AVCHD-Import without 5.1 surround sound

I doen't get 5.1 surround sound, when I import AVCHD clips from my Sony Camcorder HDR-CX550E in FCP X. After the import in FCP X it's just stereo.
I know for sure, that the recorded clip on camera is 5.1 surround sound, because I can play it via HDMI to my 5.1 sourround receiver.
The FCP X project also is 5.1, but the 3 tracks rear L, rear R and center are silent.
Is this a malfunction? So apple should correct it.

Similar Messages

AVCHD import without camera

Quick question from a FCP newbie:
If someone sends me the .mts files from a Panasonic SV-1 (via FTP for example) can I import those files into Final Cut Pro or must I connect the camera and import them real time?
Thanks!

Thanks David and Michael. I tried to use MPEG StreamClip and it didn't recognize the files. I have 1.7.1 so I'm a few version points back. I also saw one on the PC by Elecard.
So I should take it that the answer to my question is no, Final Cut will not handle these files without help, correct?

I have an old project with AVCHD clips and I want to import the clips again with surround sound. How can I relink the project clips to the re-imported ones without doing the project from the begining?

I have an old project with AVCHD clips and I want to import the clips again with surround sound. How can I relink the project clips to the re-imported ones without doing the project from the begining?
I have a sony handicam and I imported the clips to iMovie and they lost quality and converted the audio to stereo. I want to import the project to final cut X and import the AVCHD in 1080p and surround sound and export the movie in bluray. Can I relink the clips without editing everything again?
thanks!

Only photos taken with the iPad, copied onto it via the camera connection kit, or saved from emails/websites etc can be deleted directly on the iPad - either via the trashcan icon in the top right corner if viewing the photo in full screen, or via the icon of the box with the arrow coming out of it in thumbnail view.
Photos that were synced from a computer are deleted by moving/removing/de-selecting them from where they were synced from and then re-syncing. If you want to remove them all then normally you could just sync an empty folder (in terms of photos) to the iPad, but as you don't want to sync at the moment you can't do that.
You can reset the iPad back to factory settings and start from scratch with it : Settings > General > Reset > Erase All Content And Settings

AVCHD and 5.1 Surround sound

I used iMovie 08 and read about Final Cut Express 4. Both programs downgrade the AVCHD surround sound to stereo when importing.
My question is: is Final Cut Pro 6 able to import AVCHD filed with their native captured 5.1 surround sound? My camera records in 5.1 surround (Sony HDR-TG3 / TG1) and it is not good I can only get stereo on my computer.
Do you know of any other solution that is able to do that?
Thanks for any tips.

I guess I knew in the back of my mind that its necessary to transform and recode super compressed footage to a more usable high quality format standard thats more friendly and usable for editing, compositing, filters and effects, etc. because I can only imagine that to edit raw AVCHD would only be possible on a limitted scale and would require too many multiple core processors for unimaginable horrific tasks of decoding and recoding too often for certain editing criteria, that would both not be realistic and would degrade the footage with each recoding to AVCHD, also made problematic by the fact that I have read that AVCHD does not have proper time-code. Mind you unless I'm mistaken, I hear that Sony Vegas has full editing capability for AVCHD, not that this will help me now after having invested heavily in the latest MacBook Pro, Final Cut Studio, Shake 4.1, 1TB Time Capsule, Logic Studio, etc.. looks like I'll be with Apple for some time then (and I don't see myself ever switching back to the Windows platform either). However if this be true and possible with Sony Vegas, then maybe Sony could and should pass all there technical expertise and secrets for the AVCHD format to Apple, to help there hardware's (Sony's own AVCHD camcorders) full unrestricted compatibility with universal video editing programs, while hopefully retaining the 5.1 audio from source.
Maybe at the very least, I thought the final finished rendered output could be optionally recoded back to AVCHD (while keeping the Master Edit in Apple ProRes 422 format for future reference), of course there's only one reason for this converting back to AVCHD, which is that when arranged into the correct file/folder structure and placed on a normal DVD, you are actually able to play this normal DVD disc in a Blu-Ray player (i.e. PS3 or other) and get playback of the High Definition material. This is possible because the blu-ray player understands the AVCHD file/format and decodes it with its blu-ray layer ability and backward optical disc (DVD) compatibility and the fact that blu-ray players naturally have the HD outputs to their connected HD displays. The advantages is that you don't need blu-ray recorder/burner drives and that normal DVD (single layer) discs are cheap as chips, however the disadvantages is that the storage and hence the running time is considerably less (ie single layer DVD 4.7GB, dual layer blu-ray 50GB). I have been able to achieve this myself by using Sony's 'Multi-Function DVD Recorder VRD-MC5' that enables just that by means of linking the Sony TG3E/TG1 camcorder via USB straight to the Sony VRD-MC5 Multi-Function DVD Recorder where it then transfers the AVCHD footage digitally and purely in its original AVCHD format with no conversion and with no editing of the footage, straight to a DVD disc.. this being useful for 'both' backing-up and for straight HD viewing on a blu-ray player as previously mentioned.
It's true of the very large hard drive storage units now available at accessibly low prices, so I'm considering the WD MyBook Studio II at 2TB or MyBook Studio I at 1TB, Data Robotics Drobo is tempting but more costly and not sure their implementation of the new Firewire 800 on the latest 'drobo' will be fast enough as their stated spec on their website for the max sustained transfer speeds appear to be a bit less than that of, say, some others (like some Lacie Quadra's) but I could be wrong. I have not had a reply so far from Western Digital and Data Robotics after requesting some further specs by email.
I think I am a little worried from reading the effects that Final Cut Studio 2 may experience when dealing with the existence of 'Spanned Clips' in the AVCHD format and certain small issues that may arise with the video and audio playback timing after AVCHD has been logged and transferred to Apple's ProRes 422 encoding. I've not arrived at this stage just yet, so I'm hoping that the 'spanned clips may not be present and produced on my TG3E/TG1 camcorder. No doubt I'll soon find out.
The links explaining the additional issues with 'spanned clips' and incorrect clips, are:-
http://docs.info.apple.com/article.html?artnum=305833
and
http://docs.info.apple.com/article.html?artnum=305831
although the 'incorrect clips' problem are not to much of an issue, with the solution being identified.

How can I connect my apple TV to my surround sound system without running any extra cables?

I have my Apple TV connected to my TV via HDMI. The TV is connected to an auxiliary box that outputs sound to house speakers. I don't want to run any additional wires because of the distance to my auxiliary box and the fact all my wires now run through the wall. Also the auxiliary box lacks any extra HDMI ports.
On cable, the TV sound plays surround sound, but on the Apple TV sound plays from the TV itself.
Is there any way to alter settings on the TV (LG LB6100 Smart TV) to change the sound source?

if you have a router and set it up for wifi and have ethernet plugged in then point your iPhone to that router and it will connect to the ATV.

A workflow to burn AVCHD camcorder video and 5.1 sound to BluRay disc.

A workflow to burn AVCHD camcorder video and 5.1 sound to BluRay disc.
After weeks searching through many posts by the Forum’s experts with Final Cut Pro and Compressor, I have a crude workflow that seems to work for me, and might be of interest to others. This information I couldn’t find in the Help files of either FCP or Compressor, and would appreciate feedback on other options. Thanks to the Forum contributors who have helped me with suggestions.
I have successfully burned a BluRay DVD of the video and audio outputs of my new Panasonic AVCHD camcorder, that is, 1920x1080 video and 5.1 surround sound, using Final Cut Studio 2 (FCP 7.0.2, Compressor 3.5.4.) on an Intel iMac with OS 10.6.3
Using AUNSOFT-PAVTUBE or CLIPWRAP, I converted the camcorder’s MTS files to ProRes 422 .mov files containing 5.1 six channels of audio.
In FCPro, set the Sequence / Settings / Audio Outputs to 5.1 Monitoring:
     L+R Stereo,     Stereo
     Center             Dual Mono
     LFE                Dual Mono
     Ls +Rs            Stereo
Uncheck the “Downmix…to Stereo” in Warning box that pops up when this step is completed.
Drag the ProRes .mov file into the time line of FCP 7:
The next steps are important for assigning each of the six audio channels to the Dolby 5.1 configuration (L, R, C, Lfe, Ls, Rs). This step was new to me and something I couldn’t find in the FCPro or Compressor Help file manual. If anyone can reference a page number, I would appreciate that info.
In the FCP time line, unlink the video from the audio channels (Linked Selection) in the upper right corner of the FCP time line.
Select each audio channel, then right click in the area of the blank column near the padlock. Assign A1, A2, A3 etc to each of the audio channels as they fit the Dolby configuration ( L+R, C, Lfe, Ls+Rs) This process is kind of clunky and it may take patience to accomplish.
The best Forum ideas that I could find for setting up the six channel audio came from the following posts which I credit for their help:
https://discussions.apple.com/message/9095726#9095726
https://discussions.apple.com/message/12525373#12525373
In FCPro, Mark In and Out points, Select In to Out
Under File / Share option ………Select BluRay job……then Select either “Export” or “Send to Compressor”
(Note: At this point, the Option Export which enables FCPro to burn a BluRay DVD, seems to work well, and the resulting DVD video and six channels of audio seems as good as that produced by the more complicated option of “Send to Compressor”……..which is described below.)
If the Send to Compressor option is selected, Compressor is automatically started by this selection. At this point, do not Quit FCPro, because Compressor needs to transfer file data (or something like that) to Compressor.
In the job pane of Compressor, will exist two targets, H264 for BluRay and Dolby Digital.
I deleted the Dolby Digital and replaced it with Dolby Digital Professional Auto.
Clicking any where in the Sequence 1 job pane (not in H264 nor Dolby target rows) will reveal the A/V attributes:
Under the Job Action tab, select the BluRay unit that will eventually do the burning.
Clicking on the target H264 for BluRay located in the larger Job Pane reveals the settings I chose:
Clicking on the target Dolby Digital Professional (Auto) reveals these settings I chose:
I left settings on the Bitstream tab untouched. However the Preprocessing tab, I set the Compression Preset to “None”.
I found that turning on the BluRay burner with a preloaded BD/RE is best to do at this time, or even better, to energize the burner at the time that the “Send to Compressor” function is activated.
When settings are complete, select “Submit” in the lower corner of the Compressor larger pane and processing will begin, and a status pane indicating time elapsed and time remaining will appear. These estimates are not very accurate.
I have found that my 1 minute test video was initially estimated to require about two hours of processing time, but actually required only 1 hour which is still unusually long. Based on my experience, be prepared for an “overnight” processing to occur for longer movie durations.
This is the part of the overall process I need to understand better: How to estimate the duration to encode and burn 1 minute of video / audio? This 1 hour duration for 1 minute of video/audio was the same whether I SHARE-Exported to FCPro to burn DVD, or SHARE-Send to Compressor option.
Wondering if the encoding of the six 5.1 audio channels caused the lengthy processing(?). Perhaps settings that I made in Compressor affected time to process and burn.
Finally, I hope this poorly written process will help someone who has been looking for the same information as I had been. I would appreciate feedback from those who have already done this; what OS are you using, what hardware are you using? What software package have you tried. And lastly, Thanks to all who contribute to these Community Forums, who take the time to detail their processes. You all have helped me to get this far.
BoBo

Go to https://discussions.apple.com/thread/4719249
BoBo

Critical Surround Sound bug in Logic 8

Unlike many of you I purchased Logic 8 to do surround sound mixing. I liked the fact that it included Sound track Pro. I quickly realized after purchasing it that soundtrack pro had its limitations with regard to doing full audio post for film projects that i am accustomed to doing here in Los Angeles. I turned to Logic as an alternative only to find out that the surround panner is inadequate and somewhat limited when trying to automate it. The issue is that when trying to do a 360 degree pan counter clockwise the node reverses itself clockwise once you cross the 180 degree position in the plane or center of the rear speakers and then continues its counter clockwise 360 degree path. This causes a noticeable stutter in the audio as there is a 1 to 2 millisecond delay that occurs. This also occurs when moving the node from left to right across the rear speakers. I have posted this message to bring attention to this issue in hopes of getting this resolved quickly. I have used many surround sound programs and this is the first time that i have ever encountered this type of problem.

DJWillis wrote:
Since this morphed a little into a Logic vs PT threads as for benefits and drawback, one question always occurs to me when I see any post on surround sound: do you know ANYONE who has a surround sound system in their home who is just a regular consumer, and not a pro audio person testing a mix?
I don't. Surround sound is only for theatrical releases, and it's just small component of seeing a film. No one goes or doesn't go to a movie because it does or doesn't have dolby blah blah surround up the wazoo! Who cares? No one. They just want to see a good movie.
I'm always amazed that this marketing gimmick has had any impact. I mix music in stereo. Period. When I edit movies I edit in stereo. Period. No one has ever asked for surround for delivery. But then again, I won't work for the studios.
Surround sound is like 3-D movies -- pretty silly and extraneous to the entertainment experience. (I just saw "Coraline" last night -- my date and I were underwhelmed. It was nice -- but nothing earth-shattering, and hardly worth the whole 3-D effort.)
Sorry to rant, but it's all just so silly. Going from mono to stereo was awesome I'm sure in its day. Same for going from black & white to color and silent to sound. And from VHS to DVD.
But from stereo to surround? Pass. I'm not stringing up a bunch of speakers around the living room because my life is so boring I need to hear sounds behind me when I'm watching a movie!
Hi DJ,
My next door neighbor has a 7.1 system, and has a few audio-only titles. He wishes there were more.
My uncle, a general contractor, also has a 5.1 system in his home, and mostly watches movies with it. He does have an Eagles concert DVD in surround, and likes it a lot.
When I went to Circuit City, which is going out of business, I asked the pro sound guy what was flying off the shelves, and he stated two things : cameras, and surround theater systems.
As to your statement in red, you should probably become a member of either the NARAS, or the AES, they have both conducted research, with doctors both of physics and medicine, about what is more important, both consciously, and sub-consciously, to a human observer, when viewing a moving picture, both with and without sound.
Both guilds agreed that the sound was more important in judging the realism, and therefore what was believed, than any picture without sound, or an picture with poor sound. The determining factor for when an observer was more involved in the experience always ended up being related to the sound, and it's quality, or lack thereof.
And this research was done a while ago. A nice Canadian fellow has been conducting research on this since 1969 :
http://www.psych.mcgill.ca/labs/auditory/laboratory.html
And his book :
http://www.psych.mcgill.ca/labs/auditory/book.html
Let me know if it's too deep for ya... I'll try to find something a little less technical.
Cheers

Is it possible to burn a 5.1 surround sound DVD with Encore?

I have imported a video clip from Premiere with a 5.1 audio track but when I burned a DVD what I got was a stereo 2 track. Is there a setting that I'm missing to give me a 5.1 surround sound DVD?

I have just made a Dolby Digital 5.1 file in Audition without using Surcode.

Log And Transfer - HDR-SR12 - Surround Sound

Hi, is it possible to get surround sound via Log and Transfer in FC from Sony HDR-SR12? I have no problems to get video and stereo, but when I record surround on the camera and try to import it to FC, I get "Audio is mixed down to stereo" message in Log And Transfer Import Setting.
Thanks.

Shouldn't be the same size of the file in the camera?
Hey Nicko,
No mate. The camera format is a heavily compressed MPEG4 variant (AVCHD). This is a modern acquisition format, and not a camera native edit format supported directly within FCP. The AVCHD support offered by FCP is through Log and Transfer which transcodes the files to a more edit friendly format that you can work with. The choices at present are AIC and ProRes. You could recompress them again if you wanted to a more compressed (smaller) format, but you'd lose time and quality, and disc space is cheap these days.

Surround sound from Panasonic TM900 in to FCP X?

Just bought a Panasonic TM900 and I've been having a little play. AVCHD files (but not 1080-50p) are recognised by FCP X, and can be imported using the 'Import from Camera' function. All seems well except for the fact that FCP X reports that these have 2-channel stereo audio rather than the 5.1 surround sound that the camera records in. I have imported some of the 1080-50p files via ClipWrap and FCP X reports that these have 5.1 surround audio.
If I play both types of file (the regular AVCHD and the 1080-50p) in the VLC Player it reports that both types have 5.1 surround sound (AC3).
Why am I only getting 2-channel audio for the regular AVCHD files that I import from the camera directly in to FCP X? Any ideas?

yeah, luckily i am working with single long clips so i don't have to do it that often. it's a lot of work, true, but it does work and so far it's the only solution i've found.
i do find it a bit strange that apple doesn't let you "optimise" the audio in the same way as for video. Meaning, to convert ac-3 into whatever format it wants to edit audio in. in can encode ac3 during export, so why not decode it on import?
There's a section in the help manual that says you can specify mono channels to specific surround channels, but i've never been able to get it work, but now that i reread it, it does say to do it in the timeline. I've always tried it in the event browser. So it might be worth trying in your case.
You need to first have the configuration be 6 mono channels. Then, supposedly, you can specify each mono channel to be a surround channel.
Select the clip in the Timeline.
In the Channel Configuration section of the Audio inspector, choose an option from the Channels pop-up menu.
To assign a mono channel to a specific surround channel: Select the mono channel waveform, and choose a surround channel from the Channels pop-up menu.
Source:
http://help.apple.com/finalcutpro/mac/10.0/#verc1fab5f6

Is it even possible to edit surround sound on a Mac Pro?!?!?!

Hello,
I've just been reading this thread:
http://discussions.apple.com/thread.jspa?messageID=2924869?
Which among many things discusses the fact that Mac Pros, even through an optical cable, are not capable of exporting live 5.1 audio - they can only playback already encoded 5.1 dolby audio from DVD's for example. Apparently the optical out is a purely stereo affair otherwise. I've finally received my Logitech 5450 speakers (took weeks and weeks) and hooked them up. They can indeed playback 5.1 from a DVD, which is splendid. However, one of the things I was most looking forward to was working on surround mixes in Soundtrack Pro. However, firstly STP doesn't want to convert stereo files into surround (like the video online showed), but only means that the surround panner pans between the two front speakers. (I know there's another thread about that, but the proposed solution of adjusting the collapse slider does nothing).
Secondly, and perhaps more confusingly, if I load an actual 5.1 file from the STP content, it still doesn't play in proper surround - the centre speaker kind of works and I think something's rumbling through the subwoofer, but both of the left speakers and right speakers are 'compressed' into the front one alone - nothing comes out of the rear speakers (they are perfectly connected I assure you!). In other words, f I move the puck in the surround panner so it's solely on the front right, and then over to the rear right, it's exactly the same (coming out the front).
I'm sure there must be a solution. Why would Apple advertise the ease with which one can now mix surround if the Mac Pro (I'm not exactly talking about a mac mini here) cannot export live 5.1?
Something which I'm sure is related, but which I can't solve, is that if I go into Audio MIDI setup in Utilities, and try and 'Configure Speakers', only two channels are recognised, and it won't let me select any of the multichannel options (such as 5.1, which is greyed out.)
Anyone know what I'm going on about? I'm totally lost - not really an audio person in general, but hoping to enrich my short films with some surround magic.
Any help greatly appreciated!
Steve
Mac Pro Mac OS X (10.4.8)
Mac Pro Mac OS X (10.4.8)

Typically 5.1 is mixed, and monitored on a 5.1 monitoring system, which means you need an audio interface and setup capable of outputting six channels of audio.
So of course the Mac Pro is capable, but not without additional multi-channel playback and monitoring hardware.
Encoded surround sound, which you hear on playback from things like a DVD, is entirely different story and the encoding is done at the end of the mixing/mastering process. Sometimes you will encode a mix in a variety of formats, Dolby Pro Logic, DTS etc.

Guide : Getting 5.1 surround sound. Audigy 2

Hi all
I thought I would write up a really quick but effecti've and simple guide for owners of the Audigy2 ZS and seeing how its Xmas time, I can assume a few lucky boys and girls may have this awesome card under the tree.
Most of whats covered should work with all creative products.
(Sorry, but I WILL NOT cover any info regarding encoding media or the like that will conflict with copyright laws)
This guide is for setting up your Creative Audigy 2 ZS for surround sound 5. reproduction and information in regards to required Filters/Codecs. I have not included any advanced set up options or the like as the ZS with the set ups I have incluced here will cover it out of the box.
One of the most common issues people may have with 5. not fuctioning correctly while playing a DVD movie ( Mpeg ) or any multi channel media that is 5. encoded, has to do with Codecs/Filters.
Most media players will not decode all AC3filters/Mpeg, thus require extra filters/codecs/plugins to be installed.
Ok , the first thing to do is ensure your sound card and speakers are set up correctly.
Most common speaker sets have 3 plugs that go in the back of your card .
EG, Logitech X-530. Pink = Front Centre.Black = Rear left and right. Green = Front left and right.
Ensure they are in the correct place and are tightly fitted.Ensure your sound card is secure and tightly in place.Make sure your speaker cables are tidy and not a big tangled mess.
Ensure in device audio controls that SPDIF passthrough is NOT ticked as this is for optical output ( the ZS pro with rack fuction )
Update to the latest drivers an media source ap
ps.
A few little things to set up first in Creative Mixer Control Panel to ensure cleaner sound:
Lower Master and Wav volume in Creative mixer to about 90% as to avoid any over dri've disstortion.Lower Master Bass Volume to about 90% to avoid over powering the bass.Ensure that your speaker settings Windows control panel and Creative speaker settings match your speaker set up..
Also run the THX Speaker Callibration test in basic mode.
YOU SHOULD DISSABLE CMSS IN EAX CP IN ORDER TO GET 5. TO FUCTION AS IT SHOULD.
CMSS is to be use only for a MONO or STEREO source/signal. It is for sending the stereo/mono signal ( left and right) to all speakers. This is not 5., mearly it is the same signal sent to all speakers to give you a more rich and vivid sound reproduction of an other wise flat source.
Turn off any EAX FX.
Things you want to do to ensure stable use:
SHUT DOWN CTHELPER:
A background task that is a plug-in manager for Creative drivers. A 3rd party manufacturer can use the CTHELPER plug-in interface to produce drivers, add-on features, and fixes that will integrate with a tighter fit with Creative?s sound drivers and utilities. Gi'ven its purpose CTHELPER would normally be classified as a "leave alone" background task. It also allows Creative speaker setup to be synchronized with Windows Control Panel speaker setting. Without it running that check box in Creative speaker setting is not functional (settings are not in sync). Unfortunately there are often problems with CTHELPER, most notably that it can use 00% of CPU time so it's best left disabled unless you REALLY need it .
Type in run "msconfig" and shut down all Creative Start up entries. Infact its proberly best to shut everything down.
NOTE: Any essentinal Software for the proper fuction of devices ,Eg: Razer mouse utils should be left on.
Simple Bios settings to help improve audio and stablity:
Dissable Pallette Snoop.ANY AND ALL shadows for devices, EG VGA BIOS and system bios should be dissabled. If you have the setting for PCI latency in your bios ( AGP boards only ) set it to 64, if its already at 64 try 32 .
Shut down ( remove, reconmended ) any 3rd party tweak apps that run in the background.
EG, Cache Man and any monitoring software.
Ok, now for Filters/Codecs and Plugins.
A major required Filter is AC3. (ac3filter__0a_rc5)
AC3Filter - it is DirectShow filter for AC3 decoding to play AVI with AC3 audio tracks and MPEG2 (DVD). Required for WMP.
NOTE: If you have DVD software that should play encoded 5. then make sure you have any updates/patches for the player installed and go through the tools/options for the player and ensure its setup correctly to decode AC3filters in the applictions tools menu.
If you use Cyberlink Power DVD you may need to pay an extra fee to get the required AC3filter/MPEG2 decoders to fuction as all 5. sound settings may be greyed out on some dated versions.
InterVideo WIN DVD ( this software suit comes with most "Asus" if not all makes of Mainboards. This suit comes complete with the required codecs/filters so get full surrport for 5. - 6. - 7. out of the box. Note: you must set it up first under audio options as it defualts to 2..
If you use WMP0 you should download and install the AC3filter or get the latest XP codec/filters packs. With out these filters you may not get 5. sound and/or poor reproduction.
Supported file types:
The following table lists the file types (formats) supported by Windows Media Player .(For files type played by Power DVD or WIN DVD please refer to the makers website or read me file for a detailed list).
File type (format) File name extension .
Music CD Playback (CD audio) .cda Audio Interchange File Format (AIFF) .aif, .aifc, and .aiff Windows Media audio and video files .asf, .asx, .wax, .wm, .wma, .wmd, .wmp, .wmv, .wmx, .wpl, and .wvx Windows audio and video files .avi and .wav Windows Media Player skins .wmz Moving Picture Experts Group (MPEG) .mpeg, .mpg, .mv, .mp2, .mpa, .mpe, .mp2v*, and .mpv2 Musical Instrument Digital Interface (MIDI) .mid, .midi, and .rmi AU (UNIX) .au and .snd MP3 .mp3 and .m3u DVD video .vob Macromedia Flash .swf Microsoft Recorded TV Show .dvr-ms*
NOTE: WMP defualts to 2.. To enable 5. run WMP0. Click on tools then point to options. Navigate to DVD then open up the advanced window. In here is everything you need to set things up.
NOTE: If you mess things up simply return to defult settings and start over.
Some common errors you may encounter with WMP.
Error messages are identified by numerical IDs, such as C00D0BC2 and 800704CF. You can determine the ID of a specific error message by clicking the More Information or Web Help button on the error message when you encounter it. The resulting page will indicate the error ID.
: Error's C00D6A and C00D9A while playing DVD's or MPEG-2 content.
This is directly related to either your current video card drivers or the MPEG-2/DVD decoder you have installed (EG: PowerDVD, Win DVD etc ). Reinstalling and/or uninstalling the MPEG-2/DVD decoder (PowerDVD, Win DVD ) and/or video drivers should fix the problem for you.
You should now be able to re-install you decoder ( Power DVD etc ) and continue its use.
Erro : C00DAC:
Cannot play the file Windows Media Player cannot play the protected file because there is a problem with your sound device, such as a sound card or sound controller. You might encounter this error message for one of the following reasons.
Your sound device requires an updated driver. ( update driver )
The selected sound device does not support Secure Audio Path (SAP).
If you have multiple sound devices installed on your computer, try using a different one.
To use a different sound device, on the Tools menu, click Options, and then click the Devices tab. Double-click Speakers, audio device to use, click a different device.
Error : "divide error in module IVIAUDIO.AX at".
Only exists in systems that have various Sound Blaster Li've sound cards and WinDVD installed.
This is infact a compatibility problem between these products. The problem is realized when MP3 oriented applications call upon certain sound card services making it look as though the error was raised from within the application in question.
FIX:Uninstall WIN DVD. Reinstall WMP and AC3 filter and then reinstall DVD WIN.
A simple but rare issue.
ModName.Win DVD "msvcrt.dll" and/or Win DVD MFC application error.
FIX:
Uninstall any java filters. Macromedia and Macromedia Acti'veX.
( to remove Acti'veX go to C:\WINDOWS\Downloaded Program Files and delete the Acti'veX )
What are codecs Codecs/Filters.
Codec stands for Coder/Decoder. Basically it is a piece of software or a driver that adds a support for certain video/audio format for your operating system. With codec, your system recognizes the format the codec is built for and allows you to play the audio/video file (=decode) or in some cases, to change another audio/video file into that format (=(en)code).
For example, when you install Windows to your home computer, Windows installs automatically most commonly used codecs into the system, so you don't have to download them separately from their vendors. However there are some codecs that are widely used, but not installed by Windows. Most notably DivX , MPEG-2.
Get all the Codecs/Filters/Plugins you could ever need from:
http://www.free-codecs.com/AC3_Filter_download.htm (ac3filter__0a_rc5)
http://www.free-codecs.com/
NOTE: ( XviD-.0.3-2022004 for Divx ) Stand alone codec for playing Divx instead of the Divx full install.
http://www.microsoft.com/windows/win...0/default.aspx
Ok, you now should be all set.
However Codecs/Filters/Plugins are like any other kind of software installed and things can go wrong. If things are not working as they should try the following.
Download and install "Gspot"
http://gspot.headbands.com/download.htmlBuild 0307 - 23 KB Run the programme and simply point to system and select "List Codecs and other Filters"
Its a no brainer really to know whats what here and how to use it to find out the source of the issue, if you have one. If its red, its bad so you then need to trace the Filter/Codec to its source and remove it.
Here is just one very simple excample you may encounter and how it was fixed.
If you have ffdshow file is missing error pop up while running a player application, first go to C:\WINDOWS\system32 and search for ffdshow.en. Its proberly not here though. If it is just leave it be.
NOTE: ffdshow is used for AVI/Xvid enc/dec source.
To fix this "ffdshow Video Codec file is missing " error Simply uninstall your Xvid codec or your entire DivX programme, or any other Filter/Codec you have installed for playback of DivX files and AVI Video Files.
(Some times it seems a few Codecs/Filters dont get along so you must be aware of what you install).
Cheak "Gspot" again and Filter should be removed from the list.
Now you can reinstall the Xvid filter "XviD-.0.3-2022004" or your desired DivX programme.
Now go back toC:\WINDOWS\system32 and search for ffdshow.en. It should be there if it was not before. If the issue is back try a different version of required Filter.
So, thats just excample of a simple fix that got everything working again. Its not to hard to find out what the problem Codec/Filter is and then its just a case of uninstalling it. You can re-install the Codec/Filter but you should double cheak with "Gspot" and ensure the issue has not repeated itself .
If it has you can try and find out if the issue is related to another type filter causing a conflict or use an alternate Filter/Codec that will perform the same task .
Search for an updated version of required the Codec/Filter also.
Ok, thats pretty much the basics in getting correct and stable 5. sound working the way it should with your new Creative Audigy 2 ZS sound card.
I hope this has been of help.
Regards,xmn.
Message Edited by xmn on 2-24-2005 08:02 PM
Message Edited by xmn on 2-24-2005 08:04 PM
Message Edited by xmn on 2-24-2005 08:05 PM
Message Edited by xmn on 2-24-2005 08:05 PM
Message Edited by xmn on 2-24-2005 08:09 PM
Message Edited by xmn on 2-24-2005 09:29 PM
Message Edited by xmn on 2-26-2005 03:07 PM

BUMP, just incase its been missed by a new board member

How do I connect my Apple TV to my Philips surround sound DVD system?

I can't seem to get surround sound when watching Apple TV (or when watching live or recorded TV via my Virgin Tivo). I use a three-years old Philips DVD home surround system to get surround sound when I'm watching Blu-Ray (I have connected my Philips Blu-ray and my Philips DVD player without difficulty). But I can't figure out how to get surround sound whne watching Apple TV. I bought an optical cable with an audio jack on one end, to connect to the DVD player and the optical end clicks into the ATV. Still nothing. Any ideas?

The surround system seems to support digital audio - it has settings for HDMI audio and video (even though it doesn't actually have an HDMI port) I bought the optical/audio cable on the advice of a staff member in the Apple Store, but frankly, she didn't see, to understand my problem. She recommended I insert the cable into the "MP3 cable IN" port but that' not working.
I'm probably not explaining myself very well - bottom line: I have a DVD surround system and an Apple TV, so how do I connect them?

Looking for a surround sound app

hiya
i'm planning to buy an iPhone 4 but i have some questions. i heard there are preset EQ settings on the iPhone but is there an app (or a way) to make the sound of your MP3 files (mine is atleast on 192k) a bit more better or make it like a surround sound? any sugestions? thanks.

As mentioned, a 5 channel surround system is very hard to find in the price range you are looking at and even harder to find with half way decent quality. you might want to consider a 2 channel setup which will greatly improve the quality of the components and provide cleaner sound output at higher volume levels. If 5 channels is a must, then the build quality, sound quality, and frequency response will need to be sacrificed. You will have to ask your self what is more important: Sound quality? Or surround sound? At this price point, even small differences in price/brand can make a large impact on sound quality.
If surround sound is a must, then I would consider looking at the Sony HTSS370. This will be your best option of all possible solutions. It is a discontinued model though, so the chances of finding one at a local best buy will be slim and it may need to be ordered online.

How do I create surround sound 5.1 audio in Premiere Elements 10?

Okay, that's my question.
I have a Zoom H2n which captures two stereo channels from its 5 microphones and it creates a pair of stereo audio files. I would like to import them into Premiere Elements 10 on my Mac (OS X Lion on a desktop Mac), create a video and export the video and audio to a DVD with surround sound.
Is this possible? I have a 5.1 video camera, and the sound from that is exported correctly to DVD, so I know Premiere Elements handles existing 5.1 sound correctly.

> please report your success
Confident, aren't we? :->
Audacity would import the sound from the .mts files that my Canon saves video and surround sound to, but Audacity couldn't play the sound. It was there in the waveforms, but just a click came out. C'est la vie. I just went directly to my H2n files, and it works fine with them.
I shoot a video using a regular mic, and I also record the sound externally to my Zoom H2n. I use a finger snap or clap as my clapper board. I have the H2n set to 4 Channel, which means it records two stereo audio streams, one with a name ending in MS.WAV, and the other ending XY.WAV. I use the MS stream as my front, and the XY as the surround. I also make sure the H2n is recording at 48000.
I copy the two .WAV files to my Mac. I copy the video to my Mac.
The current version of Audacity is 1.3.14, which I used. Other versions may vary in how to set them up. You'll need current versions of LAME and FFmpeg, and Audacity directs you to the correct locations to download and install them, if you need to. Then you follow the directions to tell Audacity where to find the files; when all is correct, Audacity displays the version numbers instead of asking you where they are.
In the OS X version of Audacity, go to File -> Import -> Audio ... and locate the MS and XY files. Select them both by command clicking them, then select Open. I get two warning dialogue boxes about working on original files, so I work on copies, click OK both times. Audacity then shows its main window with two files, each having 2 tracks of audio. I do no processing in Audacity, but you may choose to if you wish.
I select File -> Export and in the resulting dialogue box I choose as my format AC3 files (FFmpeg). Choose a file name in the Save As box, then click Save.
Now is the hard part. I get a window for Advanced Mixing Options. Because I have four streams of sound, the window defaults to four channels. However, I need six channels, so I slide the slider over to get the six. For my Mac and Audacity versions,
   Channel 1 is left front
   Channel 2 is right front
   Channel 3 is center
   Channel 4 is low frequency effects (LFE)
   Channel 5 is left surround
   Channel 6 is right surround
By clicking the boxes you connect or disconnect MS left to Channel 1, MS right to Channel 2, XY left to Channel 5, and XY right to Channel 6. Then I click to OK button, and Audacity writes the .ac3 file with the name I gave it.
Start up Adobe Premiere Elements; I'm using 10, and I use the timeline. I import the video file and the .ac3 file. I double-click the video and shorten it to the first useable snap. Then I double click the .ac3 file and do the same.
I drag the video to the timeline and play it just o make sure it's where I want it and to watch the waveforms from the audio portion. Then I drag the audio to the narration track and sync its snap to the snap on the video's soundtrack. If I remembered to record at 48000, all is in perfect sync.
Right-click the video and select Unlink video and audio. Then select only the audio track that is with the video and delete it. Then select the video and .ac3 tracks and link them. Export to DVD, and I get a 4-channel surround sound with the video.
I understand from Audacity forums that the assignments of the various channels to left, right, center, and LFE have changed between versions. Be aware the assignments may not be correctly reported here and that they may change with later versions of Audacity.
Audacity is free, and so are LAME and FFmpeg. Audacity lives here: http://audacity.sourceforge.net/ and its wiki is here: http://wiki.audacityteam.org/wiki/Audacity_Wiki_Home_Page

AVCHD-Import without 5.1 surround sound

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