Best routing setup for a cappella recordings

I am a member of a Dutch a cappella group (www.intermezzo.nl) and want to record our vocals for a demo using Logic.
I'll be using one condenser microphone (C1) connected to a M-audio Projectmix.
I was wondering what the best routing would be for these recordings.
There will be quite a lot of doubling, so I will be using busses and/or aux channels
How can I best set up my arrange window? Please include tips for panning(should I pan each vocal of the same voice the same way or spread them), EQ, effects, channelstrips, bus and/or aux routing, master channelstrip setting etc.
Thanks for all the help!
G5 2.7GHz DP Mac OS X (10.4.8)

Thanks for the reply. This is already very usefull!
To make my recording situation a bit more clear, here's a scenario:
My group consists of four male singers, of whom one does some quite impressive beatboxing!
Normally we do our recording voice by voice, so we can edit in the mix without having spill into other micriphones. We use close-micing.
In the recording-stage we don't use any compression or reverb, since (in my experience) this causes latency in the monitoring (when I use software monitoring).
One of the demo's we want to record now is an arrangement of 'White Christmas" with a rap/beatbox twist in the middle...
This arrangement consists of four voices (bass, bariton, tenor and lead). Exept for the lead and Bass I was thinking of doubling the voices about three times in order to get a smooth sound. The reason why I don't double the lead and bass is because I think it will get too muddled. Am I right in thinking this?
I want to use some reverb etc. but is shouldn't sound too artificial.
The rap part though has to sound more procesed. Here a couple of tracks for beatbox will be added. What would be a good basic channelstrip-setting to begin with?
For the lead I was wondering what plugins I should use on the track, and what on the bus (and why...). What I now do is use a setting from the inserts and use no bus on the lead. With the other (backing)voices I use no insert on the tracks and use a bus where I take one of the inserts from the bus-channel (basically some vocal reverb setting).
I realize my question is quite complex and depends on taste... I am happy with any suggestions

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    >

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