Blackmagic Intensity 24p Monitoring

I'm looking for a low-cost way to monitor HD and the Blackmagic Intensity card seems almost too good to be true. The thing I can't figure out is how it works with 24p timelines. I know that it doesn't capture or output 24p, but neither does my DV deck and I'm perfectly happy monitoring with pulldown added. If I were editing, say, DVCPro HD at 23.98 fps, would FCP or the Intensity card be able to add realtime pulldown on playback?

That would work fine. DVCPRO HD 23.98 is sent out over a 59.94 signal (you choose DVCPRO HD 8 bit 59.94 in the VIEW>VIDEO PLAYBACK option)...so pulldown is added.
Shane

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Lag with Blackmagic Intensity Pro

I just got Adobe Prod. Premium CS6 as well as a Blackmagic Intensity Pro monitoring card and an eVGA GTX570 graphics card, and to avoid problems, I did a new Windows installation from scratch on a formatted drive. This was done today, so all the drivers and program updates are completely up to date.
I know the Intensity Pro is about the cheapest card you can get to preview video correctly on a TV set, since graphics cards don't display video in the same way as a dedicated editing card does, so I'm still happy with it, but I would like to find it if I can get around this annoyance until I can get a better card, or if perhaps it's a flaw in Premiere and a more expensive card would not make a difference.
The card has about 200 miliseconds of lag compared to the program monitor in the Premiere window. This is not really terrible, but it becomes distracting when watching the TV screen and the change of frame in a cut happens first in the computer monitor in a small window within Premiere, and a fraction of a second later on the TV screen. Also, it makes it difficult when I have to sync cuts to changes in the music. I guess in that type of situation it would be better to do the cuts on the computer monitor and then switch to the TV set for color correction.
But this is not just in regular playback. It gets worse when scrubbing the timeline, or moving with JKL. In those cases, sometimes it takes it like a second to catch up to what I see on the program monitor.
I also have a GrassValley HD Spark monitoring card for Edius that while it has a little lag, it's much shorter than this and it's not so distracting. That card was connected using the same cable to the same TV set, so that tells me the Intensity Pro has some extra lag, but it's hard to complain about it on a $190 card. However, I was wondering if anyone here has found themselves in the same problem and found a solution? I searched but so far I couldn't find anything.
And as far as these type of cards, what is the least expensive one that will give me perfect preview with no lag?

Thanks, I might try that one, although it's a bit over my budget at $660.25, but I'll have to if I don't have a choice.
What about the Matrox MXO2 Mini, has anybody tried it?
About turning off MPE GPU's acceleration, that is not an option for me. I'm used to edit in Edius, where almost everything you do is real time and you barely have to render anything ever for previewing purposes, and Edius doesn't even require an expensive Nvidia card for that, it only uses the CPU. But, it lacks several features Premiere CS6 has, especially when it comes to artistic effects. Overall I'm really hooked up on Premiere CS6, but only if I can have the same fluidness of work I always had with Edius, so I wouldn't turning off MPE. That's why I spent $280 in a new graphics card.
I really hope that this is just a matter of the BM Intensity being a cheap card and not Premiere, because this past couple of days I've been editing almost all day and while I enjoyed the editing process in Premiere, it's very frustrating to start playback and sometimes it will be fine but other times the audio and video will be out of sync, so I have to position the playhead back and start playing again. When that happens half the times you play something, it's really annoying. This is regardless of real time areas or not. To make sure of this, I forced render of an area that had no effects on it and it still has the sync problem. I had to disable auto playback after rendering because that would cause the problem every time, while if I position the playhead manually and then hit play, sometimes it happens, sometimes it doesn't.

SpeedGrade 2014.2 will not send output via BlackMagic Intensity Pro HDMI to my external monitor.

I occasionally can get a few pixels near the left side of the monitor, and 2014.1 would display the lower half of the frame, but now, after the 2014.2 update, I can't even get that much. Premiere is monitoring perfectly. Any suggestions welcome!

I am having the same problem. I am on Speedgrade version 2014.1 currently and it won't output to either of the monitors I've tried. Both are connected via HDMI.
One is a 22' ASUS monitor, which reads "Out of Range" when I connect it to my blackmagic Intensity Pro output. From what I've read this has to do with the frame size coming out of SP being too large for the monitor.
Next I tried to output to a 50' HD TV. I don't get the "Out of Range" message on this one, instead the monitor is black with an occasional flicker when I hover over a clip or an option in Speedgrade. By flicker I mean the screen flashes a garbled purple mess for less than a second, then goes black again.
I'm running the Creative Cloud Suite on a Mid 2012 Mac Desktop with a 2 x 2.66 GHz 6-Core Intel Xeon processor, 52GB of RAM, and ATI Radeon HD 5770 1024 MB graphics card. OSX version 10.8.5.
Been waiting for this capability for a while, any advice would be much appreciated.
Thanks!
Josh

Getting Blackmagic Intensity to display 16:9 on 4:3 monitor & other questio

Hi,
I have a Blackmagic Intensity Pro card I have set up for use with FCP. It is connected to a 4:3 monitor. I am mainly working on 16:0 projects and they are coming out stretched to fill whole monitor. I used to use it with Sony Vegas and it put black borders top/bottom so the 16:9 image was not stretched. Is there a way of setting this up on FCP or in Mac Settings?
Also If I set Blackmagic as Video preview I seem to have to use it as Audio also, not a big problem but is there a way around this?
Relating to above is there a way of getting Mac OS to use Blackmagic card as default audio device?
Regards,
Ben
Ben

It's not set in FCP... use the Pref Panel in System Preferences
System Preferences>Blackmagic>Processing>Select output processing...
Patrick

Blackmagic Intensity Pro is on the fritz

So, I just put together a nice new rig: new Mac Pro (see specs), 20" Cinema Display, FCP Studio 2, etc, and a Blackmagic Intensity Pro. I got the Blackmagic card so I can monitor HD footage on a 32" LG 1080p Flat-Panel LCD HDTV (32 LG70) . I've installed the Blackmagic Intensity pro, updated its drivers, and connected it to the LG via the most expensive Monster Cable HDMI/HDMI available.
My current FCP project uses HDV 1080i60 footage. I have chosen the Intensity HDTV 1080i 59.94 - HDV Easy Setup in FCP. Here is the problem: Sometimes the audio/video signal reaches the LG, and sometimes it doesn't. Whether it works or not doesn't seem to correspond to anything. It works one day, the next it doesn't--when no settings have changed. When it does not work, I get one of two messages on the blank LG screen: "Invalid Format" or "No Signal."
The only way to ensure that the signal reaches the LG is to open the computer's system settings, and under the Intensity option, where it says"Select Output Processing," choose one of the downconvert options. I can then monitor my footage, but in a crappy, downconverted state.
I've tried uninstalling and reinstalling the Blackmagic Intensity Pro's drivers multiple times, with no success. I've tested the card by connecting it to a smaller Samsung monitor, with no success. I've tried tweaking the settings in FCP, checking the HDMI connection, using different HDMI inputs on the LG, and so on and so forth for the past 48 hours. I have no clue what to do at this point. I'm basically at the mercy of this Blackmagic card that sometimes, for no apparent reason, kicks in and works, but mostly dysfunctions. Any help would be greatly appreciated, especially as Blackmagic support is closed on the weekends. Thanks.

Brad - the good news is that with some tweaking - you can get it to work.
The bad news is that it is very temperamental.
I've found that I can always get it to output 1920 x 1080 24p if I select 'capture now' with a video camera connected to HDMI input.
Sometimes, just doing that without one connected, will do the trick. Had to close FCP and then open it again.
Sometimes a reboot would 'fix' things.
Sometimes, I'd want to sacrifice a chicken and do a dance.
Lately, it has surprised me, and just worked.
If you play with Motion, you'll find that you may need to change from 59.94 the nearest other resolution (maybe 50i? I'm doing a backup now so can't look).
And Motion will play perfectly, and then all of a sudden, it will want 59.94 to synch.
I tried 4 different HDMI monitors, and a 40' Sharp HTMI TV. Was messed up the same way with ALL of them.
I tried an HDMI switch, didn't help.
I tried swapping out the card for a new one from Black Magic, zero change.
Try yelling at their tech support. They really should fix this. They would deny to me that 1080 24p would even work, very frustrating. Tech support has not been much help, and doesn't seem to be very aware of what's going on. I had to send them a small file to show them it would play it. Must be some higher level folks at their company somewhere.
They could sell a lot more if they'd enable color calibration on it - and they could do this as drivers are about the same as for their DecLink (one tech even said there was a way to do this, get DecLink drivers to work, but he wouldn't tell me, I'd love to find out how).
Good Luck!

Soundtrack Pro with Blackmagic Intensity Pro Card

Hi
Just wondering if anyone was using STP with the Blackmagic Intensity Pro card to monitor video on a TV?
If so, whta are your experiences and especially does STP allow you to continue using your selected audio device (MOTU Ultralite over Firewire for me) while viewing your Quicktimes on the TV.
Thanks in advance
Gavin
gavin little
echolab
dublin, ireland
http://www.echolab.tv/
http://www.imdb.com/name/nm1962022/

Hey Bill
Thanks for getting back so quick! No, I've checked the audio/midi and the default audio device is my MOTU Ultralite firewire interface - even when the default output is set to the mac's internal speaker, once you select the external video it mutes the output.
I can still see levels withing STP as if the audio is playing. There is an official Apple Support document about audio not working when you are using external video to firewire and it says that it is a bug that can be bypassed by setting your bus to surround (1-6) instead of stereo (1-2) but this has no effect for me )-:
Would love to know if it works for you! and if so, what way you have things configured
Thanks
gavin little
echolab
dublin, ireland
http://www.echolab.tv/
http://www.imdb.com/name/nm1962022/

Premiere Pro with Blackmagic Intensity Pro; Importer

I'm using a Blackmagic Intensity Pro with Premiere Pro. I don't Import anything with it directly, i just use it to preview my timeline on a seperate monitor.
The issue I have is when I try to import a AVI-file to my project
before I had the Intensity Pro, Premiere would input the file as a Microsoft AVI and it worked perfectly.
But now the exact same file is imported as a Blackmagic AVI-file. now I am experiencing green bars in my video and the color information is totally screwed up.
So my question is: can I deactivate or change the Import-settings of Premiere, without to remove the Card completely (turn PC off, remove card, turn back on...)?

Ok, my workflow is:
I'm importing a video file from my hard drive via double-click or drag'n'drop. i don't capture from a video source with the intensity pro!
the specs of the video file according to premiere are:
Type: Blackmagic AVI File
File Size: 1,7 GB
Image Size: 1024 x 768
Frame Rate: 18,00
Source Audio Format: 48000 Hz - 16 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00;15;18;28
Average Data Rate: 1,9 MB / second
Pixel Aspect Ratio: 1,0
############### BMD Importer Supplemental ###############
AVI File Details:
Timecode:
Reel name: ''
User timecode:
Alternative reel name: ''
Contains 1 video track(s) and 1 audio track(s).
Interleave: 1 : 1.00 (conforming required)
Video Track 1:
Size is 1.49G bytes (average frame = 94.18K bytes)
There are 16541 keyframes.
Frame rate is: 18.0000 fps
Frame size is: 1024 x 768
Video format is 'MJPG' 422 8-bit ITU-R 709
Audio Track 2:
Size is: 168.2637M bytes
Rate is: 48000 samples/sec
Sample size is: 16 bits
I've tried importing the video file at a friend's pc with premiere pro 5.5 and there the file works just fine. so I'm assuming that it has to do with the intensity pro...
It has the same properties execpt under Type there is "Microsoft AVI File" and everything beneath Pixel Aspect Ratio isn't there.
Thanks

Anyone using Blackmagic Intensity Pro with Premiere CS4

I've looked through the threads and have seen similar postings, but no real good answers. Is anyone using Blackmagic Intensity Pro to viiew timeline on a HDTV using the HDMI connector?
I purchasedf the Intensity Pro and can't get it to work with CS4. Any assistance would be appreciated.

If you're using a Core i7 processor, one of the problems might be with the motherboard. There's only one Intel board that BM has approved (sorry, don't have the model in front of me -- on a piece of scratch paper in my wife's car).
I'm looking to build a new system myself and have been looking at the Intensity Pro card as well. The main feature I'm looking for is real-time preview and program output to an HD monitor that I'd hook up via HDMI. I probably also would use it to capture analog sources for audio and video. I don't have any interest in BM's lossless data capture as it creates monster-sized files. That's why I was also planning to add Cineform once it's fully approved and working for CS4. However, as best as I can tell, the Intensity Pro card doesn't recognize the Cineform codec on the timeline. Does anyone know if and how well these two will function together within Premiere? (I'm also assuming that the new 4.1 release might make these types of Premiere add-ons work better.)
Thanks.

Blackmagic Intensity Pro Card - Best Use With HDV

Hello
Given the choice should I use my Blackmagic Intensity card on my Mac Pro to capture HDV footage via HDMI or YUV Component. Or should I stick to firewire.
The card was initially bought for realtime previewing whilst editing HDV footage in FCP. My plans are to connect the card to a 21" LCD monitor via HDMI connections.
One of the Panasonic reps told me to stick with YUV as it does not compress the footage during the transfer stage as much as firewire?
Is this true?

With all due respect, your Panny rep was on crack.
Capturing over Firewire — whether it's DV or HDV — is a raw-data-stream copy from the tape. It's not actually a video operation at all; the signal is in no way changed. It's just copied from the tape directly into your computer.
Going out of your camera or deck via the component analog ports will give you lower-quality results than transferring over Firewire. Whether you can tell the difference depends on what kind of footage you're capturing.
Another point to keep in mind is that HDV is 1440x1080 with non-square pixels. Capturing it either via HDMI or component analog scales the footage to 1920x1080, introducing some softness in the image. This softness is even worse in the chroma channels, since HDV is only 4:2:0 to begin with. It's better by far to keep your footage in its native format throughout the editing process. If you're going back out to an HD digital master or to an HD tape, you can decide whether to scale to 1920 at that point. If you're shooting on HDV to deliver on SD DVD or over the Internet at less-than-full HD resolution, you're better off staying in 1440x1080 forever, never scaling up to 1920, and just doing a single down-scale at the end.

Blackmagic Intensity Pro Output

So I thought that with CS6, pretty much any sequence could ouput via my BlackMagic Intensity Pro, and I didn't have to be in a BM sequence. Well, I have found that I am restricted by resolution and framerate - I have to be in a 720p60 sequence or nothing will output to my TV (which is a 720p TV). This is quite a problem as I am almost exlcusively working in 1080p24 sequences. Am I doing something wrong? Or have I misenterpretted the capabilities? FCP was able to pretty much ouput any seq/frame rate with the card.
-sam

I'm demoing CS6 and had my own thought on this. Let me see if this helps articulate the problem.
The crux of the matter is, in Final Cut Pro as an example, the BM Intensity output is completely independent of whatever sequence settings you use. This has never been possible and is still not possible in Premiere.
In my case, I use an older HD CRT for color correction that only accepts and outputs 1080i and I often edit 23.98 material. The main thing in FCP -- I could always leave my monitor on no matter what I was editing.
In Premiere Pro CS5 and earlier, the framerate output of the Intensity always changes to match the BM sequence. Obvious, yes.
So I knew I had to only use 29.97 Intensity sequences. I knew if I jumped to a BM sequence I would get a normal picture. When I jumped back to a regular, say AVCHD 23.98 sequence for instance, it would shut the Intensity output off. It wasn't ideal, but the output signal was simply controlled by whatever sequence I selected.
Now, because of CS6's new way of outputting video to the Intensity, unless I always only edit in 29.97 or deselect the Intensity output in the menu, I am constantly having to either shut my monitor off myself, or dig down into some submenu to deselect the Intensity output. Honestly, it's a pain.
For me CS6 is a step backwards in video output to the BM Intensity card.

Blackmagic Intensity Pro - Video playback doesnt work

Hi there, I am experiencing some weird issues with Premiere CC and the Blackmagic Intensity Pro card.
I mainly use the card to playback my edit to an HD monitor. This has worked quite well, but as of today it stopped working.
Last time it stopped working I opened a different project (one I knew the card have worked before) to check and it was working. I did nothing and opened the project the card wasnt working and to my surprise it just worked.
Today I am having a problem as I cant make any of the projects work w the card.
It feels it works at random. I would appreciate any help on this.
Working on a Mac Pro Quad Core INtel 3.2GHz
Sequence is Blackmagic Uncompressed 23.97fps
Preferences>Playback - set to Blackmagic
Problem started when I was flipping between headphones and external speaker (to cut my audio). I do not however send audio through the BM card. Always Line out or Headphones.
Thanks in advance for any info.
Pedro

hi,
ihave bought it and am using it with my quadcore g5 2.5 ..
for now i switched back to canopus because its much more stable and not
"touchy" when i jump around in the timeline...
but this may have a lot of other reasons ..
with finalcut its very nice ans stable, i think the drivers have been written
to be compatible with fcp rather than logic.
I wantd to have the picture for an HD Movie in Llogic but now i prfe to have
stability,
bets regards,
andy

Blackmagic Intensity Pro

Hi
I've heard of people using this card with FCP but I was wondering if anyone was using Soundtrack Pro with the Blackmagic Intensity Pro card to monitor video on a TV?
If so, whta are your experiences and especially does STP allow you to continue using your selected audio device (MOTU Ultralite over Firewire for me) while viewing your Quicktimes on the TV.
Thanks in advance
Gavin
gavin little
echolab
dublin, ireland
http://www.echolab.tv/
http://www.imdb.com/name/nm1962022/

Hey Bill
Thanks for getting back so quick! No, I've checked the audio/midi and the default audio device is my MOTU Ultralite firewire interface - even when the default output is set to the mac's internal speaker, once you select the external video it mutes the output.
I can still see levels withing STP as if the audio is playing. There is an official Apple Support document about audio not working when you are using external video to firewire and it says that it is a bug that can be bypassed by setting your bus to surround (1-6) instead of stereo (1-2) but this has no effect for me )-:
Would love to know if it works for you! and if so, what way you have things configured
Thanks
gavin little
echolab
dublin, ireland
http://www.echolab.tv/
http://www.imdb.com/name/nm1962022/

Blackmagic intensity pro card

Hey there,
I'm trying to use the blackmagic intensity pro card to capture some audio out a tascam dat deck but can't seem to get the audio to come in. I've resorted to using a y audio cable to go into the macs input. Seems to be working ok but i would like to use the blackmagic for better quality. My capture preset is set to intensity dv capture with the rca input selected. Any ideas?
Thanks

Here's my situation at work. I have a MacPro ProTools HD workstation that uses the onboard video card to send my desktop to two LCD monitors (lots of pallets, running multiple apps). In order to view the Quicktime file during client sessions, I want to send it (full screen mode) to the 50" plasma that hangs in the room (ie. a third display). I'm using the Blackmagic Intensity Pro card to do this, but it doesn't seem to have "extended desktop" options, even though the sales guy said it did.
My only other option (no other cards seem to work in this config) is to ditch the two LCDS for a single Cinema Display and run the plasma as a second display.
Help!

Blackmagic Intensity Pro Question

I am working on simple tradeshow videos... mostly type and stills. They will be played on Blu Ray. I am building the videos in 1080p. Right now I am viewing the work on the Canvas on my 24" single monitor FCP system. Sure would be nice to better see what I'm doing.
I have a 26" 720p Sony TV available. I'm wondering about buying the Blackmagic Intensity Pro to drive the Sony TV for better viewing. Will this work? Will the Intensity card/720p TV display the 1080p image. Is there a better idea without spending a lot more $$?

It will work - HDMI from the intensity card - you will preview the canvas window at 720p. Not sure if this is while though. I mean, you can simply view your canvas full screen on your 24 inch monitor. So you are not gaining much in terms of size and I am sure the Sony will not be better quality than your Apple display.

Numbered Stills won't preview with Blackmagic Intensity Pro in CS5

I am an animator and I import numbered stills (jpeg) into Premiere. In CS3 I would drag the sequence on to the timeline and then hit "enter" and the animation would render a preview. In CS5 the preview won't render. Instead of a red bar or green bar, there is just a gray bar and the animation plays back very choppy.
I am pretty sure this is because I am using Blackmagic Intensity Pro, but would love to know if there is a solution. The previews render when I choose a "DV" preset instead of "Blackmagic", but of course they don't show on my tv monitor then.
Has anyone come across this problem?
Thanks

There have been quite some posts here about the BM Intensity, but denying it is not uncommon in this business. Look at Dell that refuses to admit that about 12 million of their systems are suffering from faulty, leaking capacitors and die quite often. Around 97% of their Optiplex range is expected to die within three years, due to the Nichicon capacitors used .

Blackmagic Intensity 24p Monitoring

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