Best Strategy for Exporting Fireworks into Dreamweaver

I created a navigation bar in Fireworks and now I want to export it into Dreamweaver.
So I Went to Edit->Copy HTML Code (hotkey for this is Ctrl+Alt+C)
Now, what's the "best choice" from the dialog choices: AIR HTML, Dreamweaver HTML, Generic HTML, GoLive HTML, AIR XHTML, Dreamweaver XHTML, Generic XHTML or GoLive XHTML for a cross browser "professional" website?
I only tried the "Dreamweaver HTML Option" and itseemed to work nicely in my rookie opinion.
I think this technique might be at a performance cost to my graphic design or the website speed. So should I use a different strategy for exporting Fireworks to Dreamweaver? I have the CS5 package so can use any of those programs for support.
Thanks,

INHO, the best way to export from Fireworks to Dreamweaver is to first define your site in Dreamweaver, and then export the Fireworks document to the assets folder. Place your cursor when you want the navbar to be on your HTML page and choose Insert > Image Objects > Fireworks HTML.

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Best strategy for migrating GL 6 DW CS4?

First I gotta say that -- as decade-long user of several Adobe products -- Adobe has really screwed over long-time users of Adobe Golive. After a week of messing around with something that should be a slam dunk (considering the substatial amount of $ I've paid to Adobe over the years for multiple copies of GoLive 5, 6 and CS2), I can tell you Adobe's GL > DW migration utility ONLY works for sites created FROM SCRATCH in GL CS2 (they must have the web-content, web-data folder structure). This means that Adobe's migration utility only works for maybe 10% - 15% of the GoLive sites out there, and about 10% - 15% of Adobe's loyal GoLive customers, and it particularly screws over Adobe's longtime GoLive customers. Sweet! ( (Just like Adobe screwed over users of PhotoStyler -- which was a better image editor than PhotoShop, BTW.) Obviously, I would walk away from Adobe and make sure I never ever paid them another cent, but the Republican-Democrat "free market economy" has made sure I don't have that option.
So I've gotta make Dreamweaver work, which means I've gotta migrate several large sites (the biggest has 5,000 static pages and is about 2 gigs in size) from GoLive 6 (or GoLive CS2 with the older folder structure) to Dreamweaver CS4.
Which brings me to my question -- what's the best strategy for doing ths? Adobe's migration utility is a bad joke, so here's the alternative, real world plan I've come up with. I'd apreciate any suggestions or comments...
1) create copies of all my GL components in the content folders for my GL site (not in the GoLIve components folder)
2) replace the content of all GoLive compnents (in the GoLive components folder) with unque character strings, so that instead of a header with images and text, my old header would look something like xxxyyyzzz9
3) create a new folder called astoni in the root of my hard drive. Copy all my GoLIve web site content (HTML, images, SWF, etc.) into astoni in exactly the structure it was in with GL
4) create a new Dreamweaver site by defining astoni as the local location for my site, astoni\images as the location for images, etc.
5) use Dreamweaver and open the newly defined astoni site. Then open each of the GoLive components I copied into a content level folder in astoni, and drag each into the Dreamweaver Assets/Library pane, in order to create library items just like my old GoLive components
6) use Dreamweaver to Search & Replace out the unique text strings like xxxyyyzzz9 with the content of my new DW library items
7) refresh site view to make all the links hook up...
Thanks for your help. Hope this discussion helps others too...

Instead of ragging on people who are familiar with DW and Site Development, you should be gracious and accept the practical advice you've been given. A "best strategy" would be to read some tutorials and learn how to work with HTML, CSS and server-side technologies. Without some basic code skills, you're going to find DW an uphill, if not impossible battle.
Frankly, I don't have free time to hand-hold someone through the excruciating process of migrating a 5,000 page static site from GoLive to DW. And I doubt anyone else in this forum has either. We're not Adobe employees. We don't get paid to participate here. We are all product users JUST LIKE YOU.
I'm sorry you're frustrated. I'm also sorry for your clients. But the problem you have now isn't Adobe's fault. It's yours for not keeping up with server-side technologies or handing-off these huge static sites to more capable web developers. I'm not saying you need to buy anyone's books, but they are good resources for people willing to learn new things.
That said, maybe you should stick with GoLive. The software doesn't have an expiration date on it and will continue working long into the future. If you're happy using GL, keep using it to maintain your legacy sites. At the same time learn X/HTML, CSS & PHP or ASP. Use DW CS4 for the creation of new projects.
FREE Tutorial Links:
HTML & CSS Tutorials - http://w3schools.com/
From Tables to CSS Web Design Part 1 -
http://www.adobe.com/devnet/dreamweaver/articles/table_to_css_pt1.html
From Tables to CSS Web Design Part 2 -
http://www.adobe.com/devnet/dreamweaver/articles/table_to_css_pt2.html
Taking a Fireworks (or Photoshop) comp to a CSS based layout in DW
http://www.adobe.com/devnet/fireworks/articles/web_standards_layouts_pt1.html
Creating your first website in DW CS4 -
http://www.adobe.com/devnet/dreamweaver/articles/first_cs4_website_pt1.html
Guidance on when to use DW Templates, Library Items and SSIs -
http://www.adobe.com/devnet/dreamweaver/articles/ssi_lbi_template.html
Best of luck,
Nancy O.
Alt-Web Design & Publishing
Web | Graphics | Print | Media Specialists
www.alt-web.com/
www.twitter.com/altweb
www.alt-web.blogspot.com

Best strategy for variable aggregate custom component in dataTable

Hey group, I've got a question.
I'd like to write a custom component to display a series of editable Things in a datatable, but the structure of each Thing will vary depending on what type of Thing it is. So, some Things will display radio button groups (with each radio button selecting a small set of additional input elements, so we have a vertical array radio buttons and beside each radio button, a small number of additional input elements), some will display text-entry fields, and so on.
I'm wondering what the best strategy for tackling this sort of thing is. I'm sort of thinking I'll need to do something like dynamically add to the component tree in my custom component's encodeBegin(), and purge the extra (sub-) components in encodeEnd().
Decoding will be a bit of a challenge, maybe.
Or do I simply instantiate (via constructor calls, not createComponent()) the components I want and explicitly call their encode*() and decode() methods, without adding them to the view tree?
To add to the fun of all this, I'm only just learning Faces (having gone through the Dudney book, Mastering JSF, and writing some simpler custom components) and I don't have experience with anything other than plain vanilla JSP. (No EJB, no Struts, no Tapestry, no spiffy VisualDevStudioWysiwyg++ [bah humbug, I'm an emacs user]). I'm using JSP 2.0, JSF 1.1_01, JBoss 4.0.1 and JDK 1.4.2. No, I won't upgrade to 1.5 (yet).
Any hints, pointers to good sample code? I've looked at some of the sample code that came with the RI and I've tried to navigate the JSF Blueprints stuff, but I haven't really found anything on aggregating components into a custom component. Did I miss something obvious?
If this isn't a good question, please let me know how I can sharpen it up a bit.
Thanks.
John.

Hi,
We're doing something very similar. I had a look at the Tomahawk Date component, and it seems to dynamically created InputText components in the encodeEnd(). However, it doesn't decode this directly (it only expects a single textual value). I expect you may have to check the request yourself in decode().
Other ideas would be appreciated, though - I'm still new to JSF.

Best practice for exporting from iMovie '08 to iDVD

I am looking to find out what is the best practice for exporting from iMovie '08 to iDVD. I have read the other postings that give the basic howto (export to Media Browser then select the video in iDVD). However, my question is a little more technical. I have 1080i HD projects. I am interested in burning them to DVD in the best possible quality. What setting should I be using when I publish to Media Browser?
I am wondering about quality loss due to more than one conversion/compression. I suspect that when I export to the Media Browser then this is occurring. If I am not mistaken iMovie is using something like H.264 for this. Then, when I run iDVD I suspect it will it do another conversion/compression, I think to get to MPEG2. Not only could this result in a loss of quality but also it will take extra time. I am interested to know what others think about this.
Finally, I am looking to create DVDs for a lot of video. I am wondering if there are any USB or firewire hardware devices out there that could speed up the compression. I use the Elgato Turbo.264 when I want to encode to H.264 but I wonder if there is something similar for DVD creation.
Thanks in advance.

the standards for videoDVD are 720x480, and usually mpeg2 encoded..
so, your HiDef project HAS to be 'downsampled' somehow..
I would Export with Qucktime/apple intermediate => which is the 'format' your project is allready, and you avoid any useless 'inbetween encoding'..
iDVD will 'swallow' this huge export file - don't mind: iDVD cares for length, not size.
iDVD will then convert into DVD-standards..
you can 'raise' quality, by using projects <60min - this sets iDVD automatically to highest technical possible bitrate
hint: judge pic quality on a DVDplayer + TV.. not on your computer (DVDs are meant for TVdelivery)

Best Codec for exporting animations with alpha channel from FCP timeline

Whats the best codec for exporting animations (hopefully using loseless compression) that will retain alpha channel, and use the current sequence settings for fps and size?
Currently Im exporting image sequences, but I'd prefer a wrapper.. I don't know much about the 'Animation' export codec.. I did notice that set to current size had some funky value of 753x450 or something.. instead of my current project size of 1920x1080...
Anyhow.. Just seeing what others are doing..
basically Im reading out some titles that I'll end up dropping over video later.. but since they render out so slowly (**** lower 3rds is slow) Im trying to get a jump on the process..
Tx..

PNG should do it. I think PNG is lossless (that's what they say, anyway). But realistically, if you use PNG, Animation, or JPG2000 set on highest quality, I'd dare you to tell a difference.
I use PNG because it's supposedly lossless, renders twice as fast as Animation in a FCP timeline, and is usually about half the size.
If you use "Export Using Quicktime Conversion", you will need to check all of the settings manually to make sure they match your sequence settings. This is always true, no matter what codec you use.
If that sounds risky, your other option is to go into your sequence settings and change the codec to the one you want to render to (this will probably turn your whole timeline red), and then choose Export -> Quicktime movie.

Best Practices for Export

I have recently begun working with a few AIC-encoded home movie files in FCPX. My goal is to compress them using h.264 for viewing on computer screens. I had a few questions about the best practices for exporting these files, as I haven't worked with editing software in quite some time.
1) Is it always recommended that I encode my video in the same resolution as its source? For example, some of my video was shot at 1440x1080, which I can only assume is anamorphic. I originally tried to export at 1920x1080 but then changed my mind as I assumed the 1440x1080 would just stretch naturally. Does this sound right?
2) FCPX is telling me that a few of my files are in 1080i. I'd like to encode them in 1080p as it tends to look better on computer screens. In FCPX, is it as simple as dragging my interlaced footage into a progressive timline and then exporting? I've heard about checking the "de-interlace" box under clip settings and then doubling the framerate but that seemed to make my video look worse.
3) I've heard that it might be better practice to export my projects as master files and then encode h.264 in Compressor. Is there any truth to this? Might it be better for the interlaced to progressive conversion as well?
Any assistance is greatly appreciated.

1) yes. 1440 will display ax 1920.
2) put everything in a 1080p project.
3) Compressor will give you more options for control. The h264 from FCP is a very high data rate and makes large files.

What's best strategy for dealing with 40+ hours of footage

We have been editing a documentary with 45+ hours of footage and presently have captured roughly 230 gb. Needless to say it's a lot of files. What's the best strategy for dealing with so much captured footage? It's almost impossible to remember it all and labeling it while logging it seems inadequate as it difficult to actually read comments in dozens and dozens of folders.
Just looking for suggestions on how to deal with this problem for this and future projects.
G5 Dual Core 2.3 Mac OS X (10.4.6) 2.5 g ram, 2 internal sata 2 250gb

Ditto, ditto, ditto on all of the previous posts. I've done four long form documentaries.
First I listen to all the the sound bytes and digitize only the ones that I think I will need. I will take in much more than I use, but I like to transcribe bytes from the non-linear timeline. It's easier for me.
I had so many interviews in the last doc that I gave each interviewee a bin. You must decide how you want to organize the sound bytes. Do you want a bin for each interviewee or do you want to do it by subject. That will depend on you documentary and subject matter.
I then have b-roll bins. Sometime I base them on location and sometimes I base them on subject matter. This last time I based them on location because I would have a good idea of what was in each bin by remembering where and when it was shot.
Perhaps, you weren't at the shoot and do not have this advantage. It's crucial that you organize you b-roll bins in a way that makes sense to you.
I then have music bins and bins for my voice over.
Many folks recommend that you work in small sequences and nest. This is a good idea for long form stuff. That way you don't get lost in the timeline.
I also make a "used" bin. Once I've used a shot I pull it out of the bin and put it "away" That keeps me from repeatedly looking at footage that I've already used.
The previous posts are right. If you've digitized 45 hours of footage you've put in too much. It's time to start deleting some media. Remember that when you hit the edit suite, you should be one the downhill slide. You should have a script and a clear idea of where you're going.
I don't have enough fingers to count the number of times that I've had producers walk into my edit suite with a bunch of raw tape and tell me that that "want to make something cool." They generally have no idea where they're going and end up wondering why the process is so hard.
Refine your story and base your clip selections on that story.
Good luck
Dual 2 GHz Power Mac G5 Mac OS X (10.4.8)

Best Settings for Exporting DVD Footage in a Movie File

Hello,
I've been trying to find the best settings for exporting DVD footage into a movie file from Adobe Premiere CS6.
I recently have been using my Magnavox DVD recorder for recording VHS tapes that I made long ago for shows and various other things, and no matter what, my footage doesn't come out as it needs to be.
Here's an example of what I did recently with my own settings:
http://www.youtube.com/watch?v=qFV4sT7rHGs
I'm not expecting HD footage, I know these are tapes, but I'm playing the raw footage on my Xbox 360, and it looks better than this. I had to directly use the VOB files on the DVD for this, as trying to rip the files into an AVI or any other format with a DVD ripper didn't do anything, in fact it degraded the quality and made the audio not play in Premiere.
So what would be some good settings for exporting a sequence with DVD footage that is from a VHS into a movie file, preferably one that wouldn't degrade the quality?
Thanks!

First, read Why not edit mpeg http://tangentsoft.net/video/mpeg/edit.html to get a general idea of why a VOB makes a very poor source file (which is a renamed MPG, with some other stuff like menu screens)
Also, Read Bill Hunt on editing a VOB/MPG file http://forums.adobe.com/thread/464549
Once you have a DVD compliant VOB on your timeline, and understanding that a standalone DVD recorder sometimes plays fast-n-loose with "compliance" per the DVD specification, about all you can do is export to standard or widescreen DV AVI and accept the fact that re-encoding an already compressed file is just not going to give great results

Best practice for exporting a dps folio so a third party can work on it?

Hi All,
Keen for some thoughts on the best practice for exporting a dps folio, indd files, links and all, so a third party can carry on the work. Is their a better alternative to packaging each individual indd file and sharing the folio through adobe?
I know there have been similar questions here in the past, but the last (that i've found) was updated mid 2011 and I was wondering if their have been any improvements to this seemingly backwards workflow since then.
Thanks in advance!

Nothing better than packaging them and using Dropbox to share. I caution you
on one thing as far as packaging:
http://indesignsecrets.com/file-packaging-feature-can-cause-problems-in-dps-
workflows.php

What is the best setting for export movie in widescreen format?

Please tell me what is the best setting for exporting movie in Widescreen format?

Like in After effect we use "NTSC D1 Widescreen Square Pixel".,
Carefully examine the codec and pixel dimensions of that output file. That's certainly easy for an experienced VFX person like yourself.
Then carefully look over the presets in FCP to find the same attibutes. You can also use the online help system for FCP and search for "D1"
However, your question remains unanswerable because we don't know how you're getting to the monitor. What are you playing back you AE sequences on that displays them on your LCD? You're assuming we know what you're doing and, I assure you, we do not.
bogiesan

Whats the best settings for exporting a three camera youtube video on a mac book pro

I need help figureing out Whats the best settings for exporting a three camera youtube video on a mac book pro. I use 15 or 30 fps and aI cant figurwe it out [please help

chucknoris501
What version of Premiere Elements are you using on Mac?
Export your Timeline content to a .mp4 file, using export settings which have been customized under the Advanced Button/Video Tab of the export's preset.
See Publish+Share/Computer/AVCHD and .mp4 category. The exported file is then uploaded to YouTube at the YouTube web site.
If you post the properties of your source video and project settings, I will suggest the settings for the Timeline content export to file saved to the computer
hard drive for upload to YouTube at the YouTube web site.
ATR

Re: Best options for exporting a sequence and making a DVD

I using iPad 2.

"Re: Best options for exporting a sequence and making a DVD" and "I'm using iPad 2" and "My phone number is not verified!" don't seem to be entirely related. Can you please restate your question?

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks

function(){return A.apply(null,[this].concat($A(arguments)))}
bmiller0525 wrote:
What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks
thats way too vague of a question... best what? quality? size? playback?
best quality then use high bitrate, small size use low bitrate.

Best strategy for buring dual layer DVD

I've got a project that won't fit on a single layer DVD, so I've got it set up for dual layer and "best quality" which results in a 7.38GB disk image. However, iDVD 8 warned me when burning the disk images that some utilities may not be able to burn a reliable dual layer disk copy and to use iDVD instead, does this include Disk Utility?
I always use Disk Utility to make copies, iDVD took almost 7 hours to burn the disk image, I can't afford to wait that long for each copy. So what's the best strategy for burning dual layer DVDs?

subsequent copies burn in far less time immediately after the first provide you don't quit iDvd
If you know ahead of time you'll need more than a few copies, I'd recommend burning from a disc image to the desktop and reducing the burn speed (4x or lower) I prefer to use Roxio Toast myself. But others have had success with Apple's Disc Utilities as well.

Which are the best settings for exporting comps before edditing in Premiere Pro

Hello everyone!
As the title says, which are the best settings for exporting comps from AE to Pr.Pro and then edit them?
Let me explain: I have two comps in AE (intro and outro) and want to export them in Pr.Pro for edditing along with a fottage i shot.
When i render them the size of the files are huge (30 sec= 7GB).
Which is the best method (and settings) i can export the intro and outro to a 'normal' file size and then put them in Pr.Pro without loosing any quality??
[Comp settings: HDTV 1080 29.97 (1920x1080)]
AE and Premiere Pro both CS4

If you're rendering and exporting an intermediate video file to go from After Effects to any other piece of post-production software (such as Premiere Pro), you want to make sure that you're not losing any quality.
Most compression methods, which make movies smaller, also lose some of the image data---i.e., quality. There are a few compression methods that don't lose any image data; these are "lossless" codecs. These lossless codecs do decrease the size of a video file, but they're nowhere near as effective at decreasing size as the lossy codecs are. But file size isn't important when you're doing post-production work. Big files are a fact of life in post-production.
Examples of lossless codecs include the PNG codec and the Animation codec at the highest quality settings, both of which can be used in a QuickTime (.mov) container. I prefer the PNG codec; it's more efficient for photorealistic images, whereas Animation is more efficient for things like cartoons. There are lots of other lossless and nearly lossless codecs. A lot of people that do video editing like the Lagarith codec, but that is something that you'd have to go and get; it's not part of a standard CS5 or QuickTime installation.
See these FAQ entries for information about compression and why file sizes are big for losslessly encoded files:
"FAQ: Why is my output file huge...?"
"FAQ: What is the best format for rendering and exporting from After Effects?"
By the way, keep in mind that you don't always need to render and export an intermediate movie to go from After Effects to Premiere Pro. There are other ways to move data back and forth between these applications, including Dynamic Link. Which is best depends on the specific circumstance. See "Working with Premiere Pro and After Effects".

Best Strategy for Exporting Fireworks into Dreamweaver

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