Audio recording using realtime effects

What I would like to be able to do is record a "dry" track, say a guitar track, but during the recording actually hear it with one of the Soundtrack effects such as echo or reverb. Is this possible? I know I can "add" the effect after the recording, but I would like to hear how it will sound as I'm playing. When improvising a lot can depend how the "effect" influences the rhythm. Any tips or answers? Thanks in advance! David
PS: Using GarageBand there are those "guitar sounds" that you can use, but the track is then recorded hot with them and nothing can be changed afterward, at least as far as I have seen.

Well, simply put . . . no. You can't play through plugins in STP.

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Wich one best for Audio Recording using cubase and pro tools? MBP md102 or MBP md103? i often using a lot of VST

wich one the best for Audio Recording using cubase and pro tools? MBP md102 or MBP md103? i often using a lot of VST too

Well, I've been trying this for a while. By my calculations, at this rate, installing all the applications one by one and trying to restore all the data manually will take me about six years. I would finished just in time for the Tokyo 2020 Olympics.
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And that's just one case.
I haven't done much with my MacBook Pro yet, I think in retrospect the easiest course of action is to reinstall OS X as though it were new MacBook Pro, start from scratch, and use my Time Machine backup with the migration assistant and go from there.
And that's what I'm doing right now. I'm in the middle of reinstalling OS X.
Afterwords I'll use a clean app uninstaller application to get rid of all the applications that I'm not using. And I'll just hack away at directories that I know I haven't looked at for years, with the confidence that I have a backup both in Time Machine and in CCC and also on my iMac. That's three backups.
I would rather start out "light", but I can see it's just going to take forever and a day to get it done. Anyway, fortunately nothing is carved in stone, and I can always try again if I want to. But dealing with all the documents and all the applications one by one separately was just obviously going to take too much time.
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Audio recording using KinectStudio API

Hi, I'm using KStudio APIs to record raw data from the kinect v2.
I found some documents and I can now record the raw color and IR data. However, I cannot find a way to include the audio beam using EventStreamDataTypeIDs class. Would you let me know how to add audio in the recorded xef file?
i am attaching a part of my code.
private void InitKStudio()
client = KStudio.CreateClient();
client.ConnectToService();
streamCollection = new KStudioEventStreamSelectorCollection();
streamCollection.Add(KStudioEventStreamDataTypeIds.UncompressedColor);
streamCollection.Add(KStudioEventStreamDataTypeIds.RawIr);
Thank you in advance!

see
https://social.msdn.microsoft.com/Forums/en-US/b5aba44f-6928-4121-b500-52cdd5a92de1/record-data-depth-and-audio-kinect-for-windows-v2?forum=kinectv2sdk
Carmine Sirignano - MSFT

Mac Mini for audio recording using LOGIC X

Has anyone had experience using the latest Mac mini for audio recording? I'm thinking of purchasing the 2.6GHz Quad-Core Intel Core i7 16GB 1600MHz DDR3 SDRAM - 2x8GB 1TB Serial ATA Drive @ 5400 rpm model. I'll be using Logic X along with Reasons, Wave, UA plugins with a Apollo I/O I'd appreciate any feedback and or suggestions.

I'd work off of another hard drive as much as possible. Install the applications to your boot drive, but keep your data on a separate external hard drive. If you try to run OS, apps and big audio data off of that 5400, I foresee performance issues even with 16GB of RAM. Also, don't forget a second external hard drive for your backups.

How do i audio record using my ipad3

i am required to audio record interviews using my ipad. am i required to download an app for this ? what is the best app?

There are a lot of audio recorders. Please read my post at http://forums.macrumors.com/showpost.php?p=15160645&postcount=4

Audio recording using Logic and Mbox

Sirs,
I've to import vinyl using Logic and the Mbox (Digimedia) card. Does anyone have experience in such kind of operation?
Thanks in advance for your help.
titanium 1ghz Mac OS X (10.3.8) Logic Platinum 7.1 - Mbox audio card

No MBox, but I just patch my turntable into a phono preamp I bought at Radio Shack about 25 years ago (in order to have RIAA equalization) and the preamp outs into your interface and you can record like normal.

Ipad2 : Skype and Audio Recording using Audiomemo

I use the iPad version of Skype and record on-line university tutorials with the "audiomemo" app. Until recent upgrades I was able to do this. I now can't. Has Apple recently placed an "inhibitor" that causes Skype 'phone calls to close down when another audio application is being used? Audiomemo tell me that they have not. Skype, tell me too that they haven't (albeit on the iPad it works using their iPhone version!). Hmmm.

No MBox, but I just patch my turntable into a phono preamp I bought at Radio Shack about 25 years ago (in order to have RIAA equalization) and the preamp outs into your interface and you can record like normal.

Issue Audio Recording using inbuilt Microphones

Hi There,
As we know that there are 2 microphones in Sony Xperis Z1. When we record audio in some applications like whatsapp, I am not sure which mic to use, because both the mics work, but the issue is either Right or Left audio is dominating if we use any one mic, If we record from middle, audio volume is not great. Is there any work around for this. Its annoying, after spending huge amount of money. It would be better if we have a single mic active for apps like whatsapp, wechat etc.
Regards,
Austin

10) The microphone at the bottom center is the main microphone,
14) The microphone on the back (second microphone) is for noise canceling.
"I'd rather be hated for who I am, than loved for who I am not." Kurt Cobain (1967-1994)

Using Firewire on a HP Laptop for multichannel audio recording

While firewire is stil the standard for realtime full duplex multichannel audiorecording (see also current interfaces at Steinberg, Focusrite etc) it seems impossible to buy anything portable besides an Apple laptop. Not because firewire is not available (although less and less!), but mainly because the only thrustworthy firewire-cards seems to have Texas Instruments chipsets. So we search for specs of chipsets on the firewirecard, buy that card to be sure that we will not have crackles, hickups and other distortions during recordingsessions. In fact we are not certain, until we tried the configuration. Because we don't know what to look for. In PC-world, nothing seems to be sure.
Tranferrates are expressed in amount of data within a cetrain period, usualy a second. It does not matter if a chipset is buffering during the transfer or has a tiny hickup. The only thing that matters is the amount of time needed for that amount of data. In realtime audio- and video we need a guaranteed bandwidth for every moment. Always. A stereo-audio-cd is already using 88,200 16bit 'events' a second, without the correctiondata. Recording is about much more. Is there something to read about guaranteed bandwith in specs of interfaces, drives or cards?
Don't underestimate the bandwidth needed here, this is not about some mp3-radiostreams of 64kb. This is about uncompressed audio, daisychaining firewire interfaces to 24 tracks full duplex for a nice amount, using 24 or 32 bits resolution and 192kHz sample rates are today's standards. Oh yes, and of course you play and record while listening to the other routed audio streams, using plugin-effects and plugin-soundsynthesis at the same time. Without any interruption.
Besides those who want to record complete live playing band at once, also smaller 1-8 pre-amp channel interfaces are using firewire or thunderbolt, like the Focusrite's Saffire Pro 14. It seems that USB is nice, but if you want to have the real stuff, like recording more channels with higher samplerates and just the better preamps, you'll have to go firewire or thunderbolt. There are USB-interfaces available, but they go up to 8 mic-channels max. It is still unclear how to get to 24 channels with USB by combining interfaces and using USB3. Also because this realtime data-transfer has to be processed by the CPU while using USB, which is also busy with complex reverb calculations and trying to keep the latency (difference in time between what you play and what your hear) as low as possible.
While the world is getting used to portable computers more and more, every day more (young) musicians are able to buy decent microphones and preamps, step by step building up there own homestudio. And while there are people recording with tablets already (although very limited), the laptopsellers seem not to have any clou that there is a need for something portable that can record with these firewire audiointerfaces.
Because spec-given firewire transfer-rates are no garantee that your realtime streaming transfer will be without problems, it would be very nice if HP could point us something like a laptop (serie) equipped with firewireports that we can trust and is able to transfer audio and video livestreams to our DAWs or DVWs.
Maybe HP laptops are already capable of doing this. We haven't got a clou, because we don't know what it is that we should look for besides the TI-chipset. If somebody at HP give us some info about this, it would be great.
- Are the HP laptops with firewire capable of recording with audiointerface up to a useful .. say 24 channels full duplex ? (you can daisychain firewire audio interfaces).
- If we are not sure, are there HP laptops with TI-chipsets? And that is always doing the job?
Dear HP; if you have a laptop that is capable of doing this, prepare for a run on these. Most people have to buy an Apple now, because they don't know better or there is no knowlegde available.
Firewire is still the standard in audiorecording. Check for example the interfaces on:
http://www.steinberg.net/
http://global.focusrite.com/

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When I make a audio recording, I miss the breathing before the first note using metronome click

When I make a audio recording, using count in metronome click, I miss the breathing before the first tone. I hear very abrupt the first tone. I like some environment before, the acoustic of the hall

So... if i understand what you are trying to achieve...
When recording sing a single short note (To actually start the recording and then wait a bar before you start actually singing your music.. You can then go back and edit out the single note leaving the ambience... and your breathing intact and recorded.

Audio Recording on a 4G iPod

Hi,
Is there a way to improve the quality of the audio recording using iTalk?
I know that istalling Linux on the iPod allows to bring the sample rate to 96kHz instead of the mono 8kHz with ther regular iPod OS.
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You could add Perian. It may help (...or not).
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Quicktime "New Audio Recording" - Sound Input

Hi,
My question is related to a "New Audio Recording" using Quicktime Pro.
Everything is fine with the recording, however, I can't hear sound that is inputed into my Mac untill the recording is done!
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Use LineIn from <http://www.rogueamoeba.com/freebies/>

I'm having trouble with Captivate CS4 the audio won't record (using Vista)

Hello,
Please help!!!...I've tried the patches outlined in prior question/answers regarding audio recording problems by replacing the nsaudio.dll files as suggested at http://blogs.adobe.com/captivate/2009/03/audio_play_back_and_usb_mic_is.html
and used the SubInAcl Windows Registry Tool outlined at http://blogs.adobe.com/captivate/2009/03/adobe_captivate_4_installation.html
The issue seems to be resolved at first but inexplicably the audio recording stop working again.
I also noticed that I'm getting error messages regarding the following Captivate files. NSAudio.dll , Ppsuplo.dll, avi2swf.dll, FullMotionrecorder.dll and WaveEditCtrl.ocx files
What can I do to resolve the recording problems that seem to plague Captivate CS4. Does Adobe offer any updates to their software to resolve well documented bugs.
Thanks in advance for any help!

Hi there
Have you reported these to Adobe support?
To answer your question:
vismi wrote:
...Does Adobe offer any updates to their software to resolve well documented bugs.
The answer here is they certainly do. But updates are sometimes few and far between. And the likelihood of seein an update to address issues such as these is totally dependent on the number of reports Adobe receives about them.
If you haven't, please consider submitting a Bug Report. That will only help increase any chance of seeing an update to fix things.
Click here to visit the Wish Form/Bug Reporting Form
Cheers... Rick
Click here for Adobe Authorized Captivate and RoboHelp HTML Training
Click here for the SorcerStone Blog
Click here for RoboHelp and Captivate eBooks

External Audio recording to be imported & used in FCE

Hi there,
I am thinking of using this audio interface to record some vocals. It is a Focusrite Saffire 6 USB. It comes with a software called Ableton Live that can record the sound in wav or aiff format.
http://www.focusrite.com/products/audiointerfaces/saffire_6usb
According to this spec, it uses a *24bit 96kHz a/d covertor*.
http://www.htfr.com/more-info/MR326826
+TECHNICAL SPECIFICATIONS:+
+2 channel USB audio & MIDI recording interface+
*+24bit 96kHz a/d & d/a converters+*
I am using a standard defintion miniDV tape video camera and in my FCE, in the Easy setup, I have selected DV-PAL 32kHZ Amorphic.
My question is, will the sound recorded using this Focusrite Saffire audio interface be imported into FCE4 for editing together to mix together with my video clips (recorded in my standard defintion video camera) ?
Thanks you.
Cheers

RyanManUtd wrote:
QUESTION 1:
I also discovered something strange when I check the settings of all the previous video & audio clips imported into FCE4. Those that imported in from video camera, the values are 16 bit 32 kHz (How come ? My video camera is set to 12 bit 32 kHz)
Despite the material is recorded in 32 bit, the capture process with 48kHz setting are allowed, but on long shot, you can expect a audio drift from video if sequence's audio is not the same as original sources.
QUESTION 2:
Then, I look into all the audio clips I bought from iTunes & imported into FCE4, they are all listed as 16 bit 48 kHz.
The funny thing is that both these type of different clips (ie, 16bit/32kHz & 16bit/48kHz) can be rendered without problem. How come ? FCE4 can mix clips of different audio types ?
BTW, importing iTune purchased song into FCE is prohibited by iTune EUA. Any non-natively supported media can be rendered in FCE, but as explained in question 1, you can expect audio drift on long clip. This problem is not relevant with music track audio which is it not part of a video footage.
QUESTION 3:
If I set the Ableton software output to 16bit 48 kHz, does that mean that I actually cannot make use of the hardware abilities to produce sound of 24 bit 96 kHz ? Is there much difference ?
96 kHz is used for professionnal multi-track audio editing. You have to use high-end audio monitors to ear the difference... if you can. Usually only audio engineers can ear the difference.
Audio CD use 44 kHz and the quality is pristine on hi-fi deck. 48 kHz is the standard in video production and even used in dolby 5.1 home theater configuration.
QUESTION 4:
In the Easy Setup, I cannot find 16 bit 48 kHz. I only have the following option in the Easy Setup of FCE4:
a) DV-PAL
b) DV-PAL 32 kHz
c) DV-PAL 32 kHz Anamorphic
d) DV-PAL 32 kHz Anamorphic Basic
e) DV-PAL 32 kHz FireWire Basic
f) DV-PAL Anamporphic
g) DV-PAL Anamorphic Basic
h) DV-PAL DV Convertor
i) DV-PAL FireWire Basic
So, which one do I chose ?
Use DV-PAL.
Michel Boissonneault

SIMPLE QUESTION, BROWNIE POINTS FOR ANSWERERS: changing the file path used for an audio recording

After changing the name of an audio recording in the .band Media folder, the .band file continues to use the previous file name to try to find the audio file. I want to update the file path so that it uses the same file but with the new name. I thought I might be able to change the file path by editing projectData, but it appears to be encoded.
This is a common, crucial feature present in virtually all DAWs. Surely there must be a feasible way to do this in GarageBand?

you can't change the names of GB's assets behind its back
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Audio recording using realtime effects

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