Batch export off by one frame

I'm trying to export several clips from a bin in Premiere CC 2014 (rendering R3D to DPX). I highlight them all, add to the queue. Then in Media Encoder, I select each one and change the source range to "Clip In/Out". Unfortunately, this creates renders offset by one frame. So it's missing one frame at the head, and has an extra frame at the tail.

Hi, I just tested this and can't reproduce the problem. I tried selecting lip in/out in both premiere cc (2014, 8.0.0 169 build) and ame and both were frame accurate. Can you double check your frame rate settings please? Also what OS are you running and version of premiere?
Thanks
Chris

Similar Messages

DVD slideshow transitions off by one frame

iDVD 08. Multiple slideshows of about 20 pictures each. Variety of transitions. Sometimes use "fit to audio" and sometimes use a fixed slide duration. I don't know how many "frames" it takes to complete a transition, but let's say it's 10. For each of the slideshows, the dvd transitions to the proper image, but then goes 1 frame beyond the picture before displaying for the specified time. So what we end up seeing is not the best quality picture, but rather one frame into the following transition, which of course is not the best quality, and with transitions like cube, reveal, and mosaic looks particularly off.
Any ideas? Thanks.

Hi, I just tested this and can't reproduce the problem. I tried selecting lip in/out in both premiere cc (2014, 8.0.0 169 build) and ame and both were frame accurate. Can you double check your frame rate settings please? Also what OS are you running and version of premiere?
Thanks
Chris

Text graphics are offset by one frame. Footage clips are in place but text graphics are off by one frame when output.

Any thoughts?
Mac os 10.9.5
AE 2014 Latest
Cleared Caches
Restarted

Here is a start. The program is used to make precise transitions and is not. Everything looks fine in the timeline previews, then get garbled by one frame when output.
Thoughts?

23.976 Quicktime exports one frame short

Hi,
I'm having a recurring problem with 23.976 fps exports missing the last frame of any comp. I'm working with prores 4444 files shot at 23.976, comp settings also 23.976, footage interpreted correctly at 23.976. When I export to quicktime in any codec at 23.976 the exported clip is one frame short.
This isn't a framerate issue as far as I can tell as all previous frames match the original footage, also an image sequence export will produce the correct number of frames. It's just not exporting the last frame. Is anyone else having this problem?
Obviously the workaround is to extend every comp by a frame before render, or always render an image sequence, but as I'm working on a show with an extremely high number of shots to turnaround and all have to be imported back into the edit at Avid DNX36 offline codec quality, this seems like a much more time consuming (and storage space consuming!) solution to what is an obvious glitch.
Can anyone help? A solution will save me weeks of time over the coming six months!
Many thanks in advance for any help.

It's probably just a counting error. AE, like many applications that work with video, begins with frame ZERO, not frame one.
Count the number of digits in the following list: 0,1,2,3,4,5,6,7,8,9. Even though the highest value is nine, the number of digits is ten. Thus, in AE, close to one second of 23.976 fps video is contained in frames 00-23, and not 00-24... which would be twenty-FIVE frames.

Timecode filter off one frame for speed reversed clips

Is this a known issue in Premiere Pro CC? I'm using version 7.2.1 (4).
The video clip in V1 has a reverse speed change applied, and the timecode filter is off by one frame. Or maybe the source overlay is off by one frame? Which should I trust?

Another clip in the sequence has a timecode filter error much greater. See attached screenshot. the timeline clip is sped up 694.28%, the source timecode overlay reports 09:25:35:14 and the timecode filter says 09:25:35:07.

Why does our Final Cut Pro Batch Exports incorrectly name sequence files?

Why does our Final Cut Pro 7.0.1 Batch Exports incorrectly name sequence files?
For example I can Batch Export 10 sequences one of which is called:
"899-006TL013 It's Not Your Fault 800-509-2875"
Then the output for some of the files are along the lines of:
"899-006TL013 It's No#61386E.mov"
I have seen this happen with 1-6 files or not at all... is it just dumb luck?
What is going on here and is there any way to avoid or remedy this issue?
We first thought having the render destination window open caused it but that was not the source.
Any ideas?

I've run into the same problem with FCP 7.0.2 when exporting from the sequence using File --> Export --> QuickTime Movie. I exported a file today called "BSP - 01 - How You Can Be Sure You Are A Christian" and it came out as this "BSP - 01 - How You Can#1630". This is getting to be annoying. I also need to name these files the length they are. I'm hoping someone may see this and have a suggestion (besides shortening the file name). It seems like I've also seen this on shorter file names, but at the moment I can't prove it.

HELP! Why does FCP Crash when Batch Exporting Freeze Frames?

I have been Batch Exporting a lot of freeze frames recently but just last week FCP just started to crash when I tried exporting. It will let me export one single freeze frame but no batches. Also, when I open FCP now some of the freeze frames I have made looks what appear to be like green digital hits on them. I thought it was a space issue but I have plenty of room and I've taken out my FCP Preferences and nothing seems like it's working. I have final cut version 5.1.4 and the Error Message Reads: "The Batch Export failed for some items. Please review the status column to identify which items had errors." When I check the status it says "File Error: Unknown Folder" which I don't understand at all.
Any ideas?
Power Mac 10.4.10
Power Mac

Well it seems like it might be an OS or hardware problem rather than a FCP problem, however...
Have you installed Diskwarrior on your startup drive? If not, do it, and try launching it from your startup drive and then try running it on all other drives.
Describe your hardware configuration (you should really post all your system specs in your profile here). Can you change the batch export destination to another drive? Describe what your source material is, your sequence settings and the export settings. You might try changing your export settings.
This is not normal behavior and I'm sure we can solve this.
Message was edited by: Michael Grenadier

Batch export of multiple clips from one video in Premiere CS4

Hello,
I'm really in a bind and hope you guys can help me out. I have about 30 hours of video in about 30 mpg files..1 hour in each video. I need to splice out small clips from each video..anywhere from 10 to 20 clips in each and send them to Media Encoder to store as video files I can then re-use. In CS3 I can do this manually one clip at a time ..set In point, Out point and then export. This however takes a very very long time....set the ins/outs, then export, then wait, then repeat..very tedious
In CS4 can i set multiple ins/outs for the entire video and then have premiere go to work and do a batch export? Or is there another way of doing this? I have about a week left to get this done and at a total of about 450 clips to export each 2-5 mins for encoding this will take forever...plase help!
Stan

It wont do exazctly what you want but.... But the batch encoding should save you some time since you can continue to work while it encodes/exports.
Do you need to make more than one output type? Like DV, WMV, FLV... for each one? If so, I suggest this workflow:
1. Open source file 1 in Source monitor set in and out, ctrl drag subclip to a folder in the project panel.
2. Repeat step 1 for any other subclips needed from source clip 1
3. When done with first source clip go into bin where you put your subclips click on them one at a time and do export/media to your lowest compressed need (like DV AVI for example); it will be added to AME queue
4. Repeat step 3 for all subclips, then click start queue.
5. While AME is exporting all the subclips for your first source clip, repeat steps 1-3 on source clip 2...
When you are all done; if you need to make multiple output types for each file; Do (IN AME) File>New>Watch Folder
Create a Watch folder for each output type you want. Then simply copy all the exported clips you want inot each of these folders and AME will process them all for you in batch.
It doesnt do exactly what you wished for; but should save you a few buckets of time.
Curt Wrigley

Color's timeline is one frame off on occasion

Hi there, odd problem I'm having.
Show shot on RED, cut in Premiere (about 4 mins long), then baked out to ProRes 4444 at its native framerate (23.98), re-cut, then sent to FCP. Now, there were some weird errors there, but I worked around them okay. Made sure the timebase and framerate are 23.98, sent to Color, all seems well, except on occasion the cut is one frame off. The project is also at 23.98 in Color.
Here's the kicker. If I unlock my track and use the Roll tool to fix the annoying error, then sometimes the frame will double up (it will seem like there's the same frame at the end of one clip and at the beginning of the next), or the last frame of the previous clip will become the first frame of the next, creating a different problem and solving nothing.
Ideas on what might be going on?
I'm monitoring through a Matrox MXO2 mini, out from my expresscard slot, if it makes any difference.

I am having the same problem right now with a feature film that is a single baked quicktime (apple pro res HQ 1920 x 1080 23.976 fps) for each scene.
I take the scene and open it in Final Cut Pro, I make the sequence settings automatically fit to the clip.
I cut it up into the seperate shots in the Final Cut timeline. I send to Apple Color.
Then in Apple Color, I see the the edit points are sometimes one frame off (not all of them are off). In all these instances the edit point is rolled one frame forward.
If I color correct and then send back to Final Cut Pro, the new color corrected timeline also is one frame off based on the new footage and xml that came out of Color.
Help!
Using Final Cut Pro 7.0.3
Color 1.5.3
If I look at the format of the original one piece quicktime in Final Cut Pro it says 23.98, and when I open the specific compression setting it states the exact 23.976
In Color it states 23.98 in project settings and if I look at the format of what it is rendering out to Final Cut Pro, it says 24fps. If I open footage rendered in Color (with project settings of 23.98) in quicktime it shows it to be a 24fps clip.
But it is already wrong in the locked timeline of Color. That just after sending from Final Cut Pro. Before any grading, rendering, or sending
That would mean that something is wrong with the xml file Final Cut Pro is sending out.

Why is there a big red X on one frame of my FCPX export?

I exported this twice and both times on ONE frame there is a giant red X over the frame. This wasn't there in FCPX, just in the export. Why? How do we fix this?

You should be posting this in Final Cut Pro X forum, located here:
https://discussions.apple.com/community/professional_applications/final_cut_pro_ x
but an X like that is usually the result of applying an effect, that has not been fully licensed, to the clip, so the effect applies a watermark X.
MtD

Problem in Batch Export Report

Hi all,
I have developed a report in PP module for Batch exports.
Here iam providing the input as plant, material no & batch and the output will be Orderwise material no, batch, mat desc, density and Quantity.
While executing the report the output is coming exactly for the first order while for the second order the values are not fetching correctly.
Pls suggest me.
*& Report ZPP_EXPORTBATCH
REPORT ZPP_EXPORTBATCH.
TABLES: MSEG,MKPF,AUFK,AFPO. "
TYPE-POOLS SLIS.
DATA: IT_EVENTS TYPE SLIS_T_EVENT,
      WA_EVENTS TYPE SLIS_ALV_EVENT,
      IT_FIELDCAT TYPE SLIS_T_FIELDCAT_ALV,
      X_FIELDCAT TYPE SLIS_FIELDCAT_ALV,
      LIST_LAYOUT TYPE SLIS_LAYOUT_ALV,                     "#EC *
      GS_KEYINFO TYPE SLIS_KEYINFO_ALV,                     "#EC *
      W_PROG TYPE SY-REPID,
      P_RS_LINEINFO TYPE SLIS_LINEINFO.
Internal Tables**********************************
TYPES: TY_SCLASS TYPE STANDARD TABLE OF SCLASS.
TYPES: TY_OBJECTDATA TYPE STANDARD TABLE OF CLOBJDAT.
TYPES: BEGIN OF T_MSEG,
       BWART LIKE MSEG-BWART,
       MATNR LIKE MSEG-MATNR,
       MAKTX LIKE MAKT-MAKTX,
       CHARG LIKE MSEG-CHARG,
       MENGE LIKE MSEG-MENGE,
       ERFME LIKE MSEG-ERFME,
       AUFNR LIKE MSEG-AUFNR,
       AUSP1 LIKE CLOBJDAT-AUSP1,
       ERROR(30),
       END OF T_MSEG.
TYPES: INT_MSEG_FINAL TYPE STANDARD TABLE OF T_MSEG .
TYPES: BEGIN OF TY_MENGE1,
         MATNR TYPE MSEG-MATNR,
         CHARG TYPE MSEG-CHARG,
         MENGE TYPE MSEG-MENGE,
         ERFME TYPE MSEG-ERFME,
         MBLNR TYPE MSEG-MBLNR,
         ZEILE TYPE MSEG-ZEILE,
       END OF TY_MENGE1.
TYPES: TY_MENGE TYPE STANDARD TABLE OF TY_MENGE1.
DATA : LENGTH     TYPE     I,
DIFFERENCE     TYPE     I,
IT_CLASS     TYPE     TY_SCLASS,
IT_OBJECTDATA     TYPE     TY_OBJECTDATA,
WA_CLASS     TYPE     SCLASS,
WA_OBJECTDATA     TYPE     CLOBJDAT,
L_MATNR     TYPE     MATNR,
INT_MSEG_FINAL     TYPE     INT_MSEG_FINAL,
WA_MSEG_FINAL     TYPE     T_MSEG,
WA_MSEG     TYPE     MSEG,
WA_WEMNG     TYPE     AFPO-WEMNG,
WA_PSMNG     TYPE     AFPO-PSMNG,
WA_AMEIN     TYPE     AFPO-AMEIN,
BAL_QTY     TYPE     AFPO-WEMNG,
INT_MSEG_TEMP1     TYPE     INT_MSEG_FINAL,
WA_CALCULATED1     TYPE     AFPO-WEMNG,
IT_MENGE     TYPE     TY_MENGE,
WA_MENGE1     TYPE     TY_MENGE1,
WA_MAKTX     TYPE     MAKT-MAKTX,
WA_HSDAT     TYPE     MCH1-HSDAT,
WA_MAKTX_MAIN     TYPE     MAKT-MAKTX,
MAIN_DEN     TYPE     STRING,
DENSITY     TYPE     STRING,
MDENSITY     TYPE     STRING,
IDENSITY     TYPE     STRING.
data : tqty like mseg-menge.
data:INT_MSEG_TEMP2   LIKE MSEG OCCURS 0 WITH HEADER LINE.
data:INT_MSEG_TEMP3   LIKE MSEG OCCURS 0 WITH HEADER LINE.
**************Initialization********************************************
INITIALIZATION.
**************Input Parameters List*************************************
SELECTION-SCREEN SKIP 3.
SELECTION-SCREEN BEGIN OF BLOCK BLOCK1 WITH FRAME TITLE TEXT-T01 . "#EC
      SELECT-OPTIONS : S_WERKS FOR MSEG-WERKS OBLIGATORY, "PLANT
                       S_MATNR FOR MSEG-MATNR OBLIGATORY, "MATERIAL NUMBER
                       S_CHARG FOR MSEG-CHARG,            "BATCH
                       S_BUDAT FOR MKPF-BUDAT.            "POSTING DATE
SELECTION-SCREEN END OF BLOCK BLOCK1.
START-OF-SELECTION.
PERFORM READ_DATA.
PERFORM SUB_PREPARE_FIELDCATALOG.
PERFORM FILL_EVENTS_TABLE.
END-OF-SELECTION.
PERFORM DISPLAY_DATA_USING_GRID.
*&      Form READ_DATA
      text
--> p1        text
<-- p2        text
FORM READ_DATA .
DATA :INT_AFPO LIKE AFPO OCCURS 0 WITH HEADER LINE.
DATA :INT_MSEG        LIKE MSEG OCCURS 0 WITH HEADER LINE,
INT_MSEG_TEMP   LIKE MSEG OCCURS 0 WITH HEADER LINE.
SELECT SINGLE MAKTX
INTO WA_MAKTX_MAIN
FROM MAKT
WHERE MATNR IN S_MATNR.
DATA : WA_MENGE LIKE MSEG-MENGE.
SELECT SINGLE *
FROM AFPO
INTO INT_AFPO
WHERE MATNR IN S_MATNR
AND   CHARG IN S_CHARG
AND   DWERK IN S_WERKS.
MOVE INT_AFPO-WEMNG TO WA_WEMNG.
MOVE INT_AFPO-PSMNG TO WA_PSMNG.
MOVE INT_AFPO-AMEIN TO WA_AMEIN.
SELECT *
INTO TABLE INT_MSEG
FROM MSEG
WHERE AUFNR = INT_AFPO-AUFNR
AND BWART IN ('261' , '262' )
AND WERKS IN S_WERKS.
REFRESH INT_AFPO.
int_mseg_temp3[] = int_mseg[].
LOOP AT INT_MSEG.
clear tqty.
    loop at int_mseg_temp3 WHERE MATNR = INT_MSEG-MATNR
                             and charg = int_mseg-charg
                             AND AUFNR = INT_MSEG-AUFNR
          if int_mseg_temp3-bwart = '261' .
               tqty = tqty + int_mseg_temp3-menge.
          elseif int_mseg_temp3-bwart = '262'.
               tqty = tqty - int_mseg_temp3-menge.
          endif.
     endloop.
    int_mseg-menge = tqty.
SELECT SINGLE *
FROM AFPO
INTO INT_AFPO
WHERE MATNR = INT_MSEG-MATNR
AND   CHARG = INT_MSEG-CHARG
AND   DWERK IN S_WERKS.
IF SY-SUBRC EQ 0 AND INT_AFPO-AUFNR <> ' '.
    SELECT * FROM MSEG
    INTO    TABLE INT_MSEG_TEMP
    WHERE AUFNR = INT_AFPO-AUFNR
    AND    BWART IN ('261' , '262' )
    AND    WERKS IN S_WERKS.
    LOOP AT INT_MSEG_TEMP.
      WA_CALCULATED1 = ( INT_MSEG_TEMP-MENGE / INT_AFPO-WEMNG ) * INT_MSEG-MENGE.
      WA_MENGE1-MENGE = WA_CALCULATED1.
      WA_MENGE1-MATNR = INT_MSEG_TEMP-MATNR.
      WA_MENGE1-CHARG = INT_MSEG_TEMP-CHARG.
      WA_MENGE1-ERFME = INT_MSEG_TEMP-ERFME.
      WA_MENGE1-MBLNR = INT_MSEG_TEMP-MBLNR.
      WA_MENGE1-ZEILE = INT_MSEG_TEMP-ZEILE.
      APPEND WA_MENGE1 TO IT_MENGE.
      CLEAR: WA_CALCULATED1, WA_MENGE1.
    ENDLOOP.
    SORT IT_MENGE BY MBLNR ZEILE MATNR CHARG.
     ENDLOOP.
    CLEAR INT_MSEG.
    MODIFY TABLE INT_MSEG FROM INT_MSEG_TEMP.
    LOOP AT INT_MSEG_TEMP.
      MOVE-CORRESPONDING INT_MSEG_TEMP TO INT_MSEG.
      READ TABLE IT_MENGE INTO WA_MENGE1
      WITH KEY MATNR = INT_MSEG_TEMP-MATNR
               CHARG = INT_MSEG_TEMP-CHARG
               MBLNR = INT_MSEG_TEMP-MBLNR
               ZEILE = INT_MSEG_TEMP-ZEILE.
      INT_MSEG-MENGE = WA_MENGE1-MENGE.
      APPEND INT_MSEG.
      CLEAR INT_MSEG.
*Added for Changes given by anup ART:09MAR08
     CLEAR WA_MENGE1-MENGE.
*End of for Changes given by anup ART:09MAR08
    ENDLOOP.
    REFRESH INT_MSEG_TEMP.
    CLEAR INT_AFPO.
ELSE.
   MOVE: INT_MSEG-MATNR TO   WA_MSEG_FINAL-MATNR,
    INT_MSEG-CHARG TO WA_MSEG_FINAL-CHARG,
    INT_MSEG-MENGE TO WA_MSEG_FINAL-MENGE,
    INT_MSEG-ERFME TO WA_MSEG_FINAL-ERFME,
    INT_MSEG-BWART TO WA_MSEG_FINAL-BWART .
    APPEND WA_MSEG_FINAL TO INT_MSEG_FINAL.
    CLEAR WA_MSEG_FINAL.
    CLEAR INT_AFPO.
ENDIF.
ENDLOOP.
INT_MSEG_TEMP1[] = INT_MSEG_FINAL[].
REFRESH INT_MSEG_FINAL.
SORT INT_MSEG_TEMP1 BY MATNR CHARG.
LOOP AT INT_MSEG_TEMP1 INTO WA_MSEG_FINAL.
ON CHANGE OF WA_MSEG_FINAL-MATNR
OR WA_MSEG_FINAL-CHARG.
    IF WA_MSEG_FINAL-BWART = '261'.
      WA_MENGE = WA_MENGE + WA_MSEG_FINAL-MENGE.
    ELSEIF WA_MSEG_FINAL-BWART = '262'.
      WA_MENGE = WA_MENGE - WA_MSEG_FINAL-MENGE.
    ENDIF.
    WA_MSEG_FINAL-MENGE = WA_MENGE.
    CLEAR WA_MENGE.
    APPEND WA_MSEG_FINAL TO INT_MSEG_FINAL.
    CLEAR WA_MSEG_FINAL.
ENDON.
ENDLOOP.
LOOP AT INT_MSEG_FINAL INTO WA_MSEG_FINAL.
SELECT SINGLE MAKTX
    INTO WA_MAKTX
    FROM MAKT
    WHERE MATNR = WA_MSEG_FINAL-MATNR.
WA_MSEG_FINAL-MAKTX = WA_MAKTX.
MODIFY INT_MSEG_FINAL FROM WA_MSEG_FINAL TRANSPORTING MAKTX.
CLEAR WA_MAKTX.
****************CHGS BY MURALI.C FOR
DATA: WA_OBJECT(50) TYPE C.
LENGTH = STRLEN( WA_MSEG_FINAL-MATNR ).
IF LENGTH LT 18.
DIFFERENCE = 18 - LENGTH.
DO DIFFERENCE TIMES.
CONCATENATE WA_MSEG_FINAL-MATNR SPACE INTO L_MATNR.
ENDDO.
ENDIF.
CONCATENATE L_MATNR WA_MSEG_FINAL-CHARG INTO WA_OBJECT RESPECTING
BLANKS.
CALL FUNCTION 'CLAF_CLASSIFICATION_OF_OBJECTS'
EXPORTING
CLASS                      = ' '
CLASSTEXT                  = 'X'
CLASSTYPE                  = '023'
CLINT                      = 0
FEATURES                   = 'X'
LANGUAGE                   = SY-LANGU
OBJECT                     = WA_OBJECT
OBJECTTABLE                = 'MCH1'
KEY_DATE                   = SY-DATUM
INITIAL_CHARACT            = 'X'
NO_VALUE_DESCRIPT          = NO_VALUE_DESCRIPT
CHANGE_SERVICE_CLF         = 'X'
INHERITED_CHAR             = ' '
CHANGE_NUMBER              = ' '
TABLES
T_CLASS                    = IT_CLASS
T_OBJECTDATA               = IT_OBJECTDATA
I_SEL_CHARACTERISTIC       = I_SEL_CHARACTERISTIC
T_NO_AUTH_CHARACT          = T_NO_AUTH_CHARACT
EXCEPTIONS
NO_CLASSIFICATION          = 1
NO_CLASSTYPES              = 2
INVALID_CLASS_TYPE         = 3
OTHERS                     = 4
IF SY-SUBRC <> 0.
MESSAGE ID SY-MSGID TYPE SY-MSGTY NUMBER SY-MSGNO
        WITH SY-MSGV1 SY-MSGV2 SY-MSGV3 SY-MSGV4.
ENDIF.
read TABLE IT_OBJECTDATA INTO wa_objectdata
with KEY SMBEZ = 'Density'.
if wa_objectdata-ausp1 <> '?'.
perform density_calc using wa_objectdata-ausp1 changing idensity.
WA_MSEG_FINAL-AUSP1 = idensity.
else.
WA_MSEG_FINAL-ERROR = 'classification value missing'.
endif.
MODIFY INT_MSEG_FINAL FROM WA_MSEG_FINAL TRANSPORTING AUSP1 ERROR.
CLEAR :WA_MSEG_FINAL-MATNR,WA_MSEG_FINAL-CHARG,WA_MSEG_FINAL-AUSP1,WA_OBJECT,WA_OBJECTDATA-AUSP1.
ENDLOOP.
ENDFORM.                    " READ_DATA
*&      Form SUB_PREPARE_FIELDCATALOG
      text
--> p1        text
<-- p2        text
FORM SUB_PREPARE_FIELDCATALOG .
X_FIELDCAT-FIELDNAME = 'MATNR'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'MATERIAL NUMBER'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 10.
X_FIELDCAT-KEY = 'X'.
X_FIELDCAT-KEY_SEL = 'X'.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
X_FIELDCAT-FIELDNAME = 'MAKTX'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'MATERIAL DESCRIPTION'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 17.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
X_FIELDCAT-FIELDNAME = 'CHARG'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'BATCH'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 10.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
X_FIELDCAT-FIELDNAME = 'AUSP1'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'DENSITY'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 6.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
X_FIELDCAT-FIELDNAME = 'MENGE'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'QUANTITY'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 9.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
X_FIELDCAT-FIELDNAME = 'ERFME'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'UOM'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 9.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
*X_FIELDCAT-FIELDNAME = 'EDATU1'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'CONFIRMED QUANTITY DATED'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 9.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
X_FIELDCAT-FIELDNAME = 'ETENR1'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'CONFIRM SL NO'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 9.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
X_FIELDCAT-FIELDNAME = 'LFIMG'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'DELIVERED QUANTITY'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 18.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
X_FIELDCAT-FIELDNAME = 'ERDAT'.
X_FIELDCAT-TABNAME = 'INT_MSEG_FINAL'.
X_FIELDCAT-SELTEXT_M = 'DELIVERED DATE'. "#EC NOTEXT
X_FIELDCAT-JUST = 'C'.
X_FIELDCAT-OUTPUTLEN = 18.
APPEND X_FIELDCAT TO IT_FIELDCAT.
CLEAR X_FIELDCAT.
ENDFORM.                    " SUB_PREPARE_FIELDCATALOG
*&      Form FILL_EVENTS_TABLE
      text
--> p1        text
<-- p2        text
FORM FILL_EVENTS_TABLE .
   WA_EVENTS-NAME = 'TOP_OF_PAGE'.
   WA_EVENTS-FORM = 'PRINT_HEADING'.
   APPEND WA_EVENTS TO IT_EVENTS.
ENDFORM.                    " FILL_EVENTS_TABLE
FORM PRINT_HEADING. "#EC CALLED
DATA IT_HEADINGS TYPE SLIS_T_LISTHEADER.
DATA WA_HEADINGS LIKE LINE OF IT_HEADINGS.
CLEAR WA_HEADINGS.
WA_HEADINGS-TYP = 'H'.
WA_HEADINGS-INFO = '                                          '.
WA_HEADINGS-TYP = 'H'.
WA_HEADINGS-INFO = ' BATCH EXPORT DETAILS REPORT '.
APPEND WA_HEADINGS TO IT_HEADINGS.
CALL FUNCTION 'REUSE_ALV_COMMENTARY_WRITE'
    EXPORTING
      IT_LIST_COMMENTARY       = IT_HEADINGS
      I_LOGO                   = 'APARLOGO' .
ENDFORM.                    "PRINT_HEADING
*&      Form DISPLAY_DATA_USING_GRID
      text
--> p1        text
<-- p2        text
FORM DISPLAY_DATA_USING_GRID .
   CALL FUNCTION 'REUSE_ALV_GRID_DISPLAY'
   EXPORTING
   I_BYPASSING_BUFFER                = 'X'
   I_BUFFER_ACTIVE                   = ' '
   I_CALLBACK_PROGRAM                = SY-CPROG
   IT_FIELDCAT                       = IT_FIELDCAT
   I_SAVE                            = 'A'
   IT_EVENTS                         = IT_EVENTS
   TABLES
   T_OUTTAB                          = INT_MSEG_FINAL
IF SY-SUBRC <> 0. "#EC *
   MESSAGE ID SY-MSGID TYPE SY-MSGTY NUMBER SY-MSGNO
         WITH SY-MSGV1 SY-MSGV2 SY-MSGV3 SY-MSGV4.
ENDIF.
ENDFORM.                    " DISPLAY_DATA_USING_GRID
*&      Form density_calc
      text
     -->P_WA_OBJECTDATA_AUSP1 text
     <--P_IDENSITY text
FORM density_calc USING    WA_OBJECTDATA_AUSP1
                   CHANGING DENSITY.
data: den type float,density1(8).
density1(8) = wa_objectdata-ausp1.
call function 'CHAR_FLTP_CONVERSION'
exporting
DYFLD                    = ' '
MASKN                    = ' '
MAXDEC                   = '16'
MAXEXP                   = '59+'
MINEXP                   = '60-'
string                   = density1
MSGTYP_DECIM             = 'W'
importing
DECIM                    =
EXPON                    =
flstr                    = den
IVALU                    =
EXCEPTIONS
EXPONENT_TOO_BIG         = 1
EXPONENT_TOO_SMALL       = 2
STRING_NOT_FLTP          = 3
TOO_MANY_DECIM           = 4
OTHERS                   = 5
if sy-subrc <> 0.
MESSAGE ID SY-MSGID TYPE SY-MSGTY NUMBER SY-MSGNO
        WITH SY-MSGV1 SY-MSGV2 SY-MSGV3 SY-MSGV4.
endif.
if den gt 0.
density = 1 / den.
density = density(5).
density = density / 10.
den = strlen( density ).
if den ge 6.
density = density(6).
clear: den.
den = strlen( density ).
elseif den lt 6.
   density = density.
   clear: den.
   den = strlen( density ).
endif.
else.
density = '0.000'.
endif.
den = strlen( density ).
data: den3(5) type c.
if den gt 3.
case den.
    when '6'.
              clear: den3.
              compute den3 = 10000 * ( density(6) - density(5) ).
              if den3 between 6 and 9.
                clear: den3.
                compute den3(2) = 10000 * ( density(5) - density(4) ).
                compute den3 = den3(1) + 1.
                compute den3 = den3 / 1000.
                compute density = density(4) + den3.
              endif.
    when '5'.
              clear: den3.
              compute den3 = 1000 * ( density(5) - density(4) ).
              if den3 between 6 and 9.
                clear: den3.
                compute den3(2) = 1000 * ( density(4) - density(3) ).
                compute den3 = den3(1) + 1.
                compute den3 = den3 / 100.
                compute density = density(3) + den3.
              endif.
endcase.
endif.
density = density(5).
ENDFORM.                    " density_calc

Hello,
I haven't checked the code but from the symptom you describe it could be possible that some fields used to calculate valeus are not getting cleared between calculations. This could result in some values from order the first order one being used in the calculation for values in the second order.
Regards,
Steve.

Using BATCH-EXPORT on subclips vs MM to create independent media files

I've been capturing full HDV tapes with the DV Start/Stop Detection turned on and everything has worked just fine - until now. I'm now encountering a problem w FCP "Searching for Media" on roughly 25% of my clips DURING capture, and in the process, losing about 5 seconds at the start of the clip. I've been having lots of problems w my G5 over the last couple months and it's been acting quite slow and I imagine this is related to that.
So... after a full 2 days trying to get Media Manager to create independent media files from my subclips (after capturing a twenty minute chunk whole, then breaking it down), following the FCP manual volume II pg 42 to a tee... I concur w many others on this site that Media Manager *****! No matter what I did, it would not produce new files out of my subclips and instead kept giving me the same error: "Reconnect Media Failed. The clip such-and-such was unable to be reconnected to the trimmed file due to a mismatch of the media present in the file... yada yada." Yes, I shortened the end of the first subclip by a couple frames, and I also had another subclip to delete, and I tried going straight from the bin, then from the timeline, then after making all clips independent in the timeline... nothing!
Then I discovered BATCH EXPORT.
Using it, I exported my HDV subclips using Quicktime Movie, Self-Contained, HDV 30, audio and video. It processed 20 minutes of subclips in just a few minutes so I'm fairly confident that no real 'processing' occurred.
Can someone verify for me though that this is a safe procedure and that I am not re-processing HDV files with more HDV nonsense? Before continuing, I would just like to know for sure that Batch Export produces exactly the same result with subclips then if I were to simply capture one clip at a time.
Thanks a bunch,
Chris

I can confirm that it does not merge audio tracks. Track 1 and 2 remain the same. In fact everything appears as it would if I were to capture direct, I just want someone who knows better to validate this!
Also, has anyone else experienced the slowdown during log & capture that I described, with the intermittent message "searching for media"?

Can you batch export in FCP X, can you batch export in FCP X

I work for a business and am constantly working on projects that have multiple, separate projects within the same project. because of this I do all my editing during my business day and then when I leave for the day, I used to batch export the projects and the next morning I would come into work and be able to move onto the next thing. so far in FCP X I have not been able to find out how to do that. I know that in FCP 7 you could do it obviously, but I'm wondering...does FCP X have that same capability because I can't seem to find it and I don't really have the time to waste by exporting during the day.
Thanks for your help,
Scotty

Hey Scotty,
Andynick is correct about the batch export workaround. The way I do it is this:
1.     Go to the Project Library
2.     Select the first project you want to export
3.     Go to file>Send to Compressor. (I set a shortcut -Sift>Option>C from preferences, If you need help with that let me know.
4.     Repeat this process for each project
5.     Go to Compressor (it will already be open)
6.     Now here's where it gets kind of anoying, You need to choose which batch you want to make your main one. Pull off the tab on top and drag that project into your prefered batch, then close the old tab. Now you'll have two projects in your chosen batch.
7.     repeat that process for the rest of the batches Compressor created. When you're done you should only have one batch open with all of your projects in it.
8.     Submit the batch and let Compressor do it's thang.
Things to note:
When you send a project to compressor, it will automatically choose your default settings and location. If you want them to be different you'll have to do it mannually or change your defaults before you begin this process.
FUN right! Hopefully Apple will fix this so you can at least select multiple projects in the Project Library to make it a bit easier.
If anyone has a better workflow I am all ears!

Premiere CS5 Batch Export and Sony PMW-EX1R

Hey Guys!
I have multiple sequences that I need to batch export, and was wondering if there's some kind of plugin that I can use in order to do so.
Normally, I would have to select each sequence, press Command M and place it into the render queue for Media Encoder. Is there a way I can do this by selecting a batch of sequences by highlighting them and send them into the Media Encoder's Render Queue at once, rather than individually?
Also, we film on a Sony XDCAM PMW-EX1R and need a workflow to help us out with compression.
We're working on MAC PRO's and so Media Encoder doesn't have a WMV compression setting for our computers, and the MOV settings give us weird bugs on our website. So to work around this we use Compressor to compress a raw file into various MOV and WMV movies and use Media Encoder to encode F4V files.
We export from Media Encoder in h.264 with a .mp4 extension to try and replicate what our camera shoots in, but I have a feeling that that might not be the correct format to do this in because Compressor gives us this weird Frame issue where it places a single random Frame at the very beginning of our video.
Is there a better export option for Sony XDCAM PMW-EX1R users that will give us a fairly small file size and also have great quality to match our original footage, as well as not having us have to wait long periods of time for export?
We've tried
Quicktime ProRes 422
Quicktime Uncompressed
Animation
Jpeg Sequence
And they all gave us extremely large file sizes (which I understood since they're lossless) and H.264 seemed to give us as big of a file size as FCP did with it's MOV files which is what we're trying to do.

So you're saying that I basically have to pick either using a file that isn't good for delivering content, or selecting a file that's big in size and long to export?
Well, look at it this way: if you want the highest quality output, you want to start with the highest quality source. If you're exporting from Premiere or through AME to a deliverable file--like a WMV or an H.264 MP4--you're all set, because you're accessing the original source media and unrendered effects as they exist in the Premiere Pro sequence. If you're exporting from a different app, you want the most pristine source file to create your deliverable.
Let's say you make apple juice. If you get whole apples from the orchard and press them, you make some mighty delicious juice. However, if you're trying to cut down on shipping costs, and you have the farmer smash the apples into chunky apple sauce so that you can fit more apples in the same amount of space, you can still make juice... but it won't be quite as tasty It's sort of the same with encoding...
An intermediate file will take up more space, because it's uncompressed (or less compressed), but it shouldn't take as long to generate, either--again, because you're not compressing it or you're compressing it less than your final deliverable. Obviously, there are dozens of codecs you could potentially use, so there's a fair bit of experimentation you need to do to determine the best combination for your purposes. There is no "one size fits all" when it comes to encoding, unfortunately; it's a path fraught with compromises.

Shot one frame short after import

I'm having a weird problem with 10bit uncompressed quicktimes imported into FCP being one frame shorter then they should be. I'm working with OS 10.4.11, FCP 6.0.3, Quicktime 7.4.5. The shots were originally shot on 35MM film then telecined at 1080 23.98 on HDCAM. I digitized them on a Kona LH at 1080 23.98 at 10 bit uncompressed. When my edit was completed I exported shots as self contained 1080 23.98 10-bit uncompressed quicktime files which we passed on to the VFX company on a FWHD. They did their work in Nuke/Shake and delivered the finished shots as self contained 1080 23.98 10-bit uncompressed quicktime files. After moving the files onto my media drive and then importing them into my project I find some of the shots are one frame shorter then the source shot. If I take one of the shots from the VFX render, open it with quicktime 7.4.5, and then save as an image sequence, the resulting folder imported into FCP and lined up with the VFX quicktime is now the correct length. It's one frame longer then the VFX quicktime but now matches the frame count of the source shot. I also opened the offending shot in a few other apps (After Effects 7 and Kona DPX translator) where they were the correct length
I suppose this could be related to the 23.98 frame rate however the compositors were working with quicktime files sent from FCP at the same frame rate.

Depending on what software the VFX house used, the media may have been modified in a way that is causing QT to mis-interpret the frame count, frame rate, or duration of the clips. It sounds like the frames are all there, but QT thinks the clip is 1 frame shorter than it's supposed to be. The media is ok, and it's just the QT metadata that is funky.
The frame sequence process sounds clunky, but I bet there is another batch process you can do with FCP or compressor to fix the files. These would still require exporting a new set of files and reconnecting. Sometimes placing each clip in a sequence and re-exporting will restore the missing frame(s). You can also use dumpster to edit the QT metadata, but this is also a one-file-at-a-time process.
Hope this helps -
Max

Batch export off by one frame

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