Batch Capture from Offline Sequence

I have some older projects that I need to revisit and since the original capture files are no longer around I told FCP to batch capture the sequence from the original media (actually AVCHD files on folders). However it only brought in about 80% of the footage leaving the remaining 20% offline.
I went to the browser and manually brought those files in - so I managed to recover the sequence in the end, but is there anything I could have done wrong to make it only bring in 'some' rather than 'all' the offline media for a given sequence?

Create a new sequence and delete all the audio in the timeline. This should reduce the amount of media needing to recapture. It still may show a time larger than the length of your sequence. Even with out handles. Not sure why.
Also, make sure all the clips have timecode and a reel number. It won't deleted the unused portions if it doesn't have it.

Similar Messages

  • Audio Not Syncing After Offline Conversion/Batch Capture from OfflineRT-DV

    WORKFLOW:
    1. Shooting HDV on a Sony HDR-V1U (DF/NDF Timecode setting is AUTO on the camera)
    2. Using the camera to downconvert to DV as I import into FCP 7 (final product will be NTSC DVD).
    3. I first capture and log using the OfflineRT NTSC (Photo JPEG) preset
    4. I make my Edits, and then use Media Manager to create new project and create offline media referenced by duplicated items. (Set sequences to: DV NTSC 48 kHz)
    5. The clips I need are then batch captured using Capture Preset: DV NTSC 48 kHz
    PROBLEMS:
    A. As I'm initiating my batch capture in step #5 above, the following warning is generated:
    WARNING: You are about to capture Drop Frame media from a device currently detecting or configured for Non-Drop Frame media. If you proceed, you may experience changes in logged in and out points, problems relinking media, or removal of master clip relationships.
    B. When I playback my sequence, the in/out points are off by several seconds. (like the media within the clip slid ahead several seconds--to fix it, I would have to slide each clip back)
    QUESTIONS:
    Q1: How can I properly execute my workflow while avoiding the WARNING above and the problem with the in/out points?
    NOTE: The OfflineRT clips in the original project (#3 above) are shown as DF (semicolon in timecode), but the duplicated clips in the DV project (#4 above) are NDF (colon in timecode). I have already tried changing my capture preset to Firewire NTSC NDF, recapturing the clips, and the result is the same.
    Q2: Should the capture preset be the same or different when logging the first (OfflineRT) and second (DV NTSC 48kHz) times?

    Wish I had a simple answer for you, stay tuned, some folks who actually use those cameras will drop by sooner or later.
    TrevorRawson wrote:
    After importing through log and capture I continue to get a pop up when it's done saying that the audio and video frame rates do not line up.
    I'll bet you're shooting with a Canon.
    TrevorRawson wrote:
    I am using a Canon xl2 and a Panasonic DVX100A,
    Ah-HA!
    TrevorRawson wrote:I'm shooting in 24p Advanced with a 2:3:3:2 pull down. The capture settings are set up for FCP's default DV NTSC 24p with Advanced Pulldown, same with my sequence settings. This is my first time shooting in 24pa so I'm a little lost at what to do. Does anyone know the correct settings I should be using?
    so neither camera captures properly? that's odd. We know the Canon is going to give you trouble but the Pani should work.
    Try searching the forum for your camera models, see what comes up. Many different cameras shoot their own versions of various image,frame, and pulldown formats.
    bogiesan

  • Batch Capture from a FCP sequence

    When I select a sequence for batch capture with no handles, the system reports much more media to be captured than the total running time of the clips. Why should this be?
    Alternatively, suppose I wish to import an off-line sequence at a higher resolution, how should I re-capture just the media+handles that's used in my sequence?

    Create a new sequence and delete all the audio in the timeline. This should reduce the amount of media needing to recapture. It still may show a time larger than the length of your sequence. Even with out handles. Not sure why.
    Also, make sure all the clips have timecode and a reel number. It won't deleted the unused portions if it doesn't have it.

  • Batch Capture From File

    I have a file that was captured remotely and shipped to me on an external drive.
    I now have to take a batch list from the supplier and create the subclips from the remotely captured file.
    I have tried using the Reconnect Media function, but the batch list has the clips numbered 001... and the Captured file is the reel number....
    Any thoughts?
    Thanks in advance,
    iso...
    G5 PM 2.3   Mac OS X (10.4.3)  

    I might be misunderstanding you, but my first impression is - that dog ain't gonna hunt. I don't think it's possible to create subclips directly from a Batch List.
    I'm thinking you could enter the TC numbers from the Batch List into the Viewer with that one clip loaded, and create Markers for each set of In/Out. (You can specify an In and an Out for a given Marker.) Then, create Subclips from the Markers.
    Tedious? You betcha. I hope someone has a better idea that would work.

  • How do I change audio mapping for a clip being batched in from a sequence?

    My client has cut a shorter version a feature film for his client. The client's source is a Hi-Def tape with four channels of audio. Ch.1&2 Stereo Mix and Ch.3&4 Music & Effects. He was given a DV tape with Ch.1 Mono Mix and Ch.2 Music & Effects.
    When I recapture his timeline in Hi-Def, how do I tell FCP to grab all four channels and put them in the places that I want?
    Thanks,
    Dan J.

    He was given a DV tape with Ch.1 Mono Mix and Ch.2 Music & Effects.<<</div>
    If he's given you a tape with only two channels (48khz, 16bit), you'll only have two channels. If the tape was recorded in a device that allows for 4 audio channels (32khz, 12 bit), then you'll need to capture channels 3 and 4 during another capture.
    -DH

  • Batch capture from self contained quicktime movie??

    we have an edl and a 40 minute quicktime movie, but no tape.
    is it possible to automatically parse the quicktime movie based on the edl (rather than manually subclip the master clip)? Like using log and capture, but with a digital file? Log and Transfer, maybe?
    the timecode addresses should all be accurate.
    TIA
    eric

    Apps like these may help if you have a budget:
    http://www.digital-heaven.co.uk/movielogger/
    http://www.videotoolshed.com/?page=products&pID=24

  • Batch capturing from my camcorder error

    My mini DV camcorder is connected with the firewire. Final cut pro will control it with the transports and I can view it on the screen and mark start and end points. When I click on capture I get a "general error" and nothing happens. It works fine in Imovie and worked fine when I had final cut express installed. Any suggestions?
    Thanks

    Often in upgrading the OS, QT or FCP for some odd reason QT will get knocked slightly off kilter and you can not capture correctly in FCP. The usual solution it to force a full reinstall of QT.
    This is how:
    Go to /library/receipts and delete any files that say Quicktime followed by a number e.g. Quicktime703.pkg
    Go to the Apple quicktime site and download the appropriate version of Quicktime to your hard drive.
    Run the Quicktime installer.
    Repair Disk Permissions for your System Disk (Disk Utility > Select the system disk > Repair Disk Permissions)
    Reboot
    Good luck.
    x

  • Batch capture opening rather than log and transfer

    What causes batch capture to open rather than log and transfer? Attempting to media manage and reimport clips but only batch capture will open? Thanks, Michael

    Hey there camera400,
    were there any solutions you found? I'm having exactly the same issue at the moment....
    I'm following the "RED FCS White Paper" dated November 11, 2008 from the RED support page-
    Doing "Workflow 2: Work offline Using ProRes; Finish Using RED Quicktime Media" - (my offline was ProRes (hq)).
    Based on this workflow, I get all way through step 5.3 of Workflow 2 -- creating offline project and setting Log & Transfer settings.
    The Paper suggests that when I right-click the new offline sequence, select "Batch Capture" from the shortcut menu, the Log & Transfer window will appear, allowing me to reinjest RED footage.
    However, it opens Batch Capture instead...
    Any insights appreciated.

  • Batch capture settings do not match project settings

    Batch capture audio settings do not conform to project settings-
    PROJECT SETTINGS ON CREATION OF NEW PROJECT:
    For editing with IEEE1394 (FireWire/i.LINK) DV equipment.
    Standard NTSC video (4:3 interlaced).
    48kHz (16 bit) audio.
    Drop-Frame Timecode numbering.
    General
    Editing mode: DV NTSC
    Timebase: 29.97fps
    Video Settings
    Frame size: 720h 480v (0.9091)
    Frame rate: 29.97 frames/second
    Pixel Aspect Ratio: D1/DV NTSC (0.9091)
    Fields: Lower Field First
    Audio Settings
    Sample rate: 48000 samples/second
    Default Sequence
    Total video tracks: 3
    Master track type: Stereo
    Mono tracks: 0
    Please note audio setting for project 48kHz (16 bit) audio.
    When I set for batch capture by creating off-line clips using the "Log Clip" option the off-line clip shows audio as
    32KHZ 16-bit  everyting else is correct as project settings.
    Just prior to creating the off-line batch capture clip I had sucessfully captured from the same device using the same tape shot with the above settings including 48khz 16-bit audio by using standard " Capture" by setting in & out then clicking Capture>In/Out.
    I've looked at capture settings etc...unable to determine to change audio settings etc or why the audio settings under batch capture do not conform to project settings...
    Any ideas?
    Tnx,
    mick

    Thanks for your reply, Harm....
    Well now...having negated all the possibilities you listed, I decided to do a an actual batch capture with clips which I previously logged which reported audio at 32kHz instead of the project setting of 48kHz:
    1. two clips  were selected from the same device/tape ( both selected from the logging util which erroneously reported audio at 32kHz) for the batch
    2. both clips captured "flawlessly"
    3. both clips after the batch capture then reported audio as being 48kHz
    Btw, I also did a batch capture from the same device/tape in Pr 6.x...and it reported and captured at 48khz...I must say, I must prefer the legacy version of Pr 6 for batch capture which creates a log .pbl file which can then be easily exported as a csv to and .xls etc..IMO, much more useful...and useable..
    Mi dos pesos(.002US)
    So it would appear there is some kind of bug in the Pr cs4 batch capture util that is erroneously reporting audio settings?
    Should this go to the devel as a possible bug?
    Tnx,
    mick

  • Please help, trying to Batch Capture in CS4

    I am very new at this and I have been looking at the help guide for hours to no avail.  I am trying to batch capture from a Mini DV camcorder, I logged all of the clips and batch captured them, but once it is finished all of the files say Media Offline in both preview screens and the status when I scroll over is Capture Failed, even though it says it is finished.  I don't know what else to do.  Am I doing something wrong? 

    Ok, sorry for being so unhelpful I just don't know where to start...
    How/where did you log your footage?
    What do you mean log?  Just shooting it?
    What are your capture settings (post a screenshot, if you like)?
    Posted screenshot
    Are you able to connect to the camera from the Capture panel?
    Yes
    Can you control it?
    Yes.
    Do you see a preview as you shuttle?
    I can see it sometimes, then sometimes it will not show.  It always looks like it does in the shot with the lines through it.  If it disappears I have to turn the camera off and back on to see it
    Did you use the same camera to shoot this footage?
    Yes
    Will the tape playback in the camera itself?
    Yes
    Are you positive the footage on the tape isn't HDV?
    I am using regular DV tapes on a regular DV camera, so I’m pretty sure it isn’t...

  • Troublw with Batch Capture

    I am currently reimporting a sequence I originally edited in ProRes Proxy from AVCHD camera originals. I have made an off line copy of the sequence in media manager with 1 sec handles. When I batch capture the new sequence log and transfer finds all the correct original clips and begins the re-import process. I can watch the mov files being created in the scratch capture folder. After each mov file is created it is then mysteriously deleted when Log and Transfer moves on to the next clip. At the end of the process the final clip is automatically deleted from the folder leaving it empty. Manually importing clips from the same mounted volumes work correctly. This problem occurs no matter what the drive array I capture to and no matter what ProRes resolution I capture in. I am on FCP Ver.7. Anybody have any ideas how to remedy this situation. Thanks.

    try capturing to your startup drive as a test. if that works, I would suspect a problem with the raid.

  • Batch capture HDV error

    I have FCP 5.14 and have just logged a bunch of HDV footage offline. I did this the normal way I would when capturing DV footage, marking the in and out point and then log the clip, standard stuff?
    When I try to Batch capture the offline clips it captures only 1 frame from each clip, then the clip details are also effected, ie the Media start and media end of my clips changes from what they where into two new time codes 1 frame either side of the newly captured clip.
    Is this a program error or am I just completely useless??? Can somebody help me please

    Not sure if this is your exact problem, but I've had issues with Batch Capturing HDV in FCP 5.1.4 using both a Sony M15U and M25U.
    The deck would seek to the appropriate place on the tape and then just jog back and forth looking for the right start point. It would do this about 3 times and then give up.
    The solution for this was a DROP FRAME / NON-DROP FRAME setting in FCP. If you go to your A/V Settings and then to the Device Control Presets tab and edit your preset (If it's locked you can just make a copy of it and edit the copy - I am using the Sony HDV firewire preset). If you know what your footage was shot in (drop or non) make this setting adjustment. If you don't know, try both.
    As soon as this not so little detail was checked everything batch captured without fail. Just make sure there aren't any timecode breaks on your tape.
    Hope this helps.

  • Batch Capture Changes Media Start, End, and Duration

    Hello all... For some reason, when I batch capture from an imported batch list in FCP 4.5, the program changes the media start, end, and duration just slightly once the capture has completed. Does anyone know why this might be occurring?

    OK... I don't believe it has to do with drop frame or non-drop frame issues, and here's why... I ran a series of tests.
    The footage was originally shot with two cameras, an A Cam and a B Cam, which were Jam Synced together. The original A Cam tapes were log and captured normally. But for the B Cam tapes, we exported a batch list to excel, performed a rename function where _B was added to all file names and reel names, and brought the data back into FCP by importing a Batch List at 29.97.
    For the tests, I experimented with only one clip. First, I noted the timecode for the media start and media end when the file was uncaptured. Next, I placed the A Cam Tape in the deck and did a batch capture on the one clip. The program changed the media start and end times upon hitting ok. Here were the results of the first test:
    LOGGED: MS (05:50:39:26) ME (05:51:41:01)
    CAPTURED A CAM: MS (05:50:39:17) ME (05:51:41:07)
    Then, I undid the capture so that the timecode would revert back to the precaptured state. I placed the B Cam tape in the deck and ran the capture again, on the same clip, in Batch Capture mode. The program changes the media start and end yet again, but this time, changed it in a different way:
    LOGGED: MS (05:50:39:26) ME (05:51:41:01)
    CAPTURED B CAM 1st Attempt: MS (05:50:39:16) ME (05:51:41:06)
    So then I undid the capture again to revert back to the logged settings, and put the EXACT same tape in the deck, and ran the batch capture in exactly the same way. This time however, FCP didn't change anything. It logged the clip correctly. I tried it yet again, in the same way, and it did it perfectly again:
    LOGGED: MS (05:50:39:26) ME (05:51:41:01)
    CAPTURED B CAM 2nd Attempt: MS (05:50:39:26) ME (05:51:41:01)
    CAPTURED B CAM 3rd Attempt: MS (05:50:39:26) ME (05:51:41:01)
    So I ask again... what is up with FCP 4.5?

  • Error while Batch Capturing on to Final Cut Pro

    Hello,
    When you batch capture from any deck randomlly it gives an error "do not attempt to eject the tape" and the capture stops and after that it gives this error serveral time again and again but the same tape works fine with other machine.
    Try to help me out as soon as possible.
    Thanks

    Sounds like you need to repair the video playback machine which is sending the error messages...
    Jerry

  • Batch capture produces VTR error?

    I am trying to batch capture from Digibeta. I have 14 reels with three 25 minute clips per reel and every time it gets to that third clip, it stops and gives a VTR error saying that it appears I have reached the end of the tape.
    The tape is still playing - I can see it on the secondary SDI output to a pro monitor. I have captured these clips before without problem, there is no break in T/C and oddly enough, when I try to capture that clip again it works just fine?
    Any ideas what mayu be causing this?

    No TC break per say but is it possible that the code is rolling over somewhere early in that last take?
    rh

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