Best Graphics backgrounds for final cut pro and g-5's

I am not sure if this is the best place to post this but I was wondering if anyone could tell me what are some of the best graphics to use with final cut pro that work real well with a dual g5, this would be like quicktimes for backgrounds. I have had alot of people tell me after effects but then I am looking more for software that you dont have to build, I have been looking at Digital Juice and was wondering how well that works with final cut pro, are there any other High Quality graphics already put together, thanks for your help and if this is not posted in the right spot let me know where would be the place to post something like this. thanks

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Student Help advice! what is best iMac model for Final Cut Pro and logic pro

Hi
I am currently looking into getting a iMac, but is toggling to device if I need a 27inch or a 21inch(top model),which will be used for Final Cut Pro and logic
There is a lot of money being invested iMac, and I really not want to be stu k with a computer that not going to keep up with the amount of work load in the future.
The specs that I have on mine are..
21inch
Upgrades include
Sdd drive 512gb
Intel core i7
16gb of ram
Or
27 inch
Upgrades
Fusion drive or sdd 250gb
Intel core i7
(Possible graphic card) NVIDIA GeForce GTX 680MX 2GB GDDR5 [+ £105.60]
(Ram is way to expensive so will buy from second party)
Anyone who has brought a iMac for final cut or logic what would you likely buy?..Am really stuck on the hard drives between the 27inch fusion and 512gb on the 21inch
My budget is £1900
My fear is that the 21inch top model's graphic card may not be good enough for advance editing on Final Cut Pro In the future when I start to get more deep into editing..logic really only needs 8gb to run smoothly..buts its the final cut specs that am having problems deciding. I know iMacs are not future proof or technology lasts for that matter, but I do expect to have it run good for a number of years before I upgrade again.
If anyone can give me some advice, or even tell me about there set up they have for media work please let me know.

All kinds of things affect system & HD performance, I can't tell you why your 4 year old Mac is slow. Just because your old Mac is slow doesn't mean that a new iMac will be equally slow.
You are correct about the issue with the smaller fusion drives. It's one of the reasons I am not high on recommending them. Everyone thinks they want power & performance but don't understand the gap between marketing and real life performance. The 1TB fusion drive however should give you a good combination of rapid access and sizeable storage capacity.
I have used external FW800 / 7200rpm drives for years and have never had a problem with any of them. I consider them very reliable but admittedly I DO NOT use consumer drives like the WD MyBook that the big-box stores sell. For the most part I assemble my own with OWC Mercury Elite enclosures. In the past few years I have centered on WD Caviar Black and WD Scorpio Black drives. I also have some Seagate Barracuda 7200.xx drives. They all perform excellently and reliably.
Pls. refer to my earlier post for what i recommended to you.

WHAT IS THE BEST VIDEO CARD FOR FINAL CUT PRO and MOTION?

Hello folks,
I have found a lot of posts regarding all kinds of troubles with ATI READEON X1900 video card.
When I talked to people from Apple, trying to decide which videocard to install in new MAC PRO, Ati Radeon X1900 was the one they did recommand for FCP and Motion. So are there any other cards which would actually suite better for Final Cut Studio2, or is Ati Radeon X1900 really the one to go with?
Thanks for any suggestions,
Kootenay

Techreport has some more information on the new 55nm Radeon (X3000) which should be another "mid November" releases, as well as an updated 8800 GT that still is under wraps.
So seems Intel and everyone else is trying to get new products out before the end of the year, if possible.
Drivers for graphics controllers may or may not need the work that sometimes seems to plague companies.

Formatting a La Cie Rugged 1TB Esatadisk for Final Cut Pro and partitions?

I have a brand new La Cie Rugged Xl 1TB hardisk and a La Cie Sata II Esata 34 Expresscardadapter.
1.) How to format the drive to work best with Final Cut Pro and Prores HQ?
2.) How many partitions is best for this 1TB disk?
3.) Which tool to use for formatting and partitioning?

Disk Utility's Repair Permissions only works on drives where all of the following circumstances apply:
•The drive has a Mac OS X operating system installed.
•The files to have their permissions repaired were placed there by the *Apple Installer* application.
•A .pkg file or .bom folder was placed in the Library/Receipts directory by the Apple Installer application, containing permissions information pertaining to the file on the drive.
Repair Permissions does not work on secondary drives or on files created by the user on any drive -including, but not limited to documents, video, photos and music.
To avoid permissions issues on the drives that you will be using for video, do the following:
•Right click the drive's icon on the Desktop or in the Finder's sidebar and choose *Get Info*.
•Go to the bottom of the Get Info window and click the triangle next to *Sharing and Permissions* to open that section.
•Click the lock and authenticate with an Administrator User name and password.
•Activate the checkbox for *Ignore ownership on this volume*.
Do not partition media drives, as already mentioned. There is absolutely no need to format a drive using anything other than Apple's Disk Utility application. You do not need to use LaCie's proprietary software to format a drive.

Graphics Processor for Final Cut Pro 7

Final Cut Pro 7 requires ATI or NVIDIA graphics processor. The specs state that integrated Intel graphics processors not supported.
What happens if you just try to use your ordinary Intel graphics processor? (I have an Macbook with intel processor) Do you just see a bad image quality or no image at all?

The intel processor you are mentioning is the CPU not the GFX card. You likely have an Nvidea GFX card in your macbook depending on what model and vintage it is.
The machine itself may not have enough CPU power, Ram, hard disk speed, or connectivity to run FCP. Although some folks have limited success, If you are doing a lot of work it's best to have more than enough machine rather than under or equal to minimum. Frustration limits creativity.
If FCP installs it will show you an image. once you start editing is where issues will arise, Motion will very likely not run at all

32 GB ram for final cut pro (and Afetr Effects)? Is it worth?

Hello,
and now it's the RAM time...
I have to decide how much ram to buy, I work with Final Cut Pro, After Effects, Photoshop and, I hope, soon with Cinema 4D; this is the probabily Mac Pro configuration:
- Two 2.8GHz Quad-Core Intel Xeon
- Mac Pro RAID card
- 4 SAS internal hard disks 300GB 15,000-rpm
I'd like to expand it to 32 GB of ram, has it a sense or is it too much? Can 32GB RAM paradoxicalally slow it down? I heard too much RAM could be a problem...
Thanks a lot,
Stefano Bianchi

Silal wrote:
Hi
FCP will not take advantage of more that 4 GB: Maximum memory usage in Final Cut Pro is 2.5 GB. Other FCS apps like Motion and Color will thanks you more RAM, but IMHO 32 GB is really too much, what means I cannot state you'll notice the difference.
More RAM will help ypu on working with all your apps open at the same time making the system more responsive, but as I told you I think you can do it with less that 32 GB.
Hope that helps !
Alberto
But Leopard on an Intel is 64 bit, right? So the article would not apply or has FCP not been updated for a 64 bit memory space?
Robert:-)

USB or Firewire for Final Cut Pro and or Premiere Pro

I have a macbook, and i need to do a crap load of final cut/ premiere rendering, and i need to get a external for the capture scratch and ect.
But what i want to know is, what one to use? USB or Firewire 400,
I was originally gonna get a LaCie Rugged, cuass its buss powered and extremely portable, but my friends told me, seeing ive got only one firewire port, im gonna have to get something like the 320gb o5 500gb LaCie, which has two firewires on the hard drive, although its not that portable.
So i asked, why cant i get a USB external, that was a dumb thing to ask. They gave me reasons like USB speed isn't constant, not secure stuff like that.
So what should i do, and which is the best one to get?
Cheers
Message was edited by: BlueDingo

Don't know about PPro.
For FCP, you really should have FW. The problem you'll run into, is that the Mac Book only has 1 FW bus. It doesn't matter how many ports the computer or external have, they will all run on the same FW bus. And I don't believe the MacBook has the capability of using an Express34 card (or any other FW expandability). I could be wrong, but don't think so.
One solution is to capture directly to your internal harddrive, then copy the files over to the external FW drive. Others have posted about daisy-chaining your camera/deck through the external FW drive, but I've not done that and can't tell you how.
Even capturing to the internal may not work, depending on what format you're capturing.
Hang around for other possible solutions and search this forum for 'capturing to Mac Book' or some such language.
K
and yes, USB delivers content in packets vs. a continuous stream using FW. FW is the way to go. You might have success with USB, but you'll be lucky. Try to get FW 800 if you can.

Which is the best video converter for Final Cut Pro 7?

Hi, I am using Fincal Cut Pro 7.0.3 and I am looking to find the most compatible, most efficient video converter to work with my FCP 7, I need import vidoe file formats such as AVI, MPEG, MTS to edtiting in FCP 7, and I am having hard time to converting them, even I managed to convert them and imported them into FCP they need rendering again and again in FCP and that wasted me tons to precisous time.
Any suggestions? Thank you so very much!
Kevin

Compressor. Second, I would choose Episode. But then MPEG Streamclip is very usefull when convert from many of the MPEG formats. Keep in mind that formats such as those you listed are merely wrappers; the codec contained within could be one of dozens of codec, some of which may not convert well.
-DH

Audio upsampling in Quicktime Pro: Best export settings for Final Cut?

I'm using Quicktime Pro to convert audio from 32 kHz to 48 kHz, for use in FCE/FCP. Quicktime gives me several options for export settings. I want to make the conversion lossless, without increasing the size of the audio file too much.
These are the settings I'm using so far:
Format: Linear PCM
Channels: Stereo (L R)
Rate: 48 kHz
Sample Rate Converter Settings: Quality: Best
Linear PCM Settings: Sample size: 16 bits
Are these settings the best choices? Does anyone have experience doing this kind of upsampling?
Here are the other options in Quicktime:
Format: Linear PCM, A-Law 2:1, IMA 4:1, MACE 3:1, MACE 6:1, QDesign Music 2, Qualcomm PureVoice, and mu-Law 2:1
Channels: 2 Discrete Channels, Mono, Stereo (L R)
Rate: there are other choices, but I know 48 kHz is what I want
Advanced Settings:
Sample Rate Converter Settings: Faster, Fast, Normal, Better, Best
Linear PCM Settings (when Linear PCM is the format): 8 bit, 16 bit, 24 bit, 32 bit (floating point checked), 32 bit (floating point unchecked).
The file size grows quickly as you increase the Linear PCM bit settings.

You can't create something that is not in the file.
Moving from 32kHz to 48 will only make the file size
larger and can't improve the audio.
Doesn't FCP or FCE import your file at 32. Or does it
change it to 48 after import?
I am aware that increasing the audio from 32 kHz to 48 kHz will not improve the quality of the audio. And yes, Final Cut Pro and Express will both capture and allow you to work witih 32 kHz audio.
I have several hours of video shot with 32 kHz audio settings that I'd prefer to have stored on disk with 48 kHz audio, because (a) some applications like iMovie have demonstrated problems with 32 kHz audio in the past, and (b) the majority of my video is shot with 48 kHz audio, so my 32 kHz video will eventually end up in a 48 kHz project, leaving the upsampling to Final Cut. Yes, I do eventually plan to burn my projects to DVD as well, but this isn't an immediate concern.
The problem with doing the conversion in Final Cut is this: Some of the people knowledgeable about Final Cut Pro and Express recommend doing the upsampling using Quicktime or another application, instead of using Final Cut, because Final Cut may not do as good a job as Quicktime. So my intention is to upsample the audio now in preparation for later projects. I don't completely understand why Final Cut wouldn't do as good of a job at upsampling, but a couple of experienced users in the FCP and FCE forums have independently corroborrated this.
Thanks to everyone for their helpful posts and responsiveness.
PowerMac G5 Quad 2.5 GHz 3GB RAM Mac OS X (10.4.5) NVIDIA GeForce 7800GT
Message was edited by: Anthony M Kassir MD

TS1846 I have edited a movie in Final Cut Pro and the video has been smoot all the time. Now, when the one hour long movie is ready the video seem to paus every 5 sec (only for half a second). It does it all the way through the movies. What is wrong? Sudd

I have edited a movie in Final Cut Pro and the video has been smooth all the time.
Now, when the one hour long movie is ready the video seem to paus every 5 sec (only for half a second). It does it all the way through the movies.
What is wrong? All the sudden.

We need info, info, info!
What version of FCP X?
Did you render? what are the project specs? do you use many compound clips? how much ram, hard drive space, how is the hard drive connected?
It looks like your mac can't keep up. Maybe the bottleneck is the hard drive, or something else.
Try exporting a master file and see if the video is ok.
Also, keep Activity Monitor open and see how much memory pressure you've got.

Why is there no disc for Final Cut Pro X, is there one coming, and how do I transfer the program to a new machine from the download? Thanks!

Hello:
Why is there no disc for Final Cut Pro X?
Is there one coming?
Can and how do I move the downloaded application from my old machine to a new computer?
Thanks!

You purchase FCX in the Mac App Store, there is no disc. You can reload past purchases under your account within the app store. You should also be regularly backing up your system

Which firewire interface for Final Cut Pro on MacPro?

I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

I saw the Traveller ads in Videography mentioning
time code, so I presumed it had an advantage over
other interfaces.
I found this in some ad copy:
"""The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
So it likely uses an audio port for timecode I/O. However, unless you have external equipment that you want to slave to Logic Pro, (or have Logic slave to) e.g. a timecode DAT, then this really is not necessary. FCP would not see the Travaller as a "controllable" device.
For Final Cut Pro use, I'd probably shoot in HDV.
When shooting a green screen near my computer (or
maybe even on-site), I wondered if there would be an
advantage to recording the audio thru an interface
like the traveller.
The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
Do I actually need an interface that provides time
code, or is that only needed for movie work?
I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
Maybe it is simpler just to connect to the mic
directly to the camera's input?
Indeed. You should always have camera audio available. Anything else is supplemental. Alternatively, you could use the Travaller or RME, etc. as a "live to camera" mixer in a studio situation. Plug your mics into the interface, create a submix and send it to the camera while simultaneously capturing each mic to an individual track in Logic Pro. There are many possibilities.
G5 QuadPPC2.5, Ram:12.5g, Magma PCIe-PCI expansion Mac OS X (10.4.8) 2X Hammerfall DSP Digiface+Multiface, Digi 002r, 4X UAD-1

Ok I am looking at macs for final cut pro

I want to find the best option to run final cut pro x and motion, can anyone give me any advice...
the iMacs are simply not powerful enough
I am waiting for the next edition of MacPros from Apple in Europe
and the other option is looking at Hackintosh
can anyone suggest the following
RAM?
Disk?
Graphics Card?
Sound Card for Logic?
Thanks

Hi there
Your characterization that "iMacs are simply not powerful enough" is not accurate. You can customize the iMac to be very powerful if you want to spend the money.
Processor
Get amazing performance from the quad-core Intel Core i5 or Core i7 processor, which features four processor cores on a single chip. Choose the speed and processor you want.
Processor
3.2GHz Quad-core Intel Core i5, Turbo Boost up to 3.6GHz
3.4GHz Quad-core Intel Core i7, Turbo Boost up to 3.9GHz [Add $200.00]
Memory
More memory (RAM) increases performance and enables your computer to perform faster and better. Choose additional 1600MHz DDR3 memory for your iMac.
Memory
8GB 1600MHz DDR3 SDRAM - 2x4GB
16GB 1600MHz DDR3 SDRAM - 2X8GB [Add $200.00]
32GB 1600MHz DDR3 SDRAM - 4x8GB [Add $600.00]
Storage
Configure your iMac with a large Serial ATA hard drive. Or choose flash storage for greater performance. Or get the best of both worlds and select Fusion Drive.
Storage
1TB Serial ATA Drive @ 7200 rpm
3TB Serial ATA Drive @ 7200 rpm [Add $150.00]
1TB Fusion Drive [Add $250.00]
3TB Fusion Drive [Add $400.00]
768GB Flash Storage [Add $900.00]
Graphics
Your iMac features next-generation NVIDIA graphics based on the Kepler architecture. The NVIDIA GeForce GTX with 1GB of dedicated GDDR5 video memory comes standard for superior graphics performance. For even better graphics response, configure your iMac with the NVIDIA GeForce GTX 680MX with 2GB of dedicated GDDR5 video memory.
Graphics
NVIDIA GeForce GTX 675MX 1GB GDDR5
NVIDIA GeForce GTX 680MX 2GB GDDR5 [Add $150.00]
In fact I'm using a late 2007 model iMac and it seems to work fine with FCPX.
See here for specifications. http://support.apple.com/kb/SP624
IMHO buy the best equipment you can afford rather than waiting for some undetermined time for a product update that may or may not come. And, I'd stay away from the Frankentosh. You may end up spending a lot of time and money not to mention frustration using one of those machines.
Carl

Following Media Files Are Not Optimized For Final Cut Pro

I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
1. the error message, "Following Media Files Are Not Optimized For Final Cut Pro"
2. the quality *****! watching it on the playback in FCP it looks great, but then when I burn it to Disc it's pixelated in spots and generally has a lower quality picture.
I know that it's Standard Def. and can't expect the best, but I've done it before (once or twice) and it didn't seem this bad.
Can someone suggest anything to help the quality? Should I run my AVIs through MPEG Steamclip to make it a QT file and if so what is the best format in that since there are many to choose from and most I'm not familiar with?
Thank you,
Crayton

I did compress them to DV NTSC then burned it to DVD and the result was no bueno.
I thought what I would do is try compressing them again before I send them on over to DVDSPRO. Here is a simplified break down of the situation:
- I have edited the raw footage in Premiere Pro on my PC. They were recorded and captured as SD.
- I rendered them in Premiere, then transfered the rendered AVI file to FCP.
- When went to place the files in FCP, I received the warning message; "Following Media Files Are Not Optimized For Final Cut Pro" but I went forward anyways and it allowed me to do so.
- Originally I went ahead and compressed them from FCP to QT Movie as a DV NTSC, which ended up poorly.
- Therefore my question is, should I compress them using another file type (other then DV NTSC)? Which leads me to another program that I have called MPEG Streamclip, which offers tons of file types of which I am unfamiliar with most. I want the best quality of course but don't know what file type is the highest going from AVI to a format that can be accepted by FCP and ultimately DVDSPRO. Keeping in mind that I only have FCP5 and do not have Prores.
Did that make sense?
Thank you again,
Crayton

Plugins for Final Cut Pro X

It looks like Final Cut Pro X does not support import or export of FCXML. My company wrote a plugin that appears under the import,export menu using a Final Cut Pro provate API we had to sign an NDA for.
We now need to rewrite for Final Cut Pro X. Who can we contact to answer our questions?
ps: I'm part of both the Mac and iOS developer programs yet I don't see any forums or developer information for this...
best,
Tuviah

no it was another plugin API that I got from Apple to develop plugins such as the one by YouSendIt, or EVS, or Automated Duck which allows adding a menu item to the FCP import and export menus.
Unfortunately the Apple contacts we had 3 years ago, such as Adam Green, who gave us these APIs no longer work there or are not responding.
I've actually tried using my technical incidents to get answers but keep getting told that I need to ask the final cut pro team without so much as an email or other link.
so I'm REALLY REALLY hoping someone at Apple is monitoring this list and can help out. Or perhaps another plugin developer.
I would think Apple would want to make it easy for 3rd parties to integrate..

Best Graphics backgrounds for final cut pro and g-5's

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