Best settings for short DVD movie from HDV source

Source: HDV, 3 min Movie, Final Cut
I've used Best Quality 90 mins which gives me Mpeg2 video and AC3 audio. As space isn't a problem I wondered if there were better presets to use (eg AIFF for audio)
I'm downconverting from HD to SD and then going to DVD SP.

First, read Why not edit mpeg http://tangentsoft.net/video/mpeg/edit.html to get a general idea of why a VOB makes a very poor source file (which is a renamed MPG, with some other stuff like menu screens)
Also, Read Bill Hunt on editing a VOB/MPG file http://forums.adobe.com/thread/464549
Once you have a DVD compliant VOB on your timeline, and understanding that a standalone DVD recorder sometimes plays fast-n-loose with "compliance" per the DVD specification, about all you can do is export to standard or widescreen DV AVI and accept the fact that re-encoding an already compressed file is just not going to give great results

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Best Settings for Exporting DVD Footage in a Movie File

Hello,
I've been trying to find the best settings for exporting DVD footage into a movie file from Adobe Premiere CS6.
I recently have been using my Magnavox DVD recorder for recording VHS tapes that I made long ago for shows and various other things, and no matter what, my footage doesn't come out as it needs to be.
Here's an example of what I did recently with my own settings:
http://www.youtube.com/watch?v=qFV4sT7rHGs
I'm not expecting HD footage, I know these are tapes, but I'm playing the raw footage on my Xbox 360, and it looks better than this. I had to directly use the VOB files on the DVD for this, as trying to rip the files into an AVI or any other format with a DVD ripper didn't do anything, in fact it degraded the quality and made the audio not play in Premiere.
So what would be some good settings for exporting a sequence with DVD footage that is from a VHS into a movie file, preferably one that wouldn't degrade the quality?
Thanks!

First, read Why not edit mpeg http://tangentsoft.net/video/mpeg/edit.html to get a general idea of why a VOB makes a very poor source file (which is a renamed MPG, with some other stuff like menu screens)
Also, Read Bill Hunt on editing a VOB/MPG file http://forums.adobe.com/thread/464549
Once you have a DVD compliant VOB on your timeline, and understanding that a standalone DVD recorder sometimes plays fast-n-loose with "compliance" per the DVD specification, about all you can do is export to standard or widescreen DV AVI and accept the fact that re-encoding an already compressed file is just not going to give great results

Best settings for older dvd players

anyone have any recommendations on bit rate or other compression settings for older dvd players? everything i produce plays fine on my personal dvd player that actually says dvd-r on the front, but i continuously have problems with clients players having pixel issues of freezing up. i've tried lower bit rates and such but i'd rather not go into all the different angles and just see what you guys say.
I can't be the only person out there that has clients with cheapo players!
thanks in advance.

I don't think you are going to find a single solution to this problem. Just about every DVD player is going to have problems with some brands or types of recordable DVDs. Some things to consider or try:
1.) Educate your customers about potential DVD media problems. Potentially tricky since not everyone will freely admit or accept that such problems exist.
2.) Burn the DVD at the lowest possible rate (burn at 1X rather than 4X, etc.).
3.) Try a different brand of DVD-R.
4.) In special cases consider using DVD-RW rather than DVD-R (some older players will actually work better with DVD-RW).
5.) Consider using the best possible DVD recorder (I'd recommend Plextor drives mated with Roxio's Toast software).
6.) Use a commercial DVD mastering service (only practical if you want to duplicate several hundred discs -- too costly for small runs).

Best settings for importing HD movies to ATV for video gallery

hello -
i work for a gallery, and we have a video artist who will be showing HD videos here for 2-3 months. we bought 2 AppleTVs to use to show the movies, and i'm trying to figure out the best way to convert the material and get the files on there.
using the "Create Apple TV version" doesn't preserve the HD quality of the originals, which i know aren't compatible natively. i was hoping there is a place in the settings for the ATV where i could at least review the video codec in use when converting in iTunes, but there doesn't seem to be a place for it. am i blind or is there no choice in the matter?
i've tried converting in Quicktime Pro using the settings that are on the ATV specs page, and i was successful once (in a short excerpt without much video movement) but no longer (using an excerpt that has more color, movement, etc). the bit rate is too high i'm guessing, tho i've tried to limit it to 5000 k/sec. it ends up coming out 18m / sec for some reason......
for some reason i can't get handbrake to open the file.
any thoughts? we can't afford to buy new computers to stream the original off of, so we're hoping the ATV can show the movies in the highest def possible. she sent them in 720p50 format, so i had to buy a decoder plugin to view them (DVCPro HD from Calibrated Software).
thanks in advance
bbbb

hello -
i work for a gallery, and we have a video artist who will be showing HD videos here for 2-3 months. we bought 2 AppleTVs to use to show the movies, and i'm trying to figure out the best way to convert the material and get the files on there.
using the "Create Apple TV version" doesn't preserve the HD quality of the originals, which i know aren't compatible natively. i was hoping there is a place in the settings for the ATV where i could at least review the video codec in use when converting in iTunes, but there doesn't seem to be a place for it. am i blind or is there no choice in the matter?
i've tried converting in Quicktime Pro using the settings that are on the ATV specs page, and i was successful once (in a short excerpt without much video movement) but no longer (using an excerpt that has more color, movement, etc). the bit rate is too high i'm guessing, tho i've tried to limit it to 5000 k/sec. it ends up coming out 18m / sec for some reason......
for some reason i can't get handbrake to open the file.
any thoughts? we can't afford to buy new computers to stream the original off of, so we're hoping the ATV can show the movies in the highest def possible. she sent them in 720p50 format, so i had to buy a decoder plugin to view them (DVCPro HD from Calibrated Software).
thanks in advance
bbbb

Best settings for what used to be HDV, became M2V?

I have some concert footage I shot in HDV60i (on a Canon HV40). I only exported it to DVD and not to an HDV file, so all I have now is an M2V file and an audio file (AAC). Now I need to upload it to youtube, but I have to do some editing in FCP6 first. What is the best sequence settings for me to use in FCP? My second question would be how should I export it for best viewing on youtube (since it's no longer a true HDV file), but that question may be better served for the Compressor forum...any info would be appreciated though!

hi,
well a lot depends on the footage you might be using. Use the setting that matches that. Or if its graphics based use the biggest baddest HD setting you can. Of course if the finished thing is getting burnt to a DVD to be shown its all going to be compressed then and lose quality at that stage.
hth
adam

Best settings to make QT movie from 23.98 timeline projecting from MacBook

Hi,
I want to screen a 4 minute FCP project to a big screen from a projector hooked up directly to my MacBook Pro.
Since the project is so small, I figure I can get a better image by playing the uncompressed file directly from my HD. Since I don't think I can get a full screen image from FCP, I plan to export the timeline as a QT movie and play that using QT in full screen mode. Correct so far?
Assuming I am, my question has to do with the FCP export settings to QT. Since the project was cut on a 23.98 timeline, would I gain anything by exporting to QT using the NTSC 48khz - 23.98 setting? Or would I get the same result using the standard NTSC 48khz (30 fps) setting?
In other words, since I'm not compressing the file for DVD, I'm wondering if I won't get a better QT image using export settings that match the project's FCP timeline settings?

Just to clarify, when you open an export to QT window from the FCP timeline, is QT default "current settings" smart enough to read the timeline and set those "current settings" to the optimal for that particular timeline?
For some reason I'd always assumed 'current settings' meant last settings, ie, wherever the QT settings was placed most recently. But from what you recommend, it would appear that this is not the case--that, in fact, the QT "current settings" default constantly readjusts to the specs of whatever project or timeline you're trying to import into it from FCP. Correct?

Best Settings for my dvd

I've been having problems importing a quicktime movie to DVDSP , so someone suggested i use compressor. Well I'm compressing the project straight from Final Cut Pro using the setting h264 to DVD Studio Pro. The Project is about an hour and twenty minutes, some titles from live type, chapter markers. Other than that it doesn't have a lot to it, but I returned after almost 24 hours and it is at 57% complete and says it has another 17 hours to go! Should I be using different settings when compressing? I'm not looking to do anything special to it in DVDSP, just make menus and burn it to a regular dvd.
Powermac Dual G5 Mac OS X (10.4.6)

H.264 is the wrong format for a standard DVD.
You're wasting your time.
MPEG-2 is what you have to use for standard definition video.
H.264 can be used for encoding high defintion video to be used in the creation of high definition DVDs not standard definition DVDs.

Best settings for HD DVD?

Quick workflow question. I am outputting to HD DVD which is played on xBox 360 HD DVD player. Ultimately I am guessing that the best workflow from camera to DVD would be to use 1080p60 or 1080p24 depending on what the look is I am going for. Is this correct?
Here's the problem. I just bought a Sony PMW XDCAM EX1 and I want to output to HD DVD. I was told by one person to use the 1080p30 setting when I shoot because it all around looks the best, which in my opinion 30p does look the best for what I am doing. But someone else said, "no, why use progressive, your product will eventually end up 60i."
So my question is, 1080p30 looks the best on my camera, but my HD DVD player and projector both can handle 60p. What do I do?

I know this is a very subjective question, but that's what I am looking for, subjective advice on the best workflow from 1920/1080p30 to High Definition DVD's.
Thanks

Best Settings for Audigy 2 ZS Recording Out to S-VHS or DVD Recor

I?m recording some very machine intensi've video & sound to outboard devices. I'm using these outboard devices so that the recording process itself does not impact the demonstration performance.
Concerning the sound out, I?m using the line & 2 out of the card, and running it through a pro level audio board (Mackie) for any adjustments & monitoring before taking the line out of the board into the recording device. When returning the sound for monitoring, I?m also running from the external device directly to the board and directly from there to either headphones or control room monitors. Thus, I?m using the Audigy for initial sound generation. So far, I've not really made any ajustments at the board other than level or balance. I like to keep things pretty flat in recording.
I?ve looked around for recommendations as to the best settings for the Audigy card from its internal software for this situation, but find no ready reference. My concern is that I have the ?hottest? signal from this device, while being very concerned with audio quality. I?m looking for both ?punch? and ?clarity? of signal.
Is there a document or source that would give me this direction? While I can move from this SB card to other more studio based cards, I?d like to keep the demo product in line with what the actual target audience would have in their machines, and be able to replicate at their workstation.
For example, does the card function best at 00% (0db) output, or 50% (-5db) output?
Or some setting in between...most likely...
Or, is there some other setting I?m not aware of?
I have what I believe are the latest card drivers and software suite, XP Pro, with every possible OS and other machine hardware update available.
Thanks,
Rich

I?m recording some very machine intensi've video & sound to outboard devices. I'm using these outboard devices so that the recording process itself does not impact the demonstration performance.
Concerning the sound out, I?m using the line & 2 out of the card, and running it through a pro level audio board (Mackie) for any adjustments & monitoring before taking the line out of the board into the recording device. When returning the sound for monitoring, I?m also running from the external device directly to the board and directly from there to either headphones or control room monitors. Thus, I?m using the Audigy for initial sound generation. So far, I've not really made any ajustments at the board other than level or balance. I like to keep things pretty flat in recording.
I?ve looked around for recommendations as to the best settings for the Audigy card from its internal software for this situation, but find no ready reference. My concern is that I have the ?hottest? signal from this device, while being very concerned with audio quality. I?m looking for both ?punch? and ?clarity? of signal.
Is there a document or source that would give me this direction? While I can move from this SB card to other more studio based cards, I?d like to keep the demo product in line with what the actual target audience would have in their machines, and be able to replicate at their workstation.
For example, does the card function best at 00% (0db) output, or 50% (-5db) output?
Or some setting in between...most likely...
Or, is there some other setting I?m not aware of?
I have what I believe are the latest card drivers and software suite, XP Pro, with every possible OS and other machine hardware update available.
Thanks,
Rich

Best settings for PP mov's?

Got a few videos SD 720x486 I need to export from FCP 7 (uncompressed timeline) for use in a Powerpoint - what's best settings for PP? mov, h264, audio at 44 or 48k, what? Should we keep them at full 720 size, probably?
Thanks
K

ON a Mac or a PC?
WMV for the PC but learning how to embed is a function of learning how to use Ppoerpoint, not FCP's tools.
H.264? Dunno, what does the manual for PP say about compatible movie filetypes?
If you are handing these movies off to an experience PP producer, they will be able to give precise specs. If your'e doing this yourself, give yourself some extra time to work out the screwups. We have two wiseguys who insist on doing their own PP instead of letting our PP wonks do the jobs. They have never been able to figure out how to embed or link to movies and they do not understand why we tell them to have the movines in the same folder as the PP files.
bogiesan

What are the best imovie, mpeg4 settings for making dvds?

What are the best imovie, mpeg4 settings for making dvds?

• iMovie'08 to 11
- Share to Media Browser - AND as Large (or Medium) - HD or other resolutions degrades the final result
iMovie'08 to 11 are not the tools of choise if quality is important as they all degrade the picture by discarding every second line when going from, Event's to Project's and this can not be mended.
iMovie HD6 and FinalCut delivers 100% of what any DVD-Authoring program needs.
• DVD is as standard MAX - intrelaced SD-Video - and can not be any better than this
• iDVD does only care about TIME / Duration as
iDVD 08, 09 & 11 has three levels of qualities. (version 7.0.1, 7,0.4 & 7.1.1) and iDVD 6 has the two last ones
• Professional Quality
(movies + menus up to 120 min.) - BEST (but not always for short movies e.g. up to 45 minutes in total)
• Best Performances
(movies + menus less than 60 min.) - High quality on final DVD (Can be best for short movies)
• High Quality (in iDVD08 or 09) / Best Quality (in iDVD6)
(movies + menus up to 120 min.) - slightly lower quality than above
Menu can take 15 minutes or even more - I use a very simple one with no audio or animation like ”Brushed Metal” in old Themes.
About double on DL DVDs.
• iDVD Does Region = Zero (to be played everywhere)
• Frame rate - DVD can be in two types PAL (25fps) and NTSC (29.97fps)
If Your material is 30fps then keep to NTSC (29.97fps), if 25fps keep to PAL.
One can feed iDVD the other frame rate - BUT RESULTING DVD WILL BE BAD
I use JES_Deinterlacer (free on Internet) to convert all material to the same and final frame rate
• NTSC - US etc
• PAL - EU etc
Yours Bengt W

Best settings for highest quality results, Blu-Ray vs DVD

I am shooting AVCHD 1080p 60fps with a JVC GC-PX100, using a Windows 7, i7-2600 3.40Ghz., 8Gb.RAM, 1 TB HDD with PE11 and a Pioneer Blu-Ray writer drive.
I'm looking to find the best settings for replay on a 55" HDTV. I have tested both BD and DVD without seeing very much difference between the two as far as video quality is concerned,
but I want to make sure I'm using the right settings for the best quality on both drives. Can someone please offer a step by step settings procedure for both BD and DVD, also which do you
think is the better route to take between the two?
Also, I have noticed there is a ghosting image after letters/numbers on faster moving content (like railroad cars) on my video even before transferring it, can anyone give some insight to what that might be and if there may be a solution ??
Many thanks for your anticipated help.

Rikko
Thanks for the reply.
Referring back to your post 4.
Additional info: When I published my test video for DVD I chose “Computer” on the Publish+Share drop-down list, then chose MPEG, Presets: HDTV 1080p 29.97 High Quality.
Saved and burned to DVD. I also did the same choosing AVCHD Presets: MP4 – H264 1920x1080p 30. Saved and burned to DVD
Let us clarify. When the end result is "...burned to DVD" in either case, are saying that you take your saved file to DVD-VIDEO on DVD disc or AVCHD on DVD disc, using another Premiere Elements 11 project on Windows 7 64 bit.
My post numbered 1, contained the step by step for taking your 1080p60 Timeline directly to DVD-VIDEO on DVD disc or Blu-ray disc format on Blu-ray disc.
If you are going to introduce intermediates in your workflow (Timeline content saved to file and then burn to disc), then I would offer the following scheme
a. 1080p60 project preset (project 1)
b. 1080p60 Timeline saved to file via
Publish+Share
Computer
AVCHD
with presets = MP4 - H.264 1920 x 1080p30 (and then under the Advanced Button/Video Tab, customize the export settings for 1080p60 instead of 1080p30)
c. Import that back into Premiere Elements 1080p60 project (project 2) and burn to disc DVD-VIDEO on DVD disc, AVCHD on DVD disc, or Blu-ray disc format on Blu-ray disc..
This is another alternative interpretation to your saved and burned to DVD.....in one project, you are doing two different exports...one to a file saved to the hard drive and after than the burn to disc (be it DVD-VIDEO on DVD disc, AVCHD format on DVD disc, or Blu-ray disc format on Blu-ray disc). If this is the case, there is no "intermediate".
There used to be the discussion about HDV to DVD-VIDEO format on DVD disc - whether HDV file should be imported into the project as source or whether the user should downsize the HDV to DV widescreen in the camera before import into a DV Widescreen Premiere Elements project. As we getting into this type of question with your 1080p60 to DV widescreen?
Please review and consider. And, then please let me know if any of the above addresses your considerations.
Thanks.
ATR

Which are the best settings for exporting comps before edditing in Premiere Pro

Hello everyone!
As the title says, which are the best settings for exporting comps from AE to Pr.Pro and then edit them?
Let me explain: I have two comps in AE (intro and outro) and want to export them in Pr.Pro for edditing along with a fottage i shot.
When i render them the size of the files are huge (30 sec= 7GB).
Which is the best method (and settings) i can export the intro and outro to a 'normal' file size and then put them in Pr.Pro without loosing any quality??
[Comp settings: HDTV 1080 29.97 (1920x1080)]
AE and Premiere Pro both CS4

If you're rendering and exporting an intermediate video file to go from After Effects to any other piece of post-production software (such as Premiere Pro), you want to make sure that you're not losing any quality.
Most compression methods, which make movies smaller, also lose some of the image data---i.e., quality. There are a few compression methods that don't lose any image data; these are "lossless" codecs. These lossless codecs do decrease the size of a video file, but they're nowhere near as effective at decreasing size as the lossy codecs are. But file size isn't important when you're doing post-production work. Big files are a fact of life in post-production.
Examples of lossless codecs include the PNG codec and the Animation codec at the highest quality settings, both of which can be used in a QuickTime (.mov) container. I prefer the PNG codec; it's more efficient for photorealistic images, whereas Animation is more efficient for things like cartoons. There are lots of other lossless and nearly lossless codecs. A lot of people that do video editing like the Lagarith codec, but that is something that you'd have to go and get; it's not part of a standard CS5 or QuickTime installation.
See these FAQ entries for information about compression and why file sizes are big for losslessly encoded files:
"FAQ: Why is my output file huge...?"
"FAQ: What is the best format for rendering and exporting from After Effects?"
By the way, keep in mind that you don't always need to render and export an intermediate movie to go from After Effects to Premiere Pro. There are other ways to move data back and forth between these applications, including Dynamic Link. Which is best depends on the specific circumstance. See "Working with Premiere Pro and After Effects".

Best settings for film based PAL to MPEG2?

There's a fair amount of useful information online regarding the best settings for film based NTSC footage export etc but I'm unable to find anything regarding the best Compressor settings for the export of MPEG2 from PAL video from a 25 frames per second film sourced master.
Can anybody help?

Okay, so after reading heaps of stuff on interlacing and progressive, my head is hurting. Since my 1080i50 Pal footage captures into Final cut interlaced and setting field dominance to NONE doesn't do much, I realise I need to de-interlace in an another application. Ken Stone has a great example of what to do in compressor though I dont have the current version (3) and am not sure how to reinterpret this for Compressor 2. I had a go without much luck. I am in the process of trying to use MPEG Streamclip to deinterlace and trying getting the right settings. Will see how that goes. I also have tried using JES deinterlacer but also wasnt sure about settings etc with this application either.
Which is the best to use and what settings should I set. I wish to use my footage for watching on our macs primarily and also from our mac server which is hooked up to our hdtv. I can then convert to other formats for iphones and web etc. But my main problem is this interlacing issue. I have a nice new HDV camera but it certainly isnt looking too much better atm than my old dv footage.
PLEASE help!

Need advise on best settings for FCP 7!

I am looking for some advice on the best settings for FCP 7 when I am syncing sound using pluraleyes, exporting into quicktime as one file and then importing that new file into FCP 7 for editing. I have noticed that sometimes my Quicktime files are very large (20 gb) and sometimes they are much smaller (130 MB), but I never changed the settings.
I am working on FCP 7 and shot using my Panasonic GH3 at 24 fps (which comes to 23.98). My frame size is 1920x1080. Compressor is H.264. Data rate: 8.6 MB/sec. Audio rate: 48.0 KHz. I have heard that FCP 7 does not properly deal with H.264. So, I am wondering, what should my settings be? Should I set to "Apple ProRes 422 (HQ) 1920x1080 24p 48 kHz"? Is there anything I need to know when I export to Quicktime 7 Pro in order to not reduce the quality of the video? Should I be changing my video files first before I even start to work on them?
I haven't edited in almost ten years so I am desperate need of some guidance!
Final Cut Pro 7, Mac OS X (10.6.8)

Hi Shane Ross,
Thanks for your help. So, I already synced all of my interviews in FCP 7 (using pluraleyes) before I changed the video to ProRess 422. Can I just go into FCP (in the same project) and compress the video footage, import the new video files and throw it into the timeline? Or will this cause issues? I tried this as a test and it seems to be okay but I just want to check that there aren't any issues that I am not considering.
Also, when I do compress, it seems to take forever (sometimes two hours). Is there any way to make this move along faster?
Thanks so much!

Best settings for short DVD movie from HDV source

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