opens in the FCE viewer. If you click on mov file exported in any other 4:3 mode, it opens in Quicktime viewer (i.e. there is absolutely something different in the header/ID of these files.)
4) All mov files, regardless of export mode, show correctly in Quicktime viewer - no black line, no distortion. The problem does not occur outside of iDvd.
5) I tried passing the QT-with-conversion mov files through an Inverse-Anamorphicizer (per suggestion on forum - this apparently fixed the problem for some people) but the resulting output mov (i.e. the inverted product) still had the same problem.
I am, so far, left with this trade-off: Give up the de-interlacing, or live with the letter-boxing/ distortion. Neither is acceptable.
I am looking for a workaround:
1) A way to export de-interlaced 4:3 mov from FCE that shows in correct ratio in iDVD
2) A way to "convert" / re-head mov file after exported so that it displays corrrectly (inverse-anamorphicize) so that iDVD reads it correctly
3) Can the mov be de-interlaced after the fact (so I could use QT export without conversion)?
4) Something besides iDVD to put this together - that doesn't have this problem? (I like and want to use the iDVD menu/theme.)
5) Other?????
I also notice that all the QT-with-conversion mov files are 1/3 to 1/2 the size of the QT-only mov file, which is valuable and preferable to me. (I don't see any quality difference in the display...)

In the Preview window > top frame > middle button
do you have correct for pixel aspect ratio checked or not?
!http://i533.photobucket.com/albums/ee340/gogiangigo/Picture1-4.png!

FCP 7 Sequence Aspect Ratio Issue

I apologize in advance if I'm using to incorrect terminology.
I've upgraded to FCP 7 and my questions concerns aspect ratio. I've just finished two sequences which are ready for export. When I first started capturing video from my Sony DCR-HC-30. I did notice a warning that came up, something to do with a conflict between the imported video and FCP settings - I selected to have FCP modify the preset to match and imported the video.
My sequence summary is: 720 X 480 frame size, 29.97 fps, pixel aspect ration is NTSC-CCIR601/DV. Under my Sequence setting menu, the sequence is identified as NTSC 720 X 480 NTSC DV (3:2).
My "easy setup" shows the Seq. and Capture preset as DV NTSC 48Khz and the device control as DVCPRO HD Firewire.
All I want is a standard NTSC format to view on a standard NTSC TV, shouldn't the aspect ratio be 4:3?
Thank You

Mr. Holmes,
Thanks for your prompt reply - the information was most valuable. I've been playing around with FCP and Express since version 1 (strictly amateur home stuff, and I can't remember seeing the 3:2 ratio displayed before - probably not paying attention. Good, I'll started the finishing touches and export.
The final product will be going to DVDS Pro, would you recommend using Compressor or Quicktime Conversion? I've always used Compressor in the past, but just read something about (perhaps) just using QT Conversion. If I could bother you with one more question - under the Easy Setup option, sub option "use" shouldn't my setting reflect/show DV-NTSC? Right now it's showing "custom setup."
Thanks again for your response, very much appreciated. Regards.

Workflow/aspect ratio issues

I'm going wrong somewhere, but I'm not sure where. I wanted to play around with the Color fx bin presets and see how they turn out on screen - somewhere along the way the aspect ratio has gone from 16:9 to 4:3 anamorphic and squished the picture. Can someone suggest where I went wrong and need to tweak my settings??
Here was my work flow:
1. Export a couple of clips from iMove which have been captured of an AVCHD camcorder
2. Export the XML to FCP
3. Send to Color
4. Applied colour FX to sequence
5. Render
6. Send back to FCP
7. Export to "Apple TV" using QT compressor setting in FCP (saved to desktop)
8. Dragged off desktop into iTunes... (uh oh! thumbnail looks like it's 4:3)
9. Sync Apple TV and play move... yep - it's anamorphic
I'm new to FCS so still finding my way about - but not played with any of the settings as yet.

Try importing the AVCHD files through the log and transfer window to FCP. Skip iMovie... In the log and transfer window there is a little button with a gear on it. Open that to set the preferences of AVCHD to be ProRes. Perform the import..
Then put the now ProRes clips in a sequence, and send to Color. Make sure in Color that the export settings are the same as what you imported to FCP. They are found in the setup room in the project settings tab... should use ProRes for this. Then follow the same steps you used before. It should come out 16:9.
Jerry

FCP export aspect ratio issue

Hi everyone!
I would like to export HD footage with FCP using quicktime conversion. My original footage is 1920 x 1080 and I would like to to convert to 640 x 272. When I export I enter the desired size and tick "preserve aspect ratio". However the footage gets distorted. Can anyone help? Thanks, Jo

What happens if you open the clip in QT player, then go into the movie properties window (cmd-J) then under the presentation tab change the aperture display mode to "production"?
About QuickTime Aperture Display Modes
QuickTime 7.1 and later supports four aperture display modes that allow you to properly display video with nonsquare pixels (such as DV video) in QuickTime Player and other applications that support these modes. The four aperture display modes in QuickTime are:
- Classic
- Clean
- Production
- Encoded Pixels
To change the aperture display mode of a QuickTime movie:
1 Make sure a QuickTime Pro registration code is entered in the Register tab of the QuickTime pane in System Preferences.
2 Open a QuickTime movie in QuickTime Player.
3 Choose Window > Show Movie Properties.
4 In the Properties window, select the main movie track (not the video or sound tracks).
5 Click Presentation, then choose an aperture mode from the “Conform aperture to” pop-up menu.

Aspect Ratio Issues in Timeline

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