Avid DNxHD into Premiere Pro CS5.5?
Howdy. New to Premiere Pro and trying the demo. Unfortunately I'm having a issues right off the bat.
I'm trying to import Avid DNxHD 36 media from Media Composer 5.5. But I get some issue saying that the codec isn't supported. Am I wrong that DNxHD is supposed to be native in Premiere Pro CS5+?
Thanks!
I wouldn't be surprised if REDCineX was using FFmpeg under the hood for that! Definitely use FFmbc for such things, however--it's got more functionality built-in for professional media. It's MXF support is waaay better than FFmpeg's.
BTW: The Premiere Pro docs are rather tight-lipped and inconclusive about the whole matter...
From File formats supported for import:
MXF (Media eXchange Format; P2 Movie: Panasonic Op-Atom variant
of MXF, with video in DV, DVCPRO, DVCPRO 50, DVCPRO HD, AVC-Intra;
XDCAM HD Movie, Sony XDCAM HD 50 (4:2:2), Avid MXF Movie), and native
Canon XF (new in Premiere Pro CS5.5)
From Importing assets from tapeless formats:
Avid capture format
Avid editing systems
capture footage to MXF files, generally into a folder called Avid
Media files, with audio captured into discreet files separate from
the video files. When you import Avid video files, Premiere Pro
automatically imports their associated audio files. However, it
is simpler to import Avid project files, in Advanced Authoring Format
(AAF), than to identify and import individual Avid MXF video files.
Hmm... yeah. A veritable cornucopia of information.
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MEDIA INFO ANALYSIS begins:
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2317 master tk2.mov
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 389 MiB
Duration : 50s 960ms
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 21:28:46
Writing library : Apple QuickTime
Original source medium : 001
©TSC : 25
©TSZ : 1
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 50s 960ms
Bit rate mode : Variable
Bit rate : 62.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.026
Stream size : 380 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 50s 960ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 9.33 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:17:39
Tagged date : UTC 2011-10-12 11:18:10
Menu
ID : 3
Duration : 50s 960ms
Language : English
Encoded date : UTC 2011-10-12 11:18:10
Tagged date : UTC 2011-10-12 11:18:10
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2317 pu1 tk1.mov
File size : 27.6 MiB
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 master tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 2.00 GiB
Duration : 7mn 13s
Overall bit rate mode : Variable
Overall bit rate : 39.6 Mbps
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Writing library : Apple QuickTime
Original source medium : 02319
Media/UUID : 2EA70F55-C743-4789-ADBF-AA22D4838336
Media/History/UUID : 13421430-7675-40B8-B283-EBA8CAE840C2
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 7mn 13s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.014
Stream size : 3.15 GiB
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 7mn 13s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 79.4 MiB (4%)
Language : English
Encoded date : UTC 2011-10-12 11:23:04
Tagged date : UTC 2011-10-12 11:27:39
Source : SCENES 17-21\radharc 2319 master tk2-av.mov1
Source_Info : Missing
Menu
ID : 3
Duration : 7mn 13s
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:27:39
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2319 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.32 GiB
Duration : 2mn 55s
Overall bit rate mode : Variable
Overall bit rate : 64.6 Mbps
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C0F8E421-089F-4DF8-84FD-C3282A9D7550
Media/History/UUID : 74A70F26-2E2B-42FF-8FAF-12AD13F96E6E
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 55s
Bit rate mode : Variable
Bit rate : 63.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.080
Stream size : 1.29 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 55s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 32.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:27:39
Tagged date : UTC 2011-10-12 11:29:31
Menu
ID : 3
Duration : 2mn 55s
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:29:31
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.64 GiB
Duration : 3mn 45s
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Writing library : Apple QuickTime
Original source medium : 26
Media/UUID : 4E246055-0EF9-48C7-8A35-2364AD090B75
Media/History/UUID : A8DBFD8F-7069-44AC-8378-033005B0A581
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 3mn 45s
Bit rate mode : Variable
Bit rate : 60.7 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.852
Stream size : 1.60 GiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 3mn 45s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 41.4 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:29:31
Tagged date : UTC 2011-10-12 11:31:52
Menu
ID : 3
Duration : 3mn 45s
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:31:52
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2320 pu1 tk2
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 186 MiB
Duration : 25s 120ms
Overall bit rate mode : Variable
Overall bit rate : 62.2 Mbps
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : CD6679BE-8909-4A1E-91D6-30ACB7D0787B
Media/History/UUID : 2ED88EE8-565C-4AD9-8C49-22E7361338AB
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 25s 120ms
Bit rate mode : Variable
Bit rate : 60.6 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.848
Stream size : 182 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 25s 120ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 4.60 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:31:52
Tagged date : UTC 2011-10-12 11:32:07
Menu
ID : 3
Duration : 25s 120ms
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:32:07
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu1 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.02 GiB
Duration : 2mn 12s
Overall bit rate mode : Variable
Overall bit rate : 66.1 Mbps
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 388B8B8B-1D1E-41DA-925A-EE667EA4BB62
Media/History/UUID : 13755F55-1589-4033-8411-90D565DE4F17
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 12s
Bit rate mode : Variable
Bit rate : 64.5 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.225
Stream size : 1 021 MiB (98%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 12s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 24.3 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:32:07
Tagged date : UTC 2011-10-12 11:33:33
Menu
ID : 3
Duration : 2mn 12s
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:33
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 cam2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 262 MiB
Duration : 35s 720ms
Overall bit rate mode : Variable
Overall bit rate : 61.6 Mbps
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : 0BA3D2D7-2464-4BB6-92BB-54560243ECB9
Media/History/UUID : 7FD2FBCF-C17F-42AE-BF5D-90F1805E5DE6
Video
ID : 1
Format : ProRes
Format profile : High
Codec ID : apch
Duration : 35s 720ms
Bit rate mode : Variable
Bit rate : 60.0 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 5.790
Stream size : 256 MiB (97%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Audio
ID : 2
Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 35s 720ms
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 6.54 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:33
Tagged date : UTC 2011-10-12 11:33:55
Menu
ID : 3
Duration : 35s 720ms
Language : English
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:33:55
General
Complete name : D:\Video Editing\Video Projects\RnR Rushes\RNR SERIES 16 EP 21 PRO RES\SCENES 17-21\radharc 2321 pu2 tk1
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt
File size : 1.27 GiB
Duration : 2mn 50s
Overall bit rate mode : Variable
Overall bit rate : 64.0 Mbps
Encoded date : UTC 2011-10-12 11:33:55
Tagged date : UTC 2011-10-12 11:35:43
Writing library : Apple QuickTime
Original source medium : 001
Media/UUID : C138D770-ED74-4FEA-865D-681D34ABAE7D
Media/History/UUID : CA3A07FF-5DEE-4C3E-96B4-0BCD1EE5633E
Video
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Format : ProRes
Format profile : High
Codec ID : apch
Duration : 2mn 50s
Bit rate mode : Variable
Bit rate : 62.4 Mbps
Width : 720 pixels
Height : 576 pixels
Display aspect ratio : 5:4
Frame rate mode : Constant
Frame rate : 25.000 fps
Standard : PAL
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Interlaced
Scan order : Top Field First
Bits/(Pixel*Frame) : 6.019
Stream size : 1.24 GiB (98%)
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Encoded date : UTC 2011-10-12 11:33:55
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Format : PCM
Format settings, Endianness : Little
Format settings, Sign : Signed
Codec ID : sowt
Duration : 2mn 50s
Bit rate mode : Constant
Bit rate : 1 536 Kbps
Channel(s) : 2 channels
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Stream size : 31.1 MiB (2%)
Language : English
Encoded date : UTC 2011-10-12 11:33:55
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Tagged date : UTC 2011-10-12 11:38:24 -
Importing .mts AVCHD video into Premiere Pro CS5.5, HELP!
Hello,
I am new on Adobe forums and I nedd a question answered.
I have seen that there is no definite answer on how to import .mts files from my Canon Vixia HFR20 to Premiere Pro CS5.5.
I get "The file has an unsupported compression type" message. For now I convert the videos to .AVI but i would why would I continuosly convert them?
I bought the camera mainly for the HD, so help soon would be greatly appreciated!
Thanks in Advance,
Ethan
P.S: I have a PC to put that in mind...Post a screen cap of what presets you have.
Maybe you have gotten the revert to trial bug and lost your options to play these files since they dont play in the trial version.
Here is what mine look like.
Here is the Properties of the file you uploaded.
And here is what sequence that was created when dragging to the New Item button.
See if you have the same options.
GLenn -
Export .wav with markers from Audition into Premiere Pro CS5.5
Hi,
I need help in getting a multitrack mixdown with markers from Audition into Premiere.
This is what I have:
An Audition CS5.5 multitrack session with lots of markers
This is what I did to export:
Audition > File > Export > Multitrack Mixdown > Entire Session > .wav & "include markers and other metadata"
When I import that .wav in Premiere Pro there are no markers, neither in the source monitor, nor in the sequence.
When I import it into After Effects, all markers are there. Unfortunately, this does not help me in my editing in Premiere.
Is there any workaround for that? A direkt export from Audition via
Multitrack > Export to Premiere Pro
did not help either.
There is a thread on this in Soundtbooth (sorry for posting there, too) where it is stated that it should work in Premiere, too:
http://forums.adobe.com/message/3908899#3908899
Please help, regards,
AndreasHi Tim,
first of all, thank you for your help.
I also just filed a bug report, as you suggested.
Now let me share the results of checking out the workaround that you suggested:
1. Export to Premiere Pro via "Mulitrack menu > Export to Adobe Premiere Pro"
I had tried that before and found it not working. This was a partial mistake. What I mean by that is, when you do that, the exported .wav files get automatically added to the sequence timeline. And do not show markers. BUT, what I overlooked was, that there is a sequence created alongside which resides in the project panel. This sequence does in fact include the markers, as sequence markers.
Now comes the bitter part: When I delete the automatically added .wav from the timeline and replace it with said sequence, the markers are treated as clip markers. By contrast to After Effects, in Premiere Pro clip markers do not contain any text / names. I.e. all metadata is lost except the mere fact of anonymous markers on the timeline.
2. Export to Premiere Pro via " File menu > Export > FCP XML Interchange Format"
Same as above. Except, that I had not tried that before. What I had tried before was ...
3. Export via " File menu > Export > OMF"
Interestingly, this cannot be imported in Premiere Pro at all. Could this be another bug?
Comment:
I really hope that the markers export/import gets fixed soon.
I also wished, that clip markers in Premiere Pro would be as intelligent as in After Effects (naming, updating, showing their text clearly in the timeline)
I also wished that sequence markers would be as intelligent as comp markers in After Effects in showing their text clearly in the timeline.
... but thats a lot of wishing going on
Kind regards,
Andreas -
How to bring an Avid project into Premiere Pro CS3?
My client has an old Avid project that needs to be re-edited. I'm using Premiere Pro CS3. Can easily purchase any necessary conversion software (NOT going to buy Media Composer :P). Is there any way to 'easily' import it?
I'm familiar with the Automatic Duck software suite, but they don't seem to have an option for conversion to PPro. What about converting from Avid to After Effects, and then somehow importing the After Effects into PPro?
I'm extremely new to EDLs and very hesitant to use them :). Any advice?I've had some degree of success going from Avid to PPro through the use of AAF (Advanced Authoring Format). If the project is really complex, the transfer may not work that well, but I was surprised to see just how much transferred cleanly. Check the Avid documentation for exporting a project as an AAF, and the PPro documentation for importing.
One thing to note is that you will have to recapture the media from the original source tapes, as PPro will not work with media files created during capture on an Avid system. -
Import Premiere Pro CS3 Windows projects into Premiere Pro CS5 Mac.
Hi there people. I hope you can help me. I have had premiere pro CS3 on my windows system for some years but now run a Mac with Master Collection CS5, my problem is that my existing prproj files on windows format do not open in CS5 Premiere Pro for Mac, I get a message telling me that I need to see the user guide for importing options, I have tried to do so, but there is no information about how to do this.
Can anyone here please tell me how to get around this, as I need to rework some of these old windows projects however my old windows system is totally dead now so I cannot open the files in the CS3 windows version either.
Please help, oh and spare me the useless windows vs. mac arguments.
I hope someone here can help
ThanksSince you are trying to Open a CS3 PC Project, you should not have THAT many issues in CS5 Mac. Have you tried both the Open and Import - similar but different operations? Have both methods failed?
One possible problem would be the Effects & Transitions used in the CS3 PC Project. Here is a LIST of the Transitions and Effects in CS4 for the PC, that are missing in the Mac version. I would assume that CS3 and CS5 would be similar. However, in similar cases, PrPro has thrown a more specific error message. I have only Opened Pr 6.5 Mac Projects into PrPro 2.0 PC, and these have been almost perfect. Where there were missing Transitions, I got a very explicit message, telling me what had been used that was missing from my program, and exactly where the problem existed (specific TimeCode). In my case, two Transitions just did not exist in my PrPro 2.0, and one was a 3rd party Transition, or Effect, and I did not have that. Still, the older Mac Projects Opened fine, and I just made note of where I would need to make changes. I would anticipate that similar would occur, if the Mac version did not have some Transition, or Effect, but do not know specifically. Still, based on the warning messages that I got, with such complete documentation, I'd expect similar.
Now another consideration - Assets. If there are Assets that you cannot work with on your Mac, say DV-AVI, or WMV, those would likely throw an error. Again, I would expect that error message to elaborate a bit more.
Do you know the details of your CS3 Projects and their Assets? Anything that you can think of there?
Just thinking here, and unfortunately, I have never gone the direction that you are going, and with the versions that you are working with, so something simple and glaring (to others) might just be slipping past me.
Good luck, and maybe others will have much better input on your issue. Also - welcome to the forum!
Hunt -
Import Avid rushes into Premiere pro 5.5
Dear All,
An editor digitized 16 tapes on Avid Media Composer and we need to work this project on Premiere Pro 5.5. I have tried to import MXF files and it works but without audio.
My questions are:
Is it safe to import (drag/drop)? Will i have some issues in the futur if the project is big?? or during the export??
How can i import the audio files??
Thank you very much.
And really thanks Adobe!The trouble is that Avid creates OPAtom style MXF files (ie the video & audio essences are stored in separate MXF files, as opposed to OP1a (such as typical Sony XDCAMHD files)). So if you import each file, you could get the constituent pieces (ie each audio/video essence as a separate clip), but then you'd be stuck trying to group the clips together manually.
You *might* be able to get the files to import correctly if you export an AAF from Avid & bring that in - with any luck, the individual media files should be correctly referenced in the clip objects. Give that a try...
Wil -
Importing MTS files into Premiere Pro cs5
I have been reading though some threads recently and now it has me wondering what I am missing on this subject. I have been working with MTS files for quite a while and have been dragging the folder into my project and rendering from there. (iMac 2012 with retina display)
Does this method affect the quality of these files? Is it better to convert them from a converter program and then import them? Also I have not been able to use any of the clips unless I keep them attached to the whole. Noticing this is not the case for my friend who uses .mov. Is there a way around that, that I am not aware of.
Coming from SD digital tape based camera to the Canon XA10 using ACVHD cards the quality already looks better to me, but if there is a chance it can look even better than I want to try that method out.
Thanks for any help/ideas I can get.
ruezSome notes about using video from SD card based cameras (or hard drive cameras)
Metadata contained in folder http://forums.adobe.com/thread/1015001?tstart=0
-and http://helpx.adobe.com/premiere-pro/using/transferring-importing-files.html
-http://helpx.adobe.com/premiere-pro/using/importing-assets-tapeless-formats.html
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