Best settings for h.264 export in HD

Hello, i have been reading a lot about h.264 in these forums and on the internet and im a bit stumped on how i should export my video. i shot it in 1080p 29.97 on a canon sx10 is. the file imports fine and exports no problems, but the ending quality is pretty bad. BTW im using FCE 4. first, the video in FCE looks great. i know it converts it to AIC and that part is high quality and fine. if i export it to a self contained movie, it crops it but it is still pretty high quality. my problem is i want to store the file and wont edit it again so i dont want a huge AIC file. i want the resultant file to be mp4 with h.264 and AAC audio. i dont care too much what the filesize is for the mp4 but no matter what i do i cant seem to get as good quality as the AIC, no matter the bit rate, or any other settings i change. can someone point me in the right direction as to what the highest quality output for h.264 would look like in FCE 4? thank you!

Here are some basics....
FMLE creates RTMP protocol streams that PCs and Macs watch with Flash players. iOS devices don't understand RTMP (Flash), only HLS delivery of 10 second chuncks of downloaded video playback. Both systems understand H.264 video, but iOS wants to see AAC audio not MP3.
You didn't state how you are live streaming, meaning what bandwidth delivery service you are using. Live streaming only via RTMP won't get you to successful iPad and iPhone HTTP Live Stream. On-demand delivery to iOS devices normally requires .mp4 video files to be hosted, which Macs and PCs also understand via RTMP delivery. But unless your delivery service can convert .f4v or .flv files to .mp4 on the fly there is no easy way to to get to iOS via the direct file output of FMLE as of today. Sometimes we upload live encoded project files to our www.Wistia.com account for PC, Mac and iOS delivery. This is a YouTube / Vimeo paid type hosting service for on-demand only.
Some commercial CDNs (Content Delivery Networks) today allow an inbound live RTMP into their system using FMLE. Then they re-mux that RTMP stream into HLS delivery for iOS. Some work well using the native MP3 audio codec (Internap), but most require FMLE to have the AAC audio codec installed from Main Concept for $200. Or people use Wirecast from Telestream which is $500 per license to be able to run two instances on that one license.
In my 15 years of being a big commercial webcaster here in Silcion Valley, I have yet to find the perfect simple and easy and affordable RTMP to HLS live and on-demand delivery system. We currently do it different ways with multiple providers depending on the job. More offerings are coming out now and we try them all as they come down the pike.
Harvey Louie
Event Compression Group

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Original video source - Sony camcorder - DV PAL (16.9 anamorphic) imported into FCP7 with a sequence preset of DV PAL 48 KHz Anamorphic (720 x 576)
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function(){return A.apply(null,[this].concat($A(arguments)))}
bmiller0525 wrote:
What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
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Referring back to your post 4.
Additional info: When I published my test video for DVD I chose “Computer” on the Publish+Share drop-down list, then chose MPEG, Presets: HDTV 1080p 29.97 High Quality.
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Computer
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ANy help?

I have found the best settings for any user using the Panasonic DVX AG-100b shooting with 24pA
These settings get rid of issues like Pulldown Cadence Errors, Dropped Frames, Horrible Quality, and so on.
USER PREFERENCES
TAB: "Timeline Options"
Starting Timecode: "Drop Frame" Option should be unchecked
SYSTEM SETTINGS
TAB: "Playback Control"
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EASY SETUP (CUSTOM)
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Tab: Sequence Presets
Edit: DV NTSC 48kHz - 23.98
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Edit/Duplicate DV NTSC 48kHz Advanced (2:3:3:2) Pulldown
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Digitizer; DV Video
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Capture Card Support Simultaneous Play Through and Capture (CHECKED)
Remove Advanced Pulldown and/or Duplicate Frames from FireWire sources (CHECKED)
High-Quality Video Play Through (UNCHECKED)
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I?m recording some very machine intensi've video & sound to outboard devices. I'm using these outboard devices so that the recording process itself does not impact the demonstration performance.
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