Aux Channelstrips and Logic Control

Hi,
It seems almost impossible to have ONLY the tracks in the arrange window reflected in my Logic Control + Extender. If I use BFD 2 with many Aux they will appear on the Logic Control, although they are not shown in the arrange and cluttering up my workflow!
Why is it so difficult just to have the tracks in the arrange laid down to the Logic Control???

Read the manual's section where Environment is covered. Environment is the part of Logic which gives it unlimited power to control (or the ability of being controlled by) MIDI devices. Basically, the control surface could be configured in the Environment, including the way all the knobs and sliders are used if need be. However, you must know what you are doing and what you are configuring all the knobs and sliders for. Besides, a ready-to-use Logic template or set of templates for your keyboard may already exist.

Similar Messages

Final Cut Express and logic control

Hi,
has anyone ever achieved to combine final cut express and logic control?
I'm a logic audio user and Iwould be greatful to influence major features of final cut with the controller "logic control XT" and let them work together.
Thanks for your help and ideas!
Alex

No. FCE has no mixer.

Logic 9 and Logic Control Surface

I recently received a Behringer BCF2000 as a gift and have successfully set it up in LC (Logic Control) mode. I'm having an odd problem, however, as the control surface only is receiving from Logic and changes on the BCF2000 are not reflecting in logic. When I change sliders/pan positions/etc in Logic, the BCF2000 reflects these changes. However, pressing buttons on the BCF2000 is unresponsive and if I move a slider, the motorized fader will return to the position as set in Logic.
I have been scouring the manuals for a solution, I'm sure it's something simple but I'm getting very frustrated. Any help would be immensely appreciated. Thanks!

Indeed.
Remove the control surface driver, and use LC Xmu instead. It's the absolute best way to use the Korg controllers with Logic, and has just about every feature you want/need.
http://www.opuslocus.com/lcxmu/

Logic Control and Logic Pro 9.1.0

I'm running Logic Pro 9.1.1 and Logic Control V1.02 which makes it mackie control.
Today i set it up with Logic and noticed a few things:
1. The level reading on the Logic Control's display is choppy...meaning if i raise a fader really slowly the display levels also rise slowly synced with on the onscreen faders. However if i move the faders a bit faster, the Logic Control display reading is very choppy--it always settles at the right level, but the changes are jumpy. Is this usual ? This was not the case with Logic 7.
2. A few times the locator bar jumped forward missing beats, as if stop/play were pressed repeatedly. I rebuilt defaults and now it seems to be working fine, This used to happen to me in Logic Pro 7 as well, maybe its a fault with my controller. Anyone ever experience this ?
Thanks
Faisal

Cowbell, my experience has been different.
I tried the Logic Control mode but things were really wierd, some buttons not working, then the whole control lost contact with logic till i re-launched.
The Scroll bar jumping thing was happening a lot more often.
Then i deleted LC, trashed preferences and re-booted in Mackie Control mode.
Still strangeness and i went did the check TOUCHLESS FADER thing and all is working fine now which is WEIRD!!!!!! I think i may have a defect in the jog wheel/transport section but its all working fine for now.
I'll give it a few days.
Thanks !!

L8 is seeing my Axiom as a Logic Control and it's wreaking havoc!

A new twist on all the control surface issues - I have a M-Audio Axiom 25 connected via USB and it's not setup in anyway as a control surface via the control surfaces preferences. I have never used it as such and never need to because I own a Logic Control.
All of the sudden, L8 is recognizing midi note input from the M-Audio as LC input - i.e. if I press an A3 it doesn't sound a midi note, but rather performs a specific Logic Control function as defined in the Key Command Preferences.
Of course, it's even worse because I have an Apogee Ensemble so Logic doesn't even recognize a potential Control Surface unless everything is powered up in just such a perfect way.
So I have a Logic Control that isn't recognized, and an Axiom 25 that is recognized as something it's not and if I go to Control Surfaces preferences, it's as if the world of cotrollers doesn't even exist because the master list of options is gone baby gone.
Anyone find a workaround for this?

totally different ports!
The LC is connected via my AMT8 - the Axiom is on it's own port via USB, so that shouldn't be issue.
I've tried cabling the Axiom port directly from the input object to a monitor and then terminating the connection just so I can see what it's transmitting - the "bad" notes don't show up as anything in the monitor and even though I've broken the Sum cable from the input object and the Axiom port is only cabled to a monitor and nothing else (the Sequencer input is not connected to anything at all!), L8 is receiving those key presses as LC commands.
So strange

Logic Control and LP8

Hi,
I'm surprised at the lack of outrage over the terrible state of the Logic Control unit implementation in Logic Pro . With earlier versions of Logic I found using the LC unit a delight, recording and mixing several projects with it. Now (8.0.1) it's simply not worth using. I've tried all I know . . . rebuild defaults, trash preferences, re-install the unit, build a new autoload template (even Logic's templates don't work any better in this respect). Global mode doesn't work and track selection is a problem in any mode. One exception: if you're content with using the up/down arrows on the LC for track selection it works better . . . even in Global mode . . . it will actually put a track into Record and not mention the dreaded "Automation Folder"! Apple has stated that the unit is "behaving as expected". Mackie advised me to check for double .cs preference files(there weren't). Nobody said "Oh yeah . . . it's a problem". Either the issue isn't as widespread as I imagine or the relevant companies are not aware of the problem. This unit wasn't cheap. I paid $1764.00 Canadian when I bought it. It was worth every penny at the time, but now it looks more like a non-usable piece of metal that cost over three times more than the software (LP8) that appears to be crippling it.
What gives?
RW

Yep, I'm amazed at how broken it is in LP8, both major and minor issues. It's like nobody tested the MCU when they'd reworking the GUI and other stuff for LP8.
I've certainly reported this as a bug, so it's not like they aren't aware of it. I really hope they are tackling all this stuff (as well as all the other stuff) for an update soon...

Logic Control difficulties with 8.0.2 anyone?

Hello to all
Just a quick check to see if anyone else is having problems with the Logic Control surface and the 8.0.2 update. To date the zoom function and the fast forward/reverse buttons are not working on my system, which is a G5 Dual 2ghz Tiger 10.4.11. Also, the undo button doesn't undo and the assignment buttons don't assign.
Regards

[edit]
still doesn't work at all... though I can 'solo' the AUXes... just not select them.
If I try to select them and add an EQ (EQ+Vpot8), it adds an eq to the channel that has the visual select light lit!
Message was edited by: mattrixx

Garritan Jazz/Big Band and Logic

Hello. I've mostly used Jam Packs with Logic, I'm new to using another player within Logic, Kontakt is what comes with Garritan Jazz and Big Band. The issue I'm having is when you load a multi/ensemble from Kontakt into Logic, I can't seem to control the volumes separately. It seems to show up in the Logic mixer as "Inst 1" -- is this making sense? Sometimes I'm confused by all the tabs/choices in the mixer section too...but that's probably a different issue. Anyway, if you have any thoughts, I'd love to hear them. Thanks. Bob

The bottom line is that has been one of Logic's most glaring "missing features" for years, in my book.
The problem stems from the fact that Logic can't separate the channels (or 'channelize') the volume and pan controls for the individual MIDI channels of a multitimbral virtual instrument. By contrast, Logic has no problem doing this with external MIDI modules. And other DAW's - I'm told - have no problem separating the volume commands for individual channels of a virtual instrument. But Logic "Pro" still can not.
So you have to set up a bunch of virtual 'aux' channels, route the various VI channels to the separate AUX's, then control or automate the volume of those aux channels separately from the 'master' VI. Personally I can't believe people don't complain more about what a needlessly awkward workaround this is, all to achieve the same basic functionality we've had in MIDI for almost 20 years now .
But that's the way it's always been done on Logic, and from the looks of it, there's no reason to expect it to change anytime soon.
Search the forums (or Kontakt's manual or Garritan's site) for info on how to set up numerous auxiliary outs, and that should get you going. There are also numerous tutorials and how-to's on this forum and others, which you can probably find if you search "multitimbral aux".
Lastly, some folks resort to automating volumes within the plugins, ie. adjusting the channel volume sliders on Kontakt's internal mixer while the sequence runs, then editing that automation later in Logic. Again, I think it's a kludgey workaround. But Kludgey Workarounds have always been a big part of the Logic Pro 'experience!'
Enjoy.

Keystation Pro 88 (or other controller) as the Logic Control

Has anybody got their setup like this? I've been trying to get this to work for the past 6 hours and no luck. Can someone please help me? Just bought Studio 2 days ago and haven't touched it yet cuz I can't get the keyboard to fully work.
Joined: 17 Jan 2006
Posts: 55
Location: Los Angeles
Posted: Sun Jul 15, 2007 12:03 am Post subject: Keystation Pro 88 (or other controller) as the Logic Control
I'm sure some of you already know how to do this. I just figured I'd write this up at some point to share with others. The basic idea is to use the Keystaion Pro 88 (or some other MIDI Controller) as an actual Control Surface, or in this case the Logic Control, to have more freedom with the MIDI Controller, i.e. using the group of 8 faders (on the Keystation) to control Volume for tracks 1-8 in the arrange window, and then hitting Bank Right to automatically control tracks 9-16, and as a result making a universal controller not bound by specific channel messages, or MIDI CC Volume messages etc... in short the essence of any Control Surface.
What I'm describing below is what this app will also do: http://www.opuslocus.com/lcxmu/index.php
I basically just wanted to avoid using a separate application all together. Keep in mind that the app does simplify the whole process, but Logic inherently can do pretty much everything the app does.
I recommend reading this in its entirety before attempting.
KeyStation Pro 88 as Logic Control
Part One: Add Logic Control as Control Surface
1. Open Logic.
2. Preferences / Control Surfaces / Setup...
3. New / Install / Select your preferred device (in my case Logic Control
4. Click the icon in the setup window for the Logic Control.
5. On the left hand side under "Logic Control" you should see an "Out Port:" and "Input:" ... select the desired MIDI in/out through which your device is connected.
6. Open Preferences / Control Surfaces / Controller Assignments. Make sure you select the "EXPERT VIEW" check box.
7. You should now see a bunch of different Zones in the Zone column, one of which is "Control Surface: Logic Control"
8. Create your own Zone, KeyStation Pro 88 (or whatever) using the Plus sign in the bottom left corner of the Controller Assignments window.
9. Now basically go through the existing parameters already available in the Logic Control Zones, Select what you want. You can select entire Modes or individual Controls / Parameters. You can select multiple values (only multiple Control / Parameters NOT modes) by selecting and dragging or simply with select and holding command.
10. Command-C the selected Modes and then click back onto you user zone that you created above.
11. Click inside the Mode column (or Control / Parameter column depending upon what you selected and copied from the Logic Control zones).
12. Command-V to paste the Modes into your user Zone.
13. Do this for as many Modes / Controls you want, that your specific MIDI controller interface will be able to handle.
Part Two: Assigning Input Values
1. Open Preferences / Control Surfaces / Controller Assignments
2. Now for each parameter that you copied, you will need to set the input MIDI value from your controller.
3. Click on your User Zone, then Mode, then the first parameter in the 3rd column.
4. You should see a "MIDI Input" option (this should already be set correctly as long as you set it earlier in Step 5 of Part One). If it's not set to the correct MIDI input (which I found to be the case sometimes even after Step 5), then change that here.
5. Next to "Value Change:" you will see a box with MIDI data in it. Delete the existing date by highlight and delete.
6. Activate "Learn Mode" (bottom right corner of Controller Assignments window) then click within the "Value Change" box, then move the corresponding fader, button etc. The "Value Change" should now show the MIDI data value for that fader. Be careful here, there should only be 3 groups of 2 for data here... if you see 2 groups, of 3 groups, of 2 then typically the FIRST group of 3 should be the value you want here. You can always delete the data, and move the fader again to be sure. The reason for the 2 groups of 3 is not in error: some buttons send TWO MIDI values, one on press and one on release. You can use this to your advantage and assign TWO different functions to these buttons, thus the first (press hold) value can do one thing and the second (release) value can do another. You can also change the MIDI controller to only send 1 message on press and nothing on release, or simply make sure that only the on value is present in the "Value Change" box.
7. You'll have to do this for all the different knobs / faders etc. on your MIDI controller. There are many shortcuts of course. You can manually type in the Values if you know them. For the Keystation Pro, M-Audio has an app called Enigma that I recommend for changing controller parameters and much more on the Keystation. You can use this app to assign all the actual control data that each button or fader sends to the sequencer, once you know the values you can convert that data to the MIDI data values and enter them into the Value Change box.
8. Once you're done assigning values to the controllers, you can delete all the Zones except for the user Zone you created earlier. Before you do this, it's a good idea to back up the Control Surface preference file just in case you ever want to grab something else from the Logic Control Zones. You could always add a second Logic Control and copy the Zone from that, but you'd have to reassign all the MIDI Input: values ... short version, just back up the preference file before you delete the Zones. The reason why you want to delete the Zones that you're not using is simply because if you have a controller that happens to send out MIDI data to the sequencer, and the actual Logic Control happens to have that MIDI data value already inherent it it's Zones, then you could be asking for trouble, simply put you'd be sending MIDI data to change Volume and the Logic Control maybe has that MIDI Data Value already assigned to Pan for the existing track.
The file to backup is located here: ~Users/username/Library/Preferences/Logic/com.apple.logic.pro.cs
As a precaution I have always backed up my Logic Preference file WITH this .cs file. Technically it's not necessary... for instance: Let's say you trash your preferences and open Logic to find that the Logic Control is missing from the Control Surfaces Setup. So you add it back and now you find out that Logic is missing the User Zone that you created. If you close Logic and copy the .cs file back to the directory above, then upon reopening Logic you should find your User Zone is in place again. But I've had mixed results with that, so just in case I copy over the preference file with the .cs file as a pair. It seems that the Logic pref file only contains information that the Logic Control is a Control Surface on your system and the .cs file is the preferences for that specific Surface.
Another note: after a recent Logic update, maybe 7.2? ... it was whichever update added support for more Control Surfaces, I can't remember. This update basically erased all the hours of hard work linking the Keystation to Logic as the Logic Control. This only happened with this specific Control Surface update, but not with 7.2.3, probably simply because they didn't make any changes to the .cs pref file.
Anyhow, when this happens again in the future, there seems to be a quick fix. I take NO responsibility for you somehow crashing Logic on a continual basis after applying the fix. Personally I have seen NO issues by doing this at all. I simply copied a version of the .cs file with the new update missing the Keystation Zone, as well as a version of the .cs file WITH the Keystation Zone, to a PC (I think it was a PC, don't believe I tried it with textedit, although should work as well). I opened both of the files in notepad and compared them. I noticed the word Keystation towards the bottom and realized that most all the data (gibberish) was exactly the same up until a point in which the file with the Keystation data had a group that was absent from the new .cs pref file from the new update. So I basically copied the data from the old .cs pref file, pasted it into the new .cs pref file, saved it and open Logic. Logic warned me that a pref file was corrupt or something of that nature, but loaded fine anyway, and the Keystation Zone was back in Controller Assignments.
One last thing... the problem that some of you may run into is that by making your MIDI controller a Control Surface, or turning your Keystation Pro into a Logic Control, limits some of the functionality of the MIDI Controller. For instance, a Logic Control's main purpose is to control different faders, knobs and what not of MANY different tracks. When you move a fader for volume on the Logic control, it will move the fader corresponding to the selected track... it's not programed to say change the actual midi CC 7 for Volume, only the actual Fader. Thus, what if you want the MOD wheel to still control modulation and you want the sustatin pedal to continue to act as a sustain pedal. Well, if Logic sees that Port 1 is the input for the Logic Control, but in reality the Keystation, then it's only going to allow specific events through. The way around this issue is by using both the input options that the Keystation has... hook the MIDI out into Logic and use the USB port as well. I run the Keystation as a Logic Control through the USB port, and use the MIDI out for actual MIDI data. But the catch is you have to make sure you only connect the MIDI Port into Logic's sequencer in the environment. Thus open the environment, open Clicks & Ports, Port 1 and Port 2 are the IN/OUT for the USB port. Midi Port is the Keystation's MIDI port. Select and delete the cable for the SUM, and run individual cables for the ports you want to use. Thus, all your other MIDI interface Ports, the Caps Lock keyboard etc. Just be sure that if your using Port 1 (USB Port Out from Keystation) for the fake Logic Control, that it DOES NOT cable into the "Input View" or "to Recording & Thru". This creates yet another issue:
The controls on the Keystation have to send SOME form of MIDI control message / data to Logic. Well if the faders on the Keystation are preset to send Ch1-9, Volume 0-127 messages, then when you move a fader on the Keystation (as the Logic Control) since the Keystation is still reaching the sequencer from the MIDI port, you will be sending MIDI values that can effect your current track possibly when you don't want to. The work around for this is to be sure that all the faders / knobs that you want to use as your fake Logic Control are sending useless MIDI data... i.e. CC 75, 76, 77, and so on. This way moving faders won't effect playback, although you could still in theory record this MIDI data into your sequencer. You could however filter this events from entering the sequencer input with a transformer since you know precisely what MIDI CC values you are changing. The easy way to assign these values is to use the program Enigma from M-Audio that I mentioned above.
More discussion specifically related to the Keystation Pro 88:
You can do a lot using the Controller Assignments and different Zones from the Logic Control. For instance, the real Logic Control has Solo, Mute, and Record buttons for the 8 faders. The Keystation Pro only has 1 button underneath each fader. But you could use one of the other buttons to toggle Solo, Mute, and Record mode so that depending on which mode your in, the buttons underneath each fader will correspond to Mute or Solo etc. By the way, a good setup from my experience is to use the first 8 faders of the Keystation as the track faders, and the final 9th fader for Master Volume. You can then set two of the buttons underneath the Knobs as Bank Left and Bank Right buttons to change the 8 fader tracks to correspond to the onscreen track groups of 8. Also don't forget that you can assign TWO functions to EACH button, since a button press can send a value of 127 and a button release can send a 00 value. So if you press and hold a button it can activate "Shift-select Mode" and until released it can make the buttons under the faders act as Volume to Zero resets or whatever you want. When you release the button it will go back to just Mute mode or Solo mode. The Controller Assignments window has MANY options, and parameters some of which are very confusing and take a lot of trial and error to understand... the manual helps a little but of course isn't perfect.

I'm thinking about buying a Keystation Pro 88 (2nd hand) so I was googling around and found this:
http://www.soundonsound.com/sos/Oct04/articles/keystation.htm
[quote]
I had some trouble getting the transport controls to work with Emagic's Logic, even when I loaded the 'Pro 88 Logic Preset.LSO' file on the supplied CD-ROM into Logic. I contacted the guys who designed and set up the Keystation here in the UK at the old Evolution offices, and between us we managed to work out what was going wrong. First of all, you need to enter the appropriate MIDI key commands in Logic's user preferences. These cannot be updated with an LSO file, so the commands have to be entered using the Learn Key function in Logic (see the screenshot below for the list we used). Then we discovered that the transport keys were toggling, which meant that only each second press of each key was actually working. It turned out that I had an early version of the Logic preset before this had been fixed, but the more recent one has been put on the M Audio web site for anyone else that needs it. It took about 30 seconds to change the output commands so that the buttons were no longer toggling.[/quote]
Did you get it to work correctly eventually?

Any experience mixing with VRM box and Logic?

I was interested in anyone's experience using Focusrite's VRM box and Logic.

Someone mentioned the BSF2000. I have the same and it is very useful.
In the default BSF mode there is no feedback into the sliders (they don't move with existing automation), however you can send up to 117 CCs, PCs and some other kinds of data on each preset from up to 16 MIDI chanels and Logic picks them all up with no problems.
However, you can start the BCF 2000 in Logic Control mode, (for those who have BCF 2000 and haven't seen this option yet, swith off the BCF 2000, then swith on holding down the 3rd upper button– the one just below the Parameter rotary controller. When you start the display will show LC instead of bC. To return to BCF mode, restart holding the 1st upper button, the one just below the Type rotary control.) install the Logic control driver in Logic and you have feedback into the faders and rotary controls. The downside of the Logic Control mode is that is doesn't have instructions and I've spent days trying to work out what all the presets are.
Remeber too in BCF2000 mode you can not only use the controls to manage automation of ANY midi parameter, but you can also use them to replace keystroke shortcuts. eg I have one button that toggles all tracks between latch and read, another that moves through screen sets another that shows and hides global tracks etc.
Well worth every penny.
Peter
G4 Tower 1.2g GHz Dual Mac OS X (10.4.2)
G4 Tower 1.2g GHz Dual, 2GB RAM Mac OS X (10.4.4)

Export physical and logical details on ASA 5520 and 8.0 software

Hello...does anybody know if there is any way to export details of the physical and logical interface details (including interface descriptions) to Excel, PDF or and other format from the command line or ASDM?
Thanks,
John

Export directly in xls, xlsx or pdf - no.
The output of "show run interface" or "show interface" is pretty structured however and easily parsed by Excel - either manually or via a macro. See output below (you can omit the interface identifier to get all interfaces. I used one for brevity.)
One can build a script to log in, perform an arbitrary command logging the output to a file which can then be massaged to extract the information you want in a suitable format (csv, etc.). Once in Excel it can be saved as pdf if you're so inclined.
Of couse, some of the full-featured network management tools do a lot of this (and lots more) if you have them.
ASA-1# sh run int eth0/0
interface Ethernet0/0
nameif outside
security-level 0
ip address x.x.x.x 255.255.255.224
ASA-1#
ASA-1# sh int eth0/0
Interface Ethernet0/0 "outside", is up, line protocol is up
Hardware is i82546GB rev03, BW 1000 Mbps, DLY 10 usec
Auto-Duplex(Full-duplex), Auto-Speed(1000 Mbps)
Input flow control is unsupported, output flow control is unsupported
MAC address 0013.c480.6b50, MTU 1500
IP address x.x.x.x, subnet mask 255.255.255.224
14156274 packets input, 16095096189 bytes, 0 no buffer
Received 44764 broadcasts, 0 runts, 0 giants
0 input errors, 0 CRC, 0 frame, 0 overrun, 0 ignored, 0 abort
0 pause input, 0 resume input
0 L2 decode drops
8548524 packets output, 1006461151 bytes, 0 underruns
0 pause output, 0 resume output
0 output errors, 64 collisions, 6 interface resets
95 late collisions, 627 deferred
0 input reset drops, 0 output reset drops, 0 tx hangs
input queue (blocks free curr/low): hardware (255/230)
output queue (blocks free curr/low): hardware (255/125)
Traffic Statistics for "outside":
14156267 packets input, 15839536990 bytes
8548619 packets output, 820243613 bytes
39502 packets dropped
      1 minute input rate 2 pkts/sec, 349 bytes/sec
      1 minute output rate 2 pkts/sec, 425 bytes/sec
      1 minute drop rate, 0 pkts/sec
      5 minute input rate 2 pkts/sec, 2091 bytes/sec
      5 minute output rate 1 pkts/sec, 352 bytes/sec
      5 minute drop rate, 0 pkts/sec

Difference between client system and logical system

Hi all
Can any one explain about the client system and logical system??
When this message type will comes in to picture at the time idoc processing??
Thanks and Regards
Arun Joseph

hi Arun,
I am giving the complete info on idoc.pls chk once.then ur issue will be solved.ok
and to know the diffrence between client and logical system very keenly go thru this link
https://www.sdn.sap.com/irj/sdn/advancedsearch?cat=sdn_all&query=abouttheclientsystemandlogicalsystem&adv=false&sortby=cm_rnd_rankvalue
IDOC Administration
Step 1: Tcode: WE 46
Setting the Global Parameter for IDOC Interface
Step 2: Maintaing a Logical System
Path: From the ALE Customizing in IMG, choose Sending and Recieving Systems,
Logical Systems, Define Logical systems
Go to Spro transaction
Step 3: Allocating Logical systems to the Client
Path: From the ALE Customizing in IMG, choose Sending and Recieving Systems,
Logical Systems, Assign Client to Logical systems
Go to Spro transaction
Step 4: Setting up an RFC destination
Tcode: SM 59
Path: From the ALE Customizing in IMG, choose Communication, Define RFC
Destination
You can also do the Advanced Settings in the RFC Destination
Step 5: The PORT definition
TCode: WE 21
Path: From the ALE Customizing in IMG, choose Sending and Recieving Systems,
Systems in Network, Asynchronous Processing, Assign Ports, Define Port
Step 6: Generating Partner Profiles
TCode: BD 82
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, PArtner Profiles and Time of Processing, Generate Partner Profiles
Step 7: Distributing the Model
TCode: BD 64
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, Maintain Distribution Model and Distribute Views
Technques for Distributing the Master Data:
Technique 1: The Push Approach
Executing the Process:
TCode: BD 10
Path: from the ALE Main Menu, choose Material Data Distribution, Cross
Application, Material, Send
Technique 2: The Change Pointer Technique
Enable Change Pointers Globally
TCode: BD 61
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution, Replication of Modified Data, Activate
Change Pointers
Enable Change Pointers Globally
TCode: BD 50
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution, Replication of Modified Data, Activate
Change Pointers for Message Type
Specify the Fields for which Change Pointers are to be written
TCode: BD 52
Path: From the ALE main Menu, Choose ALE Development, IDOCs, Change , Define
Change-Relevant Fields
How the Classification system works:
Creating a Class Type
TCode: O1 CL(it is CAPITAL O)
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution,Distribution using Object Classes, Maintain Class Types
Maintaing Status for the Class Types:
TCode: O1 CL(it is CAPITAL O)
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution,Distribution using Object Classes, Maintain Class Types
Maintaing Classification Status:
TCode: O1 CL(it is CAPITAL O)
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution,Distribution using Object Classes, Maintain Class Types
Maintaing Classes:
TCode: CL 01 (it is zero)
TCode: O1 CL(it is CAPITAL O)
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution,Distribution using Object Classes, Maintain Classes
Allocating classes to the Logical Syatems
TCode: BD 68
TCode: O1 CL(it is CAPITAL O)
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution,Distribution using Object Classes, Assign classes
to Logical systems
Filering at the IDOC level:
Identify the Filter Object:
TCode: BD 59
Path: From the ALE main Menu, Choose ALE Development, IDOCs,Data Filtering, Assign Filter Objects
Type to IDOC Field
Modify the Distribution model
How Segment Filtering Works:
Configuration:
Configring the segment-filtering technique is a one-step process.Just specify the segments to be filtered
TCode: BD 56
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution,Scope of the Data for Distribution, Filter IDOC Segments
The Reduced IDOC Type:
The reduced IDOC type allows to get down to the field level and specify the fields a recieving system does not need.
The System still needs the fields, but this has no effect on the recieving system because each field has a null value,
represented by a forward slash(/) in the field.
TCode: BD 53
Path: From the ALE Customizing in IMG,choose Modeling and Implemantation Business
Process, MAster Data distribution,Scope of the Data for Distribution, Message Reduction,
Create Reduced Message Type
IDOC:
Complete Documentaion on any IDOC using TCode: WE 60
IDOC Display Tool: TCode: WE 02 or WE 05
IDOC DEfinition components:
Segment Components:
1. Segment Type (E1, Z1)
2. Segment Definition(E2, Z2)
3. Segment Documentation(E3, Z3)
E- SAP Defined
z- Custom Defined
IDOC runtime componets:
control Record:
Data Record:
Staus Record:
First Create the Segments using TCode: WE 31
and then create the IDOC using TCode: We3 30
first release the segments and then IDOC.
Creating a new Basic IDOC Type:
STEP 1: Analyze the Data:
STEP 2: Create Data Elements:
STEP 3: Create Segments:
STEP 4: Create Basic IDOC Type:
1. Execute TCode: WE 30
2. Select the Create new option and enter a description for your basic IDOC type
3. click the IDOC name, and click the create icon.
Enter the segment type and its attributes.
4. Keep on adding the segments as in step 3.
5. Save the basic IDOC type
Step 5: Release the Segment Type and Basic IDOC Type
STEP 6: Transport the Segments and Basic IDOC Type
Extending a Basic IDOC type:
STEP 1: Analyze the Data:
STEP 2: Create Custom Segments:
STEP 3: Create the IDOC Type:
STEP 4: Release the custom Segment and IDOC Extension
Develop the function module for fteching the Data and then inserting the data into IDOC using
EDIDD(for control Record) and EDIDC table(for DATA Record)
Configuring the Systen for IDOCs
Configure an Outboubd Process that uses Message Control
Step 1: Create a new Message Type
TCode: We 81
Path: From the Area menu of EDI, choose Development, IDOC Type/ Message
Step 2: link the IDOC type to the Message Type
TCode: We 82
Path: From the Area menu of EDI, choose Development, IDOC Type/ Message
Step 3: Create a new Process Code
TCode: We 41
Path: From the Area menu of EDI, choose Control,Outbound Process COde
Step 4: Create or Change a Partner Profile
TCode: We 41
Path: From the Area menu of EDI, choose IDOC,Partner Profile
Configure an Outboubd Process for Stand-Alone Programs
1. Create a new message type
2. Link the IDOC type to the Message Type
3. Add the message to the ALE Distribution Model(use BD 64)
4. Create or change the Partner Profile
go through the following site to have screen shots.
http://www.****************/Tutorials/ALE/ALEMainPage.htm
thanks
karthik
reward me points if usefull

Backup and Logical Corruption

Hello,
I am running a backup and checking for any logical corruption -
RMAN> backup check logical database;
Starting backup at 03-MAR-10
allocated channel: ORA_SBT_TAPE_1
channel ORA_SBT_TAPE_1: SID=135 device type=SBT_TAPE
channel ORA_SBT_TAPE_1: Data Protection for Oracle: version 5.5.1.0
allocated channel: ORA_SBT_TAPE_2
channel ORA_SBT_TAPE_2: SID=137 device type=SBT_TAPE
channel ORA_SBT_TAPE_2: Data Protection for Oracle: version 5.5.1.0
allocated channel: ORA_SBT_TAPE_3
channel ORA_SBT_TAPE_3: SID=138 device type=SBT_TAPE
channel ORA_SBT_TAPE_3: Data Protection for Oracle: version 5.5.1.0
channel ORA_SBT_TAPE_1: starting full datafile backup set
channel ORA_SBT_TAPE_1: specifying datafile(s) in backup set
input datafile file number=00014 name=/oracle1/data01/TESTDB/TESTDB_compress_test_01.dbf
input datafile file number=00006 name=/oracle/TESTDB/data01/TESTDB_shau_01.dbf
input datafile file number=00015 name=/oracle/product/11.1/dbs/ILM_TOOLKIT_IML_TEST_TAB_A.f
channel ORA_SBT_TAPE_1: starting piece 1 at 03-MAR-10
channel ORA_SBT_TAPE_2: starting full datafile backup set
channel ORA_SBT_TAPE_2: specifying datafile(s) in backup set
input datafile file number=00003 name=/oracle/TESTDB/data02/TESTDB_undo_01.dbf
input datafile file number=00013 name=/oracle/TESTDB/data01/TESTDB_roop_01.dbf
input datafile file number=00012 name=/oracle/TESTDB/data01/TESTDB_example_01.dbf
input datafile file number=00005 name=/oracle/TESTDB/data01/TESTDB_sysaud_tab_1m_01.dbf
channel ORA_SBT_TAPE_2: starting piece 1 at 03-MAR-10
channel ORA_SBT_TAPE_3: starting full datafile backup set
channel ORA_SBT_TAPE_3: specifying datafile(s) in backup set
input datafile file number=00004 name=/oracle/TESTDB/data01/TESTDB_users_01.dbf
input datafile file number=00001 name=/oracle/TESTDB/data01/TESTDB_system_01.dbf
input datafile file number=00002 name=/oracle/TESTDB/data01/TESTDB_sysaux_01.dbf
input datafile file number=00025 name=/oracle/export_files/TESTDB_users_02.dbf
channel ORA_SBT_TAPE_3: starting piece 1 at 03-MAR-10
channel ORA_SBT_TAPE_3: finished piece 1 at 03-MAR-10
piece handle=5ul7ltsd_1_1 tag=TAG20100303T204356 comment=API Version 2.0,MMS Version 5.5.1.0
channel ORA_SBT_TAPE_3: backup set complete, elapsed time: 00:05:15
channel ORA_SBT_TAPE_2: finished piece 1 at 03-MAR-10
piece handle=5tl7ltsd_1_1 tag=TAG20100303T204356 comment=API Version 2.0,MMS Version 5.5.1.0
channel ORA_SBT_TAPE_2: backup set complete, elapsed time: 00:06:56
channel ORA_SBT_TAPE_1: finished piece 1 at 03-MAR-10
piece handle=5sl7ltsd_1_1 tag=TAG20100303T204356 comment=API Version 2.0,MMS Version 5.5.1.0
channel ORA_SBT_TAPE_1: backup set complete, elapsed time: 00:08:16
Finished backup at 03-MAR-10
Starting Control File and SPFILE Autobackup at 03-MAR-10
piece handle=c-2109934325-20100303-0c comment=API Version 2.0,MMS Version 5.5.1.0
Finished Control File and SPFILE Autobackup at 03-MAR-10
Question: By looking at the output, how can I say that RMAN did an Logical Check for the corruption? This output looks same as a simple backup without logical corruption check. Please advice how to check about this?
Thanks!

hi
I think you won't see any summary on this, only when corruption is found.
There is also one related setting that can be incorporated here - see example:
Example 2-25 Specifying Corruption Tolerance for Datafile Backups
This example assumes a database that contains 5 datafiles. It uses the SET MAXCORRUPT command to indicate than no more than 1 corruption should be tolerated in each datafile. Because the CHECK LOGICAL option is specified on the BACKUP command, RMAN checks for both physical and logical corruption.
RUN
+{+
SET MAXCORRUPT FOR DATAFILE 1,2,3,4,5 TO 1;
BACKUP CHECK LOGICAL
DATABASE;
+}+
use this to see clear output:
-- Check for physical corruption of all database files.
     VALIDATE DATABASE;
-- Check for physical and logical corruption of a tablespace.
     VALIDATE CHECK LOGICAL TABLESPACE USERS;
eg.
List of Datafiles
File Status Marked Corrupt Empty Blocks Blocks Examined High SCN
+1 FAILED 0 3536 57600 637711+
File Name: /disk1/oradata/prod/system01.dbf
Block Type Blocks Failing Blocks Processed
Data       1              41876
Index      0              7721
Other      0              4467

Can I use pan control in stereo track and balance control in mono track ?

it seems that in logic I can only use pan control in mono track and balance control in stereo track .

This is a flaw from the first days of Logic.
There is a "helper" plug in called "direction ....." - I can't remember the full name. Anyway, it gives you more control over stereo tracks. You can narrow the width (left - right) and pan accordingly.
Hope this helps.
HL

BCF2000 - assigning within Logic Control Mode

I am using a Behringer BCF2000 with Logic 7 Pro on a G4 powerbook. My BCF2000 is working fine in Logic Control Mode (USB Mode U-3), what I would like to do is add a few of my own parameters, mainly logic's tape delay feedback (as I make dub) to one of the dials, for example.
Also I would love to be able to trigger a few sound effects (maybe an exs patch) using an assigned button, for those on-the-fly dub vibes.
I sussed the patch editing and storing in the normal factory mode, but in Logic control mode, I can't seem to create my own patches and store them. Is this possible? and if so, how can I "learn" the functions like tape delay feedback.
Any help would be greatly appreciated! Thanks guys!
Ben (Brazil)

I sussed the patch editing and storing in the normal
factory mode, but in Logic control mode, I can't seem
to create my own patches and store them. Is this
possible? and if so, how can I "learn" the functions
like tape delay feedback.
Any help would be greatly appreciated! Thanks guys!
Ben (Brazil)
I have not been able to program mine in LC emulation
though I have been able to program the other presets.
Something I have not tried yet is trying to program the
many parameters in the controller assignments window.
I have discovered that by having the BCF in LCmode
going to the Controller Assignments window and
selecting expert and follow then clicking on
the different modes and such that the BCF
responds to what you are choosing on the screen.
I have not had the time yet to confirm this but
I believe the BCF is already preprogrammed to
do many of these in LC emulation. For example when I choose
track on screen the BCF would change its display
to "tr" and so on. This is a big discovery for me since
I new that in LCemulation the Unit was capable of
accessing all or most of what a Mackie Logic Control
unit could. I could never figure out how to get to those
parameters. This is one way to figure it out I suppose.
Behringer suggests that you read the docs for the Mackie,
I have not found this to be too helpful yet. Hope this helps.

Aux Channelstrips and Logic Control

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