Best way for working offline/online?

I edit my RED files in Prores SQ 1024x576 when doing offline. Online is done in Prores 4444 1920x1080.
I´ve tried different ways to convert the project in FCP from lowres to highres, and I´m now using XML. I choose 1920x1080 as sequence settings when importing the XML, but I then have to reconnect with the online files, remove filters from the offline etc. I also have to create a new project before importing to avoid reconnecting with online files in the offline timeline too.
Is there a easier way to do this?

It's more complicated than that. There are four flavors of 422.
There's a complete section in the FCP7 manual about using REDCODE media.
There's a complete explanation of the Pr Res codecs in the FCP7 manual.
Final Cut Pro 7
Professional Formats and Workflows
Working with Apple ProRes
Apple ProRes is a post-production format designed for pristine quality, economical hardware configurations, and high-performance, multistream Final Cut Pro real-time editing—for film, digital cinema, high definition (HD), and standard definition (SD) workflows.
This chapter covers the following:
About the Apple ProRes Codecs
Types of Apple ProRes Codecs
Working with Apple ProRes Codecs
Apple ProRes Format Specifications
Apple ProRes Tips
About the Apple Intermediate Codec
bogiesan

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Hi Shane,
Ok just to recap (thanks for being patient by the way)...I have put some questions in here...feel free to write in caps to respond and we'll put this baby to rest!
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Hi Experts
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Regards.

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