Best workflow for premier 13 and how to produce dvd's?

Hi all.
Historically I use imovie, idvd, and a little final cut express.
My machine is a 2008 iMac recently upgraded with a new HDD and more memory, now 6GB. It is intel.
Primarily I did this due to final cut not working my camera not recognised etc, but i discovered this is not ow supported in Yosemite.
All is now well with the imac.
I bought the elements bundle from Adobe and am getting to grips with the video editor just now also the organiser.
I have loads of archived movies from the imac upgrade i did saved on and external HDD which I tend to try to use rather than filling the imac HDD up, although not so much an issue now with 2TB.
I am working through my old footage and using a combination of imovie and premier  elements, to produce a final movie.
My question is, what is the best workflow, I am going on a trip of a lifetime this year and want to practice the best workflow.
I currently have files all over in various formats, so its a nightmare.
Also what is the best way to produce a DVD?
I used to produce movies with imovie then when i had a few I would produce a DVD with a few menus and buttons and movies on.
This doesn't seem to be so straight forward anymore, I have tried to save a elements movie to a .mov and .mpg file to import to imovie then idvd but the aspect was changed to 4:3 for a start, so I may give up on that.
I intend in future to download the files from cameras to folders I can recognise, although I have historically downloaded straight from camera, it would be a new method for me.
What is then the best way to then produce my DVD's, I am not into blue ray as yet.

Hello, Brian,
What are you trying to burn...movies, photos, data???
Whats the best & easiest way to burn DVDs?
Are you using iDVD? It is the easiest way to burn a DVD. You need to have your video on your computer, usually imported into iMovie and then you create your DVD by putting your movie into iDVD and burning your disk.
Have a look at this support section from Apple. Do all the tutorials and explore all the options. You will learn quite a bit and should be able to burn DVDs after that: http://www.apple.com/support/idvd/
is there anyway to rip video from DVDs?
If the DVD is a home-made one, you can copy it. Follow the directions from Dan Slagle via Silly Rabbit's post and also Matti Haverli's in this thread: http://discussions.apple.com/thread.jspa?messageID=1642959&#1642959
If it is a commercial DVD, it may not be legal to rip it. There are web sites that will give you info about how to do it.

Similar Messages

  • Best workflow for working on a project on two computers (i.e desktop and a

    What is the best workflow for the following--
    I have a project where I want to do some work on my laptop, then work on the desktop, then back to the laptop?
    As a video guy, in Final Cut I do this by having two identical copies of my media, and simply transferring the FCP project file back and forth between the two computers.
    Is there an equivalent in Aperture of transferring your selections/edits between two copies of Apeture with the original master files on both in identical projects?

    I don't know what you mean by "bandwidth options". If you mean the frequencies and bands the iPad can use with cell carriers, those are listed in the Wireless and Cellular area of the tech specs. For iPads sold in the US, see:
    http://www.apple.com/ipad-mini/specs/
    If that's not what you meant, please post back and clarify what you mean by "bandwidth options".
    Regards.

  • Best workflow for burning Blu-ray and DVD

    Hi,
    What's the best workflow for effciency sake for burning both a Blu-ray and a DVD of the same project?
    Essientially I'd like to export and create a menu once, then be able to downrez to DVD. However, I'm not sure that is possible since blu-ray and DVD are differnt codecs.  
    Thank you

    The only way that you can get acceptable re-scaling of menus is to go from BR to DVD, and do the editing in Photoshop.  Simply re-scaling the menu here will not give acceptable results.
    I usually copy the various button layers from the BR menu to a new DVD menu file created using the provided Photoshop preset.  You will still have to do  some manual re-scaling and alignment.  The thing that has given me the most trouble over the years is round button highlights - a segment is often chopped off.  Font sizes will probably need adjusting too.
    Unless you are adept with handling layers and groups within Photoshop, it may be easier to start again.
    Any attempt to convert within Encore is unlikely to produce acceptable menus in my experience.

  • Best workflow for creating games for pc and starling games in AIR

    best workflow for creating games for pc and starling games in AIR.
    I need to develop for tablets with starling and AIR as well as for pc without starling ie: downloading from a server.
    In starling you have to
    1. instantiate starling
    2. use texture atlases for loading graphic assets - well its the recommended way
    3. use juggler
    etc...
    ie: with all these differences is it best to:
    1. create completely different projects
    2. just create different classes for the starling specific parts
    3. use a conditional compile constant
        eg: CONFIG::STARLING
                "then do this"
    or      CONFIG::CPU
              "then do this"
    I currently have the latter but it feels a little messy. I would prefer separate classes for each platform where the image loading is concerned.
    There must be so many game developers out there but in large gaming companies that know exactly what to do. Perhaps you can point me in the right direction with a book or something.
    CHEERS

    The other thing is that I can't see the games being very different as you suggest. I have downloaded Lee Brimelows tut on creating a starling game on Lynda.com and the code is great for creating games using states for menu, play, gameover etc... The only difference is that he uses texture atlas and there is a great difference in loading them etc... so technically you would only need to handle them in a different class as collision and the rest of game play should be the same in both. I think!!!
    Well, actually not exactly but near enough - maybe it might be easier to create separate projects and just cut and paste the new code introduced.

  • What is the best workflow for Final Cut Pro X across multiple computers?

    I travel on a team that is in a different location every week, so all of our video editing has to be fairly moble. We have 3 macbook pros and would like to use final cut X on all of them. What would be the best workflow for us all to work on the same project and sync it across the computers? (eg, one of us editing the footage, one editing the sound, one working on visual effects?)

    My first question would be how well 5.1 would work with SL. People have reported problems.
    As far as cameras are concerned, I would guess most any tape-based camera would work and so much depends on the kind of projects you work on that I wouldn't want to start guessing at your needs.
    If you want broad access to tapeless and advanced formats try to locate and purchase an upgrade disk to 6 or 7.
    Good luck.
    Russ

  • Best workflow for colour grading in CS5.5

    What is the best workflow for colour grading in Premiere Pro CS5.5? I don't like the 3 way colour grader in Premire I like to use Levels and Curves, so I normaly use Color Finese 3 LE in After Effects but it's hard to export an entire timeline to AE due to it not improting transitions and title text correctly.
    I see in CS6 there is now Speed Grade available from Premiere Pro. can you export your entire timeline into Speed grade and it retain your titles and trasitions?
    So how are most folks colour grading their finished timelines in Premire Pro?
    Kevin

    If I can CC in Pr, I will. What prevents me from staying in Pr is if I need to do a lot of masking, secondary type corrections.  Ae is better for that, IMO.
    I guess my general rule is, "The more love I need to put on my footage, the more likely it is I'll need to take the project to Ae."
    When I do CC in Pr, my tools of choice are RGB Curves (which is CUDA friendly, and I have a CUDA card) for CC, and I use Three-Way or Fast CC mostly for increasing saturation.  I leave the other controls alone.
    The advantage to doing CC in Pr, is the CUDA accelleration.  If you use CUDA effects, you can work a lot faster, due to less rendering.  Once you go to Ae, you lose CUDA, but you gain flexibility.  Therefore, there's not a single one-size-fits-all answer.
    I also have a lot more available plugs in Ae.  I like Frischluft Curves, which is an oustanding curves based plug.  And the native Hue/Saturation effect in Ae is extremely useful for single hue corrections.  Pr doesn't have a similar native effect.
    And then as a last step, after getting all my corrections "evened out," I'll add Magic Bullet Looks to an adjustment layer for an overall treatment.
    I only opened SpeedGrade once after installing it.  I don't see why anybody would use it, unless they were already familiar with it.  You can't go back to Pr easily.  And in my world, projects are rarely finished.  Clients think they can make massive changes at any stage of post, even after mastering and delivery.  I've had clients make changes to spots after they've been airing for several days.  I laugh at editors who name anything "final."

  • Best Workflow for Multicam Sequences?

    I have a project that includes video from 2 cameras and audio from 2 audio recorders. I synced everything up using PluralEyes, then imported it back into Premiere. Then I opened the synced sequence, deleted the camera audio, nested the video, and enabled multicam. After that, I started going through and editing the multicam footage by selecting the appropriate camera by pressing 1 or 2 (or command-clicking on the appropriate camera in multicam view). My question is, now that I've synced everything up and finished my rough multicam edits, how do I mark the selections of the sequence that I would like to keep?
    For example, part of the sequence is an interview. Instead of just cutting the sequence up, I would like to first mark and label the portions of the interview that I would like to keep. That way I can easily go through and know what the interviewee is speaking about in each clip without having to play the whole thing. I understand that to do this on the original clips in the source monitor, I would need to create subclips. But how do I do it on a synced multicam sequence? Is there a way to open the sequence in the source monitor? What's the best workflow for something like this?
    I've been using Premiere for all of two days (switched from FCPX), so any help would be much appreciated. Thanks.

    I use comment markers for this sort of thing as I prefer to keep my project bins thin. To open a sequence in the source monitor, right-click on the sequence in the project window and select Open in Source Monitor. Position the play head at a point of interest and press M. Go to Window>Markers to view a list of markers and add comments. When you want to review a marked section click the corresponding marker in the marker window and the play head will advance to that point. Btw, you can do this within the timeline and in any monitor, not just the source monitor.

  • Email Notifications through workflow for all Approved and Rejected Orders

    hi,
    i have to send Email Notifications through workflow for all Approved and Rejected Orders to the user who have submitted the order for approval.how could it be done.please send ur solutions.
    regards
    yesukannan

    Hi,
    An option would be use Oracle Alert. Create an event based alert on the table where you have order approvals or rejections. This alert will be raised after inserting or updating this table. Create an action linked to this alert, and choose message as action type.
    This setup can be done under Alert Manager Responsibility.
    Regards,
    Ketter Ohnes

  • How do you sync iCloud (contact, calendar, task) to outlook 2011 for Mac? and how do you make seemless sync between iCloud to Outlook 2011 to Blackberry device or an iPad?

    I have three device: Macbook Pro (OSX 10.7.5) for work; an iPad and a Blackberry for mobile. I used mail, iCal, and Address Book combine with mobileme (iCloud) to exchange data such as contact, calendar and task from my Mackbook Pro to my iPad but never to Blackberry. The problem is my boss was asking me to change to Outlook 2011 for Mac because some of the email that I sent from Mail did not appear in my client's Blackberry. So how do you sync iCloud (contact, calendar, task) to Outlook 2011 for Mac? and how do you make seemless sync between iCloud to Outlook 2011 to Blackberry device or an iPad?  
    Best regards,
    W. Sasongko

    More Like This --------------------------------------->

  • Hello! My name is Vadim. I'm from Russia. I'd like to buy two iPhones 5, 64 GB: for my wife and myself. But I have a question to you. Will it work in Russia? How much will it cost for me? And how much will delivery cost to Russia? Thank you very much.

    Dear Sir or Madame,
    My name is Vadim. I'm from Russia. I'd like to buy two iPhones 5, 64 GB online, from your official website Apple: for my wife and myself. But I've a question to you. Will it (iPhone 5, 64 GB) work in Russia? How much will they cost for me? And how much will the delivery from America to Russia cost?
    Yours sincerely,
    Vadim Fedotov.

    iPhone 5 is not available unlocked in US  and
    Apple Store online does not ship outside the Country it operates
    You are best served waiting for the iPhone 5 to be announced in Russia
    through your Apple Approved carriers

  • What are the tools to create a digital magazine for ipad version and how can be place it in newsstand?

    Hello..
    "what are the tools to create a digital magazine for ipad version and how can be place it in newsstand?"
    I am very tired after done a week of R&D on this issue..
    But i doesn't get any fair solution for this one..
    I hope this is best option to place my issue here to get quick solution..
    Thanks and Regards..

    We are all users here.
    There is no one here from Apple.
    In order for you to develop and distribute content for the iPad, you need to become an apps developer.
    Not sure where you sign up for this or who you have to call.
    There should be a place on Apple's site that refers to a section of the site if you want to be an Apple iOS content developer.
    It cost, I believe $99 U.S. to become an Apple apps developer. You'll agree to Apple's Non-disclosure rules.  You'll receive Apple's app/software developers kit,and access to Apple's app developer site.
    No one here is going to be able to help you.
    Good Luck.

  • Best workflow for doing a QC check?

    Hi all,
    A client wants me to do a technical QC check on video files I receive before editing them. The items they want checked are as follows:
    o   File format (GOP structure, bitrate, wrapper, codec, chroma subsampling)
    o   Macro blocking
    o   Artefacts induced during transfer from VT, frame rate conversion, size or bitrate conversion
    o   Field dominance issues
    o   Chroma/luminance levels
    o   Aspect ratio discrepancies
    o   Flashing/strobing
    o   Frame slicing
    o   Audio levels to EBUR128 recommendation.
    o   Wide dynamic range
    o   Audio distortion, clipping, phasing and dc offset etc
    Most of these are fine, as they can be spotted during manual playback. But what would be the best workflow for monitoring the Chroma/luminance levels? I figured I could turn on the YC waveform and play the clip back through a monitor - but the main issue is keeping an eye on both the picture & the waveform at the same time.
    Can the scopes be set to give me a indication/alarm when a specified peak occurs? The same way audio does when it clips, where you get a red dot on top of the level meter?
    And is there anything else Im overlooking?
    Thanks in advance - cheers!

    Thanks shooternz,
    The client has specifically requested each file be QC checked. They will be delivering files to us for editing, which will be broadcast after we return the files.
    So we need to manually watch each video we receive to check for any audio peaking or pixelation/slicing/artefacts, etc, that may have occured during the enciode - but I'm just wondering if the YC waveform can be set to raise an alarm or "peak" if the video file goes outside of legal limits at any stage. We will be viewing the video file - so it'll be awkward to also have to try to watch the YC waveform too, so hoping that part can be automated via a 'peak alarm' or similar!

  • Best Workflow for Deleting?

    Hi Folks.
    Would anyone like to suggest the best workflow for deleting files after a project? Let's assume that i have no future need for any of the captured footage or PE7 files. It would be helpful to know what the default locations are for all the footage and files that are now on my computer.
    Thanks, Stan

    In my book I recommend that, whenever you start a new project, you create a new folder for it. That way, all of your captured video, project files, rendered video and scratch files are in the same folder. Removing it all from your hard drive is as simple as deleting the folder.
    If you didn't do that, things get a bit more complicated. Once you've backed up what you want to keep, you can manually delete the captured video, rendered files, etc., from the sub-folders -- but you'll need to do it manually. Hopefully the files will be recognizable by the names you gave your project and capture files when you created them.

  • Best workflow for creating logsheets before ingesting.

    I'm looking for the best workflow for creating detailed log sheets of my avchd footage before ingesting/transferring it to FCP. I have many hours of footage shot with my Sony NX5U and only want to ingest the necessary clips. I'm using FCP 6.5 on a MacPro tower. Thanks.

    >I'm using FCP 6.5
    NO you are not.  You might be using FCP 6.0.5.
    Well, the only way you can ingest only sections of tapeless media is by using Log and Transfer.  And you cannot Log clips first, and transfer later.  You cannot do the same thing you did with tape, make a Batch Capture list.  So you would look at your footage in the FCP L&T interface, and you can send one to be transcoded while you move onto the next one to watch.  That can happen at the same time.
    But, there's another issue here.  The Sony NX5U uses an AVCHD format that is slightly different than normal...not that there is a normal.  But I discovered that importing clips up to 10 min in length work fine, but anything over 10 min, and it took 4-5 times longer to import.  meaning a 30 min clip took just over two hours.  It was something that ClipWrap2 addressed before FCP did...and they only addressed the issue with the FCP 7.0.3 update.  FCP 6.0.5...or even the last update for that version, 6.0.6, doesn't address this.  There might be issues in importing this footage into FCP 6.
    And the other options...Avid Media Composer and Adobe Premiere...don't have a "log and transfer" type interface.  They bring in the full clips only.  With Premiere, you are stuck with them being full length.  But with Avid, you acccess the footage via AMA (Avid Media Access), and then you'd make your selects on a sequence, and then consolidate/transcode only the footage on the sequence. 
    And no, there's no way to make a logging sheet for these apps either.
    The best you can do is watch the footage, note the timecode, and manually enter those numbers when you go to bring in the footage.

  • Multipage forms- best workflow for future editing

    I'm struggling with understanding the proper workflow for creating and editing multipage forms.  I need to create a medical history form (PDF) where patients can enter their medical history and patient info. 
    This form is usually 6+ pages.  Each page has a header (logo and office address) and a footer (page number). 
    The problem I'm running into is when we need to make a change like add a question or change the wording of a question.  Is there a way we can edit the form (either in Word or an Adobe product) and not have to recreate the form in Acrobat Pro?
    I've hired contract workers from Odesk and each one I've hiried claims they can edit the questions after the form is created.  But each time this happens, the form looks worse after each edit.  I'm pretty sure this is the problem because they are editing the text in Acrobat Pro, which has very limited text editing capabilites.
    I'm wasting so much time going back and forth with contractors explaining to them that the text format looks like crap.
    I'm very capable of designing and editing these forms myself, but I just don't have the time.  So I'm contracting this work out. 
    I'd greatly appreciate any advice on the best workflow for PDF forms.
    Thanks!

    Yes, there is a way. You need to edit the original file format (Word, in
    this case), and then create a new PDF.
    You then open the old version (that has the form fields in it), and use the
    Replace Pages command to replace the old pages with the ones from the new
    file. This will maintain the form fields in place, although you might need
    to rename them and align them with the new page contents.
    This is a much better approach than trying to edit the PDF directly
    (although this option has been greatly improved in Acrobat XI).

Maybe you are looking for

  • Apple tv no longer showing when powered off

    I just updated my apple tv a couple days ago and now unless I power the apple tv on separately, it does not show up in itunes or my wireless devices' remote app. Once I power it up, everything is fine but it used to show up even when it was off (thus

  • Solution manager system log - strange entries

    Hi Everyone, the problem we are facing in Solution Manager system log every five minutes appears a new error message: 2 Database error -30082 at CON 0 > SQL30082N Security processing failed with reason "24" 0 > ("USERNAME AND/OR PASSWORD INVALID"). S

  • When I open Firefox I get my homepage and immediately I get another tab with some site I have never been to. Is there a way I can block this?

    Here is the address of the site, I never click on anything in it for fear of what it is: http://testendonline/d/p2i1d22419 Any help would be greatly appreciated. Thank You

  • Upgrading OSX.1 to Tiger but retaining OS9

    I can run OS9 and OSX simultaneously, but I want to upgrade the OSX.1.5 to OSX.4 because my new digital camera software needs OSX.2 or later. However I still want to use classic environment for some OS9 applications. When I install OSX.4, I am unsure

  • Custom Axis Labeling

    Is there an easy way of custom axis labeling? I saw a LabVIEW application that was labeling frequency on a logarithmic scale like: 10Hz, 100Hz, 1kHz, 10kHz, 100kHz, 1MHz, 10MHz instead of: 10, 100, 1000, 10000, 100000, 1000000, 10000000 Can this be d