Avchd aliasing

I am having trouble with aliasing artifacts when using my AVCHD camera.  Has anyone been able to overcome this with imovie?

So you're taking your original progressive AVCHD content that hasn't ever been transcoded by prelude or anything else and pulling it straight into premiere now right? 
Okay so if I'm understanding correctly you now tried  to make a progressive sequence then place your progressive footage in the timeline then export it as progressive from Premiere pro's progressive timeline?  Then after you do this is it messed up in both VLC and Quicktime? If you have done this just for fun I'd like to have you just use the upper field first sequence you said it creates you and try exporting to both progressive and upper just to see if this changes anything.
Also when you right click the clip in your footage bin and click "modify>interpet" what does it say the field order is (next to "use field order from file" or w/e)
I just want to be sure I am understanding you. However If you could please upload a very small portion of the original .MTS  AVCHD footage you're using that hasn't been altered for testing purposes that would be great I'm intrested to see for myself If I can find/reproduce the problem you're experincing.
I haven't ever seen this occur before unless some sort of setting is incorrect somewhere.   (Except when I have scaled something but even then there is always a workaround. )

Similar Messages

  • Aliasing In AVCHD Footage, Not In FCP7!

    Hi,
    I'm working with some AVCHD 1080p Footage in Premiere CS6. I made the move away from FCP7 hoping I could get high quality results in Premiere.
    However...
    In both "natively editing" and via Prelude Ingesting the AVCHD to ProRes422, the footage is Aliased (a.k.a. Jaggies). Both in the Program Monitor AND after Export.
    However, a side-by-side comparison to the same footage Log & Transferred in FCP7 shows that the FCP7 footage is not Aliased! Same settings. The files are the same size, and the same Data Rate. This only happens in the Adobe Workflow.
    In my Media Encoder settings, I have tried both Maximum Render Quality and Render At Maximum Depth. Neither of these make a difference.
    The footage is also set at Progressive 29.97. Quality 100%. Square Pixels 1.0.
    Has anyone else experienced this?
    Here is a 100% size screenshot of the two clips opened side-by-side in Quicktime. Have a look.
    http://www.carlkingclients.com/premiere484/Premiere_Aliasing.png
    -Carl.

    So you're taking your original progressive AVCHD content that hasn't ever been transcoded by prelude or anything else and pulling it straight into premiere now right? 
    Okay so if I'm understanding correctly you now tried  to make a progressive sequence then place your progressive footage in the timeline then export it as progressive from Premiere pro's progressive timeline?  Then after you do this is it messed up in both VLC and Quicktime? If you have done this just for fun I'd like to have you just use the upper field first sequence you said it creates you and try exporting to both progressive and upper just to see if this changes anything.
    Also when you right click the clip in your footage bin and click "modify>interpet" what does it say the field order is (next to "use field order from file" or w/e)
    I just want to be sure I am understanding you. However If you could please upload a very small portion of the original .MTS  AVCHD footage you're using that hasn't been altered for testing purposes that would be great I'm intrested to see for myself If I can find/reproduce the problem you're experincing.
    I haven't ever seen this occur before unless some sort of setting is incorrect somewhere.   (Except when I have scaled something but even then there is always a workaround. )

  • Sony AVCHD (MTS) shimmering lines issue (moire? aliasing?)

    I have just started working with AVCHD / MTS source files (29.997 fps, 1080p) and have been experiencing a problem with shimmering straight horizontal or diagonal lines. The source files look fine, but upon exporting / converting to a common format for veiwing (e.g. H.264, MPEG2, FLV, etc), any detail in frame consisting of high contrast straight lines or sharp edges exhibit shimmering. High contrast horizontal lines and diagonal lines are the most problematic, though even the sharp, high contrast edges of lettering on placecards (panel discussion) have the same shimmering issue. Also, the shimmering appears as a change in brightness, i.e. light to dark, at a frequency of about 2 Hertz, though the frequency can vary slightly. I have tried converting from AVCHD / MTS to nearly every available export format available, tried all of the different frame rates available, and have tried using other available attribute variations, e.g. Profile, Level, Bitrate Encoding, Target Bitrate, Max Bitrate, Render at Max Depth, Max Render Quality, Frame Blending, etc.
    Perhaps there is some format selection that needs to be changed in camera in order to avoid this issue in the future? 
    I will research further, but presently have no idea as to what can be done to solve the issue.  :-P
    Schuyler Hupp
    Austin, Texas
    [email protected]

    What are your Sequence settings?
    Are you certain that they exactly match your footage?
    ...common format for viewing (e.g. H.264, MPEG2, FLV, etc),
    These are all compressed export formats... it might help to
    elaborate on exactly what settings you have used in these cases.
    Have you tried exporting to something 'lossless'?
    If yes, do you still see the artifacts?
    How are you viewing your exported video to judge quality?
    Have you tried re-importing your exported file into Premiere
    for side-by-side comparison with the original footage?
    You might post 'before' and 'after' images to illustrate your issue.

  • Sony NX5U footage strange (AVCHD)

    First my computer specs:
    Processor - Intel i7 950 @ 3.07 GHz
    Motherboard - ASUS P6TD deluxe
    Memory - 24 GB RAM
    Motherboard cards:
       PCIe x4 - Black Magic interface
      PCIe 2.0 x16 - NVIDIA GTX570 #1 (card 1 driving 2 monitors)
       PCI 1.0 - open (covered by NVIDIA Card)
       PCI 1.0 - SATA 3 card (for 4 additional SATA ports)
       PCIe2.0  x16 - NVIDIA GTX570 #2 (card 2 driving 2 monitors, 4 monitors total)
       PCIe2.0 x16 - open (covered by NVIDIA Card)
    OS - WIN 7 Pro 64 bit (all the latest updates...Adobe & MS)
    Additional - Black Magic Design MultiBridge Pro 2, Sony HVR-M25U VCR, HD monitor on Multibridge Pro HDMI output, 1000 Watt power supply,
                     2 internal BluRay burners, 1 internal DVD burner, 1 external BluRay burner
    Video drives - SATA 3 & outboard USB 2.0 (9 1/2 TB total space)
    OK Here the story…
    I have a new Sony NX5U camcorder, I first shot in in HD 1080/60i, then I used Sony Content Manager to bring footage in, opened Premier 5.5, the footage looked jaggy.
    On the next shoot, I changed to SD 480/60i, as the final edit was to be shown from a DVD, used Sony Content Manager to bring footage in, opened Premier 5.5, the footage looked jaggy.
    I dragged the clip to the new item (New BIN)...  to set the presets the same as the footage.... the footage still looks jaggy
    I even played back the footage on the camera, captured through the HDMI port on my Black Magic MultiBridge Pro, with the same results...
    I exported (re-encoded) the footage as a H-264, also as a MS AVI...brought the footage back into Premier.... looked the same..
    I set the sequence presets the same as I shoot… but to no avail…. My Sony PD150 footage looks better.
    The footage jerks... not smooth... forget trying to pan...
    Notice the telephone wires...not smooth... I call the effect "The Jaggies" (I believe the same as aliasing)... What am I doing wrong? See picture below (the video looks much worse than the picture shows)
    the telephone lines look like stair steps... (but on the Sony flip out monitor... it looks great... also much smaller monitor, though)

    Try This:
    copy footage from SD card to your HDD then use a Blackmagic preset AVCHD for a new sequence (don't use Standard def footage from these cameras). If you have a BM card you should have a TV connected if so what does that picture look like. When you putput via Encore burn a DVD  not a Blu-Ray and that will downscale for you.
    Dax

  • How to make better DVD's and eliminate aliasing

    After trying several different ways on how to get the best from my AVCHD camera to an SD DVD I discovered the following worked best.
    1. Import and edit as per normal
    2. Export to HD 720p (DON"T share to Dvd Studio Pro or iDVD)
    3. Open iDVD and import the HD 720p file directly from the saved folder (iDVD will convert it to mpeg 2)
    4. If using DVD Studio Pro you will need to convert the HD 720p file to Mpeg 2 using Compressor as normal.
    5. Burn dvd.
    This way eliminates nearly all of the aliasing problems and overall quality looks much better than just "Sharing" directly to iDVD or DVD Studio Pro.
    Give it a try and let me know if your dvd quality improves.
    Hope this helps.
    Cheers
    Paul

    First of all; your way of attacking this is creating a very specific subVI. It is a general rule that subVIs should be as reusable as possible, so they should just perform a task upon some standardized input. That's why i suggested that you use an array input (but forgot to mention why...).
    I've attached a small example of how i would handle this sort of problem. See the attached VIs, the subVI only handles the task of setting visibility on or off. The array input is dynamic in size, as opposed to the cluster, so any size 1D array of control refnums can be passed to it, using the boolean input to determine visiblity setting.
    Your other question; yes it is possible to reach the control references from inside a subVI by passing the "This VI" reference to the subVI. But again, you'll have to change the subVI or make a different one for each different set of visible/invisible controls for it to work. Which is why i recommended building an array of just the refnums of the controls you want to set visibility for, and pass it to the subVI.
    Best regards,
    Jarle Ekanger, MSc, CLD
    Flow Design Bureau AS
    Attachments:
    Main.vi ‏15 KB
    Visiblity(SubVI).vi ‏17 KB

  • Aliasing (aka jaggies) only in quicktime

    Anyone else notice that when watching animations in quicktime, sharp edges have aliased pixels? VLC , and Windows media player don't give this issue, only quicktime. This happens on various codecs, h.264, sorenson video 3, and others. It doesn't seem to be a compression thing either, since I've tested small files, and 'animation' compression files.
    Does anyone know why this happens? How to fix it? Or if apple is working on fixing this issue.
    thanks

    So you're taking your original progressive AVCHD content that hasn't ever been transcoded by prelude or anything else and pulling it straight into premiere now right? 
    Okay so if I'm understanding correctly you now tried  to make a progressive sequence then place your progressive footage in the timeline then export it as progressive from Premiere pro's progressive timeline?  Then after you do this is it messed up in both VLC and Quicktime? If you have done this just for fun I'd like to have you just use the upper field first sequence you said it creates you and try exporting to both progressive and upper just to see if this changes anything.
    Also when you right click the clip in your footage bin and click "modify>interpet" what does it say the field order is (next to "use field order from file" or w/e)
    I just want to be sure I am understanding you. However If you could please upload a very small portion of the original .MTS  AVCHD footage you're using that hasn't been altered for testing purposes that would be great I'm intrested to see for myself If I can find/reproduce the problem you're experincing.
    I haven't ever seen this occur before unless some sort of setting is incorrect somewhere.   (Except when I have scaled something but even then there is always a workaround. )

  • Reducing Aliasing

    Hello,
    I was wondering if anyone could help me to reduce aliasing using the Mac version?
    I read that in the Windows version its possible to use Chromakey Effect, but that this isn't availible in the Mac version.
    My import settings are:
    HDV
    AVCHD Progressive (50p)
    1920x1080
    25fps
    1.0 pixels
    My export settings are:
    QuickTime Mov
    PhotoJPEG
    1920x1080
    Progressive
    25fps
    1.0 pixels
    Render max bit depth
    Optimize stills
    Camera = Sony Handycam HDR-CX11E using highest FX quality setting
    Thank you very much for your time.

    Hi Ned,
    Cheers for the answer but it's actually made no difference. It acts the same.
    In any case, this time I don't have the time to faff about so I'll just live trace it and use a vector.
    Thanks anyway, I'll mark this as answered; someone else might find it helpful.

  • This is how to make your DVD look better &  eliminate aliasing.

    After trying several different ways on how to get the best from my AVCHD camera to an SD DVD I discovered the following worked best.
    1. Import and edit as per normal
    2. Export to HD 720p (DON"T share to idvd)
    3. Open iDVD and import the HD 720p file directly from the saved folder (idvd will convert it to mpeg 2)
    4. Burn dvd.
    This way eliminates nearly all of the aliasing problems and overall quality looks much better than just "Sharing" directly to idvd.
    Give it a try and let me know if your dvd quality improves.
    Hope this helps.
    Cheers
    Paul

    Thanks Paul. I also archive my AVCHD original footage via the archive function in iMovie '09 (a great new feature, which iMovie '08 lacked).
    I just purchased a plug-in for Quick Look which allows you to view the first frame of each AVCHD clip in the Finder - very useful for identifying the clips for importing to iMovie. It's called HD Quick Look and is produced by the same Western Australian company that produces VoltaicHD (Shedworx). The cost is about $8 AUD and the product can be found here:
    http://www.shedworx.com/hdquicklook
    I'm about to import and edit a wedding video shot in AVCHD format (highest quality setting). I'm still a bit unsure whether to import at the Large or Full setting, given my earlier comments about the "bad" effects. However, as I'll be burning to standard DVDs, it probably won't matter whether I use Large or Full for import - but I'll probably try exporting at 720p, as you've suggested.
    I guess my main concern in using your method is that 540 has to be upscaled to 720, hence my reluctance to import at Large. But if I use Full - and any "bad" effects - it will be knocked down to 540 anyway (according to popular wisdom)! Can't win!
    It will be interesting to see whether Steve Mullen has any advice on this.
    Cheers
    John

  • Premerie Elements 11 and  NEX 6 Video: Bad aliasing with imported footage

    Hi,
    with all my Sony NEX 6 AVCHD settings iam unsuccessfull to get good quality video in Premiere Elements 11. Only exception is 1080 50p, that is working with good quality but seams to be an overkill as it eats up SD space and is exhausting the MAC. Interlaced modes are yielding bad aliasing and the 25p mode is missing in the PAL AVCHD section.  The Nex can take full hd 1080 25p but in Adobe settings in the AVCHD section there is no 25p at full hd. That does exist in the DSLR section though, but also this gives aliasing (?).
    Iam also puzzled about the setting that reads 1080 25i in APE11 (PAL) and 1080 50i in the Sony NEX. I just assume both are just the same (Sony does count every half frame and Adobe every full frame made of two halfs). 
    Iam using an iMAC with AMD Radeon HD 6770M
    Anybody is using films from Sony NEX6 in APE11 or has a way out?
    Thnks
    Hardi

    Steve,
    thanks for your reply. Iam preparing for a Safari trip next month. Iam undecided in whtat format to output the video, DVD or MPEG most likely and best quality for watching on the Mac. For now Iam just importing mini clips to see how it works and what the quality is. This is to decide in what format, resulution and frame rate I should take the safari video. Iam particular checking for "jumps" in fast movements, i.e. how smooth the video looks and those "steps" in straight lines that I call (perhaps falsly) aliasing. For this I check the Premiere preview of the imported clips. Perhaps its my bad English, so I try to give my workflow:
    1) I do short films (20s) with my NEX6 in those 3 settings 1920x1080 PAL, 50p, 50i and 24p. I make sure there is lot of movement and sharp lines do show up. I do one clip at a time.
    2) I take out the SD card (64GB 45Mbits/s) after each individual setting and put it into the iMacs SD slot. Also tried to hook up the NEX via USB cable but no difference noticed.
    3) I open finder and go to the private folder of the SD card. In each try there is just one AVCHD clip in.
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    5) In Premiere I can import the privat folder via drag and drop directly from the SD in a new project. This way I let premiere decide what project settings to choose. All formats give a warning (codex not available or something, warning is different from the Organizer one) but it does the import anyway in each case. Imported film does look "aliased" with 50i and 25p footage. Project settings for the two read 1080 25i. The imported film does look good with 50p, correct project setting in this case: 1080 50p.
    6) In Premiere I can also import via "add media, AVCHD camera".  Again I do this in new projects for each of the clips. Also here Premiere decides what setting the clip gets. Import does not produce warnings with either clip format. Nevertheless, imported film does look "aliased" with 50i and also 25p clip. Settings in both cases again are 1080 25i (thus Premiere thinks the 25p clips is a 25i). Also here the clip does look very good with 50p and the project setting is for 50p.
    Hope this describes it somewhat better.
    brgds
    Hardi

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com.crystaldecisions.proxy.remoteagent.q.a(Unknown Source)<br />    at com.crystaldecisions.sdk.occa.report.application.dd.a(Unknown Source)<br />    at com.crystaldecisions.sdk.occa.report.application.ag.a(Unknown Source)<br />    at com.crystaldecisions.sdk.occa.report.application.av.if(Unknown Source)<br />    at com.crystaldecisions.sdk.occa.report.application.an.new(Unknown Source)<br />    at com.crystaldecisions.sdk.occa.report.application.cb.for(Unknown Source)<br />    at com.crystaldecisions.proxy.remoteagent.u.performDo(Unknown Source)<br />    at com.crystaldecisions.proxy.remoteagent.u.a(Unknown Source)<br />    at com.crystaldecisions.sdk.occa.report.application.DatabaseController.a(Unknown Source)<br />    at com.crystaldecisions.sdk.occa.report.application.DatabaseController.setTableLocation(Unknown Source)<br />    at com.crystaldecisions.reports.sdk.DatabaseController.setTableLocation(Unknown Source)<br />    at com.businessobjects.samples.JRCHelperSample.changeDataSource(JRCHelperSample.java:182)<br />    at com.businessobjects.samples.JRCHelperSample.changeDataSource(JRCHelperSample.java:80)<br />    at org.apache.jsp.WEB_002dINF.jsp.reports.Evaluation_002dviewer_jsp._jspService(Evaluation_002dviewer_jsp.java:76)<br />    at org.apache.jasper.runtime.HttpJspBase.service(HttpJspBase.java:97)<br />    at javax.servlet.http.HttpServlet.service(HttpServlet.java:802)<br />    at org.apache.jasper.servlet.JspServletWrapper.service(JspServletWrapper.java:334)<br />    at org.apache.jasper.servlet.JspServlet.serviceJspFile(JspServlet.java:314)<br />    at org.apache.jasper.servlet.JspServlet.service(JspServlet.java:264)<br />    at javax.servlet.http.HttpServlet.service(HttpServlet.java:802)<br />    at org.apache.catalina.core.ApplicationFilterChain.internalDoFilter(ApplicationFilterChain.java:252)<br />    at org.apache.catalina.core.ApplicationFilterChain.doFilter(ApplicationFilterChain.java:173)<br />    at com.opensymphony.module.sitemesh.filter.PageFilter.doFilter(PageFilter.java:39)<br />    at org.apache.catalina.core.ApplicationFilterChain.internalDoFilter(ApplicationFilterChain.java:202)<br />    at org.apache.catalina.core.ApplicationFilterChain.doFilter(ApplicationFilterChain.java:173)<br />    at org.apache.catalina.core.ApplicationDispatcher.invoke(ApplicationDispatcher.java:672)<br />    at org.apache.catalina.core.ApplicationDispatcher.processRequest(ApplicationDispatcher.java:463)<br />    at org.apache.catalina.core.ApplicationDispatcher.doForward(ApplicationDispatcher.java:398)<br />    at org.apache.catalina.core.ApplicationDispatcher.forward(ApplicationDispatcher.java:301)<br />    at org.springframework.web.servlet.view.InternalResourceView.renderMergedOutputModel(InternalResourceView.java:111)<br />    at org.springframework.web.servlet.view.AbstractView.render(AbstractView.java:250)<br />    at org.springframework.web.servlet.DispatcherServlet.render(DispatcherServlet.java:965)<br />    at org.springframework.web.servlet.DispatcherServlet.doDispatch(DispatcherServlet.java:744)<br />    at org.springframework.web.servlet.DispatcherServlet.doService(DispatcherServlet.java:663)<br />    at org.springframework.web.servlet.FrameworkServlet.processRequest(FrameworkServlet.java:394)<br />    at org.springframework.web.servlet.FrameworkServlet.doGet(FrameworkServlet.java:348)<br />    at javax.servlet.http.HttpServlet.service(HttpServlet.java:689)<br />    at javax.servlet.http.HttpServlet.service(HttpServlet.java:802)<br />    at org.apache.catalina.core.ApplicationFilterChain.internalDoFilter(ApplicationFilterChain.java:252)<br />    at org.apache.catalina.core.ApplicationFilterChain.doFilter(ApplicationFilterChain.java:173)<br />    at com.opensymphony.module.sitemesh.filter.PageFilter.parsePage(PageFilter.java:118)<br />    at com.opensymphony.module.sitemesh.filter.PageFilter.doFilter(PageFilter.java:52)<br />    at org.apache.catalina.core.ApplicationFilterChain.internalDoFilter(ApplicationFilterChain.java:202)<br />    at org.apache.catalina.core.ApplicationFilterChain.doFilter(ApplicationFilterChain.java:173)<br />    at org.springframework.web.filter.CharacterEncodingFilter.doFilterInternal(CharacterEncodingFilter.java:75)<br />    at org.springframework.web.filter.OncePerRequestFilter.doFilter(OncePerRequestFilter.java:77)<br />    at org.apache.catalina.core.ApplicationFilterChain.internalDoFilter(ApplicationFilterChain.java:202)<br />    at org.apache.catalina.core.ApplicationFilterChain.doFilter(ApplicationFilterChain.java:173)<br />    at net.sf.acegisecurity.util.FilterChainProxy$VirtualFilterChain.doFilter(FilterChainProxy.java:292)<br />    at net.sf.acegisecurity.intercept.web.FilterSecurityInterceptor.invoke(FilterSecurityInterceptor.java:84)<br />    at net.sf.acegisecurity.intercept.web.SecurityEnforcementFilter.doFilter(SecurityEnforcementFilter.java:182)<br />    at net.sf.acegisecurity.util.FilterChainProxy$VirtualFilterChain.doFilter(FilterChainProxy.java:303)<br />    at net.sf.acegisecurity.ui.AbstractProcessingFilter.doFilter(AbstractProcessingFilter.java:305)<br />    at net.sf.acegisecurity.util.FilterChainProxy$VirtualFilterChain.doFilter(FilterChainProxy.java:303)<br />    at net.sf.acegisecurity.context.HttpSessionContextIntegrationFilter.doFilter(HttpSessionContextIntegrationFilter.java:226)<br />    at net.sf.acegisecurity.util.FilterChainProxy$VirtualFilterChain.doFilter(FilterChainProxy.java:303)<br />    at net.sf.acegisecurity.util.FilterChainProxy.doFilter(FilterChainProxy.java:173)<br />    at net.sf.acegisecurity.util.FilterToBeanProxy.doFilter(FilterToBeanProxy.java:125)<br />    at org.apache.catalina.core.ApplicationFilterChain.internalDoFilter(ApplicationFilterChain.java:202)<br />    at org.apache.catalina.core.ApplicationFilterChain.doFilter(ApplicationFilterChain.java:173)<br />    at org.apache.catalina.core.StandardWrapperValve.invoke(StandardWrapperValve.java:213)<br />    at org.apache.catalina.core.StandardContextValve.invoke(StandardContextValve.java:178)<br />    at org.apache.catalina.core.StandardHostValve.invoke(StandardHostValve.java:126)<br />   
    at org.apache.catalina.valves.ErrorReportValve.invoke(ErrorReportValve.java:105)<br />    at org.apache.catalina.core.StandardEngineValve.invoke(StandardEngineValve.java:107)<br />    at org.apache.catalina.connector.CoyoteAdapter.service(CoyoteAdapter.java:148)<br />    at org.apache.coyote.http11.Http11AprProcessor.process(Http11AprProcessor.java:833)<br />    at org.apache.coyote.http11.Http11AprProtocol$Http11ConnectionHandler.process(Http11AprProtocol.java:639)<br />    at org.apache.tomcat.util.net.AprEndpoint$Worker.run(AprEndpoint.java:1285)<br />    at java.lang.Thread.run(Unknown Source)<br />><br /> </p>

    <p> </p><p>From the stack trace, the problem appears to be happening in the setTableLocation method call.</p><p>There&#39;s a known issue with the JRC when you try and transfer datasource location for multiple aliases pointing to the same database table. </p><p>You may, however, need not trigger the setTableLocation method call, if you wish merely to enter database logon credentials.</p><p>The way to enter it would be to use ReportClientDocument method getDatabaseController().logon(String, String).  This should get you the same behavior as with the viewer.</p><p>TUeda </p>

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