Bit rate spikes above 7.3-maximum setting?

Hi
I have used a setting of 6.5 ave - 7.3 maximum-2 pass VBR with compressor 1.1 & AC3-192-audio. Burned a DVD-R of the DVDSP2 project and it plays fine in my set top player. However, I noticed when I watched the bit rate display (ave. & max. bit rates- which is an option on the set top player) while playing the DVD-R, the maximum bit rate spiked to 9.4 for a split second on one scene and would jump to 8 to 9 at other times for a split second on a few other scenes. Most of the time peaks were around 7. My question is will this present a problem for playback compatibility on some set top players? Or is this normal & not a problem for most set top DVD players as long as the bit rate spikes are very short in duration? I find it odd that the maximum bit rate setting of 7.3 that I used was over ridden that much to allow 9.4 as a peak-maybe the set top bit rate display is not totally accurate?
I have to burn 300 DVD-R's of this project for mail order distribution (will be burning at 1X using Taiyo Yuden media) so I need to make sure of playback compatibility with most DVD players. Can anyone shed some light on any issues that these sporadic high bit rates might present or is this not an issue for playback compatibility on most set top players?
Thanks in advance...
Della

Della,
Did you try the BitVice demo yet?
I'd be happy to help, so that your experiments with it will be fruitful. If you contact Innobits with any questions, I promise I will answer you personally. You are right in the assumption that bitrate graphs will not tell you any real truths. At least not those you were looking for:-(
Dear you all, Della included of course,
As one of the scientists behind the Bitvice MPEG-2 encoder, I am sad about the time we spend helping people clarify the crazy things they hear. Fortunately there are forums, such as this one, where hopefully clarifying the same things multiple times is not necessary. (Thus the invention of the FAQ)
At BitVice we treat our customers very well, and we are happy to help on this topic also.
There are so many misconceptions about maximum bitrate floating around on the Internet. Therefore, in a perhaps futile attempt, I decided that this might the time for putting my foot down. Hopefully, it may shed some light on the subject, at least to some of you.
No names, but I know that some of you are far better than me to explain technical things in a more "popular" form to members of this forum. If any of you wish to "translate" the essence of it into a more human readable format, please contact me off-line to get a "complete story".
I am not aware of any publically available diagnostic tool, for momentary (peak) bitrate graph calculation, that could be seriously used for MPEG-2 video stream evaluation against what is meant by "maximum bitrate", as defined in the DVD, or MPEG-2, specifications. Please, correct me if you think I'm wrong.
Bitrate graphs are generally created upon inspection of a .m2v file and based on some (non-standardized) time interval.
Depending on how (by which intervals) you are calculating a momentary bitrate of a .m2v file, it may very well vary between 1 to 40 Mbps, even for DVD compliant constant bitrate streams. The MPEG-2 group was obviously aware of this fact and therefore didn't even try to define what "momentary bitrate" is. And, INTERESTINGLY, there is absolutely no need for such a measure anyway, at least not where MPEG-2 is concerned. I hope the following will help to explain why that would be like weighing of a truck by measuring its length instead, regardless whether it was empty or fully loaded.
The DVD spec. has a 9.8 Mbps limit to the video bitrate, and 10.08 Mbps for the total bitrate. However, this has very little to do with what many bitrate graphing applications is trying to tell you. I'd say, unless they offer you to decide which maximum bitrate it is supposed to measure against, it is just pulling your leg. I think this is really sad. You didn't ask, or pay, to be falsely comforted, did you?
It really doesn't work the way you are led to believe. Actually, the MPEG-2 specification is completely silent about how to even calculate any "peak" bitrate (just because it is really beside the point). Instead, this rate problem is handled in a far more sofisticated and clever way, namely by looking at the decoder buffer fullness at all times. This seems to be completely ignored by most bitrate graphing utilities.
Don't get me wrong here, such utilities can still be rather useful for getting a general idea of which parts of a movie requires more bits than others, but that's about all they can do. For your own mental health, don't fall into the trap of thinking that the highest peak (momentary bitrate) is telling you what the max bitrate is. Sorry, if this sounds confusing at first.
The correct way of interpreting the term "maximum" bitrate is
NOT by comparing to any kind of bitrate graph. That is simply because MPEG-2 does not even define any way to calculate such a thing.
Instead, one needs to think of the "maximum" bitrate as the maximum CONSTANT sustained rate, at which a decoder is capable of reading (or pulling) the data from e.g., a DVD disk. Just think about it for a little while and you will understand that it is more a property of the decoder/player than of the MPEG stream (file) itself. Of course, the responsibility of meeting these requirements rests solely on the MPEG-2 encoder. However, and this is very IMPORTANT, the encoder is COMPLETELY FREE to chose ANY strategy or policy to ascertain that the buffer requirements are complied with. That alone, is enough to leave bitrate graphing utilities in the dark of what is really going on.
If the time it takes to display some already buffered frames (which could amount to say 50 to 300 ms, as counted in display time, depending on the situation) is too short for the next (big) frame to be pulled in its entirety from the disk, then the decoder buffer will underflow. Meaning; that no complete frame was received in the buffer by the time next frame was supposed to be decoded. This situation is where you can honestly say that the bitrate of the stream was higher than the decoder was capable of reading.
However, this is a very tricky thing to capture in a bitrate graph just by inspecting the stream, unless you know everything about the current state of the buffers in general (meaning that its recent history is important) AND more specifically knowing at which rate the decoder is supposed to be pulling picture data from the disk, including, of course, any imperfections in the DVD media.
Given this maximum sustained "pulling" rate, which actually corresponds to the "ceiling" setting in BitVice terminology, it is up to the MPEG-2 encoder to create a stream (.m2v file) that will never, neither overlow nor underflow the decoders' buffers. For those who think a step further on this matter, it means that there exists no common time (duration, measured along the display-time axis, or a number of frames) over which one can calculate a peak bitrate. So, however you choose to do; averaging number of bits over one second, over half a second, over a certain amount of frames or whatever, you will NOT find the correct answer to how the bitrate graph should look like, if you want to be able to interpret the peaks as reflecting what the max bitrate is.
Let's agree that an MPEG-2 stream NEVER has a constant frame rate, as seen by a decoder reading at a constant "maximum" bitrate. From this follows;
Assuming a duration, as counted in display time, by which you can divide the number of bits to get a bitrate, is rather pointless, and also wrong. However, that is generally what is assumed by a bitrate graphing utility.
An MPEG-2 video stream NEVER has a constant frame rate, as seen by the decoder. One frame may be swallowed 5 ms and the next may take several hundred milliseconds to completely enter the decoder buffer.
This is because every frame has an individual size, which may vary most considerably (even for CBR), but the decoder reads the stream of them at the same (normally maximum, see the PS below) bitrate. So, while the decoder is displaying one single frame on your TV monitor, it may be receiving and decoding several successive smaller frames. On the other hand, while receiving/decoding larger frames (e.g., I-frames) it will have time to display many previous frames on your monitor, before a single later, and bigger, frame has been completely read into the decoder buffer. I hope this explains why you should be careful about how you interpret any bitrate graphs, especially when maximum bitrate is concerned. (That's the primary reason why we have not designed such a tool for our customers yet).
Instead, and contrary to many other encoders, we have designed the bitrate control in BitVice in such a way that;
1) The target bitrate that you choose (the average over the whole movie) is enforced, extremely accurately, usually less than 0.1%. I have seen files generated by other encoders which have been 200% off the desired bitrate, though. (To get the true average bitrate of an m2v file; divide its number of bits by its duration expressed in seconds. Then you'll see what I mean. Extremely simple math for a 12 year old kid, although the numbers may be big and therefore tend to have many digits in them;-))
2) The "Ceiling" bitrate is NEVER exceeded, not even by one single bit/s. Now, frankly, if your bitrate graphing tool says something else, then it is telling you more about itself than about a file generated by BitVice.
There is sort of a contract between encoder and decoder, like this, where X is the maximum bitrate:
Decoder:
"I promise you that I am able to read your video stream at X Mbps, or less, for as long as you wish."
Encoder:
"OK, then I promise you that my video stream would never need to be read any faster than X Mbps, at any time, and your buffer will never overflow or run dry. However, if your buffer is less than THIS big (the needed buffer size is written at the beginning of the stream, normally 1835008 bits or 224 kB), then you can as well stop already.
I don't know how every other MPEG-2 encoder works in this respect, or if bitrate graphs could be of any help in evaluating them. The only thing I can promise is that with BitVice you can rely on its bitrate control to deliver what you asked for. You could use BitVice in your evaluation of different bitrate graphing utilities though, if you like.
I'll stop here, because I sense that even those of you who have read this far may want me to;-), but, this topic is enough to fill one whole chapter of a book that I may never find the time to write.
I realize that this post may seem controversial at first, so I'm prepared to follow up on any questions, suggestions or comments that you might have.
Kindest
Roger Andersson / Innobits AB, makers of BitVice MPEG-2 encoder for Mac
PS.
Of course, a decoder is assumed to completely stop reading (pulling) from disk whenever its buffer gets full, but then continues at full speed (maximum bitrate) again, whenever the buffer is NOT full.
So the true bitrate graph, according to the decoders' view, is be very easy to recongize, becaue it will just alternate between two values, 0 Mbps and the max bitrate.
Ds.

Similar Messages

  • Export Settings - Minimum Bit Rate Question (MPEG2-DVD)

    Hi,
    Curious...just came over recently from FCP and I don't remember Compressor giving me an option to adjust the MINIMUM bit rate when exporting HD projects for DVD. I figured I'd just leave it where the preset has it (at 2.8mbps minimum)...BUT...then I hovered over it and saw an interesting popup/explanation of what it does which kind of confuses me. It says:
    Higher values set a higher minimum quality, but reduce quality of more difficult scenes.
    The first part makes sense so I figured I'd raise it...but then the second part makes me think I should keep it low. Sort of confuses me. Any thoughts??? FYI: My projects are Weddings with a fair amount of action, etc.
    Normally, these are my settings depending unless I can't fit the project onto the disc in which case I adjust:
    DVD
    CBR at 7.5mbps
    ...or...
    VBR 2pass
    Target Bit Rate: About 6.8 or 7mbps
    Max Bit Rate: Usually 8mbps
    BLURAY
    VBR 2pass
    Target Bit Rate: 25mbps
    Max Bit Rate: 30mbps
    Unless someone tells me that I should raise these settings higher for better quality output (if the project size allows of course) these are what I've been using to get maximum quality out of my videos without jepordizing playback due to bit rate max for each media (which I think I read was 10mb and 40 or 50mbps respectively. I was just thrown by the minimum bit rate description above.
    Thank you in advance for your help!

    The whole notion of a minimum bitrate is crazy unless you have specific broadcast requirements that require you to pad out video to keep the connection alive.
    If the encoder can express the image with zero loss in less than the minimum bitrate why would you pad it with zeros to get the bitrate high enough to meet the min?
    The idea of a nominal/average bitrate is easy to understand.
    The Maximum bitrate is often misunderstood though.
    On some encoders the max rate sets the wiggle room (max - average) that can be used if there is a burst of required information.
    On other encoders it sets the maximum rate at which the video buffer is allowed to fill as per the specifications. eg Blu-ray is capped at 40Mbps. The Video encode itself MAY EXCEED THAT 40Mbps for a split second but will only LOAD into the video buffer at up to 40Mbps.
    For example, if you set constant bitrate at 20Mbps and no Maximum rate when the video first starts loading from the blu-ray disc to the video buffer it loads faster than the blu-ray maximum of 40Mbps. Thus you MUST have a maximum rate defined (for blu-ray compliance) even though it's a constant bitrate. Some encoders do this for you but some leave it up to the user to get right (and thus should provide a max slider and constant slider to set both).
    Jeff- absolutely agree. It's very rare that you need to use all 40Mbps available to you. 20 and 30 can look great (depending on the detail in the sceen and how much motion there is).
    VBR 2-pass does have value if you're trying to get down to lower rates like 10Mbps to fit a long title on a disc. If you don't action shots with sceen cuts will leave artifacts as they are bit starved.
    I'm actually a big fan of Constant _Quality_ (CQ) vs CBR or VBR. You then know what quality you're going to get on every frame and from experience will know how big it will come out to be. CQ is also considerably faster to render because you have no rate control computations to do. x264pro has a CQ option for this very reason.
    hope that helps.

  • Controlling output video bit rate in FCPX

    I ran into a problem: I created a mp4 file with Share/Export File… (settings: Computer, H.264 Faster Encode, 1920x1080 - edited from an HD camera): its video always freezes at a definite point when played on my BD Player connected to my HDTV through HDMI (audio instead continues on the frozen image).
    It seem that the issue is a sudden video bit rate pick of almost 50 Mbps while its average is around 20-30 Mbps. It is not clear to me if this freeze is caused by the BD Player or by the HDTV not being able to handle such pick.
    As a test I used Compressor to control the output bit rate (settings: average 20 Mbps and pick 25 Mbps) and this seems to fix the problem. To be more certain I should do more tests, but I'm confident I found a possible solution.
    I'd like to know if there is a way in FCPX to control such picks (without using Compressor), either in the Share commands (but it seems to me that they don't provide enough setting controls) or in the timeline. By watching the Video Scopes I can see a quite strong signal in the area where the output file has the bit rate pick. But I don't know any way to have a measure useful to identify them before sharing and avoid a trial and error approach...
    Piero
    Below the critical point...

    Tried to upload a PDF instead of PNG, but no luck. The picture shows a quite standard (I'd say...) image but with highly dense graphic of Y' component in the Y'CbCr Parade (in the limits of 0-100 IRE): much more dense than most images in the rest of the movie. So I assume this might mean a higher bit rate... but it's just an assumption.
    Let me summarize my tests:
    1st test: FCPX: Share/Export File.. (settings: Computer, H.264 Faster Encode, 1920x1080)
    - copied the .mp4 file to USB drive
    - USB drive into a BD player connected to HDTV through HDMI >> freezing effect
    2nd test: FCPX: Send to Compressor - Compressor: Create Blu-Ray Disk (on Hard Drive) and Video Job with standard Video settings (Automatically select bit rates = ON)
    - Played the .img disk with "Mac Blu-Ray Player" on my iMac >> same freezing effect in same position as before on HDTV
    3rd test: FCPX: Send to Compressor - Compressor: Create Blu-Ray Disk (on Hard Drive) and Video Job with customized Video settings: Automatically select bit rates = OFF - Average = 20 Mbps - Maximum = 25 Mbps
    - Played the .img disk with "Mac Blu-Ray Player" on my iMac >> NO MORE freezing effect (and smaller file by 30%)
    I might do more tests (mainly on my HDTV) but I believe the point is the bit rate... and the only way to control it is by using Compressor.
    So now my question: is there a color setting that helps in controlling such situation ? e.g. lower saturation, or lower exposure, maybe in mid tones or highlights, or what ?
    Thanks so much for your help
    Piero

  • Bit Depth and Bit Rate

    I have a pre recorded mp3 VO. I placed it into a track bed in GB. Clients wants a compressed audio file with bit depth: 16 bit and bitrate: 128kps max, but recommends 96kbps. If I need to adjust the bit depth and bite rate, can I do it in GB? and if so, where? Thanks for any help.

    Please be aware that Bit Depth and Bit Rate are two completely different things!
    They belong to a group of buzz words that belong to Digital Audio and that is the field we are dealing with when using GarageBand or any other DAW. Some of those terms pop up even in iTunes.
    Digital Audio
    To better understand what they are and what they mean, here is a little background information.
    Whenever dealing with Digital Audio, you have to be aware of two steps, that convert an analog audio signal into a digital audio signal. These magic black boxes are called ADC (Analog Digital Converter) and “on the way back”, DAC (Digital Analog Converter).
    Step One: Sampling
    The analog audio (in the form of an electric signal like from an electric guitar) is represented by a waveform. The electric signal (voltage) changes up and down in a specific form that represents the “sound” of the audio signal. While the audio signal is “playing”, the converter measure the voltage every now and then. These are like “snapshots” or samples, taken at a specific time. These specific time intervals are determined by a “Rate”, it tells you how often per seconds something happens. The unit is Hertz [Hz] defined as “how often per seconds” or “1/s”. A Sample Rate of 48kHz means that the converter takes 48,000 Samples per second.
    Step Two: Quantize (or digitize)
    All these Samples are still analog, for example, 1.6Volt, -0.3Volt, etc. But this analog value now has to be converted into a digital form of 1s and 0s.This is done similar to quantizing a note in GarageBand. The value (i.e. the note) cannot have any position, it  has to be placed on a grid with specific values (i.e. 1/16 notes). The converter does a similar thing. It provides a grid of available numbers that the original measured Sample has to be rounded to (like when a note get shifted in GarageBand by the quantize command). This grid, the amount of available numbers, is called the Bit Depth. Other terms like Resolution or Sample Size are also used. A Bit Depth of 16bit allows for 65,535 possible values.
    So the two parameters that describe the quality of an Digital Audio Signal are the Sample Rate (“how often”) and the Bit Depth (“how fine of a resolution”). The very simplified rule of thumb is, the higher the Sample Rate, the higher the possible frequency, and the higher the Bit Depth, the higher the possible dynamic.
    Uncompressed Digital Audio vs. Compressed Digital Audio
    So far I haven’t mentioned the “Bit Rate” yet. There is a simple formula that describes the Bit Rate as the product of Sampel Rate and Bit Depth: Sample Rate * Bit Depth = Bit Rate. However, Bit Depth and how it is used (and often misused and misunderstood) has to do with Compressed Digital Audio.
    Compressed Digital Audio
    First of all, this has nothing to do with a compressor plugin that you use in GarageBand. When talking about compressed digital audio, we talk about data compression. This is a special form how to encode data to make the size of the data set smaller. This is the fascinating field of “perceptual coding” that uses psychoacoustic models to achieve that data compression. Some smart scientists found out that you can throw away some data in a digital audio signal and you wouldn’t even notice it, the audio would still sound the same (or almost the same). This is similar to a movie set. If you shoot a scene on a street, then you only need the facade of the buildings and not necessary the whole building.
    Although the Sample Rate is also a parameter of uncompressed digital audio, the Bit Depth is not. Instead, here is the Bit Rate used. The Bit Rate tells the encoder the maximum amount of bits it can produce per second. This determines how much data it has to throw away in order to stay inside that limit. An mp3 file (which is a compressed audio format) with a Bit Rate of 128kbit/s delivers a decent audio quality. Raising the Bit Rate to 256bit/s would increase the sound quality. AAC (which is technically an mp4 format) uses a better encoding algorithm. If this encoder is set to 128kbit/s, it produces a better audio quality because it is smarter to know which bits to throw away and which one to keep.
    Conclusion
    Whenever you are dealing with uncompressed audio (aiff, wav), the two quality parameters are Sample Rate [kHz] and Bit Depth [bit] (aka Resolution, aka Bit Size)
    Whenever you are dealing with compressed audio (mp3, AAC), the two quality parameters are Sample Rate [kHz] and Bit Rate [kbit/s]
    If you look at the Export Dialog Window in GarageBand, you can see that the Quality popup menu is different for mp3/AAC and AIFF. Hopefully you will now understand why.
    Hope that helps
    Edgar Rothermich
    http://DingDingMusic.com/Manuals/
    'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

  • HT204406 how do I download higher bit rate songs from itunes match to replace the lower bit rate I have on my itunes library?

    I have itunes match and I have about 500 songs that were ripped at 128kbps. I have been tolf that I can replace them via itunes match to improve them to 256 or 320?
    I have put them into a playlist in my itunes library and I want to know how I can upgrade their bit rate via itunes match. Can anyone help me?

    Sid,
    With the device connected, click the Summary tab and you will see the "Convert higher bit rate..." option.  Set it to 128.  See picture below:

  • HT1535 How do i convert higher bit rate songs to 128 kbps AAC

    I am trying to sync selected songs to my Iphone 5 from my itunes library. I have recently taken my computer to be fixed and all of my music documents were taken off but the files were replaced shorty after. I re-downloaded itunes and it is up to date. My iphone is also on the ios 7.0.4. Whenever i plug my phone in to be synced it never goes past the "waiting for changes to be applied" step. While my phone was still connected i went to the "On this iphone" tab and clicked the autofill button and a message came up that said i must convert higher bit rate songs to 128 kbps ACC to allow the songs to be copied to my iphone. How do i do this? Also, once this is done will it solve my problem with transfeering my songs from my library to my iphone?

    Sid,
    With the device connected, click the Summary tab and you will see the "Convert higher bit rate..." option.  Set it to 128.  See picture below:

  • Trying to make MPEG2 HD 422 Transport stream at constant bit rate

    I am trying to make a Compressor Preset to make MPEG2 HD 422 Transport stream 1920x1080i with a Constant Bit Rate of 15 Mbps and Open GOP structure . but  when I select MPEG transport stream I can't make it a Constant Bit Rate and the GOP structure is set to Closed and "Grayed Out"
    I am making files for our Playout Server and this is the specs requested by the manufacturer.
    Is there a way to make this setting or do I just need to go to Adobe Media Encoder?

    K47MU-D wrote:
    Is there a way to make this setting or do I just need to go to Adobe Media Encoder?
    Media Encoder is a very good choice for what you need to do.
    Other than bit rate, Compressor offers very little in the way of adjustments to their presets for program streams and transport stream.
    Good luck.
    Russ

  • Maximum Bit Rate help

    I have been trying to find the best bit rate settings to display from a USB drive on an Xbox 360 or PS3.  I found the recommended settings but the maximum bit rate that I set it at, is always exceeded during playback.
    For example if I am using the h.264 codec with the bit rate settings of VBR and the maximum bit rate set for 10 Mbps, my bit rate will always spike way higher then 10 Mbps during scenes with more movement.  A scene where I'm pointing my camera out of a moving car with houses going by displayed a bit rate of 38.8.  In case anyone is wondering I use the bit rate counter on my PS3 to find the bit rate at any give time.
    Now When the bit rate spiked at 38.8 for that scene, it dipslayed fine on my PS3, but when played back on my Xbox it stutters a little at that moment. 
    If I use a CBR of 10 Mbps the bit rate still goes quite a bit over 10 Mbps but didn't approach 40 Mbps like it does when using a variable bit rate.  When using a CBR it played back flawlessly on both devices but there was a little drop in quality.
    Is there something I am doing wrong or is this just how it works?  I assumed the target bit rate is what you are shooting for and the maximum bit rate would never be exceeded.  Is that not the case?

    I took that it could be inaccurate in to consideration but when I play a blu-ray back the bit rate usually fluctuates between 25-35 Mbps so I assumed the readings were pretty accurate. 
    I'll try the VLC player as you suggested when I get home.  Does it show you the bit rate during playback, the average bit rate, or what?
    Also if I set my maximum bit rate to 10 Mbps should it never exceed that?

  • What are the best data and bit rate setting for uploading from final cut express to Youtube?

    Can anyone suggest the best data rate and bit rate presets for uploading footage from final cut express 4 to Youtube? What settings will provide the best resolution, quality, and match the current youtube requirements?
    Thank you in advance for your help,
    Susan Kayne

    It depends on whether you are using aspect ratios of 4:3 or 16:9.
    Below is some simple guidance that will provide good quality with reasonably small file sizes.
    The first part is for 4:3 video:-
    1. File>Export Using QT Conversion.
    2. The "Format" window should say, "QT Movie".
    3. In "Use" select "LAN/Intranet" from the dropdown menu.
    4. Click "Save" and when it has finished encoding, upload it to YouTube.
    If you are making 16:9 video (Standard or High Definition) do steps 1 to 3 above.
    Then when you have selected "LAN/Intranet" press the "Options" button and in the new
    window that opens press the  "Size"  button and change the  "640x480" to  "853x480"
    To do this you will have to click on the  640x480 and a dropdown menu appears.
    Select "Custom" from  the bottom of the menu and in the window that opens
    you will see 2 boxes.
    Put  853  in the first box and  480  in the second.
    Click OK.
    Then Save it.

  • Can no longer change bit rate in AAC custom import setting

    I want to change personal settings of AAC, but I can't. Still only the last setting, that was 192 Kbps Stereo. My iTunes version is 10.7

    Hi, Ed. I am running iTunes 9.0.3.15. When I click custom, the settings description in the details box display what they were before this thing happened = 112 kbps (mono)/224 kbps (stereo), VBR, optimized for MMX/SSE2. The pop-up dialogue box that used to appear (where you could choose the specific bit rate from the drop down menu) does not appear at all.
    However, when I choose anything other than AAC Encoder, and then pick custom, the pop-up box appears and I can choose the bit rate and adjust the other settings as usual. It's just not happening for AAC Encoder anymore. Since the total un-install (following Apple's specified order) and reinstall didn't work, I'm baffled how to fix this .... (If it makes a difference, I changed the bit rate in the custom box while a CD was being burned...Apparently that was stupid, but I had done it previously without incident.) Thanks.

  • What is the maximum bit rate for a short NTSC standard def DVD?

    I have about 30 minutes of content from FCP that I want to put on a DVD.
    At first I tried iDVD and had problems with burning (although I did somehow make one DVD). So I built the project on DVD SP and made a DVD. However, the iDVD version looked much better. I checked out the file sizes and saw that there was 2 gigs on iDVD and only 1.6 DVD SP. Then I discovered the encoding options on DVD SP and I was curious what is the recommended average and maximum bit rate should be for the highest quality, yet still works in most DVD players?
    Thanks.

    DVD Bandwidth
    The rate is not based on running time.
    Some thoughts on rates
    7.2 - 8.0 seems to be the general consensus for discs from computers. I play more conservative for the reasson listed in that link

  • Compressor:  setting max bit rate for VBR audio

    Hi,
    I am using Compressor 3 to transcode DV to H.264.  I want to encode the audio to AAC VBR wtih a max bitrate of 256.  Under the Settings tab, under audio, for VBR there is a slider from good to best.  what does this mean in terms of max bit rates?  How can you use this slider in a meaninful way?
    There is a setting for Average Bit Rate, where you can select a value.  do we konw what the max bit rate would be?
    thanks
    dan

    Good question about the slider…and I really don't know the answer. Why don't you try a test: crank it to one extreme and then the other with a representative source file and see what impact it actually makes on the properties of the respective output files.
    Good luck.
    Russ

  • Maximum bit rate iTunes/iPad

    I am creating movies with Adobe Encore. Format is H.264 720p.
    Encore doesn't have a preset for iPad. After the movie is created I drag it into iTunes (no problem), then I try to sync the iPad and get the message "movie was not transferred to iPad because it cannot be played in this iPad".
    What is the maximum bit rate that can be used?
    Thanks.

    It seems to vary depending upon the specific format used. The iPad tech specs for video:
    - H.264 video up to 720p, 30 frames per second, Main Profile level 3.1 with AAC-LC audio up to 160 Kbps per channel, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats;
    - MPEG-4 video, up to 2.5 Mbps, 640 by 480 pixels, 30 frames per second, Simple Profile with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats;
    - Motion JPEG (M-JPEG) up to 35 Mbps, 1280 by 720 pixels, 30 frames per second, audio in ulaw, PCM stereo audio in .avi file format
    Note the "up to 2.5 Mbps" for MPEG-4 and "up to 35 Mbps" for M-JPEG

  • How to set the Codec, Frame rate, Bit rate, and Resolution for iMovie 10.0.5

    To upload a video to Vimeo, I need to be able to set the codec, frame rate, bit rate and resolution to make sure the file is compressed to under 500 MB. Where in iMovie 10.0.5 am I given the option to adjust these settings?
    Thank you!

    Another question is in continuous mode, NI DAQmx uses Samples per channel to determine the buffer size. But according to the website you specified, it says if the acquisition is continuous (sample mode on the DAQmx Timing.vi is set to Continuous Samples), NI-DAQmx will allocate a buffer according to the following table. And for sample rate between 100 - 10,000 S/s, the buffer size is 10 kS. So if I set the sample rate to be 5000 S/s, and set the Samples per channel to be 20000, then what exactly the buffer size is? 20 kS or 10 kS?
    Thanks.

  • How to set bit rate of audio and video

    I want to set the bit rate of audio and video (48,96.128 kbps) at the time of live streaming . i m not using the flash media live encoder because i have to make it as web applicaton. can any one tell me how to set bit rate.

    When you're using Flash Player to capture and encode video, your only control is Camera.setQuality():
    http://help.adobe.com/en_US/AS3LCR/Flash_10.0/flash/media/Camera.html#setQuality()
    Jody

Maybe you are looking for

  • Open Pages doc from server by two persons !!!

    Hi, We have noticed that you can open a pages doc from a Apple MAcOS X Server from two diffrent persons, what wil result in not saving any data. Normal you CAN'T open a file that s already open ... !! This is a really big risk .. ? What to do about t

  • Music from new Mac to my iPhone

    I have a new mac, the problem is that I cannot link my iPhone with my new Mac. I should synchronize my iPhone. But it still doesn't work.

  • Problem with the cursors in PSE9 editors

    I'm using Windows 7 and installed PSE9 (internet purchase from Adobe).  In each of the editing modes I get three very small cursor icons (hands, crop icons etc) side by side.  That makes editing very difficult.  I've tried uninstalling and resinstall

  • Copying a user account

    Is it possible to copy a user account on my MacBook Pro? What i want to do is actually change the shortname, but that appears to be overly complex. Can I instead just copy a user account to a new one i create? Andrew

  • HT4859 How to get back my all application from iTunes to my new iOS6

    Hi, I have just update my iphone 4 ios5 to ios6, but in that I dont know I am not able to see any of old applications, and I am not able to see my backup, could anybody tell me how to get it back to my new ios6 all those applications and musics etc,