AVCHD presets in CS5 where? + Settings...

Am I being dumb, or do I need to load them from somehwere I have no AVCHD preset in the sequence or general tab when I create a new project
( in sequence I have DV24, DV NTSC, DV pal, DVC pro 50HD, Mobile and devices)
Finding it hard to find resources on line about editing AVCHD, so heres what I've got...
I get frequent glitches and weirdness in CS5 (rendered sections look terribl, occasional crashes. SOmetimes a single layer of AVCHD wont play smoothly, sometimes several layers will play fine). I'm using mecury hardware playback with a GTX275. I shoot pal 1080p @ 25 and edit @ 720p
EDIT MODE: desktop
25 fps
1280x720, 16:9
Sqaure pixels
no fields
Audio
48000
Preview
Microsft avi
( I was using MS video one, had issues so I've swapped to p2 DVCPro 50 PAL)
Unticked max bit depth andrender quality

"**The trial version of Adobe Premiere Pro CS5 does not include some features that depend on software licensed from parties other than Adobe. For example, some codecs for encoding MPEG formats are available only with the full version of this product."
Yes I read this, thought it pertained to export only (which doesn't faze me).
If it impacts playback of AVCHD files using h.264 codec, I'm all ears - and it would be ironic, because since using the trial I've actually been thinking about other editing platforms!! (Whereas before it was a forgon conclusion that I'd upgrade to the master collection).

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Photoshop CS5 - colour settings in Print menu not working after update Mac OSX maverick

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attached screenshot:
Op 30 mei 2014, om 01:47 heeft Chris Cox <[email protected]> het volgende geschreven:
Photoshop CS5 - colour settings in Print menu not working after update Mac OSX maverick
created by Chris Cox in Photoshop General Discussion - View the full discussion
If Photoshop managed color, then the controls in the printer driver are supposed to be grayed out - that's how Apple specifies drivers to work (because only one party should be managing the print color).
So what you're describing is perfectly normal.
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Downloads available:
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I agree with Jim Simon. Creating your own template is a good workaround to what would be a good feature.
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Hi,
Is there anyway to import presets from Media Encoder CS3 to CS5?

Hi John,
I should have put a caveat on my original message - presets from older versions of AME will work only if the internal data structure of the format in question hasn't changed. That's the short way of saying that in every version of AME there's a risk that our software developers will need to change how a format represents its settings internally, and the data in presets from earlier versions won't match up.
That's my fault for not noting that requirement, and I apologize.
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1. The data structure for QuickTime presets is now very, very different. Presets from earlier versions won't work in CS5.
2. The appearance and arrangement of the settings for QuickTime is different. You have noticed this.
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> For example, the Quicktime DVCPRO-NTSC settings availble in CS3 is not available in CS5.
Correct, this specific codec doesn't exist in CS5. Use instead the DV25 NTSC or DV50 NTSC codec. Probably DV25, unless you have a specific need for DV50.
> In addition, a number of Options (field orders, etc) are greyed out in AME CS5
Some codecs, including the DV formats, are implicit to a format that defines certain parameters of the video. For example, DV NTSC is ALWAYS 720x480, 0.9 or 1.21 PAR, 29.97fps, Lower Field First. When a codec pre-defines parameters, AME CS5 doesn't allow you to change them. If you change the codec to one that allows more control, for example None or PNG, you will see these options become available again.
(As a comparison, choose the DVCPRO HD 1080i60 codec, and you'll see that it locks the parameters to 1280x1080, 1.5 PAR, 29.97fps, Upper Filed First.)
Earlier versions of AME did not impose this type of restriction for QuickTime because it was using the QuickTime API, and that dictated what settings were possible. QuickTime is actually kind of lazy about complying with format restrictions. You could stuff just about any frame rate/frame size/field order/etc. of video into most QuickTime codecs and it would not only accept it, but QuickTime Player could play it back. But you'd get unpredictable results if you tried to use that QuickTime file with a system that ahderes to strict format compliance.
=====
Now, QuickTime aside, I assure you that my previous post wasn't in error. Some presets from CS3 will work in CS5. I've tested the MPEG2, H.264, and FLV formats on Windows and verified that they work. I did see some problems; for example the frame rate for H.264 and FLV wasn't correct when the preset was loaded into CS5. So if you do transfer a preset from earlier versions to CS5, you should inspect the preset after loading to make sure that it is correct.
Note that when you save a preset, you are not given the option to choose where the preset is saved. The file is always saved in the default location.
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CS5: <drive>\Users\<user_name>\AppData\Roaming\Adobe\Common\AME\5.0
You can copy the preset files to a different location if you want, but simply copying them into the folder for CS5 won't automatically load them into AME CS5. You need to use the Import Preset function inside AME to add them to your list of presets.
Also, do not rename the .vpr files from CS3 to .epr. I don't understand why, but this causes them to fail to load. But because CS5 only looks for .epr files in the Import dialog, you need to use a little trickery to make it find them.
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Click the Import Preset button (the folder icon).
Navigate to the folder where the preset is located.
In the File Name field, type the name of the preset file, including the .vpr extension. You could also copy/paste the name, or usually if you just start typing the name then Windows will display a drop-down menu with the list of file names in that folder that match what you've typed. For example, if the preset file name is "FLV 640x480 30fps.vpr", if you type "FLV 6", you should see a list of files that start with that name. Click on the file name to load the whole string into the File Name field.
Click Open.
The preset will be loaded, and you'll be shown a dialog asking you to name it. Yes, this is a little bit redundant.
=====
I hope that clears up the situation for you. Please reply with further questions if not.
To wrap this all up, I need to give you a caveat that is bigger than the one before: the workflow of transferring presets between versions of AME was not explicitly designed to work.
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One reason why the work may not have been considered is that not enough people asked for it. That's where you can help us. If this is something you'd like to see in a future release, I encourage you to fill out a feature request for it.
And all of the above said, Presets is one area of AME that we know needs to be improved, and we are working on improvements for future releases. But don't let that stop you from filing feature requests if you have ideas about how you'd like AME to work, or for any other change you'd like to see in an Adobe product.
-=TimK
-=Adobe Media Encoder and After Effects QE

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function(){return A.apply(null,[this].concat($A(arguments)))}
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I uninstalled CS4 after installing CS5.5 (I later learned that it would have probably been best to just install CS5.5 [without ever installing CS4] and use my CS4 registration # to install CS5.5.. I called Adobe Tech. Support to get advice and direction and they are the ones that told me I should have not problem and thus I uninstalled CS4).
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Bonjour,
J'utilise Adobe Première Pro CS5.5, toutes les images qui servent à monter mon projet sont issus des fichiers sources (alors a prioris pas de dégradation de qualité d'image possible).
Ces images proviennent d'un caméscope sony HD-XR 350, extension .MTS (AVCHD) et voici, une fois ouvert avec VLC, le détail des méta-donnés :
3 fluxs apparaissent :
FLUX 0
Id original : 4113
Codec : H264 - MPEG 4 AVC (part 10) (h264)
Résolution: 1440 x 1080
Débit d'images: 50
FLUX 1
Type : Audio
Id original : 4352
Codec : A 52 Audio (Aka AC3) (a52)
Canaux : stéréo
Fréquence d'échantillonnage : 48000 Hz
Débit : 256 kb/s
FLUX 2
Type : sous titres
Id original : 4608
Codec : BD subtitles (bdpg)
Ne sachant pas quel format choisir à l'ouverture du projet, j'ai d'abord essayé toutes les préconfigurations disponibles en AVCHD (en choisissant au préalable le format d'acquisition HDV). C'est à dire que j'ai ouvert un nouveau projet, ai selectionné une des préconfigs disponibles en AVCHD, ai importé le fichier .MTS, et l'ai place sur la time line en le comparant à l'original (visionné sur vlc), le résultat est toujours le même : L'IMAGE EST PIXELISÉ (semblable à une vidéo de téléphone)
Ne constatant aucun regain de qualité , j'ai essayé toutes les autres préconfigs (AVC Intra, DV NTSC, DV PAL, DVCPROHD, HDV etc..), aucuns résultats.
Pourriez vous m'aider ?
Merci !

First of all, this is an English speaking cummunity. If you want to continue in French, visit the French forums and post there. And no need for shouting!!!
Second, get an education in video editing. If you haven't the faintest idea of what you are doing, you are in for a very long haul, as demonstrated by all your senseless actions. It is utterly useless to try all kind of presets, if you don't even know in what mode you have shot. You could try the File/New/New Sequence from Clip command to get you started. Otherwise an AVCHD 1080i/25 (1440x1080) with standard audio preset should work, based on your info.
Additionally, set you playback resolution to full. It defaults to 1/2.

AVCHD presets in CS5 where? + Settings...

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