Audition cs5.5 only

need a download copy of adobe audition cs5.5 only not premier have cd but no good out of box support said to download free trial can't fine one that will ecept my key

studiops 150 wrote:
it says i don't have permission
Refer posts #4, #6 and #7 in this thread.
"Just ensure that you follow the Very Important Instructions on that page first - otherwise the links won't work."

Similar Messages

How To Extend Adobe Audition CS5.5

I've received a number of questions on how to extend Adobe Audition with questions similar to:
How do I import file format X?
How do I import a project from application Y?
Will there be an SDK available?
How do I add plug-ins to Audition?
I had made a post similar to this in the public beta of Audition for Mac, but I can no longer find the thread. So I'll reiterate some stuff here:
Area
Info
Adding VST Plug-Ins
Most of you have found this already, but the best place to start is in the Audio Plug-In Manager
If you want to "write" new plug-ins for Audition, writing a VST plug-in will be the best option as it will allow you to write something that will work on Windows as well as OSX. Info on writing a VST plug-in may be found here (http://www.steinberg.net/en/company/developer.html)
Adding Audio Unit Plug-Ins (Mac OSX)
Same as Above.   Note that OSX ships with some built-in AU plug-ins that Audition can utilize for free if you just scan at least once.   We don't scan on startup because there's several plug-ins out there in the world that don't behave well. Info on Audio Unit plug-in development can be found here (http://developer.apple.com/library/mac/#documentation/MusicAudio/Conceptual/AudioUnitProgr ammingGuide/TheAudioUnit/TheAudioUnit.html)
Adding more import formats via libsndfile
libsndfile is an open-source C library for reading and writing audio files (http://www.mega-nerd.com/libsndfile/)   Ambitious people could download the source, write support for another format, and create their own custom-rolled library of libsndfile. You would then replace the version of libsndfile with which Audition CS5.5 ships, with the one you rolled.   Due to the way we use libsndfile, any format you add would show up in Audition.   This is also true if there's an official update to libsndfile that comes out in the future, you could just plop it in and it should work.
If you're interested in exporting or writing formats that libnsdfile supports, please tell us which formats are the most important to you and in what way you use them in your workflow.
Adding more import formats via QuickTime components
QuickTime has the ability to be extended via QuickTime Components.   There's several examples out there, but here are some websites to check out:
QuickTime Components (http://www.apple.com/quicktime/resources/components.html)
Learn about even more QuickTime capabilities (http://www.apple.com/quicktime/extending/components.html)
Flip4Mac for Windows Media support on OSX (http://www.telestream.net/flip4mac-wmv/overview.htm)
Perian -- the swiss-army knife for QuickTime (http://perian.org/)
Calibrated Software (http://www.calibratedsoftware.com/products.asp)
In most cases, just adding the various QuickTime components will automatically add the import functionality to Audition.
Importing project formats from other applications
As seen on other threads in this forum, Ses2sesx (http://www.aatranslator.com.au/ses2sesx.html) and AATranslator (http://www.aatranslator.com.au/) seem to add quite a bit of support.
SDK
At this time, we haven't released an SDK for Audition.   If you're interested in one, however, please tell us what you would want from an SDK for Audition and we'll take it into consideration.
Message was edited by: Charles VW
Added links to AU and VST development info

Charles,
could you please also advise what PC users can do to make common avi files useable in AA CS5.5? The obvious problem is, no matter how many exotic video formats a PC can play by way of video-for-windows codecs, these are useless for Quicktime, because Quicktime on the PC needs codecs specifically written for "Quicktime for Windows", which are, as I've come to find, EXTREMELY rare. So far I've only found ONE, sold by 3ivx, but this costs as much as the AA CS5.5 update itself. Without them, Quicktime on the PC will only handle mov files, which are not too popular on the PC. Is there any other way out of this?

Visual C++ runtime error on startup audition cs5.5 win8.1

After reinstalling Audition cs5.5, I get a visual C++ runtime error at startup. I have never had a problem before on a reinstallation. I have tried uninstall and reinstall without any success. Is their a version of Visual C++ that is needed here? Is this an incompatibility problem with Win 8.1? Has anyone else had this problem? I haven't had any luck in the FAQ section.

The only issues I've ever heard about involving this appear to have been caused by having too many versions of the run-time on a machine. I'm not entirely sure what the situation with software only running properly with the version it was intended to is, but apparently clearing out older versions (you can check this out and remove them if you want using the normal uninstall routine) has fixed this particular problem on at least one occasion. It's worth investigating, anyway.

Adobe Audition CS5.5 with Premiere Pro CS5

Hello everybody.
I am considering downgrading from Master Collection CS5 to Adobe Production Premium CS5.5
But quite frankly it's just because of one application.
Though, i am in doubt if i'll actually going to make the downgrade.
And as you could and might have guessed it is the Adobe Audition CS5.5 Application.
Though really the whole pack has a GREAT improvement overall, I just actaully want to mix SEAMLESSLY with Premiere Pro and sound editing application (Audition).
Which leads me to my next question.
Now with Adobe Soundbooth CS5 closed off (by April 24th), and an UPGRADE for Soundbooth CS5 users to Audition CS5. Does this mean that Audition CS5.5 works SEAMLESSLY with Premiere Pro CS5?
Is there a dynamic link between the two applications? (Audition CS5.5 and Premiere Pro CS5)
AM i able to send mixes between the two? I really don't want to loose any Audio data, such as 5.1 channel mapping, volume mixing, denoising, general mixing etc.
All i really need is some good quality sound editing which works seamless, as After Effects and Premiere Pro has proved to me can be done.
Just want to know if it is possible. Or if I REALLY have to upgrade in order to get the sweet apples.
Best
Lucas

Hi _durin_
Thanks for your quick response.
But I didn't quite understand your answer.
I have seen Jason Levine's video earlier, as CS5.5 was announced and it looks natively good. I understand the mixdown attributes etc.
Please correct me if im wrong HOWEVER this workflow and settings applies still to ONLY the new CS5.5 Version?
Im currently using Master Collection CS5.
Instead of getting either the Production Premium, or Master Collection I am strongly considering updating Soundbooth CS5 to Audition CS5.5 (the option is there as i can tell by SoundBooth's website, though i get a weird error message when I click the update link...)
However I need to know, IF Audition CS5.5 works well with the PREVIOUS version (that'll be CS5 not 5.5), of Premiere Pro.
Are there an option to render the reference video, and generate a interchange session from WITHIN Premiere Pro CS5 to Audition CS5.5?
Im sorry if I either sound harsh or "willingly" misunderstanding. But I have only documentation on how the integration works between the current versions (meaning 5.5).
Im as you can guess VERY confused over the move from Adobe to make a .5 version instead of a full-fledged CS6 solution. It causes a stir, cause I then don't know much of the integration between the previous applications.
I have seen as an example that Photoshop CS5 have gotten the update to receive paintings/files made with their new touch API. So I wonder whether integrational features will be a part of the CS5 pack since, as i've mentioned, an application like Soundbooth gets replaced with Audition, with an upgrade option for the Soundbooth owners.
Im confused and hope you can help me clear my mind up, whether to upgrade or not. I will download the trial eventually, but not onto my current CS5 system since I already use this in my daily video work and want to AVOID confusion.
Best
Lucas

I have not found any answers yet to solve this problem. Smooth Scroll Auditions CS5

I used to used Audition 3 and when recording or playing back the recorded wave form would be smooth and when it reaches the right hand edge of the screen it just smoothly continues. I have updated to Auditions CS5 and I cannot get it to do the same. It seem to jump back to leave more room instead on continually scrolling. In the preference option there is no option I can see to change this. The only option shows Playback but this seen to also just jump back to leave more room. Any idea where the setting it so make is smooth? Thanks in advance

Hello Ryclark.. The playback is the same as record. Unlike AD3, when the waveform gets to the right had side of the time line it JUMPS back to make room for the continuing recording where the recording is longer than the width of the screen. After an online chat with Adobe support ( who do not seem to know how their software works) , in the end they said that the new feature was for the Cursor and Waveform to Jump back to leave room for the continuation of the recording....unlike AD3 which smoothly scrolled the waveform. It is a step backwards and looks like a novice attempt... So if anyone wants to know if there is a solution to this backward step the Answer it NO. It is a new Jumpy flow layout. Seems like Adobe are getting like Microsoft,,,

Audition CS5.5 and Macbook pro performance

Hey guys, this is my first post on this forum. I’ll give you a little history as to how I got here.
Started off on CE2.0 then moved onto Audition 1.5 and now I’m on Audition 3.0
I know Audition like the back of my hand, It suits my workflow perfectly(well almost perfectly).
I found that I was reaching some limitations with Audition 3. A normal session for me would consist of 1 Midi track for the EZDrummer VSTi and then up to around 30 audio tracks. My genre is rock/indie/acoustic. Each track will generally have compression and reverb. My vocal track consists of Reverb, 2 compression effects(to compress and de-ess) and sometimes Antares Autotune.
What I found was that I could tell the system was starting to giveway, I was getting pops and clicks during playback, and I would have to start freezing tracks. I found that Antares Autotune was pushing my system, along with the Guitar Suite.
My main problems I found was comping tracks. I would need to create a new track for each vocal take, which ends up pushing the system even more.
I decided I needed to make a change. So I started looking for alternate DAW’s which had a “take” system. I was deciding between Logic or Protools. I’ve been running a PC setup since forever, so Logic would mean I would have to buy a Mac. I choose Logic 9 as I have witnessed my friend comp vocals on it, and it looked very user friendly, So I bought myself a Macbook Pro 15” with the i7 CPU.
So I’ve been using this setup for the last 2 months or so, and to be perfectly honest I miss Adobe Audition. Dont get me wrong, Logic is great, but it feels more like a toy compared to Audition. I feel more at home with Audition. More specifically the workflow, and the Studio Reverb plugin is the best reverb plugin I have EVER used. Not to mention the dynamics processor has great de-esser presets.
ANYWAY.
Its question time.
In Audition and more specifically Audition 5.5 Is there a built in “take” system which I’m not aware about? Or do we all just create a new track for each vocal take and comp that way? I don’t mind this way of Comping vocals, the problem lies when the system starts to pop and click due to having too many tracks. This brings me to my next question.
How is the performance of the Mac version of Audition 5.5 on a 15” i7 Macbook Pro with 4gig of ram? Unfortunately my trial period has run out, and I didn’t get much of a chance to push the system(I couldn’t open my .ses files).
Is there a way to convert .ses to .sesx? I tried converting to .xml and it didn’t carry over the plugins.
Can I extend my trial period of Audition 5.5 in anyway?
I really want to give Audition another shot if I can convert to .sesx with ease and have great performance with my Macbook pro.

Okay, I've spent some time this morning looking at Guitar Rig 5 in CS5.5 and CS6. Guitar Rig can install a lot of flavors of audio plug-in depending on your need. Audition only cares about the VST and Audio Unit (on Mac.)
There was an issue we found in Audition CS5.5 where some effects don't properly report their channelization. While not technically an Audition bug (it's part of the VST spec, I believe) we were not trapping these wayward plug-ins, which is why you saw Guitar Rig listed, but disabled. We addressed this issue in Audition CS6 by catching plug-ins that do not respond to channel requests as expected and assigning them as appropriate.
Guitar Rig is now enabled in Audition CS6 VST Effects List
More importantly, Audition CS6 opens up some pretty impressive effect channelization options which allow you to route the channels of a file into an effect in any manner you like. This allows you full control over which channel is assigned to which effect input, and which channel the output should be applied.
Feeding a 5.1 file into a Mono effect now enables precise control over channel routing.
Full control over 5.1 files into 5.1 effects as well. Any combination of channelizations and effects should work well.
Lastly, here's Guitar Rig 5 running in Audition CS6. While it definitely works, I do not recommend modifying this particular guitar track. Much like trying to pitch correct Freddie Mercury, Keith Richards guitar work does not benefit from additional processing

FCP XML Effects in Audition CS5.5

Through a very long series of circumstances, I have an XML file and multiple OMF files of a film's audio. The editor is based out of LA and I am on the east coast and communication has been...difficult at the best. Essentially I am very ready for this process to be over.
So the XML files opens like a charm, everything in place and whatnot. However my problem is that Audition loses 15/18 audio effects and does not tell me which tracks the effects were lost from, where they were, etc. Is there any way to fix this without going into Final Cut with the XML file and individually seeking out and reapplying each individual effect in Audition? I tried searching and reading the FAQ's but I could not find anything.
I have Final Cut Pro 7 and Adobe Audition CS5.5 available to me, both running on Snow Leopard. Thanks!

Sorry but the short answer is no - I'm not aware of any conversion application (other than a daw specific one like Ses2Sesx) which will not only read another daw's session details but also it's fx details.

Slow Playback Adobe Audition CS5.5 - not sample rate setting error!

I'm currently using Windows 7 and Adobe Audition CS5.5 build 1815. Soundcard is RME Digi96 Pad. Ok its an old card and the drivers date from 2005. In Adobe 3.1 and CS5.5 I get slow, around half speed, playback at 44k and 96k sample rates. YES the project sample rates and sound card sample rates are set correctly, clock is set to master on the soundcard.
However, in using Cockos Reaper 3 or 4 on exactly the same computer, same soundcard, same OS, I can play 44k and 96k wav files perfectly.
This suggests to me there is an error in the way Adobe Audition 3 / CS5.5 is handling the ASIO drivers in Windows 7 with some soundcards.
If it was a driver problem, or indeed a soundcard hardware issue, then Reaper would not perform properly.
So what's going on with the ASIO drivers in Adobe Audition with Windows 7?

I have two XLR wireless mics, which are great for my video work, but I need to do audio recordings for podcasts and wanted a mic that would be able to do just audio podcasts, as well as video podcasts, live via my laptop. So while I do agree that the audio recording from my XLR mics is great, I am not happy with the audio quality of standard computer mics I've tried and the only way I can get my XLR mics into the computer directly is through a USB connector (which I also have, I'm getting the Yeti set-up for my business partner to use).
Maybe Audition just isn't the best software option for this, but since we have CS6 Premium I had hoped I could utilize software I already had. (And for the live video casts I'm looking at starting out with Google hangouts...)
With that being said, I appreciate your reply and thought I had already set-up the hardware correctly in Windows & Audition. Here is a screenshot that shows the settings I have - my question at this point is whether the master clock needs to be changed (the audio channel mapping tab shows the left and right speaker of the default Realtek speaker):
I just double checked the properties of both the speakers and mic and they are both set to 48,000/16/stereo, as is the audio file in Audition.
I'm a journalist, not an audio pro, and I fully accept that the sound device must not be properly connected. The problem is that I cannot figure out why that is the case.
Since I need to use the USB mic and I want to be able to use the power of Audition to put together podcasts, using other software for the livecasts, I would really like to sort through this. Any and all help is greatly appreciated!

Input level meter in Audition CS5.5

I can't find an input level meter in audition CS5.5. I have to go my windows 7 control panel find me device and set the levels. So, to set levels I have to have two windows open, one control panel audio adjustment window and one soundbooth window where I actually record and watch meter, then I erase and record for real.
I must be overlooking something -- every other audio program I have ever used lets you set input levels while watching the meter. I've been through the help, and Googled it and I can't figure it out. In Audition, how do I set input levels from within Audition CS5.5 (not in windows 7 control panel)?
Thanks!

Short answer, no!
Audition merely records EXACTLY what the input device is sending to it. In normal useage the "level" of the signal to be recorded would be set externally, e.g. by use of an audio mixer or a "gain" control on the input device. I assume you are recording by using a line or mic plugged straight to your computer? In which case, the Windows Audio Control Panel is the only way to set levels.
Jeff

Audition CS5.5 not working on 2014 MacBook Air

Greetings!
Just upgraded computers (from a 2008 MacBook) to a 2014 MacBook Air (13", Early 2014). I had Audition CS5.5 on my old Mac so I deactivated it, installed it on the new Air and activated it. Everything seemed to install smoothly, but when I open the program and open an audio file, it just doesn't work, plain and simple. I hit play and nothing happens. I try with the spacebar and nothing happens. The play button lights up, but nothing plays. I can add effects to tracks and see that changes are being made in the waveforms, but can't listen back. Even after making changes, I cannot save those changes.
The specifics:
13" MacBook Air (Early 2014)
1.4 GHz Intel Core i5
4GB 1600 MHz DDR3
Running OSX Yosemite (10.10.3, same as my old MacBook with no issues)
As for Audition, it's CS5.5. There don't appear to be any updates available. I know that I can upgrade to CS6 and I have no problem paying the upgrade charge, but will only do so if I know for a fact that the issue will be resolved. And honestly, unless there are earth-shattering updates, I'm perfectly happy with 5.5.
So there it is. Anyone have any ideas what the issue could be? I've done some searching, but can't seem to find anyone with the exact issue I'm having. Thanks in advance for any help you can provide!

Thanks ryclark!
I checked the audio settings and all appeared to be right. Just to be safe, I re-selected the correct options. The right drivers were also installed, but again, I re-selected it just to be sure. And viola! It worked!
Very strange. So essentially I changed nothing, but not it works. Can't thank you enough for the speedy response!

Audition CS5.5 not recognizing my microphone

I am using a Mackie 402-VLZ3 and Audition CS5.5 on my Acer Aspire 5736Z. When ever I try to record my laptop microphone picks it up instead of my condenser mic. I've went to control panel, manage audio devises, but only the laptop mic shows up. HELP!

Well, if you want the truth about Behringer... yes their stuff is cheap and cheerful. How do they do this? Usually by compromising on the 'expensive' bits - no, not the electronics but the hardware. Generally it's pots (controls) switches and connectors that suffer most - but this device has only connectors, and as long as you don't pull them in and out too much, and take care when you do, it will be fine.
But the digital noise thing is different, and it all goes back to the laptop power supply. This problem has everything to do with grounding and earth coupling issues, and generally never occurs with the laptop running on batteries. Also, you can't guarantee that it's going to happen - some people never have trouble with this at all. People invariably blame the last thing they plug in - and if it's a sound device of some sort, then obviously it's that, right? Er, no... it's a system problem, almost invariably related to induced ground noise. It's the fact that the sound device has joined the laptop and something else that's grounded (your mixer, perhaps, in this case) that's causing it. It can be complicated to sort out, and the only way to do it effectively is to put isolation transformers between the output of the mixer and the sound device - this invariably cures it, because it isolates the two things that aren't getting on.
So yes, if that happens you have to purchase a couple of isolating transformers, but these are generally pretty cheap. Also you should note that this can happen with expensive sound devices as well...

Audition CS5.5 Free Space

Audition CS5, Windows 7 64bit
CS5 is having a hard time calculating the correct free space on drives set for Media and Disk Cache, also not playing well with drives with partitions.
In the example below using an external drive with no partitions have over 600gbs free space but CS5 is only showing appx 450gbs.
On drives that have one or more partitions CS5 will either show the sum of all partitions, or just come up with some incorrect amount all it's own
Anyone else seeing this?
If I set the temp drive to the system drive (C) it then displays the correct free space.

Usually means that Audition can't see the sound card. So what sound card are you using and what Windows drivers for it?

Audition CS5.5 and Guitar Rig 4/5

I've just installed AA CS5.5 as a trial, and I found a strange conflict with Native Instruments Guitar Rig VST plugin. The software recognizes the plugin smoothly in the plugin manager, but it just stays greyed out, so I can't use it.
I've tried with Guitar Rig 4 & 5, with no luck. Both work perfectly on Adobe Audition 3. I'm using Windows XP SP3 and M-Audio Fast Track Pro with ASIO drivers. Anybody experiencing the same issue?

Okay, I've spent some time this morning looking at Guitar Rig 5 in CS5.5 and CS6. Guitar Rig can install a lot of flavors of audio plug-in depending on your need. Audition only cares about the VST and Audio Unit (on Mac.)
There was an issue we found in Audition CS5.5 where some effects don't properly report their channelization. While not technically an Audition bug (it's part of the VST spec, I believe) we were not trapping these wayward plug-ins, which is why you saw Guitar Rig listed, but disabled. We addressed this issue in Audition CS6 by catching plug-ins that do not respond to channel requests as expected and assigning them as appropriate.
Guitar Rig is now enabled in Audition CS6 VST Effects List
More importantly, Audition CS6 opens up some pretty impressive effect channelization options which allow you to route the channels of a file into an effect in any manner you like. This allows you full control over which channel is assigned to which effect input, and which channel the output should be applied.
Feeding a 5.1 file into a Mono effect now enables precise control over channel routing.
Full control over 5.1 files into 5.1 effects as well. Any combination of channelizations and effects should work well.
Lastly, here's Guitar Rig 5 running in Audition CS6. While it definitely works, I do not recommend modifying this particular guitar track. Much like trying to pitch correct Freddie Mercury, Keith Richards guitar work does not benefit from additional processing

Audition CS5.5 mouse scrolling issue

Not sure if this has been asked or even resolved. I am having a hell of a time zooming in/out with the mouse scroll. I have a feeling its my mouse but the problem only happens when using Audition CS5.5.
I have to pretty much fling the scroll wheel in order to zoom. The scroll wheel works fine in other programs (ie: IE, Firefox, Word, Outlook, etc.) It worked fine in Audition 3.0. Another person in the building has a wired mouse with the same computer and scrolls fine, but I havent had a chance to try out a wired mouse on mine to test. I am using a USB wireless mouse. I can use the scrolling zoom on the mouse pad and that works. But didn't know if anyone else had an issue with their mouse.
Edit: It scrolls Vertically in multi-track with scroll wheel... but not horizontally in multi-track or edit view.
Message was edited by: marc61880

Thanks for coming back and explaining the issue. It doesn't happen very often, but it can be a lifesaver for others who might have the same problem down the road.

Audition CS5.5 (OSX) + RME HDSPe MADI Soundcard Problem

There is a big problem here with Audition CS5.5 and the RME HDSPe MADI soundcard.
Stereo playback is no problem but surround playback is. This is a 64in/64out soundcard and Audition
seems to have problems with the amount of outputs. With surround playback and the output channels
set to 1/2/3/4/5/6 for 5.1 playback, the output starts at channel 57! Then one channel is left out - the next
playback channel is 59 and so on. Please make Audition CS5.5 aware of more I/O channels.
When I switch to the additional RME HDSPe PCIe card which only has 26 I/O Audition works normal and addresses
all I/Os correctly as far as I could check.
I even have the two soundcards aggregated to a 90in/90out CoreAudio device. It would be great to have the possibility
to use this aggregated device too. RME allows on driver level to combine different/multiple soundcards for ASIO and CroeAudio.
It would be great if Audition can support all audio interface combinations.
The RME soundcards work absolutely flawless on the same machine with Nuendo 5, PT HD9 and Logic 9 so I can exlude
any driver or setup problem.
Manyn thanks in advance for any effort to solve this.

I have to say that I'm a bit surprised no official seems to take this serious enough to answer to this problem.
Audition CS5.5 is surprisingly good and mainly layed out very ergonomically. Therefore I think a lot more
professionals will be interested in this software. But things like problems with sound card environments with I/O cpability
above, let's say, 32 channels is a major show stopper.
I'm very confident that the problems lies in Auditions channel handling with CoreAudio, because any other (professional) software
runs perfectly with 128 or 180 channels I/O combined.
I read in another post that no patches are planned until CS6. This would be a real drag ... to use Audition with surround files and
higher channel count I have to do work arounds that aren't funny at all.

Audition cs5.5 only

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