Best way to work with Word documents?

Hi! New Mac user, bought a Mac Pro, tired of Windows many faults. I work a lot with texts, documents, and I'm used to Word. And working with colleagues in a Word world..
What is the experience of compatibility? Is iWork functioning good enough for receiving, changing/editing and returning documents, or should one have Windows installed in parallell, with the original Word programme? And same question about presentations - PowerPoint versus/interchangeable with Keynote?

OpenOffice 3.1
Virtual environment for Windows, but I wouldn't touch Parallels. Fusion or Sun's VB.
iWork '09
http://discussions.apple.com/category.jspa?categoryID=253
http://www.apple.com/support/iwork/

Similar Messages

What is the best way to work with Word documents in The InDesign CS4???

I work in Microsoft Word 2007 and all my documents have *.doc format.
What is the best way to work with Word documents in InDesign CS4???
David Blatner says to avoid copying and pasting text from Word instead of placing it (Ctrl+D).
How about pasting RTF or Text Document???
I want to make book's layout in ID CS4 and its main feature is that there is the left page with text and the right - with graphics.
So, as I understand to place the text on each page I must create for example 70 Word documents and place each item on 70 left pages???
It loks like wasting time. I sthere another way of making such layout??? What kind????

It's best to place any text.
You can have all of your text in one file and use auto-flow to add threaded text frames and pages as required (Hold down the Shift key when you click the loaded text cursor), but it's a little non-standard to have the thread only on one side of the spread from the auto-flow perspective, so you'll have to set up properly.
This is one case where a master text frame will work to your advantage. On your master page spread, add a text frame to the left page, but not to the right (or at least not threaded to one on the right -- for some other project you might actually want two independent text threads). Hold the loaded cursor over a frame on the left side of a document page and auto-flow. ID will add new spreads as necessary, but only put the text on the left side.
Peter

Best way to work with Word documents on Mac?

Just bought a Mac Pro, tired of the faults of MS/Windows. BUT I work a lot with Word documents, and have to keep doing so to interact with colleagues, I understand there are two possible ways - either install on my Mac also a Windows, and work in original Words, or use iWork.
What is the experience - is iWork fully compatible with Words? Interface problems when sending/editing back and forth? Grateful for opinions and tips!

I too was worried about Word docs when I transitioned over to Pages. I have not found any Word document so far that Pages could not open, that said, most of the time you will get a notice saying that some errors have occurred in the process. Most of these seem to be related to fonts, but if you have tables and spreadsheet segments, they can come out looking scrambled in Pages.
I can't comment on the export of Word docs and how they open on PCs but I do know that the PDF exporter from Pages is great (so far).
In fact Pages is great all around for simplicity, ease of use and dependability.
iWork: <$100
Office: >$350
No Contest IMHO

There is a way to work with word documents?

hi everybody, i have a new macbook air 13, and pages is install on mac. i am working with someone who use microsoft word, the problem is with the graphics. i receive text o perfect condition but when he send me some graphics problems appear, can anybody give me some advise on how to solve this problem? maybe an app or if i have to modify something on the pages app. Thanks!

Try LibreOffice [free}.
Pages is not 100% interchangeable with Word.
Peter

What is the best way to work with AVCHD 720 24p footage in FCE4.1?

Hi I have a Panasonic HMC-150 and I've been shooting 720 24p footage at 21 mbps transfer rate.
I was wondering what is the best way to work with this material in FCE 4.1? I see that in the easy set up menu they only have the option of 1440X1080i at 50 or 60 fps or 1920X1080i at 50 or 60 fps.
Also in the rates drop down menu there is only 50 or 29.97.
So I was wondering which is the best choice for 720 24p footage and will it look alright in any of them? Also is it possible to customize these settings?
And finally can you work with faster transfer rates (21mbps) in FCE?

Yikes, this is going to be tricky since FCE does not support native 24p editing.
The work around for some of us is that AVCHD material that is 24p is often recorded to disc at 60i using telecine, in which case it can be editing at 29.97 frames per second, and then detelecined afterward for final export at 23.98 fps. The problem is that I think your camera actually records real 24p - not 24p packed into 60i. When you import the material from the camera what does QuickTime report the framerate as?

What is the best way to work with mixed media in 1080 timeline?

Hi there,
I have a project shot mostly in 1080 24p but a bit of 720 24p and 4x3 30p footage.
What is the best way to work with this mixed media?
Thanks!
Steven

Hi Shane,
Ok just to recap (thanks for being patient by the way)...I have put some questions in here...feel free to write in caps to respond and we'll put this baby to rest!
1) I will work in a 1080p FCP sequence, correct?
2) HD 1080p footage captured as applepro res hq I will leave as is and work with?
3) HD 720p footage which was captured as applepro res hq. Can I just drop in 1080 timeline and let FCP do its work? Or should i run through compressor, if so what setting shall I submit it too?
4) I dont have a budget for an external hardware to convert SD to HD...should I capture my SD Beta through Final Cut and just leave and let FCP do its work? Or should I run through compressor? If so what setting shall I submit it too?
5) For for my master sequence in FCP am I not using an I-Frame format apple pro res if I am using my apple pro res hq 1080 footage as my formatted sequence? I am not sure what you mean by GOP?
6) I also found some 60p footage 1080p XDCAM compressor shot with the same XDCAM camera. I put in the 1080p 24p timeline but it was pretty choppy...any ideas of this conform?
Thanks very much for all your help it has gone along way,
Steven
Saying what CODECS you are working with was my question. 1080, 720, 4:3...really says nothing. There are a dozen 1080 codecs, another dozen 720 codecs, and nearly 100 4:3 formats.
Best to capture all the footage to one uniform codec.
Second best is to work with one format and let FCP conform the rest to that...IF and only IF that format is an I-Frame format like ProRes. GOP formats as master sequence formats cause TONS of issues.
What I'd do is work 1080 ProRes, just add the 720p footage (Use Compressor to convert it if you didn't have a lot, but if you had a lot, just add it), but I'd capture all the SD 4:3 footage via a Kona 3 or Matrox MXO2 as 1080 ProRes. Hardware conversion of SD to HD is much better than anything FCP can do. AE might do good as well. But then use Compressor to convert 29.97 footage captured (you can't convert 29.97 to 23.98 when you capture) to get to 23.98.

Best way to work with interlaced and progressive clips in the same timeline

I´m shooting with Sony MC-50E camera in 1920x1080, 50i. When importing with Log & Transfer I can work with ProRes 422 files in interlaced mode. I have to mix the footage with video screencapture which is progressive (ProRes 422). The final videos are for web only so it should end up as progressive H264 videos. I´m getting good result if exporting to H264, 1024x576 with deinterlacing enabled, but exporting to full HD gives typical interlaced lines in the picture. How can I avoid this and what is the best solution for working with both interlaced and progressive clips?

Deinterlace in Compressor using Frame Controls, Best settings. You can reconnect the deinterlaced files to your project, if you've already edited, but you may need to copy and paste the clips in your sequence to a new 25p timeline, then Remove Attributes, Basic Motion.
When you're ready to export your sequence, use Quicktime Movie, Current Settings, Self-contained. Take that file to Compressor to transcode back to h.264.
The Apple T.V. preset is very good.

Best way to access Excel & Word documents on iPad

On my iMac I have a number of EXCEL and WORD documents created with Excel / Word MICROSOFT for MAC 2011.
I want to access these Word and Excel documents on my iPad.
I am confused as to what is the best way to do this.    Pages & Numbers with iCloud ........ or ....... CloudOn, the free, cloud based service that lets you run Word and Excel on the ipad????
When we are on holidays I need to VIEW or UPDATE Excel and Word documents on my iPad and then when we get home update my iMac with any changes that I may have made.
I do not need to print from my iPad whilst on holidays, only view and update.
Has anyone had experience with Pages and Numbers on their ipad using documents created with Microsoft for Mac 2011 on their Mac computer. Does it work well and is it user friendly doing what I want it to do as detailed above?
Thanks

Thanks for that info Skydiver119.
I was hoping that if I had the apps 'PAGES' (for my Word docs) and 'NUMBERS' (for my Excel docs) loaded on my iPad that I would be able to access my documents without having to have internet access.
I understand that to get them there in the first place I need internet access and then to update back to my iMac when I get back home I would need internet access.
I am relatively new to iPad & apps etc. so maybe I have misunderstood the concept. I thought that having the apps loaded onto my ipad, would mean that my documents would be there to access/edit/update when ever I needed to.   I mean of course, as I have already said above, once downloaded either by syncing through iTunes or iCloud to start with.
Can you (or anyone else!) please help with this
Thanks

What is the best way to work with avi-files?

Hallo all,
I'm new to this forum so before asking my question I'd like to say some words about myself:
I'm not a native english speaker, so please excuse language mistakes I'll possibly make and feel free to ask if I'll write something which you don't understand due to this fact.
Half year ago I bought a HD Cam from Canon (Legria HF 200) which - in my opinion - has a good quality (good enough for my hobby films), and realized that cutting HD films on Windows would require a lot of expensive high end hardware. So I bought a MacBook and Final Cut Express - a decision I'm very happy with.
After the first disastrous tries to make a small clip I bought Tom Wolsky's "Editorial Workshop for FCE" and now I'm more happy than I was before (because I've seen that you're posting here: thanks for the great book!)
But now to my question:
I have 9 old PAL DV tapes (containing family clips which I'd like to cut now) recorded with my old JVC, which has a FireWire port only. Unfortunately my MacBook doesn't have such, so I have to capture to DV avi using a PC with Pinnacle Studio.
1.) The avi files are very large (between 13 - 18 GB). Because I'm not able to recapture due to the missing FireWire port I'd like to archive the material on an HDD. How should I convert the AVI to make it smaller without a great loss of quality but keeping the ability to use it in FCE (especially when reconnecting after creating the subclips from the original)
2.) I'd like to keep the whole captured tape content as master clip and work with subclips from it. Yesterday I converted such an AVI to Film using QuickTime (the size didn't change noticable) and used the DV-Start/Stop detection. Unfortunately that didn't work correctly - some of the markers have been set in the middle of the shots instead as expected exactly between them. Should I do this on the original AVI file to make it work? And if, is it possible to reconnect the subclips created this way to a MOV created from the original AVI?
3.) On the PC I get an xml file containing the correct position data of the subclips (as timecode, if I remember correctly). Is it possibly, to use this data in FCE to mark subclips? Maybe by putting it manually into an xml project file or something similar?
4.) Or is there any other way to solve my problem?
Sorry for the big post and thanks in advance,
André

You're welcome, and thank you for the reply.
2) Yesterday I made the subclips with the In-Out Points and Command-U, the benefit is that I've seen the clip before naming it. Now I'm using markers, it's benefit is that I can write comment and (the later) clip name at once, the drawback is that I have to view to the next shot's beginning before knowing what the shot contains.
But now I found out that I can reconnect my clips independently to the format I converted the master clip to. I reconnected the media to the original AVI file and it worked, too! The more I work with, the more I'm sold on it... - although it doesn't seem to be able to read and use the date information within the DV AVI.
1) Ok, I tried something similar within FCE. Just worked, but the file size still remains. Which codec settings should I use? Is the export to DV in MOV with a quality of 75% acceptable for both file size and quality? Or would be encoding as H.264 with best quality an option for archiving, knowing that I have to convert it back to DV if I (maybe) wan't to use it for editing later? Or anything else?
Thank's in advance again,
André

Working with Word Documents in Oracle8iDB

Hi, i'm trying to develop an application that save the text that I handle in Word Format and then save this file to my database. I already readed the documentation and tried some examples but I can't make it work. My Table name is TEXT with the following structure:
ID NUMBER(8)
DOCUMENT BLOB
Anybody that can help me with the code to insert a Word document in the document field??
Thanks
Leo

If what you want to do is to save your document as Word format and then store it in your database, there are two ways to do it.
1. Use internet File System
When you save your Word file, simply save it using internet File System. This might be the easiest way.
2. Use SQL*Loader
Read http://otn.oracle.com/sample_code/products/intermedia/htdocs/avi_bulk_loading.html for more details.

Best way to work with multiple photograph angles?

We are going to be taking 360 degree view photography shots of certain objects and placing these objects on to different backgrounds so the shots will look something like this:
We expect to have about 20 shots of each object and about 5-10 objects per photoshop file. So basically these will be single images all taken at different angles in which we will also be clipping off the background and placing them on transparent layers so that they can be overlayed onto different backgrounds.
I'm wondering what would be the best way to streamline this process. We need to be able to pick the correct shot at the right angle to fit the perspective of the background, once we do we will only be using that one image and all of the angles will not need to be used.'
Does anyone have any suggestions? I've considered creating folders for each object and a different layer under each folder for each angle/shot, however I think that may be a bit tidious to find the right angle. I've also considered creating some kind of an animation so I can scroll through the timeline and the images change in order as if the object was actually spinning in a 3D/360 view like this: http://3dbin.com/public/zummarva but im not sure if that will work or if it would make the photoshop file very big. Ideally I would also like to keep the photoshop files as small as possible.
I'm not sure if it is possible to use photoshops 3D plugin so the images can be rotated as if it were a 3D object?
Thanks

Have you looked into using the Flex Component Kit for Flash?
http://blog.flexexamples.com/2007/09/02/installing-the-flex-component-kit-for-fl ash-cs3/
http://opensource.adobe.com/wiki/display/flexsdk/Flex+Component+Kit+for+Flash
http://www.webkitchen.be/2008/12/12/video-tutorial-make-flex-components-with-fla sh-cs4/
If you want to use components for Flex 4 using Flash CS4+ you will probably want to use the latest MXP file here:
http://opensource.adobe.com/svn/opensource/flex/sdk/trunk/frameworks/flash-integ ration/

What is the best way to work with a large amount of data?

Assume you have a big text file to work that you need to store and work with, what would be the best way to do that?
I will be adding / removing a lot of elements so I really want to stay away from array resizing overhead.
I don't want to step on any toes here, but would binary trees / linked lists in C++ be a better solution?

Assume you have a big text file to work that you need
to store and work with, what would be the best way to
do that?Parse it into a database. Then use SQL to manipulate.

Best way to work with FCP files and Adobe Premiere

Hi,
I have a bit of a technical problem. I'm editing a doco for broadcast on TV and have shot on HDV and downloaded onto our system as PAL, Apple Pro Res 422, 25 fps. oowever, Our graphics editor is on Adobe Premiere CS4.
What is the best way to get it onto her system and back off again and onto ours, with the mimimum or no loss of quality?
I've heard that an XML might work, but will it work on Adobe CS4? I don't know how this will pan out if it's XML. Will we be able to open it all back up in FCP when she hands it back. What sort of file do we get back from the Adobe Prem Pro Cs4 system?
I'm a bit nervous about it all.
Hope you can help.
Cheers,
Margie

This got me curious Eagleray as I do this all the time within my Mac FCS to CS all the time. But to a PC got me a googlin. Hope this discussion _http://www.animotion.nl/en/tutorials/fcp-xml-premiere-pro-cs5/_ helps as quite a few students seem to have Macs at school and PCs at home. Also do be aware of the different formatting of some PC drives like FAT16, FAT32, NTFS vs the Mac GUID. The Mac can read them all with the proper system addons/drivers, they show up in System Preferences Preference Panes under "OTHER". I use NTFS-3G to mount NTFS PC drives. I think it was free, if not there is another one I used to use that is free from some open source NTFS group. FAT has the size limit issue of I think 2 or 4gb (you can't copy anything bigger than that at one time to a Mac from a FAT drive). I'm on Snow Leopard on my 8core. My partner who edits in PP CS3 on a PC brought over his Maxtor USB the other day for me to copy some video files from and it's been having problems mounting, I believe since I upped to SL. I threw it on my 6 year old PowerBook G4 running 10.5.8 and it mounted right away. Just another weird gotcha. But take a quick look, tho the title says CS5 in it, a few students were using CS4 on a PC.
Message was edited by: TimeKoder13
Message was edited by: TimeKoder13

Samples best way to work with them

if anyone has used fruity loops b4 they would know that you can import samples and arrange them in a matrix arrange window
what is the best way to do this with logic
with ultra beat or esx24
and are the pros and cons of each?

Get RECYCLE.

Best way to work with H.264 video

Hello!
I'm working with 1080p 29.97 (H.264 encoded) video and I want to bring it into FCP (off a SDHC card) edit it and export it out. I would like to do everything always keeping the highest possible quality. What is a good workflow for this?
Right now I'm using the Apple ProRes 422 (HQ) compression. When I bring my video into a sequence it says (in Sequence Settings) that the aspect ratio is HDTV 1080i (16:9). Should I change it so it isn't interlaced because it really is progressive video and that is the way I would like it?
Thanks!

First you say...
I'm working with 1080p 29.97
Then you say...
Should I change it so it isn't interlaced because it really is progressive video and that is the way I would like it?
It isn't interlaced. Just because the sequence settings are, doesn't mean that your footage is. Interlaced means two fields...and if your footage was truely interlaced, both fields would be different. But with Progressive footage, both fields are the same. SO nothing has changed.
You are doing things right. OH, but ProRes HQ is overkill. The only thing you gain are files that are 50% larger than regular ProRes. HQ is designed for working with 10-bit codecs, H.264 is an 8-bit codec.
Shane

Best way to work with Word documents?

Similar Messages

Maybe you are looking for