AVC-Intra help, please:-)

Please Help me.
I have big problems with AVC-Intra 100, when I select sequence AVC-Intra 720p 25p inside CS4 Premiere 4.2.1 and drag some clip onto the timeline it becomes red and all 4 sound tracks are completely empty of sound without any peak drew up. Then out of nowhere without any reason, some of it appears, some of the sound and then completely disappear again (randomly).
The video is also not playing without stuttering and without all frames intact (25frames/sec) more like 12frames/sec???
All this is the same when I try to render out a master, stuttering video and no sound.
When I look at the same files inside my HPX301 the files are playing just fine with perfect sound so it’s not the recorded files that are wrong.
System mode: 720-50p.
Rec Format: AVC-I 100 /25pn.
This computer is flying with big, big complex projects of 10 bits Cineform files so it’s not the computer that can’t handle it (this is with CS3 Premiere 3.2 on another disk thougt).
Now is CS5 better to handle the AVC-Intra codec then CS4?
My computer setup:
Processor: Intel i7920.
Motherboard: Asus P6T Deluxe V2.
Ram: Corsair 12GB 1600MHz.
C drive: Intel SSD G2 80GB with Windows Vista64 Ultimate.
Raid Card: Adaptec 3085.
Raid Disk: 4 x 1000GB in a raid 5 for video with Adaptec.
Graphic card: ATI/AMD 5870
Best Regards
Mikael

I use "CS4 Premiere 4.2.1", so is there any solution on this in CS4 or is CS5 better to handle AVC-Intra????
Regards
Mikael

Similar Messages

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    Can anyone explain what to choose.
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    What exactly is it and which *P2 AVC-Intra* should I choose? default "Native" or the same like I have chosen for "*AVCHD - Apple ProRes 422*"?

    No, you should ignore anything in the AVCIntra section as you aren't shooting that format. AVCHD doesn't have a native editable format...you must convert to ProRes or AIC. AVCIntra does have a native format, but FCP doesn't support it (odd that they included it though).
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  • Motion Renders GREEN!  1080p 24p AVC Intra Blues??

    I shot a commercial using a Panasonic HPX 3000 with the AVC INTRA codec at 1080p 24p. I sent it from FCP to Motion, tweaked it, then round tripped back to FCP, rendered and the entire image is GREEN. Please help. Deadline looming.

    hi,
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  • AVC-Intra 100 performance in CS5?

    How well does Premiere CS5 work with AVC-Intra 100 Pal 25p compare to Premiere CS4.2.1?
    I have a hard time to make CS4 to work well with AVC-Intra, no sound and then sound, stuttering video playback and poor performance over all?
    My system is running fine with all other type of format including big Cineform project (CS3 thought for Cineform).
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    12GB of ram.
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    Regards
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    Now is CS5 better to handle the AVC-Intra codec then CS4? Please Help me.
    I have big problems with AVC-Intra 100, when I select sequence AVC-Intra 720p 25p inside CS4 Premiere 4.2.1 and drag some clip onto the timeline it becomes red and all 4 sound tracks are completely empty of sound without any peak drew up. Then out of nowhere without any reason, some of it appears, some of the sound and then completely disappear again (randomly).
    The video is also not playing without stuttering and without all frames intact (25frames/sec) more like 12frames/sec???
    All this is the same when I try to render out a master, stuttering video and no sound.
    When I look at the same files inside my HPX301 the files are playing just fine with perfect sound so it’s not the recorded files that are wrong.
    System mode: 720-50p.
    Rec Format: AVC-I 100 /25pn.
    This computer is flying with big, big complex projects of 10 bits Cineform files so it’s not the computer that can’t handle it (this is with CS3 Premiere 3.2 on another disk thougt).
    My computer setup:
    Processor: Intel i7920.
    Motherboard: Asus P6T Deluxe V2.
    Ram: Corsair 12GB 1600MHz.
    C drive: Intel SSD G2 80GB with Windows Vista64 Ultimate.
    Raid Card: Adaptec 3085.
    Raid Disk: 4 x 1000GB in a raid 5 for video with Adaptec.
    Graphic card: ATI/AMD 5870
    Best Regards
    Mikael

  • Green Screen using AVC-Intra 100 ugly

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    Poster must be busy shooting more stuff....
    Found some info on that " hollywood camera " site.....
    IS HD REALLY HD- GREENSCREEN ISSUES
    These plates were all shot with an HVX-200, mostly with the 100 MBps DVCPROHD codec. This was good enough for us for Visual Effects For Directors because we had specific needs, but we don't consider them good enough for full film production.
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    HALO: Even      with the internal sharpness generator completely disabled, the HVX-200 has      a clear black fringe several pixels wide on the right side of actors on      green screen. Panasonic vehemently denies it, but it's very easy to see.      In this      picture, notice that white areas get a fringe, but darker areas, like      her legs or hair, don't. Panasonic's explanation has been that it's just a      shadow from the lighting (huh?), but the halo is on the KEY side — so the      only plausible explanation is a quantum singularity localized to the actor      which bends light as it passes by her body. We think it comes from the      Bayer pattern, but we're not sure. And Panasonic shouldn't feel bad. A Nikon      D80 does it too.
    HEAVY COMPRESSION: Even      though it seems like a lot that we're recording at 100 MBps in the      DVCPROHD codec, if you calculate the bit-rate per true output-pixel, we're      actually still compressing at a whopping 15:1.
    NOISE: Video      cameras in this price range tend to have rather high noise, and on top of      that, they're usually 8 bits per color channel. This can result in some      highly visible shadow noise that almost pixellates when the brightness is      just on the edge of a bit-threshold. You can see some of our plates doing      this.
    An HVX-200 and all its brothers and sisters in its price range simply don't have the horsepower for full pixel, high dynamic range, high resolution, uncompressed production that you need to do truly professional green screen. Green screen is ultimately a scientific process, and is one of the most demanding things you can do with your camera. Regular live-action images are MUCH easier for your camera to handle, so for regular filmmaking, your camera is fine, don't feel bad.
    We have nothing against the HVX-200 or its brothers or sisters — come on, we shot a whole DVD set about visual effects on it — but it's important to really understand what the limitations are. It's fine to own your own camera for regular filming. For green screen, you should consider renting the very best you can afford — and make every decision right, which is where we come in.
    Thanks for reading!
    Rod

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    See here:
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    https://eww.pavc.panasonic.co.jp/pro-av/support/cs/csregistp2m/ep2main/avcidle.htm
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