Black Point Compensation, more detail on what's happening?

Photoshop help doesn't explain much about black point compensation.  Can someone provide a complete explanation?  I am particularly interested in knowing if the black point is being chosen from the image's source and destination ICC profiles, from the image data itself, or a combination of both.  Once the black point(s) are determined, what adjustments are done?
Thanks,
-Chris.

A fair bit has been published online on the subject...
Andrew Rodney did a decent job with it...  http://thedigitaldog.com/files/Black_Point_Compensation.pdf
-Noel

Similar Messages

  • Adobe CMM Black Point Compensation

    Hello list members,
    I have been trying out the Adobe CMM in combination with Adobe Photoshop.
    By testing the Black Point Compensation (BPC) preferences, I get strange
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    The discussion started on the ColorSync users group and is still going on there,
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    Off On BPC taking place OK
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    Any feedbacks are welcomed.
    Regards
    Rolf Gierling

    In rare cases using Black Point Compensation can cause unacceptable results and the effect is usually washed out detail in the very dark regions of the final image. In our experience this problem usually rears its ugly head with some RGB output profiles.
    Adobe recommends, and we agree, that in almost all cases, Black Point Compensation should be on when dealing with CMYK files (doing
    RGB to CMYK conversions or CMYK to CMYK conversions). In most cases, doing RGB to RGB conversions without Black Point Compensation will produce desirable prints. However, depending on the profile, doing a conversion from RGB to RGB with Black Point Compensation can produce
    poor output with washed out blacks.
    It appears that this problem with some RGB profiles is dependent
    on the software that is used to generate the profile. Apparently there is a Black Tag feature in ICC profiles that in some cases can be used or unused depending on the software that actually creates the profile. For this reason, there is no hard and fast rule that says we should or should not use Black Point Compensation with RGB output. Our recommendation is to turn off Black Point Compensation with RGB output profiles or if possible, try a test with Black Point Compensation
    on and off.
    There is one other case where you may want to turn off Black Point Compensation. When you want to soft proof output for a printer that has a low dynamic range like newspaper, where the blacks are
    usually not very dense. By turning off the Black Point Compensation, the soft proof is more accurate in predicating the effect of this low dynamic range. Black Point Compensation should be turned off
    in the CMYK Set-Up. You can view full information for this problem source www.digitaldog.net/files/Black_Point_Compensation.pdf
    Sincerely, Shair

  • Black point compensation

    I have a problem with Black Point Compensation in the print dialog when printing my book pages. It almost seems that the on/off toggle is reversed. I usually have BPC on when printing in Photoshop and I can preview its effect there. I use Relative Colorimetric rendering and having BPC on is invariably better. When previewing the effect in Aperture's print dialog window on the other hand I seem to pretty much get the reverse of what I see in the Photoshop preview. In other words now having BPC turned off not only looks better in the preview, it's also better in the actual print. Has anyone encountered this? Is this a possible bug?

    Hi Markus,
    Not quite - what the article shows is that BPC is generally a good choice if you are moving from a color space or range of colors in your image (Adobe RGB, for example) that are greater than those in the destination space (nearly any print device) because it keeps the tonal range of the shadows in the image correctly related to each other by mapping the blackest black in your image to the blackest black possible on your output device then shifts the other blacks relatively. As John Nate says:
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    However, if you then have a situation where you have an image that has a very restricted black tonal range - an image that has already been prepared for newsprint, for example - and convert it to another space - Adobe RGB, for example - then instead of mapping the image accurately as it would appear in newsprint, BPC over-compensates and shifts the washed-out blacks of the 'correct' newsprint image to the deep blacks possible in Adobe RGB. So, if you are trying to get an accurate on-screen or inkjet proof from the newsprint-ready image, BPC will mess things up.
    In short, most of the time when you are moving from sRGB or Adobe RGB etc. to inkjet or print, you can fairly safely leave it on. When you are dealing with images already converted to CMYK, and you want to maintain their appearance as it will be seen on print, it is best to leave it off.
    Powerbook, Mac Mini (Intel)   Mac OS X (10.4.8)  
    Powerbook, Mac Mini (Intel)   Mac OS X (10.4.8)  

  • Black Point Compensation for JPEG export?

    Hiya,
    I'd like to print photos via the web, and therefore want to export the photos as JPEGs. I just checked the options in the export preset panel, and realised that one can select "Black Point Compensation" as an option for the export.
    Does anyone have any experience with this setting? Should one use it, if one doesn't know the printer in use?
    Thanks in advance for any feedback.
    Regards,
    Stephan

    Stephan,
    I'd like to print photos via the web, and therefore
    want to export the photos as JPEGs. I just checked
    the options in the export preset panel, and realised
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    Does anyone have any experience with this setting?
    It's a fairly reliable fix if your test prints come back with murky shadows.
    Should one use it, if one doesn't know the printer in
    use?
    I don't know of a good way to optimize files for unknown printers. I'd recommend getting a profile for the printer/paper combo used by your lab and soft-proofing on your Mac. Have you calibrated your screen, etc.?
    The soft proof will get you in the ballpark. Definitely order small (8x10 or so) test print before laying out long green for a poster-sized one.
    Cheers,
    Andreas

  • Black point compensation for onscreen proofing

    Hi there,
    In Aperture, is there any way to turn Black point compensation on for onscreen proofing (i.e. not using the export procedure, where this actually is available)? This option is available in Photoshop, for example.

    Stephan,
    I'd like to print photos via the web, and therefore
    want to export the photos as JPEGs. I just checked
    the options in the export preset panel, and realised
    that one can select "Black Point Compensation" as an
    option for the export.
    Does anyone have any experience with this setting?
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    Should one use it, if one doesn't know the printer in
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    I don't know of a good way to optimize files for unknown printers. I'd recommend getting a profile for the printer/paper combo used by your lab and soft-proofing on your Mac. Have you calibrated your screen, etc.?
    The soft proof will get you in the ballpark. Definitely order small (8x10 or so) test print before laying out long green for a poster-sized one.
    Cheers,
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