Best project settings for multiple outputs

Hi guys,
I have a project that will be needed to be outputted to many different formats (web, hd, sd, flash etc).
What's the best settings for a project of this type... obviously the highest common denominator... but your suggestions would be appreciated.
PS... I'm is Australia (PAL), and the project will only be displayed in Australia.

You got it - highest resolution requirement. Then use Compressor to create the lower rez versions from your exported Quicktime.
Patrick

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Best project settings for yet unknown output

We are using Premiere Pro CS4 (+others from Master Collection). I should edit few minutes long music-video-like collage, using only still pictures. Is it possible to say, what kind of project settings (resolution etc.) it would be best to use, when the final result will be going to various output devices. HD, DVD, web... How to maximize the "portability" of the project?
Thanks for any advice!

Thanks for your help, but the problem is not with camera models. The material is only still images from digital slr cameras. I will just make a nice & slow "image show" of them, maybe using little bit panning & zooming in timeline.
It will for sure be delivered with SD-DVD, projected straight from computer, maybe presented in lowres web version.
But if I need even higher definations, what kind of settings I should use, to enable easy downscaling to those lower resolutions mentioned?
Progressive propably, full HD 1920x1080? Should I make some custom settings for the project or select some presets, and if so, which?
There is so many them and I'm convenient only with the PAL-SD

Best Compostion Settings for DVD output

I am working on a project that does involve some regular DV footage but the vast majority of the footage will be animation movs exported from After Effects. These movies are simply pans and zooms on still photos done in After Effects.
What I'm wondering is what sequence settings I should use.
The final output will be to DVD and it will be viewed mainly on TVs, not computers.
One thing I hate is when I do these still pics and on a TV they look jittery or shimmery or alias-y or whatever it's called.
Is there some way to avoid this?
Is it possible to do a movie in progressive scan even though some of the footage is DV?
How about when exporting from AE? Should I use the DV setting or the progressive setting?
Any thoughts will be very helpful.
Thanks,
S

David,
Your answer "Depends on what is causing the problem. Could be one of (or a combination of) many things; resolution too high, areas of fine detail in the image, poor scan, dimpled/textured photo paper, patterns within the image, areas of high contrast within the image, etc. Each of these problems needs to be addressed individually for each photo." intrigues me.
We are scanning the photos as high res (3000x2000 in some cases) TIF files to allow for panning and zooming. They are B+W and do often have high contrast. They also often have areas of fine detail. I don't think poor scanning or dimpled paper are issues.
Could you offer any ideas on how to fix these images for TV viewing? I will say that I have read other posts on here about using deinterlace, flicker filter, etc and I am never pleased with the way the image is degraded with these filters.
The best I have found is to use a slight blur. On this forum people often say less than .5 pixels but that is never enough to eliminate the flicker, shimmer, what-have-you. I am often forced to use a gaussian blur of 1 to 1.5 pixels.
What I don't like about this is how it then looks on a computer monitor (should people pop the DVD into watch on their home computer). On a TV the images generally look fine.
Any ideas?
Do you think just sticking with regular NTSC DV sequence settings is appropriate?
What about sequence settings for video processing? Would it help at all to use "high quality YUV" rather than "8 bit YUV" since these are animation movies of still pics?
Thanks for the help,
S

Project Settings for Multiple Video Files?

In PRE 8, I am attempting my first HD project. I have several different types of video files that friends sent me from a sports event, the video files are AVCHD (1920?), QT Movie (1280x720), and QT Movie (1920x1088). When I create a new project, what PROJECT SETTINGS should I select? I am not sure what to select since I am using different video file formats. The video files are currently on my hard drive.
I also have lots of pix (jpg) from different cameras, some are as large as 5184x3456. For the picture files, should I bulk process them through PSE to resize them? If so, what should the maximum size be for the HD project?
Thank you in advance.
Howard

Hi Steve - in the list of NTSC project presets, there is not a "DSLR" selection; there is "AVCHD", "DV", "Hard Disk/Flash", and "HDV". Am I missing something?
As you suggested, I used the "AVCHD 1920x1080" preset for the Vixia files. I imported one 9-second file in the project as a test and the video is choppy after rendering. I have a new HP computer with an I7-930 quad-core processor, 8GB RAM, and an ATI HD 5770 graphics card so I think there is enough cycles to process the video files. Any suggestions?
Thank you very much for answering my questions on a Sunday.
Howard

Best Settings for HD output with Still Photos and Audio?

I am creating a 1 minute audio presentation that I would like to add photos and text titles to. What are the best sequence settings for this?

Joe,
Thanks for your help. Would these be HDV settings, NTSC (?), PAL...etc?
I guess I just want it to look good. I'm a photographer and not a videographer so this is all new to me. I've just made some quick little videos (only about 4) in the past with Premiere. I'm much more familiar with Photoshop, but I thought this would be an easy project. I just don't want my photos to show up blurry. I'm in the US, so I think there is a difference for that with the NTSC and PAL settings, but I don't even know if I should use one of those or if it's one of the other endless options up there.
Are the ones you said just different sizes that the videos can be enlarged to and show clearly at an enlarged size? (Sort of like dpi?)

Best export settings for dvd

Im sure this question has been answered already but i dont see it anywhere. So what is the best export settings for getting the highest quality from my original footage for making dvd in encore? My original footage is recorded in AVCHD

>require this much memory
Just a comment to help with future communication... memory is RAM, file storage is on a hard disk
Glossary of Terms http://forums.adobe.com/message/2276441 to help w/communication
My 3 hard drives for video editing are configured as...
1 - 320Gig Boot for Win7 64bit Pro and ALL program installs (2)
2 - 320Gig data for Win7 paging swap file and video project files
When I create a project on #2 drive, the various work files follow,
so my boot drive is not used for the media cache folders and files
3 - 1Terabyte data for all video files... input & output files (1)
(1) for faster input/output with 4 drives
- use drive 3 for all source files
- use drive 4 for all output files
(2) only 60Gig used, for Win7 & CS5 MC & MS Office & other smaller programs
Search Microsoft to find out how to redirect your Windows paging swap file
http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
Drive C space http://forums.adobe.com/thread/1007934?tstart=0

What are the best optimization settings for Logic 9....

Hey guys,
I am running Logic 9 on a Macbook Pro 2.53GHz, Intel Core 2 Duo, 4GB RAM, OSX 10.6.4, with a AK1 soundcard. And I was wondering what the best optimization settings for this setup are?
I have been having a few issues with drop outs in sound during playback, which is also carried over when i bounce the audio. I did some research and found my latency settings needed to be higher, so I set the I/O buffer size to 512. I am also running all samples from the local hdd, I was thinking maybe put the samples on an external drive. I also changed Logic 9 to 64bit mode.
Does anyone know if this is right and anything else I need to do with Logic and/or the AK1??

First, return to 32-bit mode. 64 bit still has some ß-issues and some features that are not working/disabled, and the only perk of 64-bit is that Logic can adress more than 4 GB RAM, which you don't have anyway.
Samples on the startup drive is not a problem, unless you start using really big third party sample libraries, or zillions of EXS instruments. Some of the Logic content insists on residing on the startup disk anyway, better leave that where it is.
If you have an external, use that to store your Logic projects, or, in other words, make it your recording disk (as recordings are stored in the project folder). You do record audio too, I assume? Anyway, if you get an external, make it a FireWire one, not USB. FireWire is much easier on the CPU, and +for audio (and sample-) streaming+ more reliable and faster than USB.
If dropouts you hear during playback also show up in the (offline?) bounce, it is probably not a buffer issue, as the buffer is irrelevant for bouncing offline.
So how many tracks and what kind of tracks in this project? Which plugins and how many instances of them?

Best export settings for HD video playback on computer?

I have shot my video on 1080p witha DSLR and edited it in premiere pro. I exported the video in .mp4 format.
Now i imported the video in after effects and added loads of animation. I want to export it to the best quality for playback ON COMPUTER ONLY. Which is the best export settings for this purpose.
I rendered it in .avi and my 12 minute video had a size of 55GB after render and did not play smoothly in the computer.. PLEASE HELP WITH THE BEST SETTINGS for the above purpose.

You messed up. You should NOT have rendered MP4 out of Premiere to use in AE. You're adding compression and quality loss in between stages. BAD video person!
The easiest thing to do would be to import your Premiere project in AE. That way it can use the original footage too. If, for some reason, you can't do that, you should render a lossless file out of Premiere. Speaking of lossless files, that's what you rendered out of AE. This page explains your large AE file issue.
Anyway, take that large file you render out of AE into the Adobe Media Encoder and render out your final compressed file. Either H.264 or WMV should work well for playback.

What is the best export settings for mini DV?

Hi folks,
Love this forum, it has been a huge help for a novice. I am looking for answers to a more tailored question. I believe this will help others too!
What are the best export settings for mini DVs (now in mov format) for the following uses and how do I input these settings:
1. archive an exact duplicate without any quality loss of an imported mini DV tape. My goal is to have the best quality/duplicate archived digital version of the original mini DV tape for later editing/use?
2. the best quality version of the mini dv tape for viewing on media devices such as WDLive, boxee box, pivos xios, etc?
I really appreciate you reading and considering response.

First, I do NOT write back to tape... so only have a few saved links with no personal experience... but my "general" understanding is that you simply play your timeline with Firewire output active and press the record button on your tape deck
2nd, read below for a "trick" that is required to export to tape
Export to Tape http://forums.adobe.com/message/4699448
Hardware MPE must be OFF to be able to export via Firewire
http://forums.adobe.com/thread/902499
http://forums.adobe.com/thread/880824
Also CS6 http://forums.adobe.com/thread/1016269

What are the best export settings for a HD video in Premier Pro CS4?

Hi!
   I've been having so much trouble with this issue and it's something that continually frustrates my boss. I have a HD video the settings for it are
FPS 23.98
1920 x 1080, then a few lines down it says 1408 x 792
16 bit,
2 channels
48000 Hz
   What should the settings be when I make a new sequence?
             When I look at it in the window in Premiere Pro I have to contantly 'shrink' the image to fit the window, is that something I should be doing or does it indicate the sequence settings are incorrect?
But more importantly what should the export settings be? I exported a 4 minute long video and the size was 1 GB, I know that's too big.
I need to export it without loosing any quality and export another one that meets the Youtube and Vimeo limits on size.
Vimeo is 500 MB per week, sometimes I upload 4 videos per week. I think Youtube you can only upload 500 MB at a time.
I need to get smaller sizes with loosing the least amount of quality possible AND the best export settings for quality, so I guess I have 3 separate questions-
What are the best sequence settings for HD video?
What are the best export settings for HD without loosing any quality?
What are the best export settings for the size to come out around 500 MB with loosing the least amount of quality possible?
Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/

It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
In Premiere Pro CC H.264 is a Container and the Codec in one option. This has been streamlined for web distrobution of video to be played in browsers without things like Flash or special players.
Were as if you choose the QuickTime Container there are over 40 codec optoins (at least on my machine with additinal ones installed) but you may run into an issue where your browser doesn't support QuickTime playback.
I would say that your container is for compatability with players and your codec is taken into consideration when looking at the quality of the compression.
Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
I posted the link before but here it is:
http://goo.gl/8GZq4i

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Hi everyone,
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Tina

Yes Tina,
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For now, it would be on my own website or a clients website. But there may
be another possibility, I have a client that already has some videos
available for viewing on their website, looks like they are YouTube videos
that play on their site, and there is an option to "Watch on YouTube". So I
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help!!

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pendavinci
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Printing Labels_Business-Cards_Cards
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red_menace,
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Best project settings for multiple outputs

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