AVCHD support in Premiere Pro CS3

I just noticed there is a KB technote, kb403297, regarding avchd support in premiere: http://www.adobe.com/go/kb403297 .
As you can see, the technote says nothing. Is there something afoot? Will Premiere FINALLY support avchd ?

Could you please read this new tech note about AVCHD and advise what you think: kb403297 ( just posted today) link: http://kb.adobe.com/selfservice/viewContent.do?externalId=kb403297
In particular, I would like to know if anyone has experience with the blackmagic Intensity Pro card, about which the tech note says:
Blackmagic (recommended)
Blackmagic Intensity Pro card offers real-time capture to the PC from the camera using the HDMI cable into the Intensity card. This provides Premiere Pro CS3 editable format, but the sound is stereo only.
I like the sound of this solution for AVCHD editing (it is $250 to $350).....would like to know if anyone has tried it

Similar Messages

Importing HD (AVCHD) Footage into Premiere Pro CS3 (windows)

Hi guy's the question is pretty much in the title.
Is it possible to import HD (AVCHD) footage into Premiere (with or without aditional software)?
Thanks.

What I can't figure out is why such a major format does not have native support in in Premiere CS3.
http://en.wikipedia.org/wiki/AVCHD
This is a format that has been adopted by Sony and Panasonic and is compatible with most blue-ray players and even the Play Station 3. So why would so many of the small software companies, in competition with Adobe, have recognized the importance of the format and come up with solutions to read and edit the format when Adobe has not?
http://kb.adobe.com/selfservice/viewContent.do?externalId=kb403297&sliceId=2
I've been coming back to Adobe's web site for months hoping to find they are working on a solution and I have found nothing. I have been a huge fan of Adobe software for years and have pumped many a pay check in keeping my Adobe software current, the most recent being the purchase of the CS3 Master Suite. I'm not trying to bash the company but Adobe if your listening I really want to know want to know what the real story is. This goes beyond the "we are just busy and will get to it when can" statements I have been seeing on the adobe sites. It looks to me as though some other deal has been made and Adobe does not want to talk about why they are not incorporating the AVCHD format into Premiere CS3.

Premiere Pro CS3 camcorder help

I've been searching forums and support but can't find where a list of "Supported Camcorders" for Premiere Pro CS3 are. The closest i got was an answer to someone elses similar question which said to search the Knowledge base, (I didn't find crap in there) and the same person said to call "Tech Support"
(i actually need a code or product number).
I simply want to know which cameras will work with CS3!!!! I know the Sondy PD150 and 170 work but they're too expensive. Any help before I purchase one that won't work??????????????????
Thank you in advance.

Jamie, if you're using CS3 or earlier, you can't capture it. Plain and simple, CS3 doesn't recognize it. Adobe has upgraded CS4 and it captures AVCHD video just fine. I looked up and saw that your camera utilizes AVCHD video technology.
Here's some suggestions:
1.You can try capturing it using another method (windows movie maker) and then importing it into CS3 but I'm not sure if that will work.
2.You can search a "video converter" online and download one that will convert your AVCHD video to a usable format (.mpg,.avi or other usable format) I have done this at home but have never found one that is free. Others have told me you can get a free one online.
3.Return your camera and get one that will work with your version of Premiere Pro CS3.
4. Purchase Premiere Pro CS4
5. I don't know what capabilities you or the camera has but some cameras can directly burn onto a DVD, if yours can and you have the capability of using a DVD player to capture video into PPCS3 then you can also try it that way.
I have captured video so many different ways that I'm amazed sometimes at how I've done it.
Sorry, doesn't seem to be a "quick" fix. And I hope this helped a little.
Rick Tomlin
Communications Specialist
City of Abilene
c. 513-3485 o.437-4520
[email protected]

Audio balance greatly different in Encore CS3 after encoding 5.1 master track in Premiere Pro CS3

Hello! I'm wondering if anyone can offer some advice for my DVD audio problem.
I have a Premiere Pro CS3 project with a 5.1 master track that appears to behave correctly judging by the meters when I play it in PP. It also sounds reasonable (in a mixed-down fashion, I guess) on my PC system's speakers (L,R,LFE), and all rebalancing and panning seems to work well. However, once I export the master track to Encore using PP's SurCode Dolby Digital codec, the resulting audio mix is totally off. Here's what I get: both front channels play mainly out of the right front and center speakers, and the rear channels play mainly out of the left front speaker. I've tried all different settings, but I can't seem to change this. Well I've read that Encore just sends the audio mix straight through (the DVD trancode status is "Don't transcode"), but when I build the DVD and play it on both of my 5.1 surround systems, the results are just as bad as what my desktop PC speakers were hinting at. [Actually all DVDs that Encore builds are UNSUPPORTED on one of my set-top DVD players and they're both Panasonic! So first, I first have to copy the DVD using Nero and then the copy is accepted by all. That seems to have no bearing on my audio dilemma but I thought I'd mention it. I would love to know what Nero is doing right that Encore is doing wrong!)
Anyway, here's some background: I began to notice this problem with the audio balancing whenever a .wav music source is imported into PP as a stereo source. [A side issue here - I don't seem to be able to explain - or control - how one .wav file gets imported as stereo while another is imported as 5.1!] Anyway, as one would expect, since my master track is 5.1, the stereo track is automatically set up with a rebalancing tray with the puck set in the middle. The meters show that the source is stereo and the sound has been rebalanced across the master track. If I drag the puck around, the master meters behave accordingly. Then I import my video (.avi video clip) and that sound is imported as a stereo track. For that track, I drag the puck to the rear. Again, the master meters respond correctly. So far so good. But when I export to Encore, the resulting audio mix so completely wrong it can't even be explained as a 5.1-to-stereo downmix situation. The sounds that were supposed to come out of the rear channels are in front left and center (and deafening), overpowering the music that is only coming out of front right. And the rear speakers are silent unless I turn on Pro-Logic on my amplifier, which just confuses the issue. I didn't bother to check LFE as things were bad enough.
Where I DO NOT have the problem is when the audio file is imported as a 5.1 source (although it is just a stereo CD track ripped using Sony CD Architect). In that case, there is no rebalancing tray and the track meter shows only the L and R channels active, as expected. Ditto for the master track. Now if I go ahead and send the music to a stereo submix track and let that rebalance to the master, I see all channels active. But that results in the problem above after exporting to Adobe Media Encoder using SurCode and then importing the audio into Encore. If I don't remix to 5.1, the audio on the DVD is OK. But I would like to have the music come out of all speakers when there isn't a video soundtrack as there are many still pictures in the presentation.
So the question is, if I can rebalance and pan channels in PP CS3, why are the results coming out all wrong in Encore using SurCode? And how can I hear my project on DVD the same way I mixed in PP?
Any help would be greatly appreciated!
Doug Herbst
Holmdel NJ

Problem solved everyone!!!
Rebecca of Adobe support helped me identify the root cause: project was originally set up as standard (2-channel) and although it had evolved to a 5.1 project over time, it could never grow up to be anything other than a standard audio project. After you set up the new project, the setting that controls your audio is buried in the project somewhere. Changing your project settings to set up new 5.1 audio tracks for new timelines does NOT make the project 5.1! The real audio identity attribute set at birth is not alterable OR EVEN VISIBLE (even as a grayed-out project setting) although PP will allow you to set up and mix 5.1 audio tracks at will. So you may think you're working on a 5.1 project now, but you're only fooling yourself and PP goes right along with it. Even the .ac3 files you create via export are 5.1! But dare to build your DVD in Encore and all of your timelines are transcoded back to 2.0 instantly. Resistance is futile.
A new feature in PP CS4 will allow you to view, and even CHANGE, your project's audio identify from standard to 5.1. How sweet!
Well, I've devised a way to dig out myself out of this deep hole in CS3 and it worked, but I can't promise that it will work for everyone. (This assumes you own the Dolby Digital 5.1 codec from Minnetonka.)
1. Create a new Premiere Pro project as 5.1 audio from the get-go.
2. Import your suspected 2.0 project into this new 5.1 project and click each sequence to flesh out the timeline.
3. Re-export all audio as elemental streams using Adobe Media Encoder. Make sure you export the audio component of each timeline as Dolby Digital 5.1 and exactly - and I mean EXACTLY - the same way. To deviate the audio settings for each timeline is to ask for trouble, so I recommend setting up an audio pre-set that you can just click when you need it.
4. Create a new Encore project and import all original video assets and your new replaced and, hopefully, 5.1 audio assets into it.
5. In Encore, create a separate timeline for each pair of assets (.m2v and .ac3 for example). DO NOT ATTEMPT TO PLACE MULTIPLE PAIRS OF ASSETS ON THE SAME TIMELINE! For some unexplained reason, the build process will transcode the audio back to 2.0, and if you continue pack new 5.1 audio assets on the same timeline, you will get an error message "an input contract violation has occurred" because you now have 2.0 and 5.1 assets on the same timeline, even though you really don't know that and didn't ask for that to happen anyway. (Thanks to Bill Hunt who mentioned his habit of keeping the asset pairs on separate timelines in another thread - that suggestion was absolutely essential to the solution here.)
6. In Encore, check to make sure that all of your original video sychs up correctly with the new, true 5.1 audio. Link the end actions of each timeline with the next timeline to play in the correct sequence. Check your project for orphan timelines and other errors. Then, before you start building menus and start getting fancy, build a DVD and make sure it plays as 5.1 on your system.
Tip #1: while you're re-exporting and replacing the audio files, don't have Encore running. I've seen it gracefully and automatically re-import the replaced file once the export is done, but I have also seen it choke with the terribly descriptive "Encore has encountered a problem" message upon discovered the asset is not available while it is being replaced. Encore then continues to mark the asset as offline.
Tip #2: when re-exporting and replacing files, always select audio and video separately. For some reason, Encore will allow you to replace an .ac3 file when you perform an elemental audio export, but when you try to combine video and audio and both files exist, Encore will prompt you to replace the video, but immediately abort with an error that it cannot replace the .ac3 file, thus forcing you to delete the .ac3 component manually before trying again.
Doug

Trouble Importing MOV files in adobe premiere pro cs3

Hi,
I just bought a Canon 60D camera and I am using adobe premiere pro cs3 for the first time.
I tried to import MOV file footages made by my Canon 60D, but it says that my files are not supported.
I don't know what to do!
Can someone help me?
Thank you.

Hi All,
Let me tell you how I solved the XDV9 codec trouble on my Windows 7 system. The solution is rather stunning because I am using completely free software. First download the Shark007 codec pack for your system here: http://shark007.net/forum/Thread-Setup-and-usage . Please be aware that the codec pack installer comes with a toolbar install option so make sure you de-select this option during the installation process. After installation check the MOV tab on the "Settings Application" program. Make sure "use LAV's splitter" is selected for MOV Playback.
Now comes the crazy part... To convert the XDV9 MOV video clips just download Windows Essentials Movie Maker for Windows 7. At this moment more info about this program can be found here: http://windows.microsoft.com/en-US/windows-live/movie-maker-get-started . Again, make sure to set the right settings during installation otherwise you will be installing a lot of possible unwanted crap like Windows Live Mail, Windows Skydrive etc.
Movie Maker has quite good settings for converting (High Definition or custom settings are supported). Select your clip, or select multiple clips to create an unedited full length clip of all your clips, and then select "create movie". I used the "use recomended settings for this project" settings as it matches the source file resolution and frame rates etc. It is quite some work to convert clips like this but its the only free solution I could find so far.
Good luck!
Rodger

Adobe Premiere Pro CS3 3.2.0 update

Thought I'd share a bit of information on the 3.2.0 update that will be coming out via AUM this morning. The update will come out first via AUM, then will be available on the updates page shortly after at http://www.adobe.com/downloads/updates/?ogn=EN_US-gntray_dl_updates.
The readme will also be hosted at http://www.adobe.com/support/documentation/en/premierepro/releasenotes.html.
Dave Helmly has posted about the update on his blog, as well: http://blogs.adobe.com/davtechtable/2008/04/xdcam_and_premiere_32.html#more
New in this release:
- This update adds compatibility with the Sony XDCAM range of cameras. This includes disc-based XDCAM and XDCAM HD cameras., and the newer SxS-based XDCAM EX cameras. Content from XDCAM cameras can be imported and edited natively without transcoding or conversion. This makes possible similar workflows to Panasonic P2, including the ability to edit content directly from XDCAM EX cameras.
- Note: Adobe Premiere Pro CS3 3.2.0 does not support IMX editing or XDCAM HD50 editing at this time. Export to XDCAM is also not possible.
- Adobe Premiere Pro now has presets for HDV 24p. Note: Adobe Premiere Pro does NOT support print to tape in 24p mode.
- Improved handling of MPEG streams (e.g.: HDV video), along with error detection. MPEG stream errors can occur during recording due to tape dropouts, record start/stop glitches, timecode breaks, etc. Bad frames caused by these MPEG stream errors are identified during import/indexing or playback. These frames will play back as full red frames to alert the user that there is a problem in the encoded video at that location. Adobe Premiere Pro will also log error messages to the Events panel, indicating where the error(s) were encountered in the stream. Users can open the Events panel, determine the location of the MPEG stream error, navigate to that location in the clip and take corrective action, such as trimming out the video glitch or covering up the red frames with duplicated good frames copied from before or after the glitch. Note: MPEG files will need to be re-indexed to take advantage of the improvements in Adobe
Premiere Pro CS3 3.2.0. For more information, please see Working with MPEG Files.
Notable fixes:
- Titles/Footage no longer show up as offline when reloading saved projects.
- Rendered preview files no longer missing when reloading saved projects.
- Certain filters and/or transitions are now applied correctly when reloading saved projects, until the timeline is forcibly refreshed.
- When exporting via the Adobe Media Encoder, there is no longer a long delay before the progress dialog shows and rendering resums (Mac OS 10.5.x only).
- 24p HDV clips shot on a Canon XH A1 no longer come in incorrectly as 30 fps clips.
- Creating an offline clip in the project window then attempting to link it to media on disk no longer results in the application crashing.
- QT PAL movies rendered out of Adobe After Effects® software are no longer incorrectly identified as requiring rendering in a Adobe Premiere Pro PAL project.
- DV Clips of certain specific durations are no longer incorrectly identified on the timeline as requiring rendering.
- For P2 DVCPro clips, the right-most pixel column no longer contains video garbage.
- Fixed a memory fragmentation problem that would occur with projects with many custom bin columns.
- Fixed a bug where exporting to a QuickTime movie (with QT 7.4) would crash the application.
- Selecting "display only exact name matches" when relinking clip no longer crashes on Leopard.
- Fixed an issue where 30p and 30f HDV clips would incorrectly be identified as requiring rendering in a 29.97 progressive project.

Harm,
I don't use HDV, so I'm not sure if this is the case or not, but in the top post, there is mention of having to re-index the MPEG files "to take advantage of the improvements in Adobe Premiere Pro CS3 3.2.0." While it seems this should be an automatic process, maybe wiping out the previously-created index files (I seem to remember them being in the Media Cache folder when importing MPG files from DVD rips and such) would let the project open. Or, maybe the old trick of importing an existing project into a new one? Just a couple thoughts...
To the other poster: surely, I don't jest. At least, not when it comes to anything in the video production industry and my operation in it. Long ago, I gave up expecting perfection from any particular piece of hardware or software, and just focused on being creative. That's why I got into this. I refuse to let any piece of equipment dictate what I can or can't do--I just find another way around. Funny how we managed to make it as a species and a civilization as long as we have, and now that computers are here to make our lives easier (*snort*), we're quick to raise our ire about everything that's wrong with them. That's why I will always marvel at things built long ago prior to the advent of all the technology we take for granted today.
Anyway, we're all entitled to our opinions, and I've taken this thread completely off-topic. My apologies, so...

Proxy editing in Adobe Premiere Pro CS3?

Hey all.
I understand proxy editing is a method by which the user does all of his/her editing with lower quality footage, and then all of the edits/effects/transitions/etc are applied to higher quality footage when the project is rendered. Does Premiere Pro CS3 support this feature? If so, how do I use it?

Perhaps, but not in my case. I'm doing my editing on the following rig:
Alienware Area-51 m5790:
Intel Core 2 Duo T7400 (2.16 GHz, 667 MHz FSB, 4 MB L2)
ATI Mobility Radeon X1900 (400 MHz Core / 470 MHz Memory, 256 MB, PCIe)
4 GB (2 x 2 GB) DDR2-667
Western Digital Scorpio Blue (320 GB 5400 RPM SATA)
Western Digital Scorpio Blue (400 GB 5400 RPM SATA)
Windows Vista Ultimate 64-bit
It's a laptop, and I'm taking HDV footage from a Canon HV20. It's not terrible at performance... but it's not as snappy as I'd like to see. Hence why I'd prefer to do editing with standard definition clips instead of the HD clips.

Premiere Pro CS3 Capture Question (Firewire to USB Converter)

Does Premiere Pro CS3 support capture through a Firewire to USB Converter? More specifically, we have one particular PC laptop that does not have a firewire port, only USB 2.0. So we were thinking of getting a firewire to USB converter. Will that work for capturing footage from our Mini DV camera?
Camera is Canon XH-A1S HD and a firewire cable will be running from this camera to the firewire to USB converter, then a USB cable will be running out of the converter into the dual core laptop with Windows 7, 4GB RAM, Nvidia 460M video card.
Thank you!

Might work then again it might not. Have not heared of any positive results. In other words imo its a waste of money.
You need a real firewire connection.

Trouble importing AVCHD files to Premiere Pro CC

I'm Trying to import AVCHD files into Premiere Pro CC, once I import the files using Media Browser. I get a warning for "file format not supported",
I hit OK, then it imports the video clips in .MTS file format. Then when I go in and try to drag any of the thumbnails into my timeline I get the following pop-up box:
"Sorry, a serious error has occurred that requires Adobe Premiere Pro to shut down"
then the program quits. I'm using Premiere Pro CC, the AVCHD files are recorded on a Sony FS700. Can anyone help please?

Are you doing as described below?
Metadata contained in folder http://forums.adobe.com/thread/1015001?tstart=0
-and http://helpx.adobe.com/premiere-pro/using/transferring-importing-files.html
-http://helpx.adobe.com/premiere-pro/using/importing-assets-tapeless-formats.html

Help Trouble Importing Files into Premiere Pro CS3 !!

Before I reinstalled my computer, I was able to import HD MOV files into Premiere Pro CS3 without a problem but now it it says file not supported! what is going on?? Am I missing a driver since I reinstalled my computer? Thanks Please Help

like magic ! how cool...
you might mark thread answered so others dont keep going to it to " help " ...
good luck with new computer stuff...

Can animated titles created in Titlemotion imported into Premiere Pro CS3?

Hi,
We are using Titlemotion Software(Standalone Version)for creating animated titles.
We would want to use these animations into Premiere Pro CS3.
We can save the animations made in Titlemotion as
1) an FX-script,
2) a targa sequence &
3) a '.VIA' format.
'VIA' files created in Titlemotion do not get imported into Premiere Pro CS3, Premiere Pro informs that they are not supported.
Is there any way to import a .VIA file into Premiere Pro CS3?
OR
Is there any work-around wherein animations created in Titlemotion Pro could be taken into Premiere Pro CS3?

Save as a targa sequence with an alpha channel.

Sony CX115E into Premiere Pro CS3

Hi all,
I have ordered a Sony CX115E, asking will Premiere Pro CS3 recognise this camera? If not, when I have downloaded my footage onto the hard drive, will I be able to import the footage into Premiere?
Thank you.

Alas, you will not be able to import or edit the footage as it is AVCHD.
You will either need to upgrade to CS5.5 or get NeoScene from Cineform.
http://www.cineform.com/neoscene/

Big problems exporting from Premiere Pro CS3

Hey all.
Would be massively grateful if anyone here could help me out. I'm in the process of trying to export a 23 and a half minute project from Premiere Pro CS3. I've tried exporting to different formats, (Quicktime, MPEG2, etc..) but keep arriving at the same conclusion. The process will freeze midway through, and I'm greeted by the following error messages:
"premiere pro debug event
premiere pro has encountered an error
[..\..\Src\PPixHandleUtilities.cpp-114]"
When I close that, another window pops up saying;
"export error
application failed to return a video frame.
cancelling the operation."
I'm not really sure where to go from here. Previously during the process of editing this project, I would occasionally get a message telling me that premiere pro was "running low on system memory". Fearing this to be the problem I was having while exporting, I attempted to export an extremely low quality version of the project, but arrived at the same conclusion. I also wondered if there was a corrupt frame or clip somewhere that was causing the issue, so I overlayed one whole transparent clip over the whole sequence and tried to export, but again, the same result.
I now have to put all my faith in you Adobe Wizards! Please ask me any questions that might help you to arrive at what may be causing the problem, I'll answer them the best I can
Many thanks!
Andy

>13.4GB free
FAR too small !!!
The program itself uses more than that for temporary working files
Also, unless you already have a 2nd hard drive or eSata external, you are below specification
Trying to use only ONE Hard Drive for Video Editing
You are a music conductor, with a baton that you use to point to various parts of the orchestra... this is like Windows pointing to various parts of the hard drive to do Windows housekeeping or to load program segments for various functions
Now, at the same time and with the same hand... while still using the baton to conduct the orchestra... pick up a bow and play a fiddle... this would be doing something with your video file at the same time as all the other work
You as a person cannot do both at the same time with the same hand
A computer is a LITTLE better, in that it can switch from one kind of task to another very quickly... but not quickly enough for EASY video editing
You need AT LEAST two hard drives (separate drives, never a partition http://forums.adobe.com/thread/650708 for more) with Windows (or Mac OS) and software on your boot drive, and video files on a 2nd drive so the boot drive is not slowed down by trying to do everything
Partition = Crash http://forums.adobe.com/thread/957286
I find that the three drives I use work very well for me, for editing AVCHD video... some people use a 4th drive, so video INPUT files are on drive three and all OUTPUT files are on drive four... I only bought a mid-tower case instead of a full tower case (my bad... but had to fit in the space available on my office desk!) so I use the three drives that will fit
Depending on your exact hardware (motherboard brand & model AND USB2 enclosure brand & model AND external hard drive brand & model) AND the type of video file, you may... or may NOT... be able to use an external USB2 hard drive for SD (Standard Definition) video editing
Steve Grisetti in the Premiere Elements forum http://forums.adobe.com/thread/856208 and Jim Simon in the Premiere Pro forum http://forums.adobe.com/thread/856433 use USB externals for editing
A USB3 hard drive connected to a motherboard with USB3 is supposed to be fast enough for video editing (I don't have such, so don't know) but eSata DOES have a fast enough data transfer for video editing... I have not used the eSata Dock below... for reference only, YMMV and all the usual disclaimers
http://www.amazon.com/Thermaltake-BlacX-eSATA-Docking-Station/dp/B001A4HAFS/ref=cm_cmu_pg_ t

Startup with Premiere Pro CS3 - few questions

Hi,
I am totally newbie to video editing (and to ADOBE CS programs).
To introduce, here's my setup.
New camcorder (Canon VIXIA HV30, HDV format, miniDV) - still in the owner manual for very basic things...
Premiere Pro CS3 (soon CS4 as entitled to upgrade)
Vista x64 Home Premium
Core 2 Duo 1.86 Ghz, 4GB RAM
Firewire card
I just started to fool around with CS3 and with this camcorder, doing some tests (I use the mini DV HD tapes).
When I capture to Premiere, here are some of the annoying things happening :
1) instead of viewing in real time what is happening, I get a multilingual screen saying that tape is being captured... (very very useful !!...)
2) when I playback the scene, I see edges of things kind of blinking white - just the edges - some sort of what I would call 'distortion' but maybe it's not the right term... Is this just a matter of not having a high-end video card and then, I should not worry: the editing I would do would not appear on a DVD or a published video ? Or, am I doing something wrong ? (last but not least: does it have to do with the camera ? - although I do not see this when watching on the camera side viewer.)
3) This camera can shoot 30p, 24p, hi-def (but HDV format - not AVCHD): what should be the setup to choose :
- on the camera ?
- when I launch Premiere and am prompted with a window to choose format?
Let's start with these basic questions...
Thanks in advance,
Rob

Rob,
1.) You *may* have problems with CS3 and 64-bit OS. CS4 is optimized to work with (though it is still a 32-bit app) 64-bit OS. Things *should* be better. CS3 works beautifully with 64-bit OS for some. Others are not so lucky.
2.) With the Capture of HDV, you will not get real-time Capture preview - nature of the beast.
3.) Can you post a tiny amount of this footage, or a still cap to show what it looks like?
Good luck,
Hunt

PSD lassen sich in Adobe Premiere Pro CS3 nicht mehr importieren

Wir haben seit Montag das Problem, dass sich in Adobe Premiere Pro CS3 keine PSD mehr importieren lassen. Als Fehlermeldung erscheint, dass es ein nicht unterstütztes Format sei. Am Betriebssystem liegt es wohl nicht, da das Problem auf Rechner sowohl mit WinXP als auch mit Win7 besteht. Bis Freitag lief alles wunderbar, nur am Mo. ging es nicht mehr. Weiß jemand, woran das liegen könnte?

[Entschuldigen Sie alle. Ich habe dieses Post geschrieben bevor ich bemerkte dass es gibt hier ein Deutsches Forum. Ich habe es jetzt in einem Englischen Forum auch geschrieben.]
Not a reply, but a "me too". Like Bjoern I use PPro CS3. Mine is on WinXP with all updates. I import PSD files as keying masks. I've never had a problem until this evening (27 Aug 2014). I tried to import a mask I've used many times before. And it has always worked before. Tonight PPro refused to recognize .psd as a supported file type, so it didn't show in the import folder file list. When I told PPro to show "all files *.*", it showed the file. When I selected it, PPro even showed the "import file" window, then displayed the "File Import Failure" window with Error Message: File format not supported. See the picture below.
This is a file I've imported into many previous projects with no problem whatever. In fact, I started with a project file from last year which showed the mask file in the project assets but offline! Even though the file had not been moved.
If PPro CS3 is as obsolete as Adobe claims it is, then who's been messing with it? And how can we get it "unmessed"?

AVCHD support in Premiere Pro CS3

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