Best strategy for ID based video source with a plugin

Hi,
What would be the best strategy to load a video file based on an ID instead of source URL. The plugin would use a webservice to lookup the ID and retrieve the url for the video. The ID would be passed to the player via a flashvar.
Thanks,
Peter

Hello!
I guess LoadFromDocumentElement would be optimal...
SMIL plugin is based upon it - so you may want to refer to it.

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Best Strategy for Integrating Crystal/Business Objects with OpenACS Environment

Post Author: devashanti
CA Forum: Deployment
I'm working for a client that uses AOL server and OpenACS for their web services/applications. I need suggestions on the best strategy to integrate a reporting solution using Business Objects XI. Ideally I'd like to send an API call from our web application's GUI to the Crystal API with report parameter values to pass into specific reports called via the API - I can get it down to one integer value being passed - or if this is not possible a way to seamlessly, from the end user perspective, move into a reporting module. We are using an Oracle backend database. I'm experienced with creating stored procedures and packages for reporting purposes.
Although I have many years of experience integrating the Crystal active X controls into n-tier client server applications, the past few years I have had little opportunity to work with Business Objects and the newer versions of Crystal or web based solutions with Crystal Reports. I signed up to try out crystalreports.com, but I doubt my client will find this solution acceptable for security reasons as the reports are for an online invoicing system we are developing. However we can set up a reports server in-house if necessary, so it gives me some testing ground.
Can anyone provide suggestions for a doable strategy?

Please post this query to the Business Objects Enterprise Administration forum:
BI Platform
That forum is monitored by qualified technicians and you will get a faster response there. Also, all BOE queries remain in one place and thus can be easily searched in one place.
Thank you for your understanding,
Ludek

Best strategy for using ACR7 in LR4 with CS5?

Although all my cameras are supported by ACR6, I would like to use the new process 2012 of ACR7. I would like to try LR4 (giving ACR7) but don't really want the expense of upgrading from CS5 to CS6 since I don't need any of the CS6 new facilities. But I would like to try the file organisation facilities of LR4 instead of Bridge (as well as having ACR7 of course).
I read that PSD files exported from LR4/ACR7 are not compatible with CS5. Is this correct? If so, is there a way around this, so that I can do final tweaks in CS5 to a 16bit file processed and output by LR4/ACR7?
Thanks for any advice you can offer.

As far as I've heard, you should get PS CS6 if you plan to use LR4. Full stop.
But, I did hear that there is a 'release candidate' version of ACR6.7 you can get from here: http://blogs.adobe.com/lightroomjournal/2012/03/adobe-camera-raw-6-7-and-dng-converter-6-7 -available-on-adobe-labs.html. This wont show up if you try 'Auto Update' for whatever reasons. Hasn't for me, at least!
There have been no complaints with the compatibility of the ACR6.7 RC with LR4 and PS CS5.

What's the best strategy for cropping 1080p video?

I just shot a panel discussion in 1080p, and because of all the panning back and forth there are parts that could benefit from some cropping (in other words, I would set a keyframe and use the transform tool to enlarge slightly in order to center the speaker in the frame).
1080p is WAY larger than the indended final product. Should I plow straight ahead and assume that outputting to a smaller resolution will take care of concerns over degredation? or should I anticipate issues from the start and specifiy a smaller resolution as part of bringing the video into the timeline?

not really.
Let's assume I have auto render (or background rendering) turned off. I'll finish all my transform-tool work, then "render all" while I run down to the corner Starbucks.
I think in terms of Photoshop. If the canvas is smaller than the clip, then introducing the video to the timeline -or canvas, would be the point when the clip gets repositioned... or, if the clip is OK, then I would just use the transform tool to reduce it to fit the frame.
Again, thinking in Photoshop terms, if the final exported product is smaller that the original, then using the transform tool to increase the clip size has less pronounced effect. Alas, in Photoshop, outputting at a smaller size (for web) means you aren't going to see the pixels that got "tore up".
I'm not sure I can expect the same thing to happen in the wonderful world of video editing.

What's best strategy for dealing with 40+ hours of footage

We have been editing a documentary with 45+ hours of footage and presently have captured roughly 230 gb. Needless to say it's a lot of files. What's the best strategy for dealing with so much captured footage? It's almost impossible to remember it all and labeling it while logging it seems inadequate as it difficult to actually read comments in dozens and dozens of folders.
Just looking for suggestions on how to deal with this problem for this and future projects.
G5 Dual Core 2.3 Mac OS X (10.4.6) 2.5 g ram, 2 internal sata 2 250gb

Ditto, ditto, ditto on all of the previous posts. I've done four long form documentaries.
First I listen to all the the sound bytes and digitize only the ones that I think I will need. I will take in much more than I use, but I like to transcribe bytes from the non-linear timeline. It's easier for me.
I had so many interviews in the last doc that I gave each interviewee a bin. You must decide how you want to organize the sound bytes. Do you want a bin for each interviewee or do you want to do it by subject. That will depend on you documentary and subject matter.
I then have b-roll bins. Sometime I base them on location and sometimes I base them on subject matter. This last time I based them on location because I would have a good idea of what was in each bin by remembering where and when it was shot.
Perhaps, you weren't at the shoot and do not have this advantage. It's crucial that you organize you b-roll bins in a way that makes sense to you.
I then have music bins and bins for my voice over.
Many folks recommend that you work in small sequences and nest. This is a good idea for long form stuff. That way you don't get lost in the timeline.
I also make a "used" bin. Once I've used a shot I pull it out of the bin and put it "away" That keeps me from repeatedly looking at footage that I've already used.
The previous posts are right. If you've digitized 45 hours of footage you've put in too much. It's time to start deleting some media. Remember that when you hit the edit suite, you should be one the downhill slide. You should have a script and a clear idea of where you're going.
I don't have enough fingers to count the number of times that I've had producers walk into my edit suite with a bunch of raw tape and tell me that that "want to make something cool." They generally have no idea where they're going and end up wondering why the process is so hard.
Refine your story and base your clip selections on that story.
Good luck
Dual 2 GHz Power Mac G5 Mac OS X (10.4.8)

Best settings for film based PAL to MPEG2?

There's a fair amount of useful information online regarding the best settings for film based NTSC footage export etc but I'm unable to find anything regarding the best Compressor settings for the export of MPEG2 from PAL video from a 25 frames per second film sourced master.
Can anybody help?

Okay, so after reading heaps of stuff on interlacing and progressive, my head is hurting. Since my 1080i50 Pal footage captures into Final cut interlaced and setting field dominance to NONE doesn't do much, I realise I need to de-interlace in an another application. Ken Stone has a great example of what to do in compressor though I dont have the current version (3) and am not sure how to reinterpret this for Compressor 2. I had a go without much luck. I am in the process of trying to use MPEG Streamclip to deinterlace and trying getting the right settings. Will see how that goes. I also have tried using JES deinterlacer but also wasnt sure about settings etc with this application either.
Which is the best to use and what settings should I set. I wish to use my footage for watching on our macs primarily and also from our mac server which is hooked up to our hdtv. I can then convert to other formats for iphones and web etc. But my main problem is this interlacing issue. I have a nice new HDV camera but it certainly isnt looking too much better atm than my old dv footage.
PLEASE help!

Best strategy for migrating GL 6 DW CS4?

First I gotta say that -- as decade-long user of several Adobe products -- Adobe has really screwed over long-time users of Adobe Golive. After a week of messing around with something that should be a slam dunk (considering the substatial amount of $ I've paid to Adobe over the years for multiple copies of GoLive 5, 6 and CS2), I can tell you Adobe's GL > DW migration utility ONLY works for sites created FROM SCRATCH in GL CS2 (they must have the web-content, web-data folder structure). This means that Adobe's migration utility only works for maybe 10% - 15% of the GoLive sites out there, and about 10% - 15% of Adobe's loyal GoLive customers, and it particularly screws over Adobe's longtime GoLive customers. Sweet! ( (Just like Adobe screwed over users of PhotoStyler -- which was a better image editor than PhotoShop, BTW.) Obviously, I would walk away from Adobe and make sure I never ever paid them another cent, but the Republican-Democrat "free market economy" has made sure I don't have that option.
So I've gotta make Dreamweaver work, which means I've gotta migrate several large sites (the biggest has 5,000 static pages and is about 2 gigs in size) from GoLive 6 (or GoLive CS2 with the older folder structure) to Dreamweaver CS4.
Which brings me to my question -- what's the best strategy for doing ths? Adobe's migration utility is a bad joke, so here's the alternative, real world plan I've come up with. I'd apreciate any suggestions or comments...
1) create copies of all my GL components in the content folders for my GL site (not in the GoLIve components folder)
2) replace the content of all GoLive compnents (in the GoLive components folder) with unque character strings, so that instead of a header with images and text, my old header would look something like xxxyyyzzz9
3) create a new folder called astoni in the root of my hard drive. Copy all my GoLIve web site content (HTML, images, SWF, etc.) into astoni in exactly the structure it was in with GL
4) create a new Dreamweaver site by defining astoni as the local location for my site, astoni\images as the location for images, etc.
5) use Dreamweaver and open the newly defined astoni site. Then open each of the GoLive components I copied into a content level folder in astoni, and drag each into the Dreamweaver Assets/Library pane, in order to create library items just like my old GoLive components
6) use Dreamweaver to Search & Replace out the unique text strings like xxxyyyzzz9 with the content of my new DW library items
7) refresh site view to make all the links hook up...
Thanks for your help. Hope this discussion helps others too...

Instead of ragging on people who are familiar with DW and Site Development, you should be gracious and accept the practical advice you've been given. A "best strategy" would be to read some tutorials and learn how to work with HTML, CSS and server-side technologies. Without some basic code skills, you're going to find DW an uphill, if not impossible battle.
Frankly, I don't have free time to hand-hold someone through the excruciating process of migrating a 5,000 page static site from GoLive to DW. And I doubt anyone else in this forum has either. We're not Adobe employees. We don't get paid to participate here. We are all product users JUST LIKE YOU.
I'm sorry you're frustrated. I'm also sorry for your clients. But the problem you have now isn't Adobe's fault. It's yours for not keeping up with server-side technologies or handing-off these huge static sites to more capable web developers. I'm not saying you need to buy anyone's books, but they are good resources for people willing to learn new things.
That said, maybe you should stick with GoLive. The software doesn't have an expiration date on it and will continue working long into the future. If you're happy using GL, keep using it to maintain your legacy sites. At the same time learn X/HTML, CSS & PHP or ASP. Use DW CS4 for the creation of new projects.
FREE Tutorial Links:
HTML & CSS Tutorials - http://w3schools.com/
From Tables to CSS Web Design Part 1 -
http://www.adobe.com/devnet/dreamweaver/articles/table_to_css_pt1.html
From Tables to CSS Web Design Part 2 -
http://www.adobe.com/devnet/dreamweaver/articles/table_to_css_pt2.html
Taking a Fireworks (or Photoshop) comp to a CSS based layout in DW
http://www.adobe.com/devnet/fireworks/articles/web_standards_layouts_pt1.html
Creating your first website in DW CS4 -
http://www.adobe.com/devnet/dreamweaver/articles/first_cs4_website_pt1.html
Guidance on when to use DW Templates, Library Items and SSIs -
http://www.adobe.com/devnet/dreamweaver/articles/ssi_lbi_template.html
Best of luck,
Nancy O.
Alt-Web Design & Publishing
Web | Graphics | Print | Media Specialists
www.alt-web.com/
www.twitter.com/altweb
www.alt-web.blogspot.com

Absolute Best Strategy for Cropping

What's the absolute best strategy for high precision cropping when time is not an issue and and want "perfect" quality?
What's the absolute best strategy for low precision cropping when time is an issue and standards are still high?
There's gotta be different strategies for doing this, and I was curious if we could choose a winner.
Thanks,

Heh, Marian, that about sums it up.
In all seriousness... How does "precision" connect with "cropping"? I've always thought of "cropping" as most based on an artistic judgment, not something done for precision. Perhaps you could describe your photography and what you expect from your workflow?
Are you cropping photos of documents? People? Stars, nebulae, and galaxies?
Is this "precision" you speak of an attempt to express "minimal loss of pixel data"? If that's the case, get the most powerful computer you can and always work at upsampled resolutions. And don't resample during cropping.
One last comment: Consider employing the crop tool in the Camera Raw dialog. This stores metadata telling future conversions how to crop the image, but the original raw data is still all intact. Note that you can open a whole set of images in Camera Raw, do exposure and cropping changes, and click [Done] to save that metadata.
-Noel

Best strategy for variable aggregate custom component in dataTable

Hey group, I've got a question.
I'd like to write a custom component to display a series of editable Things in a datatable, but the structure of each Thing will vary depending on what type of Thing it is. So, some Things will display radio button groups (with each radio button selecting a small set of additional input elements, so we have a vertical array radio buttons and beside each radio button, a small number of additional input elements), some will display text-entry fields, and so on.
I'm wondering what the best strategy for tackling this sort of thing is. I'm sort of thinking I'll need to do something like dynamically add to the component tree in my custom component's encodeBegin(), and purge the extra (sub-) components in encodeEnd().
Decoding will be a bit of a challenge, maybe.
Or do I simply instantiate (via constructor calls, not createComponent()) the components I want and explicitly call their encode*() and decode() methods, without adding them to the view tree?
To add to the fun of all this, I'm only just learning Faces (having gone through the Dudney book, Mastering JSF, and writing some simpler custom components) and I don't have experience with anything other than plain vanilla JSP. (No EJB, no Struts, no Tapestry, no spiffy VisualDevStudioWysiwyg++ [bah humbug, I'm an emacs user]). I'm using JSP 2.0, JSF 1.1_01, JBoss 4.0.1 and JDK 1.4.2. No, I won't upgrade to 1.5 (yet).
Any hints, pointers to good sample code? I've looked at some of the sample code that came with the RI and I've tried to navigate the JSF Blueprints stuff, but I haven't really found anything on aggregating components into a custom component. Did I miss something obvious?
If this isn't a good question, please let me know how I can sharpen it up a bit.
Thanks.
John.

Hi,
We're doing something very similar. I had a look at the Tomahawk Date component, and it seems to dynamically created InputText components in the encodeEnd(). However, it doesn't decode this directly (it only expects a single textual value). I expect you may have to check the request yourself in decode().
Other ideas would be appreciated, though - I'm still new to JSF.

WHAT IS BEST STRATEGY FOR RMAN BACKUP CONFIGURATION

Hi all,
my database size is 50GB I want TAKe WEEKLY FULL BACKUP AND INCREMENTAL BACKUP
WITHOUT RECOVERY CATALOG.by follwing commands
weekly full database backup
run
backup as compressed backupset
incremental level=0
device type disk
tag "weekly_database"
format '/sw/weekly_database_%d_t%t_c%c_s%s_p%p'
database;
I want do CONFIGURE RMAN BY FOLLWING stragtegy
CONFIGURE RETENTION POLICY TO REDUNDANCY window of 14 days.
CONFIGURE BACKUP OPTIMIZATION OFF;
CONFIGURE CONTROLFILE AUTOBACKUP ON;
CONFIGURE CONTROLFILE AUTOBACKUP FORMAT FOR DEVICE TYPE DISK TO
'\SW\AUTOCFILE_'%F';
and other is by default
sql>alter system set control_file_record_keep_time=15 days;
os--aix6 and for two database 10g2 and 11g2
what is best configuration strategy for rman backup.AND BACKUP WITH RECOVERY CATALOG OR WITHOUT RECOVERY CATALOG
PLEASE TELL ME
Edited by: afzal on Feb 26, 2011 1:45 AM

For simply two databases, there really wouldn't be a need for a recovery catalog. You can still restore/recover without a controlfile and without a recovery catalog.
From this:
afzal wrote:
CONFIGURE RETENTION POLICY TO REDUNDANCY window of 14 days.I am assuming you want to keep two weeks worth of backups, therefore these:
alter system set control_file_record_keep_time=15 days;
CONFIGURE RETENTION POLICY TO REDUNDANCY window of 14 daysShould be:
RMAN> sql 'alter system set control_file_record_keep_time=22';
RMAN> CONFIGURE RETENTION POLICY TO RECOVERY WINDOW OF 14;22 would give you that extra layer of protection for instances when a problem occurs with a backup and you want to ensure that data doesn't get aged out.

Purchase Requisition Release strategy for MRP based Requisition

Hello Gurus
We want to set up the urchase Requisition Release strategy for MRP based Requisition ..Any can one Please share your experience about the impact down the road?
Thanks
Nick

Hi,
If you want include the MRP related PR in Release strategy.
You need to include the field CEBANESTKZ-Creation Indicator (Purchase Requisition/Schedule Lines) in one of the characteristics which you create and include the characteristics value as per the field values like AReal time, BMRP, CConverted Planned order etc.. and include the charactristic in the Release Strategy will release group & release codes.
So when ever the PR is created through MRP run then this creation indicator will update in the PR as per that release Strategy will trigger in the PR.
there is one more option you need to create the separate document type as MRP PR then create document type as characteristics and include the values of all these document types and include in Release strategy.
But it will not pop up for direct PR from MRP run only trigger when planned order is converted to PR manually there you need to select this MRP document type then release strategy will trigger.
I think first one is best suited.
rgds
Chidanand

Best strategy for buring dual layer DVD

I've got a project that won't fit on a single layer DVD, so I've got it set up for dual layer and "best quality" which results in a 7.38GB disk image. However, iDVD 8 warned me when burning the disk images that some utilities may not be able to burn a reliable dual layer disk copy and to use iDVD instead, does this include Disk Utility?
I always use Disk Utility to make copies, iDVD took almost 7 hours to burn the disk image, I can't afford to wait that long for each copy. So what's the best strategy for burning dual layer DVDs?

subsequent copies burn in far less time immediately after the first provide you don't quit iDvd
If you know ahead of time you'll need more than a few copies, I'd recommend burning from a disc image to the desktop and reducing the burn speed (4x or lower) I prefer to use Roxio Toast myself. But others have had success with Apple's Disc Utilities as well.

Best site for uploading iMovie videos

Best site for uploading large videos (42 minutes).
thanks

Here's a link to what I'm after but the solution is in CS4 with AS 3.o and I'm using the previous versions
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What is the best practice for using the Calendar control with the Dispatcher?

It seems as if the Dispatcher is restricting access to the Query Builder (/bin/querybuilder.json) as a best practice regarding security. However, the Calendar relies on this endpoint to build the events for the calendar. On Author / Publish this works fine but once we place the Dispatcher in front, the Calendar no longer works. We've noticed the same behavior on the Geometrixx site.
What is the best practice for using the Calendar control with Dispatcher?
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Scott

Not sure what exactly you are asking but Muse handles the different orientations nicely without having to do anything.
Example: http://www.cariboowoodshop.com/wood-shop.html

What is the best option for tethering my IPhone 4s with my iPad? (the iPad is wifi only)

What is the best option for tethering my IPhone 4s with my iPad? (the iPad is wifi only)

#1. Understand that if you switch carriers, you can NOT take your existing iPhone with you. It won't work. You will need to purchase a new one.
#2. Your only choices are Sprint and Verizon. Decide who has the better coverage in your area. Keep in mind that you will NOT be able to get simultaneous voice and 3G data on either of these, as their CDMA networks do not support it. The U.S. T-Mobile network is not supported and is not fully compatible with the iPhone as it operates on a rarely used frequency compared to the rest of the world.
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Best strategy for ID based video source with a plugin

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