Bar and Tone (NTSC) no audio in timeline but can hear it in viewer
Help! I've got a deadline as usual!
I put the color bar and tone in and can hear it in the viewer but not in the timeline. I don't know what I'm doing wrong.
Any help would be greatly appreciated
Make sure you have at least one audio channel active on the timeline before you drag it over.
Message was edited by: Knifedge
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Unrendered Bars and Tone (NTSC) in Generator
Hello,
I've had this strange problem for awhile now and cannot find a fix. My NTSC bars and tone generator from the viewer comes up as "Unrendered" in the Viewer and when I print to video, yet the tone is still good. All the other generators are working fine.
To try and fix this I have reinstalled several times, restarted many times and tried all manner of exporting, etc. Where can I go to correct this? I've searched the forums and internet and gotten no results.
Any help appreciated.
-TW"Unrendered" in the Viewer window? Your FCP install is losing it's marbles.
... that's always a good indicator that its time to *Trash Your Preferences*
Look to FCP Rescue or Prefs Manager -
Is there a way to generate bars and tone in fcpx?
All the discussion communities I could find seem to tell me how to do it in FCP7. And when I download versions from the internet, they play incorrectly-soft and warbly.
Thank you.tr3 wrote:
Thank you.
Sure. You should be all set. This is what I sent over:
The 1 kHz Sine waves folder has three audio files:
1K mono
1K stereo
1K mono (short)
The tones were generated at -12 dBFS. You can use the “short” tone to bleep stuff out, if necessary. Remember that you may need to adjust it’s level.
The Color Bars with Tones folder has two video files:
178 Bars and Tone. That’s your 1980x1080 HD version. The tone is embedded, and is also 1K @ -12 dBFS
235 Bars and Tone . That’s your “Cinemascope” version. Resolution is 1920x816, tone embedded, same specs.
Keep in mind you can re-scale the video files. In other words, if you need 1280x720 (720p), just resize the 1080p movie and you should be good to go.
-paul. -
Using Bars and Tone When Importing From Cards?
I edited video for decades, and for years on an Avid, and quit before we started recording onto cards and entirely digital material. I'm used to importing, let's say Digibeta tape, and using the color bars and tone to set-up the picture and audio using the bars and tone the cameraman recorded before shooting. I've been asked to work on some projects shot on cards, not analog or digital tape, and many video editors stare at me when I mention setting up using bars and tone as if that is not necessary any more.
Every camera is going to lay down video with slightly different color and exposure characteristics and I would imagine that footage would need to be adjusted using color bars. Otherwise, wouldn't the colors and exposure from different cameras be inconsistent when cut together?
I understand that waveform monitors are still used to make sure shots are "broadcast legal" if the show is going to be broadcast, but are the waveform monitor and vectorscope not used when importing footage any more? I know that color hue is used by shifting the phase, which doesn't exist on digital, but there still must be a need to tweak the color coming from different cards and cameras. Please help me out on this...
Thanks, from an old analog hacker
GregI'm the OP and I'd like to get back to my original inquiry, and thank you all for reminding me that I'm not alone in trying getting blank stares when I ask for bars and tone at the top of the footage. But I'd really like to know how one sets up FCP to run the footage from the digital tape or chip and tweak the video signal before importing, so that all the footage I capture comes in with the video properly set.
For example, today I shot with some fellows rather new to video, but they put down bars and tone. When we went to import the footage (some from tape, some from chip) we couldn't figure out how to run the incoming signal through FCP, see it on the waveform and vectorscope, and access the controls to tweak the exposure and color BEFORE importing a single frame. Is that possible in FCP, would you please tell me how to do it?
We could tweak footage after we imported it into FCP, but when we wanted to tweak it before importing, when we tried to capture we got a dialog box that basically said "Capture" or "Cancel". Is there a Preference or setting to choose so that we can do what I want prior to importing, or am I stuck tweaking each shot after I've imported all the footage?
Thanks,
Greg -
Just downloaded FC"P" X and having a look around I cant find Color Bars or Tone anywhere...?
Did a quick search on the help... but couldn't find anything.
Surely I must be missing something here - they must be available right!!?
I know I could output some from my deck or earlier version of FCP but thats not the point really is it. What possible reason on God's green earth could there be for omitting something so simple. Sorry but most del specs (even for digital tapeless) require bars and tone.
Can someone point me in the right direction - they must be in here somewhere.
Thanks in advance
JIf I were to use FC X for a delivery then that would be the way to go I suppose.
Or generate b+t on the deck and ingest to the computer and then import to fcp.
Dont think I'll be using FC X for anything in the short term though. Just playing around. See where it goes.
So many odd decisions - why get rid of a perfectly good, simple feature like "make freeze frame" - I know you can do it using the retime tool now but its a round about way of doing things.
Sorry if sounded rude - there are so many crazy Apple fan boys willing to jump on people here at the slightest hint of criticism :-)
Thanks
J -
I open a file - playback - the audio is there - doesn't appear in timeline, but I hear it, after 1 edit, the audio disappears. I have to reboot to get it back then it happens again. All suggeswtions welcome. Thank you, Randy
Is your Premiere Elements 12/12.1 running on a Windows 7, 8, or 8.1 64 bit computer or a Mac computer?
What is the brand/model/settings of the camera recording your video?
Windows 7 64 bit PC
Footage taken from DVD through Adobe Premiere Elements
Are you sure about the Frame Width and Frame Height that you gave 720 x 484? Did you mean 720 x 480?
Yes, my err. 720X480
For the Frame Rate, was it really 29.97 frames per second and you rounded it off to 29 frames per second? Or,
is the frame rate really 29 frames per second?
If the properties that you just posted are representative of your source file, what project preset did you or the
project set for the project preset? If you are not sure, please tell us the readings for Editing Mode, Timebase, Frame Size,
and Pixel Aspect Ratio under Edit Menu/Project Settings/General.
Still having problems - haven't been able to edit project.
Thank you for your help.
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