Audigy 2 ZS 24/96 ASIO Recording

INTRODUCTION
Is Audigy 2 ZS capable of 24/96 asio recording? Yes, it is. You will have analog mix (line in) and vst soft synths available for recording, listening and export as audio mixdown. The sound is crystal clear and you'll have a fine 24 bits and 96 khz song. If you want to have real professional recording you should have a soundcard with professional DACs and so you should consider buying an EMU card.
HOW TO DO IT? I'll use Cubase Sx 1.0.5 as reference. The names may differ but the main process is similar for newer versions of Cubase.
Open Cubase SX and under Devices - Devices Setup - VST Multitrack choose SB Audigy 2 ZS 24/96 as your Asio Driver. Untick "Release ASIO Driver in Background" and "Direct Monitoring", select a useful latency in Control Panel (less than 10 ms is good), hit Ok, Apply and Ok again.
Open a new project (empty) and under Devices - VST Inputs activate only Analog Mix (remap if asked). You're almost ready to rock.
AUDIO
Add an audio track (mono or stereo) and select your input (analog mix).
Now, check your Creative Mixer inputs: you must have Line In unmuted (and at 58% for best sound quality) and you must select Analog Mix at 50% (0 db) in your Rec slider. Check your Audio track in Cubase if you have monitoring signal. You can activate the track monitoring button for listening to any Vst Effects that you want to apply in your track (like reverb, delay...). Arm your track for recording and hit the record button (or * tab) and you'll have your sound recorded (guitar, voice...).
VST SYNTHS
Add a midi track, select your VST instrument (under Devices) and, in your midi track, choose I/O Midi SB Audigy 2 ZS as your Midi In and your VST Instrument as your Midi Out. Don't forget to enable Midi Thru Active under File - Preferences to have sound in your midi track.
After recording your song you can export your audio mixdown and you're done. Export it as Stereo Interleaved and include Automation and Effects.
SOUNDFONTS
You'll not be able to record them to audio, or listening to them when you export your audio mixdown.
VERIFYING RATES
Open your Creative Media Player and open any audio file you've record in Cubase (you''l have it in your Cubase project folder) and you'll see that it's a native 24/96 audio file.
Hope this will help everyone who wants to make good homerecording, without having to spend a lot of money in a professional board.
Message Edited by gemada on 11-04-2005 10:26 PM

Darkk_Nights wrote:
Thanks Jutapa!
I thought the file format were automatically set to 24-bit when the ' SB Audigy 2 ZS 24/96' ASIO driver is choosen. How can I set it to 24-bit?
And another question: why do you said that none of the Audigy series cards are good with 16-bit/44.1 kHz quality? In fact, what would be the difference between a recording made with an Audigy and with some others professional audio cards?
Again, thanks a lot!!!
Cubase SX --> Recording bit depth and SR can be set on Project settings.
1st, Creative Soundblaster cards are not pro cards but just consumer cards, intented for multimedia and gaming use. Creative pro cards comes from EMU brand. This information comes from Creative web pages.
Read this Creative Audigy2 ZS Sound Card Review : http://www.digit-life.com/articles2/creative-audigy2-zs/index.html
Then read couple of US$150 more Pro card reviews
- http://www.digit-life.com/articles2/esi-julia/index.html
- http://www.digit-life.com/articles2/audiotrakmaya44mkii/index.html
Then read couple Pro audio interface reviews
- http://www.digit-life.com/articles2/lynxtwo/index.html
- http://www.digit-life.com/articles2/multimedia/esi-maxioxd.html
Do you now see some of the differences?
jutapa

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    G'day Jutapa, thanks for looking at this!
    Yeah, I got all the possible ASIO drivers listed, one CL ASIO driver is listed for each card, and I have spent much time trying different configurations of card order, I/O port order, direct sound enabling/disabling, timesync enable/disable, etc.
    The problem for me with the CL ASIO drivers is that it limits me to 48/96k sampling only. That is not acceptable, because I need to sample at 44.1k for "straight" conversions to CD, or 192k/24-bit for archival purposes (used for extremely old or fragile recordings), so I end up with large files that nearly always need to be resampled to 44.1k, or saved permanently at 192k/24-bit. Typical filesize is 650Mb, largest so far is 5.66Gb - so that's an awful lot of time spent downsampling or pointless upsampling. I'm starting to think that the problems I'm experiencing may be due to sampling at "non-native" ASIO or WDM rates. I haven't tried sampling at 48/96k to see if that "fixes" the problem...
    Using the WDM wrapper drivers (I don't know if these are provided - or supported! - by Creative or Adobe) results in randomly disabling one or the other Audigy. At that point, the only way to recover functionality for the disabled card is to reboot. Sometimes only the inputs are disabled, sometimes only the outputs, sometimes both. There is no pattern that I can see or duplicate.
    Both cards appear to work fine under Windows. I can define either card as the default recording or playback device, and I can define one card as the default recording and the other as the default playback, any combination works fine. However, any application that uses WDM drivers to access the cards also get confused when a card's inputs suddenly become disabled! This does not appear to happen when Windows is the only application using the cards.
    Specifying "use preferred devices" in Windows does disable the non-selected card (or card input or output if I specify different cards for input and output) in other applications.
    The problems are much worse when I try to use any ASIO drivers to access the cards. This problem with ASIO appears regardless of the application I use.
    I have installed ASIO4ALL, and it finds and configures the cards without any problems in ALL applications - but if I'm recording (with no other applications or drivers or tray applications loaded or active), when I stop recording and restart, the input I was just recording from appears disabled! If I open the ASIO4ALL configuration window, one or both Audigy cards will have their inputs disabled, or both inputs AND outputs disabled. This doesn't happen all the time, and my workaround is not to stop recording once I've started. Not a good workaround! I do realise that ASIO4ALL does fiddle around with the sample rates in the background, but at least when it works, I get a single clean sample without having to do all the resource-intensive resampling later. Maybe it's 6 of one, 1/2 dozen of the other...
    I understand and appreciate that perhaps CL never intended to provide software functionality for more than one Audigy on any given PCI bus/bridge. I just don't get why the drivers appear to work natively under Windows (I'm assuming that Windows just uses WDM access) but not with any other applications.
    I will try and do some testing with "native" ASIO sample rates (i.e. 48/96k) and see if that fixes some or all of the problems. My concern here is really that my expectation is that the drivers, once identified and enabled, should not suddenly disable themselves in all applications (by whatever mechanism), regardless of what sample rates are specified. But maybe that's too much to expect.
    BTW, this happens with any combination of 2 of my 3 Audigy 2ZS cards, each of which works perfectly on its own with ASIO and WDM drivers. So it's definitely a multiple card issue.
    The workaround that has been suggested is to purchase a different vendor's card : but there are so few cards that I can use to sample at the resolutions I require, and they are all so bloody expensive, that's why I've committed so much to CL Audigy 2ZS.
    I'll get back to you once I've tried a few days working at the "standard" ASIO sample rates. Thanks again for taking the time with this stupid and unusual problem!
    Kind regards,
    Peter

  • FYI, Audigy & ASIO - ASIO I/Os Explained

    FYI, this is based on Audigy 2 Platinum eX but functionality is ~same w/ other models too:
    Creative wrote:
    Asio Inputs
    At 16 bit 48KHz, Sound Blaster Audigy 2’s ASIO driver also supports 12 simultaneous sample-synchronous, low-latency ASIO audio inputs that are sample-synchronised to the ASIO outputs listed above. Again, there are more sources available than merely the physical inputs of the system, and these are mapped as follows:
    (Note that in 24 bit 96KHz mode the inputs are limited to the analog input pairs.)
    • ASIO inputs 1 and 2 come from the Sound Blaster Audigy 2 eX Drive Line In 2 stereo input;
    !! My NOTE: AnalogMix(Line-In/Aux-In/analog CDAudio/PC (W-U-H)/TAD/...)
    • ASIO inputs 3 and 4 (Mix Pre EQ) This records a simple downmix of all audio coming out of the sound card, without EAX effects, regardless of what speaker mode you are in. (This isn’t a physical input);
    !! My NOTE: (this functions as "What U Hear")
    • ASIO inputs 5 and 6 are "Mix (Post EQ Front L/R)", and this, too, isn’t a physical input. Using compatible software, this allows the signal to be fed via the onboard Creative DSP Spatializer and main EQ, making it possible to record a "virtual" 6.1 mix for playback over a two-channel headphone or loudspeaker system. What happens is that the DSP Spatializer processes the individual surround components in a way that recreates the illusion of 6.1 surround-sound from a two-speaker system. Very neat! What’s more, you can hear the effect when replayed over any two-speaker system or headphones, and so, if you use this effect on one of your own tracks, anyone can play it back using regular stereo playback equipment. Note, however, that, if you’re in 6.1 speaker mode and record this output, no signal will be output from the rear, centre or subwoofer channels. What you hear will be the virtual surround-sound coming from a single stereo output. If you want to hear these elements separately, choose "Mix (Pre EQ)";
    • ASIO inputs 7 and 8 are "Mix (Post EQ Rear L/R) ;
    • ASIO inputs 9 and 10 are "Mix (Post EQ Centre/Sub)" ;
    • ASIO inputs 11 and 12 are "Mix (Post EQ Rear Centre L/R)" ;
    these virtual inputs allow tracks output to the onboard Creative DSP Spatializer and main FX and EQ, to be recorded to separate tracks to allow you to add a virtualised surround feel to your stereo mix.
    • ASIO inputs 13 and 14 come from the S/PDIF input on the Sound Blaster Audigy 2 card. This input includes automatic sample-rate conversion, enabling any consumer digital source to be used. (Sound Blaster Audigy 2 always clocks from its own internal sampling clock);
    • ASIO inputs 15 and 16 come from the Sound Blaster Audigy 2 eX Drive Line In 1/Mic In stereo input;
    • ASIO inputs 17 and 18 come from the Sound Blaster Audigy 2 eX Drive Line In 3 stereo input;
    (note that the order and naming conventions of the Asio I/O is subject to change)
    Asio Outputs
    At 16-bit 48KHz, the ASIO driver supports up to 14 simultaneous, sample-synchronous, low-latency ASIO audio outputs, which, as you may have noticed, is more than the number of physical outputs. This is because the ASIO driver can access a number of internal points (virtual inputs and outputs) within the Sound Blaster Audigy 2 hardware environment, as well as the physical inputs and outputs. One function of these virtual outputs is to allow several different signal sources to be routed and/or mixed via Sound Blaster Audigy 2’s internal effects.
    Physically, the Sound Blaster Audigy 2 Platinum eX Card has the following outputs which are all located at the rear of the card:
    Analog
    • Front left and right (rear of the card);
    • Real left and right (rear of the card);
    • Front Centre, Rear Centre and LFE (sub) (rear of the card);
    Digital
    • S/PDIF out - Optical and Coaxial (front and rear of the Creative Audigy 2 eX Drive respectively)
    ASIO can route to all of these physical outputs directly, as long as the host software supports this facility.
    The ASIO outputs are identified as follows:
    • Asio outputs 1 and 2 (Wave/MP3) go via the stereo upmix path, internal to the Sound Blaster Audigy 2 card. Depending on the speaker mode and the CMSS (Creative Multi-Speaker Surround) settings, they may also be output to the rear and centre speaker physical outputs. For example, if CMSS is active and the card is set to 6.1mode, the audio is processed to make it sound more natural and some of the signal is routed to the centre speaker. Furthermore, EAX CONTROL may be used to add effects to the "WAV/MP3" path, in which case whatever effects are assigned there will affect the signals being output;
    • ASIO outputs 3 and 4 (front left/right) feed the left and right output sockets at the rear of the Sound Blaster Audigy 2 Platinum eX card directly. These are the outputs that would be used for most desktop recording work, where the desired final product is mostly a conventional stereo mix;
    • ASIO outputs 5 and 6 (rear left/right) feed the left and right surround outputs on the rear of the Sound Blaster Audigy 2 Platinum eX card directly (when the card is set to 4/5 or 6.1 speaker mode), although these can simply be utilised as an additional stereo pair by software that can access them. They don’t have to be used for surround purposes
    • ASIO outputs 7 and 8 (centre/LFE) feed the centre and subwoofer outputs on the rear of the Sound Blaster Audigy 2 Platinum eX card directly (when the card is set to 5.1 speaker mode), although these too can simply be utilised as an additional stereo pair by software that can access them and also don’t have to be used for surround purposes;
    • ASIO outputs 9 and 10 (rear centre) feed the Rear centre output on the rear of the Sound Blaster Audigy 2 Platinum eX card directly (when the card is set to 5/6.1 speaker mode), although this too can simply be utilised as an additional mono output by software that can access it and also doesn’t have to be used for surround purposes. As Asio outputs are seen as pairs the single mono output which is part of the Centre/Sub/Rear Center triple jack output must be addressed as a stereo pair. Simply pan hard Left when mixing. You will need to arm yourself with a three pole minijack to 3 RCA mono outs cable to make best use of this output.
    • ASIO outputs 11 and 12 (FX Slot 1/2) allow you to send a specific channel from your VST mixer directly to one of the Audigy 2’s EAX hardware effects. 4 effects can be added to the EAX Control panel, and this buss accesses the first two as mono sends. Use your track’s Effects Send Destinations to select “FX Slot 1/2 Left” for Effect 1 (Reverb) and “FX Slot 1/2 Right” for Effect 2 (Chorus). Set the send level in Pre Fader mode to allow you to control the send level independent of the channel’s dry volume. Then use the EAX Control panel to select the required Reverb preset, tweak as desired and then configure the Effect levels under the “Source” tab, with Source set to “WAVE/MP3”. You can then create a new track in Cubasis VST CE with the input set to Post EQ which will allow you to monitor the return signal from the Effect and also record it to that track. This new “wet” effected track can be played back alongside your original dry track.
    • ASIO outputs 13 and 14 (FX Slot 3/4) use the same principle as with Slot 1/2 except that the effects in Slots 3 and 4 are user selectable. A step by step guide of how to use these busses is given below.
    Note that when you select “SB Audigy Asio 24/96” for 24 bit 96 Recording, you will only have access to the 4 Asio pairs which correspond to the analog ouputs on the rear of the card. This, however, is perfect for 6.1 output.
    Above, and a lot more valuable information can be found in online help file called "Music Creation Guide" which can be found @
    - installation path; C:\Program Files\Creative\_your_card_model_\Music Creation Guide\
    - path on original installation CD; \Audio\Setup\GuideBk\ (select language)
    You normally need to use (w/ std Audigy 2 Zs):
    AnalogMix L/R for the Line-In, (Aux-In, analog CDAudio, PC (WUH), TAD)
    Mix L/R functions as "What U Hear")
    S/PDIF In L/R for digital input (use bit-accurate setting w/ this input method)
    Mic In L/R for microphone
    jutapa
    Message Edited by jutapa on 07-25-2006 11:25 AM

    As I said before, this surely is a ASIO host related problem. All available analogue inputs refer to a certain physical input of your soundcard. Here is what to do:
    . Open the "VST Connections" menu and enable the analogue inputs that are related to your Mic In.
    2. Enable as many analogue outputs as you want (enabling "Front L/R" is mandatory).
    3. Create a new Audio Track and set its input to your corresponding Mic In port.
    4. Enable/arm this track for recording.
    5. Check (enable/disable) the Direct Monitoring status of this audio track.
    I believe that it has to do with some audio inputs and direct monitoring on/off ststus, so this procedure should be a solution to your problem.

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