Best Mac For HD Production?

hi there.
planning to purchase a new mac (either a laptop or a desktop).
was wondering which ones have professional video cards already installed in them, that would be suitable for working with HD material.
thanks in advance.

Audio is generally moving from an analog to digital source then back out to analog. The card/ AD converter is the interface in this analog/digital/analog stream.
Most consumer/ prosumer video is digital from the beginning (ie that is what cameras record) and the capturing of this video (DV, DVCPro, DVCAM, DVCProHD, HDV and the like) is largely one of moving the ones and zeros that make up the images from the camera to the computer. It is a data transfer, not an analog/digital conversion, and you do not need any third party card interfaces to make it happen.
Certain formats (eg AVCHD) are a file transfer (not a tape based capture) and require a bit of software to convert it from the highly compressed mpeg based structure to an editable format. Other formats such as HDV (a long GOP compressed format) can be captured in its native format over firewire. However, and this is where things start to get complicated, the use of certain 3rd party i/o cards will allow a user to capture HDV as ProRes422 - a much better format for editing. The Card will not IMPROVE the quality of the original image, it will simply convert it from a PIA format to one that works very well with a Mac of suitable capabilities.
Beyond HDV, there are numerous professional formats that are not supported for input/output in FCP via firewire or direct connect to the camera file transfer. While FCP will edit the material once acquired, you need an interface (card or external device) to make the connection to the acquisition device (tape deck, camera, etc) and turn it into an editiable format that FCP will be able to manipulate.
Beyond acquisition, there are a range of tasks cards are designed to accomplish. Some cards will only deal with output/viewing, some are bare bones, some are a swiss army knife of format interchangeability, some will only deal with esoteric formats that a consumer video person will never need.
The key questions are:
What format are you shooting/acquiring and on what media?
How do you intend to edit it?
What is the deliverable and on what media?
Good luck,
x

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