Batch Capture from a FCP sequence

When I select a sequence for batch capture with no handles, the system reports much more media to be captured than the total running time of the clips. Why should this be?
Alternatively, suppose I wish to import an off-line sequence at a higher resolution, how should I re-capture just the media+handles that's used in my sequence?

Create a new sequence and delete all the audio in the timeline. This should reduce the amount of media needing to recapture. It still may show a time larger than the length of your sequence. Even with out handles. Not sure why.
Also, make sure all the clips have timecode and a reel number. It won't deleted the unused portions if it doesn't have it.

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Batch Capture from Offline Sequence

I have some older projects that I need to revisit and since the original capture files are no longer around I told FCP to batch capture the sequence from the original media (actually AVCHD files on folders). However it only brought in about 80% of the footage leaving the remaining 20% offline.
I went to the browser and manually brought those files in - so I managed to recover the sequence in the end, but is there anything I could have done wrong to make it only bring in 'some' rather than 'all' the offline media for a given sequence?

Create a new sequence and delete all the audio in the timeline. This should reduce the amount of media needing to recapture. It still may show a time larger than the length of your sequence. Even with out handles. Not sure why.
Also, make sure all the clips have timecode and a reel number. It won't deleted the unused portions if it doesn't have it.

Audio Not Syncing After Offline Conversion/Batch Capture from OfflineRT-DV

WORKFLOW:
1. Shooting HDV on a Sony HDR-V1U (DF/NDF Timecode setting is AUTO on the camera)
2. Using the camera to downconvert to DV as I import into FCP 7 (final product will be NTSC DVD).
3. I first capture and log using the OfflineRT NTSC (Photo JPEG) preset
4. I make my Edits, and then use Media Manager to create new project and create offline media referenced by duplicated items. (Set sequences to: DV NTSC 48 kHz)
5. The clips I need are then batch captured using Capture Preset: DV NTSC 48 kHz
PROBLEMS:
A. As I'm initiating my batch capture in step #5 above, the following warning is generated:
WARNING: You are about to capture Drop Frame media from a device currently detecting or configured for Non-Drop Frame media. If you proceed, you may experience changes in logged in and out points, problems relinking media, or removal of master clip relationships.
B. When I playback my sequence, the in/out points are off by several seconds. (like the media within the clip slid ahead several seconds--to fix it, I would have to slide each clip back)
QUESTIONS:
Q1: How can I properly execute my workflow while avoiding the WARNING above and the problem with the in/out points?
NOTE: The OfflineRT clips in the original project (#3 above) are shown as DF (semicolon in timecode), but the duplicated clips in the DV project (#4 above) are NDF (colon in timecode). I have already tried changing my capture preset to Firewire NTSC NDF, recapturing the clips, and the result is the same.
Q2: Should the capture preset be the same or different when logging the first (OfflineRT) and second (DV NTSC 48kHz) times?

Wish I had a simple answer for you, stay tuned, some folks who actually use those cameras will drop by sooner or later.
TrevorRawson wrote:
After importing through log and capture I continue to get a pop up when it's done saying that the audio and video frame rates do not line up.
I'll bet you're shooting with a Canon.
TrevorRawson wrote:
I am using a Canon xl2 and a Panasonic DVX100A,
Ah-HA!
TrevorRawson wrote:I'm shooting in 24p Advanced with a 2:3:3:2 pull down. The capture settings are set up for FCP's default DV NTSC 24p with Advanced Pulldown, same with my sequence settings. This is my first time shooting in 24pa so I'm a little lost at what to do. Does anyone know the correct settings I should be using?
so neither camera captures properly? that's odd. We know the Canon is going to give you trouble but the Pani should work.
Try searching the forum for your camera models, see what comes up. Many different cameras shoot their own versions of various image,frame, and pulldown formats.
bogiesan

Batch Capture From File

I have a file that was captured remotely and shipped to me on an external drive.
I now have to take a batch list from the supplier and create the subclips from the remotely captured file.
I have tried using the Reconnect Media function, but the batch list has the clips numbered 001... and the Captured file is the reel number....
Any thoughts?
Thanks in advance,
iso...
G5 PM 2.3 Mac OS X (10.4.3)

I might be misunderstanding you, but my first impression is - that dog ain't gonna hunt. I don't think it's possible to create subclips directly from a Batch List.
I'm thinking you could enter the TC numbers from the Batch List into the Viewer with that one clip loaded, and create Markers for each set of In/Out. (You can specify an In and an Out for a given Marker.) Then, create Subclips from the Markers.
Tedious? You betcha. I hope someone has a better idea that would work.

Batch capturing from my camcorder error

My mini DV camcorder is connected with the firewire. Final cut pro will control it with the transports and I can view it on the screen and mark start and end points. When I click on capture I get a "general error" and nothing happens. It works fine in Imovie and worked fine when I had final cut express installed. Any suggestions?
Thanks

Often in upgrading the OS, QT or FCP for some odd reason QT will get knocked slightly off kilter and you can not capture correctly in FCP. The usual solution it to force a full reinstall of QT.
This is how:
Go to /library/receipts and delete any files that say Quicktime followed by a number e.g. Quicktime703.pkg
Go to the Apple quicktime site and download the appropriate version of Quicktime to your hard drive.
Run the Quicktime installer.
Repair Disk Permissions for your System Disk (Disk Utility > Select the system disk > Repair Disk Permissions)
Reboot
Good luck.
x

Exporting a batch list of a FCP Sequence

Hello,
I am trying to find a way to export a batch list of a sequence from FCP, with TC and reels etc. I've exported clips and subclips bins as batch lists without problem for import onto an AVID.
Is there a way, ANY WAY, to export a sequence as a batch list, EDL... ?

If you are transfering a project to an Avid, Automatic Duck is, without a doubt, the best way to go.
If you can't afford that, you can always go the EDL route, select your sequence (make sure all your video is on one layer, or if necessary, export separate lists for each layer) and select Export EDL...
Patrick

Can you send/export a still frame from an FCP sequence?

Can you send/export a still frame from FCP as a picture to the desktop? Doesn't matter if it is a .jpeg, .tiff, . bitmap
G5 Mac OS X (10.4.8) Dual 1.8

serach the forum for any of the hundreds of posts detailing this process -
my personal favorite is shift-N, apple-9, type name, drag to bin, batch export.
The best thing about the batch export queue is you can set up a batch with the file format and destination folder and then keep adding new clips/stills to export.
Hope this helps -
Max Average

Editing audio from a FCP sequence

I have just finished editing a long sequence in FCP and now want to get rid of a background audio hum in the background of all the clips. What is the easiest way to export all my small audio clips into STP, remove the hum, then re-import into FCP.
I'm totally new to STP and finding the workflow very confusing.
Thanks!

RIght-click on the sequence in the assets window (default is Sequence 1, unless you changed the name) and click on send to>soundtrack Pro Multitrack Project

Using Automator to go from a FCP Sequence to DVD

I'm not very familiar with Automator, is it possible to have a edited sequence in Final Cut Pro and be able to go directly to a burned DVD without requiring any user input? (For example, have a edited sequence and start a action, leave it alone and be able to come back and have a burned DVD.)
Thanks!

Yeah it is pretty easy to make a DVD Studio Pro project with only a single video that plays right away...but I have to do this each week and was hoping automator could help out.
(With creating a DVD, there are two main steps, [1] Encoding the Video files through compressor and [2] Setting up and burning a DVD. I have to be at the computer to start the whole process and be there when it's finished to grab the DVD, but was hoping I wouldn't need to be there in between, allowing Automator to take the exported mpeg2 file and pop it into DVD Studio Pro and burn it out.)

Batch capture from self contained quicktime movie??

we have an edl and a 40 minute quicktime movie, but no tape.
is it possible to automatically parse the quicktime movie based on the edl (rather than manually subclip the master clip)? Like using log and capture, but with a digital file? Log and Transfer, maybe?
the timecode addresses should all be accurate.
TIA
eric

Apps like these may help if you have a budget:
http://www.digital-heaven.co.uk/movielogger/
http://www.videotoolshed.com/?page=products&pID=24

BATCH CAPTURE TAPELESS workflow still FCP is looking for a capture device when going ONLINE

Hi,
I am working on a documentary and about to go online with my edit.
I used Sony FS100. Tapeless. I did Log and Transfer to ProRes 422 in FCP 7.
Later when I run out of space I used Media Manager to RECOMPRESS everything to ProRes Proxi. Worked well.
But now when I try to batch capture to ProRes 422 FCP is looking for a capture device thinking I am working with tapes.
How do I make FCP undrerstand I am tapeless? Does the recompress kill the possibility of bach capturing back to online full quality 422?
Thanks for the support!
Gabor

I have read through some more forums and I only found one mention of the Media Manager 'Recomress' function.
It said:
"Transcoding with MM (recompress). It preserves timecode/reel name, file names, etc... Except the clip ID, which is used along with reel name and timecode to batch capture from source files (at least for P2)."
Clip ID is the metadata relyable for the work of batch capture. It seems without it it is impossible to batch capture.
I wonder why they designed Recompress like that, if it is true?

Still from FCP sequence

Hi everybody,
I have a problem exporting a still image from a FCP sequence that is rendered fine.
I have selected format under options of still image under export with QT. Seems to do something with I click on register, but nothing is done. I can't find any picture. I even searched my disk with "find" to make sure.
I never had this problem before. I just re-installed my FCP5.1, and upgraded. Nothing works.
What could be wrong ?
Thanks in advance
Ivan

Just to make sure go to the finder, open a new window (apple, N) then when the new window opens push Apple F to do a search. Change the where it says kind to Date Created and then right next to that choose Today. You will get a list of all the files you created today. If it doesn't come up with the images then you will know for sure that you didn't create, final cut pro is broken and you're screwed...
Just kidding. I would then trash prefernces, repair permissions and so forth. Before we go there do what I just described and report back.

Batch capture settings do not match project settings

Batch capture audio settings do not conform to project settings-
PROJECT SETTINGS ON CREATION OF NEW PROJECT:
For editing with IEEE1394 (FireWire/i.LINK) DV equipment.
Standard NTSC video (4:3 interlaced).
48kHz (16 bit) audio.
Drop-Frame Timecode numbering.
General
Editing mode: DV NTSC
Timebase: 29.97fps
Video Settings
Frame size: 720h 480v (0.9091)
Frame rate: 29.97 frames/second
Pixel Aspect Ratio: D1/DV NTSC (0.9091)
Fields: Lower Field First
Audio Settings
Sample rate: 48000 samples/second
Default Sequence
Total video tracks: 3
Master track type: Stereo
Mono tracks: 0
Please note audio setting for project 48kHz (16 bit) audio.
When I set for batch capture by creating off-line clips using the "Log Clip" option the off-line clip shows audio as
32KHZ 16-bit everyting else is correct as project settings.
Just prior to creating the off-line batch capture clip I had sucessfully captured from the same device using the same tape shot with the above settings including 48khz 16-bit audio by using standard " Capture" by setting in & out then clicking Capture>In/Out.
I've looked at capture settings etc...unable to determine to change audio settings etc or why the audio settings under batch capture do not conform to project settings...
Any ideas?
Tnx,
mick

Thanks for your reply, Harm....
Well now...having negated all the possibilities you listed, I decided to do a an actual batch capture with clips which I previously logged which reported audio at 32kHz instead of the project setting of 48kHz:
1. two clips were selected from the same device/tape ( both selected from the logging util which erroneously reported audio at 32kHz) for the batch
2. both clips captured "flawlessly"
3. both clips after the batch capture then reported audio as being 48kHz
Btw, I also did a batch capture from the same device/tape in Pr 6.x...and it reported and captured at 48khz...I must say, I must prefer the legacy version of Pr 6 for batch capture which creates a log .pbl file which can then be easily exported as a csv to and .xls etc..IMO, much more useful...and useable..
Mi dos pesos(.002US)
So it would appear there is some kind of bug in the Pr cs4 batch capture util that is erroneously reporting audio settings?
Should this go to the devel as a possible bug?
Tnx,
mick

Batch Capture Changes Media Start, End, and Duration

Hello all... For some reason, when I batch capture from an imported batch list in FCP 4.5, the program changes the media start, end, and duration just slightly once the capture has completed. Does anyone know why this might be occurring?

OK... I don't believe it has to do with drop frame or non-drop frame issues, and here's why... I ran a series of tests.
The footage was originally shot with two cameras, an A Cam and a B Cam, which were Jam Synced together. The original A Cam tapes were log and captured normally. But for the B Cam tapes, we exported a batch list to excel, performed a rename function where _B was added to all file names and reel names, and brought the data back into FCP by importing a Batch List at 29.97.
For the tests, I experimented with only one clip. First, I noted the timecode for the media start and media end when the file was uncaptured. Next, I placed the A Cam Tape in the deck and did a batch capture on the one clip. The program changed the media start and end times upon hitting ok. Here were the results of the first test:
LOGGED: MS (05:50:39:26) ME (05:51:41:01)
CAPTURED A CAM: MS (05:50:39:17) ME (05:51:41:07)
Then, I undid the capture so that the timecode would revert back to the precaptured state. I placed the B Cam tape in the deck and ran the capture again, on the same clip, in Batch Capture mode. The program changes the media start and end yet again, but this time, changed it in a different way:
LOGGED: MS (05:50:39:26) ME (05:51:41:01)
CAPTURED B CAM 1st Attempt: MS (05:50:39:16) ME (05:51:41:06)
So then I undid the capture again to revert back to the logged settings, and put the EXACT same tape in the deck, and ran the batch capture in exactly the same way. This time however, FCP didn't change anything. It logged the clip correctly. I tried it yet again, in the same way, and it did it perfectly again:
LOGGED: MS (05:50:39:26) ME (05:51:41:01)
CAPTURED B CAM 2nd Attempt: MS (05:50:39:26) ME (05:51:41:01)
CAPTURED B CAM 3rd Attempt: MS (05:50:39:26) ME (05:51:41:01)
So I ask again... what is up with FCP 4.5?

Batch capture HDV error

I have FCP 5.14 and have just logged a bunch of HDV footage offline. I did this the normal way I would when capturing DV footage, marking the in and out point and then log the clip, standard stuff?
When I try to Batch capture the offline clips it captures only 1 frame from each clip, then the clip details are also effected, ie the Media start and media end of my clips changes from what they where into two new time codes 1 frame either side of the newly captured clip.
Is this a program error or am I just completely useless??? Can somebody help me please

Not sure if this is your exact problem, but I've had issues with Batch Capturing HDV in FCP 5.1.4 using both a Sony M15U and M25U.
The deck would seek to the appropriate place on the tape and then just jog back and forth looking for the right start point. It would do this about 3 times and then give up.
The solution for this was a DROP FRAME / NON-DROP FRAME setting in FCP. If you go to your A/V Settings and then to the Device Control Presets tab and edit your preset (If it's locked you can just make a copy of it and edit the copy - I am using the Sony HDV firewire preset). If you know what your footage was shot in (drop or non) make this setting adjustment. If you don't know, try both.
As soon as this not so little detail was checked everything batch captured without fail. Just make sure there aren't any timecode breaks on your tape.
Hope this helps.

Batch Capture from a FCP sequence

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