Best camera for Cisco Video Advantage

Hi,
I am looking for a camera which is having the best specifications for Video advantage. It looks like the Microsoft LifeCam NX-6000 is the one. (1600 x 1190 with 30 fps) Does anyone have experience with this camera or who has good experience with a camera which is not listed in the "tested" camera list:
Cisco VT Camera II
â¢ Cisco VT Camera
â¢ Logitech QuickCam Fusion
â¢ Logitech QuickCam for Notebooks Pro
â¢ Logitech QuickCam Pro 5000
â¢ Logitech QuickCam Ultra Vision
â¢ Microsoft LifeCam VX-6000
â¢ Microsoft LifeCam NX-6000 Webcam
â¢ Creative Webcam Live Pro USB 2.0 Webcam
Thanks in advance,
Jeroen

Hi Mark,
Thanks a lot for your reply. We tried several models which are not in the list. They all worked. The only problem is that the Video Advantage narrows down the format. I tried the Logitech Quickcam Sphere AF. In the Logitech application it's a great Webcam in with HD quality but these are the Specifications of Video advantage:
â¢ H.263 and H.264 video codecs: Bit rates from 50 kbps to 1.5 Mbps
â¢ Video formats (up to 30 frames per second): 352 x 288, 320 x 240, 176 x 144, and 160 x 120
â¢ Interoperable with most third-party H.323 video terminals from verified IP video telephony partners
So it's only working at 352 x 288. I hope the next version of Video advantage is able to increase the resolution.
I would also like to know if there is a way to enable the camera automatically when a phone call is established.
I don't have a MCU to do video conferencing but is there a way to conference a none-video phone into an video conversation?
Thanks!
Regards,
Jeroen

Similar Messages

Best camera for low light and sports

have the sx200is
looking for a newer camera for sports and low light shots

The challenge with sports is that you are REALLY pushing the camera gear to it's limits. Fast action requires fast shutter speeds. But fast shutter speeds demand a lot of light and only outdoor games played during the daytime have that. Indoor games or games played under field lighting at night generally do not have the kind of lighting needed to shoot with fast shutter speeds -- not the kind of shutter speeds needed to freeze action. So this ends up demanding a camera with excellent ISO performance and lenses with very low focal ratios so they can collect a LOT more light when the shutter is open. This gear is expensive.
You will want to consider a reasonable budget depending on what you can afford and the needs of the specific sports.
Are these indoor or outdoor sports? If outdoors, are these played during the day or are they night games?
The "best" camera for sports and low light is the EOS-1D X. It has phenominal low-light performance, has an amazing focus system, and can shoot at 12 frames per second. But it's about $6800 for the "body only" and then you still need lenses. I'm guessing this is probably not what you had in mind. But if money were not a constraint... this would be the one to go for.
The 5D III is another amazing camera for low light performance and and also has an amazing focusing system (largely the same as the 1D X) can shoot at 6 frames per second, and only costs $3500... again, that's the "body only". Still probably not what you had in mind.
The 70D has an extremely good focus system (though not as good as the 5D III and 1D X), not quite as good as low light (but pretty good and much better than a point & shoot camera) and shoots at 7 frames per second (1 fps faster than 5D III) and it only costs $1200 for the body only.
The T5i will be noticeably less expensive than the 70D... a good (but not extremely good) focusing system and 5 frames per second, but the body and 1 kit lens combined is about $850 but that wont a lens suitable for use shooting sports so you'll still need to invest in more appropriate lenses.
When shooting action photography in low light, what you _really_ want is a lens that can collect a lot more light than the average lens for that very brief moment when the shutter is open. Such a lens can allow you to use a faster shutter speed to help freeze those action shots. But *which* lens you use depends on the sport.
For low-light sports, these would ideally be f/2.8 zoom lenses... but f/2.8 zoom lenses are not cheap. Canon's EF 70-200 f/2.8L IS USM (ideal for most indoor sports and outdoor sports IF the action is happening close to you) is about $2500. Sigma's lens is about half that price. But if you're covering action on a large athletic field and the players are far away, they'll still be small. Sigma makes a 120-300mm f/2.8 zoom for sports... for the low low price of only $3600.
Scott Kelby does a video to talk about sports photography and he discusses the equipment used and why... and basically says if you want the gear for shooting sports, you basically need a suitcase full of money.
Tim Campbell
5D II, 5D III, 60Da

Which cable do I need to connect my Mac Book Pro to my Panasonic PV-GS150 video camera for transferring video to iMovie?

which cable do I need to connect my Mac Book Pro to my Panasonic PV-GS150 video camera for transferring video to iMovie?

I totally understand.
Check some things from here, I have 2 and they have been great so far.
Check here, lots of storage and reasonable prices. Also great support, you get to speak to a person
Clean off your on the G5 drive and off you go.
I suggest buying a second drive and setting it up for a back up, Time Machine or Carbon Copy Cloner, or SuperDuper (both "bootable" back up) All searchable on the web.
http://eshop.macsales.com/search/elite+pro
You can talk to a person for REAL advice, Phone: 800.275.4576 Ask about exporting to your G5 and and exporting to your existing OSX, you may only need a small inexpensive drive for this.
Quick delivery and willing to help.
Hope this makes you back up and running :-)
Do get a back up drive, as it is not ""whether my drive will fail, as much as "when my drive fails"
All the best

Best format for converting video

What is the best format for converting videos for your iPod? I am using handbrake but there are alot of settings. What is the best one? mp4,avi,ogm? and what about codecs? aac audio, mp3 audio,h.264 video mpeg 4 video, .mp4 video? Need help?

See this Wikipedia article for some encoders:
* http://en.wikipedia.org/wiki/Theora#Encoding

Best export for flash video

I have completed an edit of a 7 minute teaser for a feature film and need to export it to be displayed online in a flash player. The footage is HD 1080i, 29.97fps and edited in the Animation coded. My experience with best exports for flash conversion is very limited so please bare with with.
1) Is it possible to export directly from FCP to a flash file? If yes, would that be a good idea, or should I use third party softwares for better results?
2) Which third party softwares are recommended for flash conversion? And what export compression should I use in FCP for best flash conversion results?
3) Any other tips and tricks to get the best quality for flash video display?
Any help would obviously be greatly appreciated. Thank you.

When I have quality HD video that I want to export for flash, I compress it with h.264 codec. Then, with the new version of Flash, you can swap out the .mp4 extension for .f4v and your good to go in Flash. Quality looks pretty good at a fraction of the file size.

Best software for animated video

What would be the best software for animated video similar to this:
youtu.be/e9_vszxZGB4
Thanks...

Hi Mathew,
You can go with Adobe Edge Animate.
Its an premier HTML software with integrated tools for creating compliant cross-browser animation and other content.
For more info please refer http://html.adobe.com/edge/animate/faq.html
Let me know if you need more info.
Thanks!
Eshant

What's the Best App For Watching Videos on iPad Air?

Okay, so there's no Flash past, present or future for the iPad. I read some discussions here in the archives from a year and two ago about which workaround works around best (or least badly). Is there any update now as of December 2013 for what's the best app for viewing videos online on the iPad (Air)? Thanks.

I downloaded the new (2013) version of Photon and it's been playing, appropriately enough, episodes of Star Trek: TAS that otherwise require Flash. The one thing I have to remember is to click the goofy lighting bolt icon toward the top right-hand corner of the Photon screen when I return to warch an episode if I stopped in the middle. Basically it will turn off the "Flash" emulation when the screen goes dark with inactivity, and then when you reopen Photon it crashes and you have to re-reopen Photon, click on the link to return to the website, and then click the lightning bolt icon. I don't know why the producers made it that way, as it's pretty inconvenient, but maybe they wanted to make a browser more than a Flash emulator. I haven't tried other Flash videos yet, but so far, so good. :-)

I cannot get CS6 to recognize my Sony DCR-TRV340 camera for capturing video from that camera. CS6 c

I cannot get CS6 to recognize my Sony DCR-TRV340 camera for capturing video from that camera. The CS6 capture box keeps putting up a message that capture device is off line. The Sony DCR-TRV340 camera is not listed in the CS6 Device Type list in the CS6 DV/HDV device control settings box of Sony cameras. I've downloaded what I think are the correct drivers for the TRV340, and when I plug the camera into the computer, the computer shows it listed in the devices and printers box, but CS6 will not recognize it. Do I need to install these drivers into a specific folder in the CS6 program? If so, where do I find these drivers in the windows 7 professional operating system, and into which CS6 file folder would I copy them to?

Most camera's are not listed in Device controle, set it to Sony and generic. Yours is very old its a Digital 8 camera (I still got a TRV210). Johns second link wont work with your camera.
You do not need to download drivers nor do you need to install anything. Most likely its the Legacy driver.
Read though this document.
http://kb2.adobe.com/cps/828/cpsid_82848.html
General rule is connect camera to pc wait until windows reconigzes the camera.
Fire up Premiere and capture.
Never connect the camera to pc when the camera is on.

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks

function(){return A.apply(null,[this].concat($A(arguments)))}
bmiller0525 wrote:
What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks
thats way too vague of a question... best what? quality? size? playback?
best quality then use high bitrate, small size use low bitrate.

What is the best Computer for HD video editing where can I get it under $3000-5000? Thank you!

What is the best Computer for HD video editing where can I get it under $3000- $5000.00?

The wording of your question suggests you may be new to video editing, in which case the types of projects you will be doing may not be the most complex.
Please accept my apology if that assumption is incorrect.
The cheapest computer available will edit 1080p video perfectly well but if you must have the "best" you will be looking at nothing less than a MacPro.
Too many people get hung up about the equipment they use and blame it for any inadequacies . . . when the most important component is the operator.

Best Options for Raw Video in Onlocation CS4? ...and Stuff.

Hi...I am running out of time for this project because I cannot get the JVC GY-110 camera to match the settings in Adobe Premiere Pro CS4. In other words, I can’t get my footage off the DV Tape! However, the “workaround” I found is to use Adobe OnLocation CS4. I easily got OnLocation to record live video. It’s glorious. It is recording in .AVI and I am wondering how to get this to record in MPEG2? I read that it can do that but cannot figure out how. I want to do this, 1) to edit in Premier Pro CS4 and 2) for the local TV station that wants it in that format. Can anyone please provide some insights here? Is MPEG format even what I should be doing or is .AVI ok?
The project is going to be used online and on a local TV station so the plan is to use Adobe Media Encoder CS4 to create formats for each.
Finally, to create overlays (I guess that is what you would call them) such as photographs, news info bars in the lower 3rd portion of the screen (etc) do you suggest I use Premiere Pro or Encore CS4?
In summary, my questions are:
1) Should I be using .AVI or .MPEG formats in OnLocation?
2) How do you get OnLocation CS4 to record in MPEG?
3) Is Encoder CS4 the best way to export video for multiple formats? If so, what is the best starting format?
4) What is the best way to create overlays like news bars?
Thank you in advance for any help you can offer.
Sincerely,
~A Desperate Nooby

You should import the files, captured with OL, into your PR project. Now you have two choices, either use dynamic link to Encore and have Encore do the encoding for you or you can encode yourself. This requires a basic understanding of bitrate settings, which you can easily gain from using a bitrate calculator, like http://dvd-hq.info/bitrate_calculator.php?PHPSESSID=6501b6b2b31f4c4a295bc8c2ba1e6f57
Encore is included with PR, so why not use it? It is so easy and you can add menu structures, subtitles, etc. to your DVD's. For other export formats, like WMV, H.264 etc. you don't need Encore, unless you want to burn to BR. Just use AME.
DV AVI type2 has the advantage that it is extremely easy to edit, does not put a lot of strain on your computer and will not show any noticeable degradation in quality when exporting.
Hope this helps.

Best Camera for $1500 or less

What is the best mini-dv 3ccd camera for $1500 or less? I wish I could spend more but that is my limit at this time and I need a camera bad. Any suggestions?

Hey,
Keep in mind that the XL-1s is somewhat clumsy and awkward to handle. If you are used to ENG style... the Canon has no comfortable way to rest it on your shoulder. If you like to hold it out front, using the top handle, while framing your shot with the flip-out LCD... the XL-1s has no flip out LCD. Just a big eye cup style viewfinder.
The up side is the interchangeable lenses available for the XL-1. But if you are test driving one this weekend, be sure to ask how many lenses that price includes. Also, is there a wide angle adaptor included as well.
For my money... a used Canon GL-1 or a GL-2 if available, (the GL-2 is the newer version, with a better audio section). Being Canon devices, they already have superior optics. Both camcorders feature optical stabilization and [real glass!] 20:1 built-on lenses, and good sized flip-out LCDs. Since 2000, our church has been using 3 GL-1's for recording the services (via long S-Video runs to the switcher) as well as on remotes for the special dramatizations which are shown on the big screens during the actual services. Never a down day. The GL-1 is able to record in 30p as well as 16:9 anamorphic, and download via Firewire into any NLE. I've owned mine since 2000 as well. Never a glitch in the beginning with iMovie, later with FC Express, or now with FCP 5.1.4!
So... get yourself a used GL-1 and one of those Beechtek DXA-2S mic/line adaptors, so you can use pro mics in the field, and for under $1,500 you have a formidable, light-weight shooting rig.
JC
G5 Quad 2.5 PPC Mac OS X (10.4.10) 3 monitors powered by GeForce 7800GT and 6600. JVC GY-HD100 camera; FCS 5.1

Best Mac for fast video encoding?

Wondering which Mac may be the best choice for fast (at at least faster) encoding of video files and creation of disc image and then burning a dvd disc. I'm doing home videos with my digital camera, about 50 minutes long.
On my Dual 1ghz G4 PM, it seems to take forever, maybe 6-8 hours. Anyone know or can quess how long it takes for the new iMac Core 2 duo versus a low end Mac Pro?

on my antiqué hard/software (450Mega!Hz, 1GB RAM, 10.3.) combo, iDVD encoding needs 8 - 10x of the length of project... (1h project= 8h encoding)
sooo, to improve speed:
* make sure, you're within specs of iApps - avoid compressed material, stay with .DV encoded video, .aiff encoded audio, .pic encoded stills...
* make sure, you have at last 10 - 15GB free on internal drive (ext. doesn't matter for this issue)
* make sure, all project data are located on internal drive
* … if not, make sure ext. drive is firewire connected and formatted to "MacOsExtended/hfs"...
* avoid other CPU/harddrive consuming tasks, as ripping CDs, rendering 4D animations, Spotlight indexing...
I've seen überMacs, Intel quads/4GBRam, encoding in less then realtime...
if you don't need fancy iDVD menus, playout movie (=realtime...) to some DVD/Harddrive standalone as from Pioneer (<<link to commercial website!), my 520 does the (hardware accelerated) encoding/burning of 1h video in about 5-10minutes...

What is the best camera for me?

I don't know much at all about cameras, so I'm really hoping someone will be able to help me! I'm looking for a camera that's better than your standard point and shoot digital camera but one that doesn't cost a fortune. I want to be able to take pictures of NASCAR cars going down the track without them being blurry. I would also like to be able to take pictures of things that are sitting still or aren't going quite 200 mph. I guess I just want an all around good camera that also has the ability to take good, non-blurry pictures of NASCAR cars in motion. I was wondering if anyone could tell me what the best camera and/or lense would be for this. Thanks so much for your help!

This is one instance where good gear helps but knowing how to use it properly is more important. Panning skills will be important, & so will choosing the right focal length of lens. I'll assume you have to shoot from the stands but don't know how far you'll be from the stretch of track you're hoping to shoot the cars along. A camera with a good AF system matched to a lens with fast AF capabilities will help too, but you could do this old school & use manual settings & manual focus too. You would set up the camera based on the lighting favoring a Tv that can freeze the car but blur the background & wheels / tires. Then you pick an ISO to allow shooting in the f8 range at that Tv & pre focus on the section of track in front of you. Pan with the car or group of cars as they go by & take a few shots while they are in the zone you've pre focused on.
If however you're really serious about it & think you'll attend enough events to justify spending the money the 7D, 1D2n, 1D3 & 1D4 are all worthy bodies for action thanks to their AF systems & frame rate. For lenses I suggest considering any of these as a starting point but again you may need longer depending on access to the action. 70-200 f4 L, or the IS version or maybe the f2.8 versions but since the 70-300 L IS seems to have both a very fast & accurate AF system it would be my first choice as a from the stands starting point. The 100-400 L would be my next addition to a motorsports kit but I don't think it's the lens I'd start with.
As for setting up a camera for action (DSLR's but some P & S may work too) I wrote an article which is a good starting point & the suggested shutter speeds for prop planes fit a rookie shooting motorsports so I recommend reading this plus use the link in my last post for another set of lessons from Canon that you should read.
http://www.rccanada.ca/rccforum/showthread.php?t=147971
As a side note I started attending R/C events to work on my panning skills so I'd be better at the track. A smooth panning swing is developed through practice & it's the key to good results, and follow through after the last shot in each sequence.
"A skill is developed through constant practice with a passion to improve, not bought."

Best Camera for Documentary work?

Hello, I am looking for a camera to make a documentary. I have looked at the Canon 70D while using a zoom capture device for sound. I recently looking at the Canon XA25, would this be better? And do I need to use an external capture device for sound?
I wanted something that can take stills but am willing to let this go for superior video quality and better sound. As it stands I have a budget of around £3500 to buy a camera, audio equipment and everything else (batteries,memory).
thanks, Tom!

I would guess that most of our elitists (humor here :)) would say that mini-DV is crap and HDV is just a larger form of said crap due to the high compression needed to get all that HDV data onto a mini-DV tape.
Having said that, I soley use an HDV cam (Sony HVR-A1U). I always shoot HDV and in cam downconvert when capturing into FCP.
If I had had the money and transport (inconspicuous travel) wasn't my thing, I would have gone with that Panasonic P2 one (can't remember the name) or another true HD cam.
But, I'm extremely happy with my choice. When the money is there I'll add the HD cam and use my A1 as a second an my travel cam.

Best camera for Cisco Video Advantage

Similar Messages

Maybe you are looking for