Audio Glitch with Premiere CS3

Right now, I am doing a project for my history class where I have to use a green-screen and chroma keying to create an "embedded" WWII new report, as if I'm live with the action. The problem is, whenever I import my video files, Premiere does not find any audio. Im using a Sony High Definition Handycam® Camcorder HDR-CX12, with MPEG2 encoding. I've tried importing the same clips to Pinnacle, and they work fine. Being a bit new to Premiere, is it default to take off the audio if you already have audio (theme music) on one track, or do I have to move the music so the program can have a Track 1 for all videos?

My guess would be that because the camera records Audio in DD 5.1 SS, you will need to copy the AC3 .dll file from Encore (I would have assumed that it would be available, since CS3 comes with Encore) to PrP. I have the exact .dll [ad2mcac3dec.dll] listed for PrP CS2, but the name is slightly different in CS3. There are many threads, with the exact and correct name listed. It should be an easy process to copy the file from Encore to PrP (as it was in CS2) and you *should* then get your Audio. I'd also assume that Pinnacle installs with a similar .dll to handle the DD 5.1 SS Audio.
Good luck,
Hunt

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I'd rather the camera added that extra lattitide within the appropriate 0 to 100 IRE range.
That's a lot like saying you want 10 gallons of water in an 9-gallon jug.
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It causes a tiny bit of posterization in the highlights, just like all 8-bit per channel color adjustments do… but it is hardly noticeable on a computer screen and even less on TVs.
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Create a folder C:\SoftLimiterCurves\ and place the .amp curves files in that folder.
Place the other files in your AviSynth 2.5 / plugins folder.
The example below assumes DV avi files and requires a DV codec (such as Cecocida DV, MainConcept, Canopus) that can read / write in YUV formats.
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Jim,
I cannot believe you are wasting my time and the space of this forum with your irrelevances. It would have been better had you just tried to answer my question, which is the purpose of these forums. Why engage in useless chatter?
I said nothing about any great sonic difference betweein 16/48 and 16/44 digital audio; I said "marginally."   In English that means very little difference. I'm not going to prove to you with distortion and frequency response plots that there is some minor difference, it is a fact of life. You, in fact, just stated a difference. The difference between a 24 kHz cutoff and a 22 kHz custoff is a difference which you give, to back up your absurd statement that there is no difference. This can actually translate to a minor, difference in THD at higher audio frequencies, but who cares?   Well, you apparently care, because your beligerant non-reply to my question was that "fewer...would notice ." In English that means that some would notice.
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If you want to argue my motives, or tastes, I suggest you go to another forum and discuss you theories. If you actually have something productive to say about the problem I pointed out, that would be welcome.
Mike

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