Best 720 format for Pal

Hello there,
I have a project I'm preparing in DVCPRO HD 720 at 29.97 fps. I will need to convert this when finished to a 720 pal format, but just noticed the only other DVCPRO HD frame per second is 23.97! Can I just manually change it to 25 fps, or is there a setting in AE that is ideal?
Thanks so much!
- Fredo

Yes, for animation involving stills or footage generated by AE then all you
do is set the frame-rate for the output composition. For imported footage
that has it's own frame-rate that conflicts with the required output
frame-rate then problems can arise.
I work in the UK at 1080p25 and I tried Andrew Kramer's technique (which is
a customised use of Timewarp) to convert some materials from 29.97 to 25p
but I had issues, some frames had weird artefacts where AE couldn't
interpret motion properly and these clearly showed up on play back. Tweaking
the Timewarp settings would probably have helped but I found it to be a
very, Very, V E R Y slow process rendering footage out like this and I
didn't have the time to experiment.
In the end I sent the material out to a facilities house for conversion to
25p and re-imported it. There was a cost involved in this and here I have to
confess that I work in-house for a TV production company so this was covered
by the production budget. However the results were flawless and the job was
turned around in a couple of hours.
I think, in terms of workflow, that since Fredo is working with footage that
is 29.97 and needs to output to 25fps then he should just work at the native
frame-rate of the footage, output at that frame-rate and then convert the
whole piece to 25fps. There is less risk of any mismatches and you can just
get on with the creative stuff. It's work once, output once then convert the
final output to whatever is needed for delivery.
If the footage is at multiple frame-rates then I'd suggest evaluating what
the native frame-rate for the majority of the footage is and work at that
frame-rate, convert the rest of the footage to that frame-rate using
whatever route suits your budget and schedule; output at that frame-rate and
then convert the output for delivery.
You could do the final conversion with AE using your technique as long as
time is not a problem. If it is then send it out to a facilities house,
where you also get the reassurance that it's being handled by professionals
who'll understand all the technical issues involved, but there is a cost!
The nightmare scenario would be no budget and no time and there'll be many,
many people here who'll have horror stories to tell about that one!

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Personally, I think its way past time to stop cow-towing to outdated browsers and use PNGs anyway. So if it were me, and the nature of my line art required rasterization for online use, I would use PNG for its obvious advantages. But then, my livlihood is not affected by some minority of outdated web viewers not being able to view my PNGs.
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> Gilbert seems to...
> Doonsbury seems to...
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Since you specify
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Studio X wrote:
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