Basic Advice for Framerate in FCP

Let me start by saying that I'm not the most technically grounded editor out there. So if you can keep your answers as jargon free as possible, I'd appreciate it. Here's a thumbnail sketch of what we're doing...
We shoot with a couple of different cameras. One a JVC that shoots 720p 24 frame, and the Canon XL H1 that shoots 1080 24 frame. Or I guess to be more accurate, we're setting each camera up to shoot 24 frame.
Our main client is a TV station that as of yet hasn't gone HD. So we're ingesting the video HD, and then editing in a timeline with the following settings.
720x480 NTSC DV (3:2) Pixel Aspect CCIR 601, Anamorphic, Timebase 29.97
Now most of the time, things look pretty good, but we've had some video, especially quick moves and the like, where there's what I'd describe as 'ghost like' artifacting...
I suspect that we've gotten ourselves into trouble by shooting in 24 frame, and then editing in drop frame 29.97
Can someone give me some really simple feedback as to how we'd be better off? Possibly link me to something I can read up on? Appreciate any help someone can give!
Brent

Differences between 24p and 24pA in DV
Quoting Graeme Nattress' article found at Ken Stone's site:
http://www.kenstone.net/fcphomepage/24p_in_FCPnattress.html
"24p Normal
When shooting in 24p Normal, the camera is adding normal standard 3:2 pulldown to the video, which results in 24p footage designed to work with any non-linear editing suite and it will play back and look good directly to any NTSC monitor. You can use 24p Normal footage just like normal video from any DV camera, and everything will work fine, but obviously, the footage will have a film look to it. If you’re just going straight back to NTSC video tape, then using 24p Normal is the simplest, easiest workflow. No special treatment of the footage is needed and you really can just edit as normal.
24p Advanced
Before you shoot 24p Advanced, you should fully understand it’s workflow implications. If you watch 24p Advanced footage before you’ve removed it’s pulldown, then it will look a bit jumpy and jerky. This is totally correct, because 24p Advanced is not designed to be viewed as is.
To use 24p Advanced and gain all it’s advantages, you should know that you cannot edit it as is (as this would leave it’s jerky looking pulldown intact), but you must first remove it’s pulldown. Final Cut Pro will do this for you, leaving you with the 24p footage without any of the extra “padding” fields that are added to make it’s frame rate 29.97fps. Now that your footage is 23.98fps, it must be edited on a 23.98fps timeline, and this can cause problems if you, for instance, want to include other footage, B-Roll, or stock footage, that comes from a different source. However, once you have your finished edit at 23.98fps, you can make a 24p DVD, which will allow you to compress your MPEG2 less than if you were making a normal 29.97fps NTSC DVD, and hence attain higher picture quality. Similarly, if you’re making a web movie, you will find it easier to get a higher quality result from 23.98fps media than normal NTSC media. 23.98fps movies are also easier to take out to film that 29.97fps movies.
If you are editing in a 23.98fps timeline, Final Cut Pro will add pulldown on the fly, over Firewire, so that you can see your movie on a normal NTSC monitor. Similarly, it will add pulldown when going back to DV tape. However, this will not work on a non-DV format output, say to Digital Betacam, and slower Macintoshes do not have the power to add 3:2 pulldown in realtime, falling back to lower quality pulldowns which although are not too bad while editing, will not make the final project look as acceptably good on television as a final product."
What that tells me is that 24P just adds a "look" of 24 fps to the footage that resembles that of telecined film, but that you work with normally at 29.97fps. Or, if you want to, you can add a reverse telecine and work at 23.98. Either way.
BUT, with 24PA, the footage looks jittery when played on the tape. So sure, you can work with it and output it to tape, but that tape is useless to anyone OTHER than someone who can capture it and perform a reverse telecine to work with it. It will not work as a Master tape for any viewable purpose: Broadcast TV, projected video from tape, a master tape for dubbing purposes. So, in effect, it is useless as a tape master, and should be avoided.
If you happen to have a 23.98 sequence and need to output a 29.97 master, any good capture card (www.aja.com, www.decklink.com) will add the proper pulldown when it outputs.
Shane

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Helpful advice for new high definition camcorder owner

I recently purchased a new camcorder to record games for our high school basketball team. (Canon vixia HF R10) I have been playing around with the settings to find the best setting for recording fast moving action. Any advice on settings?

classact wrote:
I recently purchased a new camcorder to record games for our high school basketball team. (Canon vixia HF R10) I have been playing around with the settings to find the best setting for recording fast moving action. Any advice on settings?
Really for a camcorder there isn't anything special. Only things I can think of are:
1) Make sure you do not use any modes (such as "night mode") that can potentially drop the framerate below normal.
2) You probably have the option of 24p and 30p framerate modes - choose 30p for sports.
That's basically it for video.
For still pictures, it's all about the fastest shutter speed, but for video - not important as long as your shutter speed doesn't go so slow as to reduce the framerate.
*disclaimer* I am not now, nor have I ever been, an employee of Best Buy, Geek Squad, nor of any of their affiliate, parent, or subsidiary companies.

Rules/Advice for use of FCE/iMovie

Reading through many posts seems I find some general rules of thumb not found elsewhere. Thanks in advance for all comments.
For serious video editing work and creation an external firewire HDD is needed, mainly to avoid dropped frames in either FCE or iMovie (iM). The new 20" iMac and external HDD (with 2 firewire connections, for the input device (DV camcorder or DV/SVHS deck) and to the iMac) should be able to run either FCE/iM.
I just did a 45 min project in iM with no noted dropped frames but likely would in much longer projects if I don't get the external drive?
Audio bit rate. Advice I read for iM is that without 16 bit audio the audio gets out of sync in long projects--does FCE also need 16 instead of 12? Not knowing this need, I've recorded a number of projects (with a DV deck and a DV camcorder) in 12--can I capture to the iMac/external HDD in 16 if I'm playing from a source tape that's 12?
Chapter Markers. Seems there are "Rules for Chapter Markers" that I won't repeat here but suspect they apply to both FCE/iM when used with iDVD. Do those rules apply when you use DVDStudio instead of iDVD? One rule I haven't seen yet is that one should likely not use the apply chapter markers option in iDVD as it could apply a marker that violates the "rules" and cause strange results in the DVD when played, right?
Any other rules or concerns I've missed--perhaps always max out on RAM even if its rather costly? What other basic tips or secrets should I know for editing with these products?
Dale

I'll just cover a couple of your points:
Hard drvies: Internal HDs are actually a better choice, overall, than external ones .... if you have the option to have a separate HD for your Scratch Disc. You should not be storing your meids (your video) on the same disc where FCE lives, in other words, your system disc. Also, space is important; you should never let your scratch disc (your media disc) get too full. I think the reccomendation is something like you should always have 25% of that disc free. So, if you can do that with an internal, go ahead; if not, an external is your only option
RAM: More RAM is good; if you can, I would go up to at least a Gig but this would be more for other apps or running multiple apps at the same time. I ran my G5 on 512mb RAM for a year with few probs (BTW, I'm a pro wedding editor) FCE performance is more determined by Processor speed than RAM anyway
Dropped frames: Lotsa reasons for this but some ways to avoid it is to not have a lot of sequences open at once, lowering your RT settings, not running programs in the background, etc
Audio: As Ian already suggested, the rule for bit rates in FCE is to keep it all the same, so even any music you import should be resampled as a AIFF that matches your sequence ie all 12 bit or all 16 bit. Frankly, I don't know why someone would shoot in 12 bit; it is a lower quality sample rate. Some peeps do it cuz their particular cam allows them to acces other audio tracks in 12 bit; audio tracks you probably wont be able to capture in FCE anyway. At any rate, just keep that sampling rate all the same and you should not have any probs with sync.
Another key point in FCE that when you do your final export, you have to mixdown your audio. From Edit, Select All then go Sequence>Render Only>Mixdown
Chapters: Basic rules for this in FCE is you can't have a chapter marker less than one second away from the beginning or end of your program. I think iMovie has probs if you place a chapter marker right on a transition; FCE is more forgiving but I tend not to do this too much, it doesn't look very neat in playback. When you set your chapter markers, don't forget to select the Chapter Marker option in the submenu and don't erase the <Chapter> heading: that does not show up in your export. When exporting, make sure nothing is selected in your timeline and use Export as Quicktime Movie and select Chapters from the pulldown

HT204053 Is it possible to have two (or more) different icloud mail accounts (not alias) under the same apple id? If not what is you best advice for all family members to have their own e-mail and still share the purchases under the same apple id. Thanks

Is it possible to have two (or more) different icloud mail accounts (not alias) under the same apple id? If not what is you best advice for all family members to have their own e-mail and still share the purchases under the same apple id. Thanks

mannyace wrote:
Thanks for the response.
So I basically won't run into any trouble? I
There should be no issues. Its designed to work like that. You don't change Apple IDs just because you get a new device.
mannyace wrote:
Thanks for the response.
Is there any chance that the phones can fall out of sync?
Unlikely. But nothing is impossible. Though I don;t see how that would happen. As long as both are signed into the Same Apple ID / iCloud Account they will be N'Sync. (Bad Joke)
mannyace wrote:
Thanks for the response.
If I get a message or buy an app or take a photo on the iPhone 5, how do I get those things onto the iPhone 6?
If you buy an App, you have 2 ways to get it to the iPhone6: If Automatic Downloads is enabled in Settings->iTunes & App Store, it will automatically download to the iPhone 6 when you buy it on the 5 and vice versa if you buy it on the 6, it will download to the 5.
Alternatively, you can simply go to the App Store App->Updates->Purchased and look for the App there and download it. Purchased Apps will not require payment again. i.e They'll be free to download to the iPhone 6 once purchased.
SMS Messages will sync over using Continuity as long as they are on the same Wifi network. Otherwise, restoring the iPhone 5 backup to the iPhone 6 will transfer all messages received up until the backup was made onto the iPhone 6.
Images, can be transferred either through Photo Stream
My Photo Stream FAQ - Apple Support
Or any Cloud service you want such as Dropbox, or One Drive.
mannyace wrote:
Also, something i forgot to ask initially: Should I update the iPhone 5 to iOS 8 first or does that not matter?
If you want the Continuity features as explained above you need to update the iPhone 5 to iOS 8. Otherwise its not all that important.

What are the recommended optimum import settings for pictures into FCP

I'm using FCS 7.0 and about to start a project / slideshow with about 700-900 pictures. The images are currently slides but will be converted into digital images. What would be the recommended settings / format to have the pictures converted into digital images for Final Cut? Also, any advice on the sequence / timeline settings as well would be appreciated.
Thanks!

Look at this first...it's designed for stills...and when you're done you can export it for use in FCP
http://www.boinx.com/fotomagico/overview/

LabVIEW done right: Requesting advice for a large LabVIEW project

Hello Everyone,
I have been coding LabVIEW for about 2 years now, off and on as my company requires it, and although my coding abilities and neatness have improved greatly since I first started I still end up with large, messy looking programs.
I have a great understanding of SubVIs and use them regularly and often. I am also familiar with the various code structures such as a producer/consumer or state machine. But I keep finding that too much of my main code is interdependent on common variables, indexes, and values that it seems impossible to simplify any of them into subVIs because I would need like 10+ inputs or a custom cluster for each one. This seems counter productive and time consuming.
I have searched far and wide for good programming technique for larger labview programs and I have only been able to find the most basic advice such as "Use subVIs" or "Use a state machine" and all the examples I can find are laughably simple.
I can reduce my program to 3 while loops. One captures Events and gives commands on a queue, another takes those queued items and performs actions, and the third performs data gathering, plotting, and saving once each second. This starts out good, but by the time I've incrementally added all the features my company requires, each loop is a huge interconnected mess of wires with no clear way to section them up into subVIs.
A solution would be to make everything either a global variable or FG but as a native C programmer I was always taught to avoid globals. And if I went the FG route I would need somewhere around 100+ different VIs just to handle them all.
Is there something I'm missing? I want to know how you pass data between the various loops of your program. Do you use one big cluster? Globals? FGs? None of these options seem ideal to me but maybe I'm missing something obvious.
If anyone has any advice for me, it would be well appreciated. Better yet, if anyone has, or could point me to, an example program exhibiting an ideal programming structure for a project similar to the one I mentioned above, I would love to take some time to look it over. Hopefully I'll be able to pick up some good tips and tricks for keeping my main VI to one screen size, and effectively passing all the required data to all the subVIs that require it.
Thanks in advance,
-Aaron

AaronMcCollough wrote:
I have a great understanding of SubVIs and use them regularly and often. I am also familiar with the various code structures such as a producer/consumer or state machine. But I keep finding that too much of my main code is interdependent on common variables, indexes, and values that it seems impossible to simplify any of them into subVIs because I would need like 10+ inputs or a custom cluster for each one. This seems counter productive and time consuming.
I can reduce my program to 3 while loops. One captures Events and gives commands on a queue, another takes those queued items and performs actions, and the third performs data gathering, plotting, and saving once each second. This starts out good, but by the time I've incrementally added all the features my company requires, each loop is a huge interconnected mess of wires with no clear way to section them up into subVIs.
Do you try to identify related information that can be used by a whole set of related subVI's? For example, you might have several parameters related to a specific piece of hardware. These can be grouped into a typedef cluster (or, even better, an object with all the related subVIs part of the object class). You definitely don't want to be using custom cluster for each subVI, but well designed subVI's shouldn't have more than a few custom inputs once related information is grouped.
As for data in the loops, I usually just have one big cluster in a shift register. This is never itself sent into a subVI, but parts of it (the typedef clusters or objects from above) are unbundled and sent into subVI's. It's basically just serves as a cleaner way of holding all the parameters. I'll attach an image of a "state" of the program I'm now working on. There are only a few wires unbundled in each individual "state", even though the full cluster (the top shift register in the image) has 20-odd components (and some of them are subclusters/objects that themselves have many components, such as the "Selected Record" object in the image which itself is a 15 element cluster).
BTW, I'm using the "JKI state machine toolkit" which you might want to look at to get some ideas.
-- James
Attachments:
Code example.png ‏45 KB

Capturing audio from telephone for use in FCP

My requirement is quite specific, and so far none of previous posts seem to answer my question. So...
I'm looking to capture audio from my telephone for use in FCP. It won't be a telephone conversation, but a voice text. In other words, an SMS sent to a landline. The audio is saved as a voice message on the answer machine. My phone / answer machine is fairly basic - it has a speaker and the only ports it has is for power and the telephone line itself. I have tried a very basic method of playing the message on speaker and capturing it on a mini DV - but that results in too much audio edit to get it to sound acceptable. My Mac is a G5 and I have the full FC studio, but just not sure of best way to get audio onto the Mac without losing too much of the sound quality.
Any suggestions?
Many thanks all...
Kirsten
iMac G5
iMac G5

you need a telephone audio interface like the products made by the fine folks at gentner, telos or jk audio. i have a celltap from jk audio, works very very well. http://www.jkaudio.com/celltap.htm

Advice For Someone Using A Professional Printer For The First Time

Hello everyone
1. I'm doing some posters and flyers for my club using Pages. We've got them looking how we want on my home inkjet printer but now we need someone to print out large quantities. I've never used a professional print service before. There are simply loads of posts on this topic but I wonder if there is anyone out there that does this a lot and can tell me how they do it. I was hoping to initiate the definitive Professional Printing FAQ thread.
2. Reading the numerous posts, there are lots of terms that I don't understand like 'bleeds' and 'pantone'. Understandably, print is a whole new world of technical terms. Can anyone recommend a good introduction to all this on the web?
Thanks

I don't know of a good basic FAQ for printing, but I can try to address some of your issues.
What is a "large quantity", IanB? Tens, hundreds, thousands? In my experience this is probably the most critical issue, since it pretty much determines the printing method used (and thus the cost). Anything under about a thousand copies will these days likely be printed "digitally", which essentially means run off on a colour laser printer. In my experience, as long as you are not fanatical about colour accuracy, this method is very forgiving of the way the source file is set up, and most houses will take standard PDFs. It is much more expensive on a per-unit basis than offset printing, but there is also little/no "set up" cost, which means that for short runs it is often far more affordable in terms of total cost.
Once you get to big runs, where you need offset printing (presses that use metal plates for different colour inks), things change a fair bit, as you have to deal with colour separations and possibly spot (Pantone) colours as well. The setup costs for this kind of printing can be very substantial (making metal plates is expensive), but once set up, the cost per unit is far less than digital printing. If this is your first time out, I'd suggest either avoiding going this route, or finding a very understanding print shop that is willing to hold your hand through the production process.
As for bleeds, that refers to when objects on your document go all the way to the edge of a page. The problem with using bleeds is that they require the printer to print the page on a larger physical piece of paper, with the bleeding objects slightly over the desired edge, and then trim that paper down to size, cut so that the bleeding section is cut through (to avoid a white unprinted edge). But because the cutting is not always absolutely accurate, you need to leave space between the edge of the page and any material that absolutely has to be on it (e.g., text), so that the trimming will only cut away some of the bleed, but not the critical material.
Bleeds make setting up (and printing) your document much more complicated, and you will be much better off if you can avoid bleeds for your first experience doing professional printing. If not, I'd again suggest that you shop around for a print house that says they'll be willing to walk you through the process of how to format your document to do this.
I'm sure others here that are more experienced in the printing process can point you to more comprehensive resources, or give you more detailed advice.

External Hard Drive for PowerMac G5 for use with FCP Studio

Hello,
I'd greatly appreciate any recommendation for an external hard drive for a PowerMac G5 for use with FCP Studio.
Thanks.
-graziemile

We see alot of Lacie issues here and elsewhere.
Drives fail... period. I believe you hear more about Lacie drives failing because they sell a ton more of them than many other suppliers. I've got 8 of em sitting right here on the desk and two more at the second station. I've lost one since I started using them years ago (and it had problems right out of the box) and I use them pretty heavy.
I understand that they use several different brands of drives in their enclosures, but from my experience they must have pretty good QC standards for what they package.
The guy said the G Techs were a little overkill for his needs. Lacie doesn't pay me. But if someone asks "how are Lacies?" I'll tell them they've been great for me and many others I know, especially if your requirements are capturing DV.
In five years, I ain't heard anybody say anything about it.
As for FCP. I love it! In 20 years of business, it's probably the purchase that's given me the most bang for my buck. But if you haven't heard people knock it, you've never met an Avid zelot, bruhhhhh, just the thought gives me shivers.
The drives X mentioned are designed for video work.
What Studio said, well he gives out some of the best advice on this board
(and maybe the most! ) and my reply to his post... that's why I used the little smiley face. No offence intended X.
I only meant to say that, in a world where software like FCP can do what it does at the price it does it, and drives like Lacie and G Tech can give you the storage they do for the price they do, the line between consumer and professional products is easily blurred.
rh

How to set up and test the Basic Authentication for HTTP protocol

Hi,
I tried configuring the password based Basic Authentication for sending xml document using ebMS - HTTP protocol. I set username and password while configuring the transport server for both trading partners. I want to know, is that sufficient for basic authenticaton. When I open the URI http://localhost:7778/b2b/transportServlet, it is not asking any authentication (username/password). Please note that I have not used SSL certificate. Anyone please help me out to configure Basic authentication.

Hi Ramesh,
Thanks for ur response. Could you please tell me where to set the Additional Transport header : authtype-basic#realm=myRealm(in which property file). In enqueue code, I could see the following attributes
queue
msgID
replyToMsgID
from
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eventName
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Do i need to add username/password and Transport header in the input XML and defined that elements in xsd?

Multiple libraries, Pbook/Pmac, advice for management & updating please.

Hi Everyone,
I travel frequently, and am looking for suggestions to keep all my iPhoto libraries up to date. I currently have a g5, Powerbook, and Mini.
I just upgraded to iPhoto 6 and I have several thousand photos on my Dual g5. I just came back with 1000 more from my diving trip. The problem is, they are on my Powerbook, and taking up alot of space on the relatively small hard drive. I managed to work through the rough upgrade from 5 to 6, and now I need some more help...
1) What is your advice for managing multiple libraries of photos.
2) What is the best way to transfer the iphoto pics (and movies) to my desktop, which of course has the larger storage capacity, after travelling...
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Jason:
There are several different approaches to what you want to do. Let me just throw out a couple that I'm familiar with.
To get the new photos from your PB to your G5 and maintain any keywords, and other organization effort you put into them, you'll need the paid version of iPhoto Library Manager. It will allow you to merge libraries or copy between libraries and maintain the metadata, etc. That's the only way currently available to move photos from one library to another and keep the roll, keywords, comments, etc. with those photos. You can connect the two Macs with one in the Target Mode, probably your PB, and then run iPLM to move the photos to the G5 library.
Now there is a way to have a library on your PB that reflects the one on your G5 but is only a fraction of the size. That's to have an alias based library on your PB that uses the Originals folder as its source of source files. (My 25,600 files, 27G, are represented by an iPhoto Library folder of only 1.75G). When the PB is not connected with the G5, say with a LAN, it will have limited capabilities which are in part: you'll only be able to view the thumbnail files, be able to add comments, create, delete or move albums around, add keywords (but with some hassle-but it can be done). You can't do anything that requires moving thumbnails around, work with books, slideshows or calendars. Once the two computers are networked together again the library will act as normal.
Now while on the road you can have a "normal" library to import new full sized files, keyword them, add comments, etc. and then transfer to the G5 library. Once in the G5 library they will be represented in a roll(s) and corresponding folder in the Originals folder. You then fire up the "alias" library, and import those new folders in the G5 Originals folder.
It may be a lot of work but it may be one way of doing it.
I've not done any of the "sharing" with iPhoto so don't know if that's another possible candidate for transferring.
P.S. FWIW I've created this workflow for converting from a conventional library to an alias based one.

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Hi all,
while creating a basic pay for an employee, i am giving Payroll area,scale,group then giving 5555- basic pay wage,5556(pf allowance), 5557 (hra allowance) and when i click SAVE, I am getting an error saying "individual wage type 5555 not in table T510' but it is in the table T510 and i have define wage type characteristic for wage 5555 - module TARIF and for 5556 - SUMME.
If I remove 5555 and give 5556,5557 then it is saved...
Please need ur guidance...kindly help..
thanks.

hi,
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Rupa Prasad

Advice for real performance of LV8.5 operate in the XP and Vista

Hi all
My company had purchased new computers for LabVIEW programming purpose.
We may install the LV8.5 in these computers but OS are not decided yet. Also, we have the current PC is only XP licensed
Therefore, can anyone give the advice for the real performance advantage of using :
LV8.5 with Vista over LV8.5 with XP
LV8.5 with Vista over LV7.1 with XP
LV7.1 with Vista over LV7.1 with XP
New computers detail:
Intel(R) Pentium(R)Dual-Core processor E2160
BCH-P111 -1.80GHz, 1MB L2 cache, 800MHz FSB
2GB RAM
Thanks
Best Regards
Steve So

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8.5 over 7.1 is mostly going to be the learning curve to learn the new features. Overall, I have appreciated the changes, but there are some things (mostly development related) that I have seen run a little slower in 8.5 than in 7.1, but have not noticed any runtime issues as of yet. One big change between the versions is application building, which is more complex in 8+. I do appreciate the new features, though, but NIs project still hasn't rubbed me the right way yet.
NI doesn't support LV 7.1 with Vista. I have used it and haven't seen any problems, but that doesn't mean one won't pop up. If you're going to stay with 7.1, you better stay with XP. 8.5 is the first version NIs supports as Vista compatible. You will also have to use a relatively new set of device drivers, so if you have old hardware you are trying to use in your new system, make sure it is cimpatible with the latest drivers.
I have actually had more issues with other hardware drivers and software packages than I have with LabVIEW. TestStand is not yet supported in Vista, and i found out the hard way, one of the ways it is incompatible and had to move back to XP for devlopment.

Looking for basic driver for psc all in one 2175 for XP 32 bit. Thank you

looking for basic driver for psc all in one 2175 for XP 32 bit. Thank you Dont need all the photo suite stuff,just basic scan and print.
Thanks

Hi @RUkiddingme
You can download the full feature software and driver, and only install the basic driver. In the installation you should see the option for custom software. Here is the link to download the software; rw2_021_w02_enu.exe
Please let me know if this resolves the issue.
Please click the Thumbs up icon below to thank me for responding.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Please click “Accept as Solution” if you feel my post solved your issue, it will help others find the solution.
Sunshyn2005 - I work on behalf of HP

Where can I download Windows 8.1 32-bit basic driver for HP Photosmart 3310

Hi, I hope someone can help.
I've been scouring the HP support site trying to find a download of the BASIC driver for HP Photosmart 3310 for 32-bit Windows 8.1. I don't want the full istall package, just the printer driver. I found a 64-bit version, which doesn't work on my system.
I downloaded and tried the printer install wizard, which only lets you download the full 434MB software package, which I don't want.
Thanks! Any help appreciated.

Hi,
There is a 32 bit WIndows 8.1 drivers available for download, however it is a full feature software and not the basic drivers. You can try to install it and see if it helps you.
http://h10025.www1.hp.com/ewfrf/wc/softwareCategory?os=4157&lc=en&cc=us&dlc=en&sw_lang=&product=4394...
Thanks.
I work for HP.

Basic Advice for Framerate in FCP

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