____Automatically make a colour be a spot plus an overprint?

___Automatically make a colour be a spot plus an overprint?
I'm preparing literally hundreds (if not more) of AI files for litho, and they MUST be a percentage of a spot (Pantone) colour PLUS a process breakdown (too long to explain why) -
example: make an object(let's say a star) 40% 287, and add 20% magenta. Right now I overprint the 20% magenta manually (duplicate object, make copy 20% magenta overprint the 40% 287 below). When I say manually, I've made an action for it, but on complex files it still is time-consuming - any ideas?
(Sub-question: I wonder if something could be done after saving when processing/trapping etc. through Prinergy)
Thanks

Ryan, that's correct, libraries are external files so they are not editable unless you open the actual file in AI. Kinda confusing since they look virtually identical to the normal swatch or graphic style panel.
To get a 60% breakdown of the original graphic style you could set the object to 60% opacity (that wouldn't work if you are layering it on top of another object).

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    Hello
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    1) Photoshop uses the Spot setting from your Color Settings (Edit – Color Settings) to display spot channels (and one can use gray-profiles or the K-channel of CMYK-profiles for that); the Solidity one can set manually, but one should bear in mind that even a 100% solid spot channel does not knock out the process channels.
    As for the actual physical properties of the color and its mixing with the other colors I’m afraid Photoshop produces a pretty rough simulation – profiles for more than four colors are considerably more complicated and would, if I’m not mistaken, preclude much of Photoshop’s functionality.
    2) If you pass unprofiled Files between programs they will be displayed using the programs’ respective Color Settings.
    And your screen profile will be employed in the process naturally … but you might want to read up on color management if you want to know more about all that.
    As to why the display differs between Acrobat and Photoshop it would appear that Acrobat use the RGB-setting for displaying spots and not an extra setting like Photoshop.
    3) Photoshop is capable of separating files – but I may not understand what you’re driving at.
    4) Epson-proofers using the latest generation of inks for example have a fairly wide gamut and should be able to simulate a lot of Pantone colors, so you might want to contact your provider to make sure if such a workaround is necessary at all.

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